in_letzter_stunde_1959hqCE

0:00With the Amix Gold Card, you can earn rewards across dining and travel. Find out your welcome offer which could be as high as 100,000 points. Apply today at americanexpress.com slash Explored-Gold Terms Apply. Hi, that's my cool tour. Here's your beer. Welcome to the game of the Sunday. Today with the former comedy in the last hour of the Romanian author Sebastian Michail. Although the piece is already over 50 years old, it is worth its critical look on the media landscape and the question who has the high quality of the press, the current one. In times when all the frontings are being reduced to the maximum, we need a button from the director of a book-rester-day newspaper, today it is still all right.

1:01And the director will receive his big button, but it is completely different than expected. On the title side his revolver-plates appear, surprised, on the first page, long-term articles everywhere. A failure of the press, as I said earlier, but this small failure is a movement in the beginning, which is not only the time reduction, but the whole city in the office. We wish you a lot of fun. In the last hour, a game of Michail Sebastian, and for the work of Maria Frey, a series of the main roles, as Alexander Androni, a series of the most popular roles in the series.

2:02In the last hour, a game of Michail Sebastian, in the main roles, as Alexander Androni, Hans Timmerding, Grigori Butchang Harald Manl, director of the newspaper, Hans Gogel, Magda Minu, Maria Körber, music Gerhard Al, Regie Theodor Steiner. Music Gerhard Al, Regie Theodor Steiner. Music Gerhard Al, Regie Theodor Steiner. Music Gerhard Al, Regie Theodor Steiner. Yes? Yes, I am. No. I said no. The second page is the third page of the new novel. No, new Latin types of music. No music. No music, I say.

3:04Compilian. Yes, Herr Stefan Esko. What's new? Nothing good. Are you from the telegram? Yes, on your desk. And your article is finished? Moment. No. Well, let's finish something. Have you seen the number of today a swan? You can read it, right? No, I don't. I have wanted to meet two people who are in the hand. Two, one in the street and an old church street. Who can be the most famous? Yes, definitely from the province. And for that you spend your time. Yes, for that. And for something else. Especially things for something else. Not from Compilian? What do you want to say? Well, I'll show you. Where? Here. On the second page. How much? What? How much? How much you have cast for the article? Which article? Here this story. Mr. Stefano, you're sorry.

4:04No, but you're sorry. You seem to believe that you can read a new article after 30 years. A beginner, you're my boy. I'll give you my word. And we made the story. Here is my article from Patron. Here, that's art. You know exactly how you write in the numbers. Then you. What's that? Compilian? What? Here in Földer. Alexander the Great in the Media of Alexander Andronik. Did you send him to the press? No. I didn't. Maybe the Patron. The Patron and Alexander the Great. So we're the same. I'm telling you to hurry. Hello, presser. Give me the Patron. Yes. Here Hubert. Hubert, did you actually read the article today? Yes. Also the second page. Yes. And what should Alexander the Great in Földer be? I think he'll come from him. Yesterday evening after the last character. Which one of you had on the second page? The literary chronicle. And what did you do with it?

5:04I made it on the fifth page. The fourth and fifth page. Why? Because from the fifth page the article about the press should have been removed. The director said. And then? I got it out. And the chronicle of the second page on the fifth page. And I didn't have any on the second page. I took this Alexander the Great. He was already finished. But the article didn't stand from us. Oh, you love God. Now he's missing me. He was looking for the story. For which direction? The direction for the story of the old tomb. He was also printed on us. My God, that's the correct way. Through each other. Yes, with his press. I really did. I have no idea. And with that money. Look, I have no fun. Every morning I have a surprise. Because you have some stories. You're crazy. You're crazy. You're making a report. You have to press. Mr. Beruf, I don't like it. No, you don't have any ideas, boss? No, I think so myself. Yes. Agobian? No, not here. I'm sorry. He's not here. I'm sorry.

6:04He's not a good person. Then you go next man. But for the first time. And show me, let me have your own ideas. The best idea we'll have in a week. Yes. Good day. I'm really sorry. You know what I mean. I mean, the time of the alarm. So, yes. Could I speak the director? The director is not there, but I'll tell him. So, allow me to introduce myself. I'm Alexander Andronik. Yes. What? Who? Who did you say? Alexander Andronik. Andronik. The one who's here today? Yes. Yes. It's just like that. You see her. It's Stefansko. Please take her place. Thank you very much. So, that's how it is, Stefansko. I... I didn't have the pleasure to read the letter of your time.

7:05Really? How? My pleasure is really. I won't do it, but my brother is calling me there. Oh, right. So, you've shown me a book today and my name is written. It's about Alexander the Great. Exactly. It's a book that wrote the story of the old tomb for the round. I can't just read it. I don't really understand how it is. I don't understand it either. It's a real book, but... It's unbelievable. How unbelievable. Is it compromised? No. But you see, it's a scientific book. It's not a political time, but a place. It's a day of time for information. And for scandals. Oh, I didn't say that. You could say it, but I can't say it. I'm sure. Now, I'm sure it's very unpleasant. My article is a completely new contribution to the story of Alexander the Great. And to find this strange guy. A pure opportunity.

8:05And in certain things, even dangerous. So, dangerous? But yes. You see, Stefansko, I'm a private agent for stories at the university. And the professor's goal for old history is to prove it in a year. Now you could think that I tried to make a claim for myself that the strength of the university's fear of absolute hatred. You understand, right? I said no. But even if I understand, what the writing does in the article is a shame. Yes, but... But only through an illusion. You could not have a dementia. To have a brainwashed. Then you can't do that. What can we do with this dementia? Maybe Andrews' private agent at the university has known here that he is an Alexander, Andrews' father of the article is not identical. Now, I would have already noticed that this article without my claim as a complete imposter. I'm sorry, I'm sorry. But he's the only one who can allow us to read. Have you read the article?

9:06No. How can you do such things at all? I don't even know. I'm just explaining how we have to answer the wrong questions. No, no, Professor Glam. You see, the whole thing is very complete. Confidently speaking, if I'm not mistaken. Confidently speaking? But the article is openly. Openly. Look, a newspaper is only one day. Tomorrow morning, what does it mean? Today evening, nobody will give it to anyone who thinks that Professor Andrews wants to make a article that has been printed in an article without any information. Are you going to write it? Yes, I'm sorry. Yes? No, not yet. No, on the third page, the title is over three pages. Blog and cursive. A single book. Yes, now. I'm sorry, I'm sorry, I'm sorry, I'm sorry. Really? Yes. And how time goes by the pressure of the number of tomorrow, because the number of today is dead. But could you not have the morning, is it a correcture of printing films? Yes, where the whole time is full of printing films. But it's a scientific article with geographical names,

10:07historical data. Nobody can get through this. Oh, that's not necessary. There are no signs of sin. There are no signs of sin. Here, for example, we have our view of the fact that from Pruphtasia to Kabul, the route of our hero's hair is completely empty. Do you know what Pruphtasia is for? Do you know what city Kabul is printed? Yes, but here. Yes, no, not yet. Yes, good, good, good, good. Pompeylians! Dear Professor, if you want to have a collection of printing films, you can go there and make a list. I have everything done here. Everything is great here. I think I have something to say. But not now. Of course not now. Yes, the sign only for the first bookstab. Yes, idiot. I'm going to go to the library. I'm going to read it. Yes, I see it. I see it again. I see it again, Professor. Pompeylians, the article!

11:07Here, chef. Here is a school. Have you found a ten-way? Yes. The form of the abitoyant ex-sabes. Have you written for it or against it? Of course. You know what I'm afraid of. You know that the patron with the under-right-sabes is standing on the bread and bread? With Branesco? In the earth? You can write a article from a new one. Augendegma, chef. I will try to beat him. Yes, that's right. The new form of the abitoyant ex-sabes is a happy event for our general self-understand. At the moment, it is an unhappy event. What do you say? That's good. Yes, that's okay. But I'm ready. I'm not going to do that. Good day, chef. Good day, director. How are you? Is the number 30? It's okay. The province has to be in one hour in pressure. And we're still not there. Are we going to do a article? Yes, the live article. Good, we should have it. What are you writing about? I give you the Branesco, but suddenly you start to cry

12:08and how? Well, you start. You have to be objective. Are you with Branesco again? Yes, we were together yesterday. I had something to talk to him. Yes, of course. We have to be objective. Tell me about the pump. One more time. A more luxurious article. Until midnight I will sit down. Come with me, my hero. I want to see him. The ordinary person is the most ungrateful person in the world. He is the most ungrateful person in the world. He is the most ungrateful person in the world. Come on. Good day, my hero. Do you think I'm going to ask you a question? No. Shut up. What time does the other come? What? He comes back? Then he was already here. Yes, he was here. But why does he come back? I don't know. I think he is a doctor with him. I just felt it. But today he is in his time to show his article to you. And since then he is going to talk to the other.

13:10I don't think so. Are you also here? Yes. I would like to have a few instructions. From whom? From me? No, from her. But if she is not there... Yes. Do you know these articles are in certain conditions? It would be terrible if they were grounded. Until today, Alexander's great-grandfather, his journey from Prophetsia to Kabul, will win the 330-329 Christos. And now he is in the opposite direction. So tell me, my friend, how is that completely stupid? I think so. That would also be stupid if he didn't have the suspicion that Alexander had been given the permission of a few men. Well, and? And that would be terrible. That would be stupid, that would be so stupid. So now it's enough. If she makes a joke about the time, I won't do it. I don't make any jokes about things that are too serious. Seriously, what's the point? Stupid, stupid, stupid, you get the idea. I don't have time for that. I prepare the time for tomorrow and you have only with your stories about Alexander the Great. My reason for not being able to travel around here is that I don't care. I have to work.

14:11Understand? Listen to me. Yes, I understand. And above all things, I listen to you. But I am stupid. See you again. See you again. So, boss, there you are. And now I go. What's the point? I have to read it. But that's what the director has already done. He says that's what he's doing. Understand the type and send them over to the drugstore. See you again. Copy that. So what's the point now? Yes, there's the script for the drugstore. I'll go to the director. Good. See you again. Hey director, are you there? Here is the doctor. Thank you. A little bit of a short time director. Oh, you see, the numbers are going together. Oh, we can try something. Show them. You only set your starting book under.

15:11That's enough. Sometimes I do that too much. I have our time over the flight. Nothing. Nothing. You're dead? Yes, it's not my fault. I won't write you down. No, I don't know. Reportage to the chemical. Dome of the disease. Oh, it's a snake. So, is that not going on? Yes, you're right. But it's okay. We're working. Today you've been fighting for four clichés. You want money? Oh, it's so long. And with the sugar rice it's still hot. I want to let you sit down and also get money. We need money. Stefan is good. What we need is something else. We need a kniller. Do you understand? A big kniller. A scandal. A terrible scandal that the laser sees and the charges are high.

16:11A knife. What's going on? Now you're going to pay. You just got the money. I want to know. Butsch. What's the name of the ring? I'm sorry. I'm sorry, I don't know. He asked me which floor he's sitting in and if he's the director. He must be here. Butsch. Lose. Hot up. Let me get in with him. Director. Herbutsch. What about the surprise? Why didn't you call me? I came to you. You've got my call. I always wait. Always. And especially today. Please let us talk. Of course. I hope our conversation will be short.

17:11Tell us how much you want. Yes, as much as possible. But where for? For the information in your today's task. For which? There is more than one. No one is the only one. That's my division. And your time. Everyone has a kniller every day. In this audience I don't know which one they play. They are a nice guy. But no, I'm just a star. I'm very proud of the star. I don't know where they talk. In their time today they are an extremely interesting artist. A strong, talented, big guy. A big guy. A big guy. Yes, that's really amazing. A few more or less small tricks. Maybe I can recognize my people. No one has the talent for a big guy. A guy. But you. You have it. Yes, really. A big guy. They gave it to me. They didn't explain it to me. Yes, of course. I'm not here. You have it.

18:11I love it when you directly attack me. I don't even want to let anyone in. I'm talking to the back. We'll talk about it later. Let's see how much you want. You are a grump. I have it. And you are often informed. How all people are actually. I can explain what they can say. Maybe they are related to Karun. They are. But I just asked yesterday that they will be able to move. That they are your business. I know that you are with petroleum to do and with food. I don't have any idea that you can also use it. I'm a hunter. And then you have a new knowledge of the law. And you have been arrested. But at the opposite time. I have later reported that my time is a constant agreement in the three-digit of the media. A big article about the HVP was already finished. I have been forced to be in the House. A small article about the law. I can't believe it. What a calculation. I think it's in love when this ring has been 10 or 14 days. And I'm taking it.

19:11If I may have come up with a certain understanding. And a certain contract. I have to understand. A preliminary contract. A certain contract. I'm sure that we can make a difficulty. And then I'm sure to take your contract. But no. But yes. Here, please. What is this? Alexander the Great in the Media. What did you do with Alexander's big contract? My whole mind. If you read a number. Please, listen to me. Alexander the Great is waiting to leave a new action for a year. Not because he had no adventure. But because he did not have any private questions. He had to make a big cavalryman and even if a half of a monopoly had a half of a monopoly.

20:11That's enough, right? You had to make a plan to make a decision. No. A House of the Great is that. Please, listen to me. We have to explain to each other. Listen to each other. And we have to prepare this two-way that we do not want to give up right now. Where do we want our attention? Ah! Now they are a man of attention. That from the Portia to Caron, the marches and our cell phones are completely different. They have been studied by the authorities. They are but lost to the attention of the drivers. Please, please, please. There is a number of cards on the table. But it can only be an irtum. A change must be pure and unsealable. Much easier. That is a flat pressure. I don't understand anything. But I understand everything. Only one is known. Where they have their information about the injured Brocia.

21:11Brocia, what is this? They are openly and do not know what it means. This project is a year in my secret act. I don't take it from anyone. Well, I have lost. But now they tell me. What do you know? What do you know? How many people do you want to know? They think I know so much about how it is possible. But I really don't know. They are learning everything. I am learning to understand everything. I have the feeling that they are making fun of me. They show me a photo article about Alexander the Great. Because God knows how to write it. Alexander Andronik. Who can be the plus? Ah. You don't know who it is? No. Oh, they are sick when I thought. But I was. You are away from me. I let myself not to get too easy. So, Herr Butschern, I am going now. I will give you a one-on-one round. You will think what you are doing.

22:13You can reach me tomorrow morning and early in the morning. Maybe you have won a meeting with your other partner. And you are going to believe me. Well, how should I be happy? But maybe. Maybe you are right. Maybe I will change my mind. You are going to believe me. Mr. Monesko. Herr Director. Stefan Esko. Who is Andronik? We have to put him on the table. Yes, he was before he had given me a corrective. But an address didn't have anything. We have to make him understand. How exactly do we know who that is? It looks like a complete puzzle and it is called Professor. What for? He is all in the bag. Yes, but what does Butschern do with it? He is the big snorkel, because the older the big snorkel we have him.

23:15Not possible. Here he is, where you are waiting for the most of the time. Here in our own time. Here. That is not a coincidence. It is a sensation. So I am going now. You stay here on the phone. For all the cases, you let me be free. There are the big snorkels. Alexander the big one. In the last hour. We have put in the case of Alexander the big one. Unfortunately, the wrong person is wrong. But how often do I get the people of the hypothesis? I have to explain it to you. Good day. Good day. Where is Professor Andrne? Yes, but he is not home. Will he come back? He will not come back. He will not come back. Please don't take me back. Yes, thank you. But what do you mean? Please don't take me back. Yes, thank you. But what do you mean? Please don't take me back. No, you don't take me back. Please, please. Thank you. At the moment, I hear a message. His 20 years of life, his soul, his adventure,

24:19and his life is in darkness. They hear our message of the story. Professor Alexander Andrnek speaks about Alexander the big one. Oh, he spoke about Professor. Yes, that was Professor. He didn't speak about Professor. Yes, then I will go back. He will not come back soon. Yes, he must be here soon. Can you not wait for him? He will come to visit us. Really? Sometimes, yes. Old Herrmann speaks about books. But I will also talk about books. Well, if that is not a coincidence. There you come, Professor. Excuse me, please. Good day, Anna. I have been waiting for you. How nice you spoke in Radio. Thank you, Anna. Professor, the button on your west will be turned off. Oh, yes, yes. Yes, I have.

25:19I have. How nice. I can not wait for you. I have. That's it. I am sorry. Please, see you. Good day, Anna. A young lady waits for you. How nice you spoke in Radio. Thank you, Anna. She's right. It's a loss. I'll take it. No, I'll take it later. I want to talk to her. She'll lose her again, Professor. And then the people will laugh. Good day, ladies. Why are you laughing? Because I'm the one who has his imagination. Ah, that's funny. My imagination. You're not bad. But we have sometimes closed up wets because if you're going to be on a cathedron, I didn't think my students would be so upset. Ah, come on, you're going to get me into the lecture. I came to the first semester. Your name is? Magdaminu. Magdaminu. Magdaminu. Ah, yes, yes, now I know. You've always sat back.

26:19Of course, of course. You have, in the last year, a professor has done a lot about the etiquette of Alexander's greats. Ah, you know that? Very well, you've explained it. Something has been done. You've played very well your fantasy. But it was very good. And why didn't you visit my lecture? I'll talk to you later. Please, of course. I couldn't bring your lecture anymore. You brought me up. I'd rather go to the room. Interesting. I love Alexander the greats. Me too. You don't know. You only criticize him. He's going to be too much smarter. That's not true. For a student, for a student, you have a tone. Sorry, please. Please. You're not in my lecture anymore. Because you didn't understand me. For you, Alexander, is a student object. A scientific problem. And for you, is it something completely different?

27:20A curious person. A friend. Even more. A passion? Yes. A passion. I didn't know that young girls would look for their favorite stories. How did they get that? I don't know. How it happened. I saw it and fell. Is it a hip? Oh, yes. Sometimes I see it before me. I know his voice, his glühens, his warm, bright-like. That's right. He has a bright-like look. I understood that the brightness that was in his black eyes, shimmers. With which high mood he is to die to the stars. How he challenges his head with his naked face. That's not true. He had the desire to kneel down to his head. Plutarich said, his neck was a little bit of a shoulder. All shoulder-steaders are there. But no one saw him like me. He didn't. He never saw me. He's beautiful, he's young. He's a little crazy.

28:21But he's too big. A little crazy? Yes. But too big. I don't know this tone. Sometimes I had the chance to see him in his lecture. Whenever Alexander is in his big hands, his room, his bright-like life, he speaks in a light-like, gentle and gentle tone. I can't bear it. Oh, that's a pity. Do you know how we call you in the university? No, how? Alexander, the little one. So, and why? Because he's Alexander's teacher. And then? And then because they're little. You think so? Yes. Next to him. He's big, he's strong, he's king. And they're shivers. A little Minu. Alexander the little one. No, not before. I'd like to know why you're here. Well, because I read your book.

29:22That's for you, Tom. So, you know him. It's a pity, my god, no. Why the pity? Because the full pressure is wrong. The whole article is destroyed, it's a scandal. Did you not notice? No, I don't have time. I read everything in one place and I'm here so that you don't know. Yes, what? That Alexander Paminio didn't kill you. Alexander didn't kill the media. But, yes. That's not possible. In any case, it's not 330 years. 330 was in Kabul. No, there was still no. Where did you know that? That's a very similar hypothesis. It's to laugh, to give yourself to things you can't explain. I'm a scientist and in science, I'm all explained. Maybe. But not in life. Alexander is just going to the middle of the adventure. He goes through until the end. Maybe until the break. That's not true. He killed Paminio. He lied. It's a historical fact. I have authentic proof.

30:22Where are they? Here in the schatisch. Where do you see them? Stay. You see them. Mark there. Alexander is a flame. And you won't leave it? No, but I want to know who this man is. His whole field is going to the Asian. He's a full of mistakes. Believe me? I'm convinced of it. And I can prove it. I have to follow the whole journey of Alexander's journey until the most beautiful Indian. A step for a step, a meter for a meter. Where would it be great? You don't have to take it with you. Of course. I'll only do this journey in the past. Why not? A should-be-understander needs a real expedition. You need a caravan. A lot of years of time and a lot of money. A lot of money. And that's not true. Schade. Yes. Very Schade. Is Professor Andronik there? How is your name? He's the same. Professor Andronik?

31:22He's my name is Borcia. I'm Borcia, director of the Aller Zeitung. Good day, Mr. Good day. I'm a minu. Oh, Patrick. Please take a seat. I'm an heir. I'm a professor. You were in a seduction today. Unfortunately, I'm not there. Yes, I spoke to Mr. Stefan Esko and let my correction be delivered. I'm sorry, everything I could have hoped for. Everything? Everything? Yes, really. I understand, Professor. There are things that can be explained in the four eyes. I wanted to go like this. Why? That's not a secret. You know this article, director. Ah, you know it, you've been lying all the time. But yes, you're informed about it? Yes. Now, Professor, your work in the Allerven is for me and my Zeitung, my great heir.

32:23Oh, my work is a coincidence. Oh, I believe you, Ernst, that a Zeitung, like mine, has been exposed and moved. I have it connected to the Allerven, with my own hands. And I won't let you loose again. I don't understand what you want to say to it. I want to say that you should work with us together. And I'm here to talk about the conditions. My Lord, I'm really upset. I didn't think that my article could have such interests, such as the view. Oh, it's not enough. Come to us and we'll experience what really is on the view. No, no, I think you're right. My assignment is to be a specialist. A very limited audience. Do you know that your article tomorrow means a sensation? How many people are there for the same hour? And they expect to talk to you? That's too much. It's very serious, but it's too much. Professor, you have in your article today very difficult conditions.

33:23Yes, I think so too. And you have these views that you know about it? Yes, I do. Give it to me. Where to? To open it. That doesn't come to the question. But no, I have to stop not going to the nana. To mix them. Yes, Professor. My whole time is in the field of research. It will not be wrong. I'm ready to draw the greatest claim. Placate, clichés, facimedes, everything. And if necessary, it's even an extrablet. An extrablet? Yes, director. Do you believe that this is over-tribute? Nothing is too much. If you're in the press of the material, press it. You use a language that I'm not used to. The story does not know the material. The highest one. The light. The reading. So, call it whatever you want, but give it to me. No, Professor. You will not give it to me. No single paper is going to be in the field this time. But no, you have no right. Maybe. But I have the ability to get a grip on the moral.

34:24Because you are very open-minded. A grip on the moral. I don't know. A grip on the moral. If you're the biggest gun in the world. So, what do you think? I forbid you. Mark, I forbid you. But, director, you can't just take a gun. But you're divided into... No, that's not my profession. I don't want to be divided into me, but I understand. There are not many of you here who are unconscious. Where do you know that? A professor of science told me that. You. In my own time. Please, you stand there. We have to explain each other before we get a grip. And we already have this two proofs that we don't want to give up. Give me the paper. And tomorrow morning, the alarm will be all right. Please, give it to me. And in three days, the mother Alexander Andronic will be in the field. I... I don't know. But I... I know. And I guarantee it.

35:24So many years I work only in my loneliness. And then I place this fantastic offer. You take it. Not just? No, he doesn't take it. Professor, she asks me. I can't believe it. I don't know. It's ten minutes before six. In two hours I need an article. I have to say in the eighth edition. Or I'll come over to the hospital. But my hand... And now I go. I'm back in ten minutes. And I give him a rat. Do not give up the chance. We can do great things together. Are you going to take it? No. Are you sorry? I don't know. I think so. Maybe you take it. No, no. I can't. I'm not ready to do it. He's already a list. He brought it all together.

36:26Do you want me to go out? To go out? Where? Somewhere on the street. Where there are not so many books. Yes, very much so. The books are empty. They're pushing me to the ground. We can go out and just walk. Do you mean? Maybe you should. Professor, I ask you to go. The same for you? No, another one. He says he wants to talk alone. Good, then I'll go. No, Magda, please don't. We still want to go together. Do you want to take a look at me? Yes, I do. Please, sit down, Mr. Reim. Are you Alexander Andronik? Yes, I am. Who did I get this from? You don't know me? I didn't tell you. I'm Gregorik Butchern. Butchern? No, butchern. No, I don't know. You hear my name for the first time. He has a completely unknown name.

37:27I'm very proud of him. You can't use the book for iron and metal. The paper for Gregorik Butchern, the leather for Gregorik Butchern, the cement for Gregorik Butchern. In this city there is nothing that doesn't mean my name. And you? You don't know me. Sorry, you don't have much of a name, but I live like this. Back to your face. I don't know. I'm here to open up with you. I love you, I can't do anything complicated. How much do you need? I don't understand. How much money do you want? Money? Where to? What is your thing? I ask you how much? And because my thing is, I pay. Ah, it's a letter for my history institute. So can you also name it? I read your article today. You read it? Yes, but you really interested? I also think about things that you don't have to do with your usual business. Or is it more forbidden to interest me, for example, to have hair for example?

38:27You use that word, hair for monopole. You have the ausdrug. Yes, tell them. I have kept them. They can be cut off. That's sad. I'm completely clear about the hair for monopole not the fit of the ausdrug. It's a few additional explanations. You don't want to be an official person? Exactly. If it's a sign, I'll have to give you the most useful explanations. That won't be necessary. But the question of hair for monopoles is to be solved. As I said today, as I said in the radio, you talked about radio today? Yes, today. What for a lesser pressure? A pressure? To pay for it, you're business that you don't understand. But my daughter doesn't want to end it now. You have my article, very well. That's the point. I understood and I'm here. I would have come here if I knew where I could find her. But how do you have to talk to her in the same radio? Tell me that. Answer her. Answer her.

39:27What are you talking about? I don't know what to answer. Maybe you'll change me. I'm the professor Alexander Andronik. And I'm a butcher, a regular butcher. You want to eat with me? You? You want to show yourself that I'm more than a little finger to use to feed you to the meat? But I love it, I can't do it. I don't know if I can prove it. But then... Then we'll end this conversation with this woman. Talk to her. Where do you know the project, Prozja? Which project? Prozja. I always understand. But you write the article. Here. Please read it. You don't know this article, do you? Of course. And who wrote it? Me? And you don't know what Prozja means? It doesn't mean about Prozja, but about Proftazia. Why? Why Proftazia? That's a drugstore. Prozja, St. Proftazia, and... Not just like Karun, St. Kabul. What?

40:27What is it? Proftazia. That was an old town in front of Asia. You do it over me. But please see, I have a map of the old town on the wall. There are the places of the journey route to the Sandras of the Great. And... And they want to know more, that this article is not the most popular game. Can that really be? No. Who is this person? Please let the man from whom you just develop. Magda. A presser. I'm not going to get it. I was just kidding. I heard everything. My lord, don't believe you. You won't tell me the truth behind the wall. What truth? Magda, I'll let you go. My lord, I'm trying to understand your human existence. Don't try to bring me into this window. Of course. Tell me who is here before you. Or should I tell you? I don't know. I think a journalist, the director of the alarm.

41:28That's what he's got to say. No. Do you still have any other information? Do I have to tell him about the two girls? No, thank you. You've already told me that you don't know me. Now you're going to tell me. I'm going to show you who I am. Magda, why did you do that? I have no idea. How could you say something like that to me? A pressur. I know who I am. What do I know? Yes, you're a child. If I hadn't been in between, I'd have done something with you. What did you want? I don't know. But you could have done it. And the journalist too. You think Magda has a connection with each other? That the two of us know each other? I'm telling you, you're a child. And I'm telling you that I'm in a unbelievable history.

42:32In a terrible darkness. Yes. You're the first one, darkness. Are you afraid? Maybe I'm a little Alexander. What can we do? I don't know. Oh, I know. I don't know how to take your best friend. Then we'll see each other. Do you think Alexander is the great one with a great effort to get the fight? To turn pieces into numbered books. and the testing omm I've never been able to reach him.

43:34Oh, how lovely. I've been in the whole city, in the Camel-Ministerium, at home in the café. It's nothing. But I have to talk to him today. I've been thinking about letting him wait for him very soon. Yes, good. And what's the other one? He's waiting for my office. Do you have the permission? Here on your desk. Thank you. Let him answer. Please, have a good piano. Do you know her, Agupian? I know Agupian. She has a drugstore. Yes, I do. I want to buy her. Why? That's not an answer. I want to buy her, because I need her. Good. You have to think about it. Please, sit down. Your drugstore is bad. You're stuck on the walls. The alarm only has a rate of 180,000.

44:35Yes, but if he says, I'll pay him first. He won't pay. But he's talking to me today. He won't pay. What did you buy the drugstore? No, the drugstore is small, but it's good. Everything is in there. Two flat machines, three flat machines, one modern rotation machine. What did you buy? A million, eight hundred less. You know what you bought? Yes, exactly. So, a million, two hundred and forty thousand. And from that, two hundred and forty thousand. We haven't paid yet. I'll offer you four million. Four drugs. What? How many did you say? Four million. I'm sorry. Is that a joke? Agopians, you forgot what they are. Do you take them? I don't know. I'm afraid. Am I? Maybe they're wrong.

45:36They're wrong. The drugstore is bad. I want to tell you. The numbers of this machine are broken and the rotation machine model from the previous year is 100. You know everything? Everything. Now I don't understand anything anymore. That's not necessary. Do you take them? I can't stop them. They're a terrible man. Do you want to pay the money in bar or a check? A check? That's a deal. Good. In the secretary's office, you find a contract. That's all. My wife had to forget. She's going to explain the drugstore and that she's sold. The drugstore is closed. Today, the night is so fast. That's not possible. Now, the night is being pressed. I have a contract with him directly. Who doesn't pay? In the case of not paying, they have to pay the right to pay the right. The drugstore is closed. You'll explain to me. You'll explain to me. That's my thing. I have a contract.

46:36You've thought everything. I could not wait until tomorrow. No. You can explain to me. I don't explain the numbers. I'll ask you the last time. Or no? I'm an expert. I told you I had a contract. Good. You're in front of the office. Yes, director. He's in the hospital. He's going to the hospital with the drugstore and he'll come back soon. If everything is in order, give him the check. End. You're in the hospital again. I'll wait for him. You're in the hospital again, sir. Move on. Go from there, Professor Wescon. You sent down at the restaurant. couscous? He went to the restaurant immediately. Yes, and you cut us into sections. You little shoulder girl. You'll take me to your dentist, my dear good son. 11 Rosemallow, sir. I'll swallow for now. You don't am happy. What's wrong with it? When was the accident? At an incinerary. I'm not able to sleep, I didn't fix the sleeping pills Well! What did you have to do?

47:37Degrees. Well, not sad here. Yesterday, in the ministerial, tonight at the chamber, tonight at the spring stage, the lawyer who is in charge of the abiturant exam now is fired. I had to get a free day in the fresh air. If I saw the whole bookkeeper's search, I would have not even given my suitcase as a member of the court and with 200 km of work, I am in the office. I see that you can tell him, my dear minister. Everything for you. Whether you don't love me. I do not love you. Certainly, otherwise, the minister will be worried. A word from him and I know the finances or the fairies. Believe me, I could have used him much larger. You can now do me a favour. Please, please. Please, say, Bonesco. Do you know a certain antronic?

48:37No. Alexander Antronic. Professor of University. Antronic. Antronic. Yes, a father-blunder man is a private servant for old history. Yes, very right. You will be in the house of the victims. Why? Because I am there and please. Yes, and I will be in the front of the house of the victims. You are a poor man, unbeknownst to me. No one has any dignity and no enemies. And then, the same administration of the university, the government, against the rule of law. I will tell you, this under-right ministerial... You can't do that. No. But what can this antronic for old history private servant do? Is that the last word here? Yes, yes. Good. How do you want it? What are you doing there? That's what you will see at the same time.

49:41Hello? The club? Is the minister Ikim there? Mr. Butscher, please. So you can't do that to me. Good. This antronic must disappear. And two days later, if she can't do it, she can do it to her. Good. That's what I will do. How? A little bit. If the antronic dies tomorrow at the university, then he can't do it. Why not? Because you will be behind it. Drunk, drunk, chaos, a hidden spectacle, I have a light for my people. And then? Against a such situation, the minister will be personally to see her. He can't sleep. He can't stand it. He can't sleep. He can't understand itself. Telephone call. Your favorite minister, so good at it.

50:41Let's leave him on me, Butscher. But please, don't forget. That's not a ministerial thing. I have to go there. So, the dancing, the rising, very often. Sightly, my lover. So, I will see you again, my lover, Herr Brunesco. See you again, Butscher. Thank you, Vesco. Come in. You are the director of the time of the alarm. Good. Come in. What do you want? You don't have to. Now it's midnight. What do you want now? Before you go, tell me again. I have been here for a while. I will take you to the station. What is it? Your favorite? I have a paper, paper, paper, paper. There was no small thing. But I have everything.

51:42Where? Here? In the past. It would be better if we could have a few. Or would you like to make an article in the last hour of the alarm? The alarm is not there anymore. I have been here. How? Your time is over. The sum of 480,000. I have been here for a long time. You have been here for a long time. Your job? Yes. It's been a half an hour. You are a big game. Yes, I am ready. It's clear. For the moment. But one big mistake they have made. Really? They have forgotten Andronik. Oh, your complete? My complete? No, no. It is too late.

52:42But this young girl at Andronik has everything. I have given it to the interlager. I have nothing. She wants to swear on the Protjak. But that is everything in Andronik's hand. With the press they will be ready. Because you know that you can always with him. But the world in the chess field also has a too thick fell. Well, that is her now. Her acting. Good night. Director? They say they want to bring her back to the court tomorrow. They buy her the drugs. I sell them. Do you export them not yet? With the world's money. That is not about money. That is why they want to buy or not. Yes, what do you sell? Ten million. And a few hundred. For you. That is the norm. I make them a foresight.

53:42They and me are a few so-called people who stay in my office. In Panserschrank. And never going out. My parents are so long they are stupid. So my dear Protjak. That is what you never want. I swear to you. From now on, you are allowed to your own feelings. No, you understand me correctly. That is your business attitude. The allowed to hear you. You are allowed to hear what you like. I do not love to be convinced. You are very far from the point of view. You are very far from the point of view. And you are an intelligent head. Do you want to write the lyrics here? Please. Good. Go to a big restaurant. Yes, director. Is there a copian back? He is waiting here. I want to talk to him. Now a copian, how far are you? I have sent your request. He has sent the work status. Should I send him here? No. I have bought the press.

54:42The interior of the room. Please, director, we want to give you an agobian. How? You bought the press? I will pay. You are allowed to leave. That the time is early. Yes. I will see you again. Always something else. Hello? Yes, I am not. Who? You? Now? You are below. Well, you are coming up. The young girl from Antloneck. You are just. What do you want? I do not know. You have to look at her. Do you believe? I do not believe. There is something else behind it. I will see you. Please, wait a little longer. Maybe I need you. Maybe I will take you to the next room.

55:42I will call you later. But be careful. Herbutian. He is trying to make my visit to this hour of surprise. But... Here in this office is no surprise. Very soon, at the time of surprise. Please, take her place. Thank you. We learned a very good way to know her. And from a different perspective. A very good way to know her. Yes. My contribution to this entertainment that I did not get to the beginning... was maybe something crazy. But... Early. I do not know how good she is. Today, she is in a bad mood. Yes, that is the difference between us. Not me. What do you want? Do you have any other experience? Are you friends? Please, please, do not ask me any questions.

56:42I know that the other is informed about the occasion of the event. Do you know what she is also described? I know that she knows that she could speak in the hand. In this channel. But she could also speak. But I was with my ancestors. I also hoped that she would accept it. But she had no grub, no regrets. She said that this man will not give me much of her... as I can imagine when I am in a hurry. And why did you tell her that she is in between us? Because I wanted that the fight to the end of the event. But she did not want to. Well, I am surprised. First, she is also. And she is not coming back. Then she does not look like that. Why are you so dangerous? You are so alone. I have already asked you something. What do you want to do here? Bring her into your peace. Thank you. I am happy. I am happy. That doesn't look like it anymore.

57:42If you feel safe, you will not have this time in your office. You too. I have not said that I am happy. In the opposite way. I am not in a hurry. Did you personally get it? She asks so many questions. I will tell her what I want. Andronic has to leave the country. He has to go far away. And that's with me. Because of another woman? I have told her so many questions. Do you believe that she would find her own room to find her room again? If she would make a trip this man would be in the morning? A long trip. Maybe from three years. Somewhere to Asia. It would not be bad. It would not be bad. Would that not be a solution? How expensive? It depends on what her room is worth. Ten million dollars. If she hangs a zero. Yes.

58:42There is a little bit of money. I can explain the profession. Yes, I will. He is waiting for me. But be careful. It is your mystery. My dear director, come in. I have nothing to do with Andronic. Are you here? No. But he will be here soon. Is that expensive? Yes. I have been here for three years. It is expensive. We are missing a stone from her. We have no room for this. Good evening, Mr. Woodstein. My dear professor, I am delighted that you came to me. Mrs. Magda has taken her to my lecture. Yes, I do not know if I can. I know that you do not know. You do not know. But what is this? Now Mrs. Magda. I want to say that everything she has done today

59:42was unexpected. I want to say that it is too much. For a single day. Please understand. If I am a bit more serious. If I do not know what I should say to you. Then I will ask you. Professor, you want a big trip? Yes, if I want. That is the dream of my life. Please, you do not drive. I have asked you all the questions. That is true. It is too much. And in the near future. The scientific goals that you have made are incredibly. Yes, incredibly. I can say it in all conditions. And I will go with you, I will go to the hospitals at the end of Alexander's big trip. Really? As fast as possible. Morning. What do you mean, Professor? I would also like to say as fast as possible. Morning. Only there is something that is still missing you. I want to know. I have to say, what does Proto mean? This word has to have a meaning.

1:00:43Proto. You only need to hear it and you jump on it. How was a great experience? Why? You want to know what does it mean? Herbucchan, I'm telling you. Please. It should be a surprise. So? But if you understand her, then you think about it. Proto. Don't you say that? No. It's the name for the society. Proto is a story of an antique. A story of an antique? Wow, that's wonderful. Yes, wonderful. Really. I'm sure you've seen it. You're a genius. Herbucchan, I'm not a genius. I'm just a medium of love. Oh, so? No, Professor, I have to congratulate you. Oh, thank you. Where to? I understand. You'll have to come here to your research. And tomorrow we'll be at the exhibition of Proto. The president of the president's company is our favorite professor, Antoneg. I?

1:01:44But I'm going to the party. Hello? Hello? Stefan, did you leave a room for me? Good, write it down. In the last hour, the Axi Society of Proto is today in the capital of the capital. The goal of this society is one of its goals. It's not the only one. The president of the company is the student of the old town of Taudah. The president of the company is Professor Alexander Antoneg and our headmaster. We brought the game to the last hour of the Meeheil Sebastian

1:02:44and for the work of Maria Frey. The people and their speakers were private students Alexander Andronic Hans Timmerding. Gregorib Butchan, a great industrial, Harold Manl. Director of the time of the alarm, Hans Gogel. Stefan Esko, a editor, Otto Stern. Pompilian, a reporter, Thomas Fabian. Under the right of the minister, Branesco, Walter Morbiz. Drug-reibesitzer Agopian, Bogislav von Heiden. Magdaminu, a student of Maria Körber. The company heard Maria Madlen-Matzen, Ursula Stagun and Peter Fitz. Music Gerhard Al, Ton Reinhardt Krawolski.

1:03:45Regie Theodor Steiner.