Our Fella Thursday

0:00present the CBS radio network. Hi again everybody. Good evening there. How are you today? Very good. And studio looks great, doesn't it? Wonderful since the paint job you made. Yeah. I don't know how it looks fine. The audience seems to be happy. Everyone's looking forward to a nice quarter hour. Well let's begin today with something somewhat romantic. I guess a new feature from the Violin Ray feature laboratory called Do You Rate a Date? And our contestants are lined up ready to request a date with anyone in the world if and if the mighty big if, if they can convince me that they deserve the date.

1:05Now I'll start with our first contestant. What is your name sir? Alan McLaughlin. Okay, Mr. McLaughlin. Now we'll start off by asking you who you'd like to date and don't forget anywhere in the world. Yes, I know. I know the rules, Bob. All right. Well, here I go. I think I'd like to date Bob Ramiles. All right, Mr. McLaughlin. Mr. McLaughlin? Mr. McLaughlin. McLaughlin. Mr. McLaughlin, you'd like to date Bob Ramiles, but first, who is she and why do you want to date her? Well, she's a TV personality. Is she pretty? Well, six months ago, she was a big fat lady and she'd taken something and now she's skinny and lovely to look at. And I want to find out if it's true or if it's strict photography, who is to fool me. Well, Alan McLaughlin, after having heard your reasons for wanting to date with Bob Ramiles,

2:07I find that it's reason enough. So you call her and say Bob and Ray say you do deserve a date with her. Thank you, Ray. And now our next contestant, the lady on the end there, would you step up, please, man? Well, I've waited for this opportunity a long time, Mr. Elliott. But we're not interested in me, you're best. Vivian Burgess. We're not interested in me, Mr. Vivian Burgess. Now, who would you like to date and don't forget anywhere in the world? You can take your time now. Well, I don't even have to think about it. Good. I'd like to date Charles DeGal. Now, the audience seems to approve of your choiseness, Burgess, but you'll have to convince me that you do deserve the date. Now, why would you like to date with Charles DeGal? Well, he pulled Francis fat out of the fire, didn't he? Well, what if he did, Mr. Burgess? Well, you bet to admire a man for doing something like that.

3:09And I have one, too. I'd like to tell him. Well, Mr. Burgess, I find your reasons for wanting a date with Charles DeGal to be sound- Goal. Be afraid to have a date with Charles DeGal. Now, that's Mr. LA. It asks you, new out there, is it your fate to rate a date? Well, a lovely romantic feature. Two happier people. It's always here at the bottom right. Always gives us such a great warm feeling to be able to accomplish something that we're doing here. We try to do as much good as we can. The engineer is nodding Bob, which would indicate that Wally Blue has called in. No, no, snooping. Wally Blue has called in. And he's up in New Britain, Connecticut, for another remote broadcast. His radio's blonde hair is Wally Blue, winner of 27 picture awards, speaking to you from factory in central Connecticut.

4:19And standing beside Lee as a gentleman who probably has more to do with a business tree that has been probably in the news the past year or so with anyone else. So I could take to interview by assignment sheet said, go to Jude Fox factory. And here is the manager, Mr. Tony Gifred. Gifred. Tony LV Gifred. Mr. Gifred, you are in charge here of turning out all of these Jude Foxes. That's right. That's right, Mr. Below. This factory has been in business and shortly after the last international misunderstanding. We went into business in 1948. From that time on, we have been increasing our production of these Jude Foxes because of the increasing demand for them. I might say that the first reaction to be a highly regarded radio reporter upon seeing the inside of your effect.

5:19It is that nothing looks like anything I've ever seen before. By that I mean. I don't see anything. I'm not below that. That Facebook report. The Paul's the Jude Fox. Uh, family resembles. I say I don't see anything that does. Well, right here, Mr. Below, we're in the fabricating division. You just saw that young fellow over there, well, we're working on the... Well, now he takes the... he puts the box together, actually. And then it's varnished and painted and sent out to the warehouse. So we're packed, traded and shipped to various distributing points around not only America, but all over the globe. We've done it in a national Jude Fox business. And that I understand, but what I meant was they don't... Well, where does the... the... the needle arm... Where is that assembled? And where are the record racks of the colored things that go off the dial to the front of the Jude Fox? Where are those for?

6:19Well, we've never met a Jude Fox such as you described. We have used colors with paint of the orange, and green, and different colors like that, but... Oh, you don't make the kind that light up, but I guess. No, these do not light up. No, these are just simply for carrying Jude, of course. The one? Jude, carrying Jude. J-U-T-E? Right. Jude Fox. Well, I have evidently hit the wrong spot for my aside, but it was Jude Foxes I was supposed to. This is it. Jude Foxes. Jude Foxes. Jude Foxes. Right. Jude J-U-K-E, that's the kind of big music. You know? Well, you're a jerk, if you thought this Jude Piper was... Now this is radio. Jude's a little bit more pertigate. The barboard ray. Another confident, complete colorful, Wall-E-Beloo report. So, I like it. Oh, say, Paula. Uh-huh.

7:19Would you mind picking up a scrap of paper? Well, I don't need it. I'm familiar with it. Well, I can see that. But the point is, you're littered. Oh, wait a minute now. No, uh-uh. You're littered. You're flung that piece of paper right there on the floor. And uh... The piece of paper is around the Peter Flutter crack as you gave everybody the audience before the show. I know, but now that paper will be there to more or less shift for itself. And uh, somebody has to pick it up and put it in the container. Oh, don't make a federal case out of it. What I did was I didn't need this scrap of paper anymore. So... Oh, you make it out of the sea? You just a moment. You littered it. Yeah, that's why I say you make that word sound like a disease. Well, it is a disease. It's a national bad habit. It costs millions of dollars a year. You know that? To clean up after you litteres. So, America, don't be like that person there in the front row. You point at me. Yes, sir. Keep America beautiful.

8:20And now the makers of Catchersmith, that he met a Roman and liked you to join us for another episode of Our Fellow Thursday. The only daytime serial written and produced especially for men. As our scene opens today, masculine rocked in his he-man pal buzzed down the Pobotos, getting there gear and shape of a big fish. Said you really think you should be lifting heavy heavy hull buzz? I mean, after all, it's been such a short time since your operation and all. I was out of the sea, Dr. Morton, yesterday. You said, I'm fit as a fiddle again. I feel wonderful like I could dance the night away. Well, I'm so happy for your buzz. You know, we're all a little worried when old Dr. Parkcroft retired and left your case in the hands of Dr. Morton.

9:20He's been practicing for such a short time. And you know, we all feel the worst. Well, I had complete confidence in him all along. But your illness was so rare. Web feet and the man your age is almost unknown. Yes. And of course, I was so rundown when I went into the hospital too. I cried myself asleep every night for months thinking about Sylvia. You're better off free of her buzz. All of the men over at the Legion Post say so. Well, I try to tell myself that rock, but sometimes it's so hard. Naturally, her happiness means more to me than anything. But coming home to a dark at the house every night, it isn't easy to be brave. But she left you during your temporary blindness buzz. And then running off to marry that dry goods drummer. You must have a heart as big as all outdoors to be giver. I've never been one to think of myself, Rock. You know that even when the custody of little Debbie came up during that nasty divorce mess,

10:21I had to put my own desires aside even when my heart was breaking. Well, everyone in River bottom knew how you must have torn a part inside. The men at the Elk Club were all talking about it. The little Debbie was all I had left. And now she's gone. You have a hanker chip. Yes. You can see through that. I got it back from the laundry by mistake. I think it's a lot. I know an acting like a silly schoolboy about this, but I gave Sylvia all her love and affection the men can give. I guess it just wasn't enough. Sylvia was a hussy. Everybody down at the farm bureau said, well, I suppose so. I know I have to pick up the pieces of my life and go ahead for dad's sake. You have to think of it. Incidentally, did I show you the new spinning reel I bought for the trip? Oh, please, Rock. Don't make me look at it now. I suddenly feel very strange, almost as if my old trouble were coming back.

11:21So look, just lay down on that old pile of fishnets. I'll go to Dr. Morton. The End Soul Buzz seems to be in for another seed of his old trouble. Will this bring Sylvia back to his bedside? Be sure to listen next time when we'll hear Rock saying, only there was some way to prevent him from dragging the full nasty mess to the newspapers again. That's in the next time I'm trending episode of All of Power Thursday. Thank you. Thank you, cast. Let's do a regular feature. I don't know. Maybe next week we could have one. Yes, and I'll be speaking of the stories like that and all. I want to thank you for that birthday present, that Dr. Ketzer, I've always wanted. You really enjoyed it, huh? Give you a great feeling of having power sometimes when you walk along with one of those.

12:24I'm sorry, little bit in your room, wearing it. I just saw it. I'll get it. Hello? I don't know. Hello, Bob and Ray, yes. This is Frederick McNaird. I think I got the mystery to him. Well, we haven't played it yet, but if you want to take a guess, maybe you will be lucky enough to get it. When we do play at the Frederick, where are you calling from? I'm calling from him, Tremick Michigan. Let me just check with our directors here if it's permissible for someone to guess the mystery to him before we play it. Can you wait just one minute? Okay. Can you talk and do something while I'm checking? I think I'm going to check. Just right on outside. Yes. Well, I don't know. He said he had a check up, but I don't know. What did you say to Simon? What? He said it was close. Hello, Fred. Yes. I didn't have checked as far as I can. The lines upstairs are busy, and they've got to clear it through the... You said it was false?

13:25I can't accept your answer, because I don't know whether or not we can accept it in the first place before we play it. That was what we were going to play. You want to hang on just a minute? Right. And I'll check again. If you can talk or keep something going. Keep the talking. Or am I on the radio? Yes. Well, Fredrick McMarried calling from Antramic, ladies and gentlemen, with the mystery tune. My guess that is... And I think that the song... Oh, Bob, Bob and I... You have a phone. Hello. Are you still on there for a thanks for filling in? I'm sorry Ray wasn't here. He just came in a minute ago. Ray, I have a Fredrick Antramic on the phone. Oh, if you don't know, I'm sure you can. Yes, but you don't know, and I don't think. No, I don't know. He was calling me. He wanted to guess what the mystery tune was. Being a low-draight for me, he's my rich cousin, you know. You just said, well, then you do know him. Well, he happened to know the song. Is there any collusion there or anything? Well, are we on the air now? Yes, yes.

14:25There is collusion. There is collusion, Bob. I told him the air. He had his walls. Right. Yeah. Well, a director's meeting, huh? I don't think we can ward him the prize. I don't know. We can do Fred, but cousin Ray says we'll check up on it. After we leave the air, and we'll let you know. Okay. Bye. Well, that's about all the time we have, isn't it? Yes. This is Ray Goezy reminding you to write it to get work. Probably it reminding you to hang by your thigh. Bye-bye, see you tomorrow. This is the CDS radio network. The CDS.