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Johnny Flynn talks with Mike White about playing Jacob Hansen (opposite John C. Reilly's Doc) in A Prayer for the Dying, Dara Van Dusen's directorial debut adapted from Stewart O'Nan's novella. Flynn breaks down the challenge of embodying an unreliable narrator — a Civil War veteran whose PTSD warps everything the audience sees through his eyes — and the novella's hidden debt to the Book of Job, which is why he showed up to set in Slovakia with a real, unscripted beard he and Van Dusen eventually agreed on.
Flynn also gets into what drew him to working with a first-time feature director, tracing it back to his experience on Michael Pearce's Beast and explaining why a director who's spent a decade fighting to get a passion project made brings an urgency he finds irresistible. He talks about Van Dusen's path through Poland's famed Łódź Film School (where she met cinematographer Kate McCullough), her decade-long effort to secure the rights to O'Nan's book, and the film's long road from its 2024 shoot to premiering at the Berlin Film Festival.
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Flynn also gets into what drew him to working with a first-time feature director, tracing it back to his experience on Michael Pearce's Beast and explaining why a director who's spent a decade fighting to get a passion project made brings an urgency he finds irresistible. He talks about Van Dusen's path through Poland's famed Łódź Film School (where she met cinematographer Kate McCullough), her decade-long effort to secure the rights to O'Nan's book, and the film's long road from its 2024 shoot to premiering at the Berlin Film Festival.
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.
Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
Get every episode summarized
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