Der zerbrochene Krug

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1:03Archeveschätze The listeners and the listeners. My name is Zee Gehilde Brandt and I welcome you to a new scene in our series Archeveschätze, the best from almost 100 years of radio. Today I would like to introduce you to a important radio show. Theater in radio. For example from Heinrich von Kleis, the famous cook. Theater's pieces belong to the first scene in the 20th century. Since the beginning of the early days of the year, the private drivers of the scene had to prepare the new technique for the new singers. So the boat was known and loved theater pieces before the microphone was installed. The so-called Sendespiel, also called theater for blind, was then able to quickly enter the big scene in the scene. The big theater, on its side, knew quickly what it was like for a chance through the new technique boat.

2:08Instead of being more limited to the audience, you could not be a big audience for their own production. And more, pieces that the strict political stage censorship to break, could be used here to be prepared for premiere. As a prominent example, the great Johanna der Schlachthöfe from Bertolt Brecht from the year 1932. After the end of the Second World War, this symbiosis of theater and radio was still from other reasons, many theaters were destroyed and destroyed. And so the radio was named the life-important function of cultural defense. The piece that I brought you today is Heinrich von Kleist, the famous cook, named and then the theater adaptation once again a special one. Only until 1962, in a state of 18 different radio productions, perhaps it is not about that Heinrich von Kleist in his drama Intensive with the

3:08different opinions of our language. Think voices, dialogue, comments, smooth sailing together and while on the stage everything will be loud, so that the viewers in the upper right hand hear something, the microphone will allow the speaker to have a finer nuance through distance and loudness. And now the broken cook, in the afternoon of the day, I am louder for the quiet round, with the first Walter Mitulski, Lotte Kleinsch mit, Klaus Jürgen Wussow and many others. Oh, yeah, oh, yeah, oh, yeah,

4:24and What the hell are you seniors doing atmosphere? Are you a bit blind? Yes, as a breeze, there are many faälti retirement trees! Ah, on this flat ground, it's a strike here. I'm a strike here. Everyone is going to the forest to the castle itself. I'm now standing from a lock-and-locker father, who at the beginning of the thing has been called his false spirit. You're not... Lone? At the same time? I think...

5:24I'm in a case here, I say. When do you think the opposite of that? Now? In this area, I'm in the forest. I had the morning-lead moon, the stormy morning. And I started running, and our Helgoth started running. And where is the left? A... Freilich. The ruler, the unspoken, the weak, the weak. The foot? What? Hard? Why? The clown foot. Clown foot. A foot is like the other. Clown. The king is running. You're right and right. The right can't sleep this time. And he's going to wake up again. Oh, what? Where I'm going to wake up? Follow the other. And... What's the face of the king? The face of the king? Will, you don't know. I'm your lover. How do you see it? The shrapnel is a scroll. A piece of the wall. How big?

6:24I can't protect it without a knife. You see it in the mirror? It's about the same. Hmm... Yeah. It was... Unloved. The nose... It also has a lid. Yeah, yeah. So it's the face of the king. Face? What? With the flying signbook on the open box, if you want. Now I know. Because I lost the right weight. And the same thing. The trunks can be lifted up. I'm dying and hiding with the dead blood on the open. Just one signbook. The nose was cut off. Good, good. The first Adam's case, which was made out of a bed. My seal. But... What I said was... What's new? What's new? There's a hangar. I'll have to forget it. And? Of course. Let's wait and see the portrait.

7:26Yes. That's right. The hotel is on heute. Yes. Are you sure? Who's in today's contestant? Listen to me. I thought... Isn't this full- nein cup? Yes. Shin-cheap chap. Hechemistry! If I ask, I'd reject him. So there can be a temporary solution. The coins have it. Unfortunately, as if Boers Magazine have the throat tilting. 巉 It keeps repeating! Has Claire disliked a famous會 in Augusta and turned concluded and suspended steどうess records at the bridge of Die Pse and find it in the back of the barn at the high level of the roof. What do you say? Technology made banking easier, travel easier, shopping easier. Home insurance is still catching up.

8:27Kin is changing that. Smart technology that helps you find coverage fast and real people when you actually need them. Simple tools, faster help, no trade-offs. Home insurance that finally makes sense. Go to kin.com slash podcast. That's kin.com forward slash podcast. Kin refers to Kindest Reader Insurance Services, a licensed California surplus lines broker. Insurer that is not licensed or regulated by the California Insurance Commission. In between, you come to a buyer, you loosen up, you rip it and you start it. You bring it back into your own business. So, you bring it back. But now it is sealed in his house, sealed and closed. It is as if he is already a lion. And also his right hand is already locked. Hey, you see, a lovely little one. Otherwise, a lovely one. And this advantage of the owner's power is that the right hand is not here. At the middle, he is in a lot of trouble. At the middle? Good. Your father now helps. Here you are.

9:27How can two hands wash? You want to be careful, I know, you will be free. And you earn a lot of money. But today is not the time to go. Today you let him go to the basement. I'm so sorry. What do you think? Now, then, come on father. I follow a little rift. The authorities set the line to the right to the bar. Good health, doctor. The right hand is his master's master. The right hand is his master's master. Here he is. A righteous man is already ready. Yes, he is the one in the house. Hey, come on, come on. Good morning, we are going to the house. What do you do now? I am not drunk. He pulls the rock. Who? The right hand? Oh, the mark is it. The one who put a little man. First the west. What? Rock is really. The right hand is very welcome here. We are ready to start. Tell him that. He is still in the house. He has ordered the snake. There are two waiting rooms. Well, my son, the snake is crazy. I am sorry. I had broken my feet. Look at yourself. Your mirror looks like a mirror. And every step is purified by nature.

10:27I am not scared anymore. You are concerned that he still feels the way he is looking for. Bagarite, hey! Who says that? Please. What do you want? I tell you. Look, these shinkies, the worst flash from the Registration and you won't fly. The other. I will kill you. God, please. Bagarite. Please, the Kumak should have the Registration. You should have also understood. Now I tell you. I will make the Bagarite march out of the book. I am sorry, I am sorry. It is the right hand. I do not want to hope for anything bad on the journey. Hey, we are on the way to the hallway. The river is hiding the hand. I need the bag. So you have broken the hand. The hand is hiding. Oh, God. You can already hear me. Yes, for the bag. What? You mean the doctor? What? For the bag? What for the hand? I think you are right. I think you are right. Hey, Lise. What are you doing? I am a robber. These are puppets. They come back to the Registration. The worst? The worst? The worst? The worst?

11:27It was a misunderstanding. I am not sure why not. Why not? Because you are in the evening, clock 11. You came here without the wig in your house. And your other wig was wig. I want to... You have my clothes, my Adam. I can't believe you when you came back. You said you would fall. Do you know? I still had to wash your hair. Have you been married yesterday? No, today. Today and yesterday the wig. What the hell did you wash? I don't know. I was going to the garden to wash your regress. The margarita. The father of the kisser should have his wife. In my heart the cat will be married tomorrow. The cat? What is it? The devil should not be angry. I had the wig on a chair. There is too much to go. The chair where I am in the night. He is on the chair. He is on the chair. You see? You see? The bed and the young man. The young man is a good girl. I am a good girl. And my big brother is a black man. I will send you the barricade. You need to tell him.

12:28You want to understand? I will. I am not good today. Why? Everything is going on. I am not ready to go. But the glue is already in front of the door. I dreamed that a glue gun would be killed. And the shrapnel before the gun was killed. And I see the same thing. The same thing happened on the chair. And the shrapnel and the young man are down there. And the shrapnel is hiding behind the door. How do you know? I am so brave. The lads are ahead. You only give the message when the gun is ready. Right the part on the gun. So that the dream of the young man goes to the other way. What are you doing? The right Adam. Welcome. Welcome to our house. Who could have done it? Who could have done it? I am not going to be able to see it. I am not going to be able to see it. The upper tribunal is about to be banned from the right side.

13:31The man is going to be left behind. And the shrapnel has the same need. But my business is not going to be a problem. I should not be able to see it. And I don't think we should be happy if it is too late. For the war, you have to be careful. Prettycut夫 theت'n husband is tired. Cause he doesn't like the guy. Progress, he already told me that. And that he might have been at least laughing? Too bad that... Is there food? Doesn't fit in your mindset. Many things are too old. You want it. But perhaps... That is the� right. Well, yes. During the next few years I am telling you... Let's get her out of here. In two weeks... Yes, that's quite a significant parallе ...we were scared He was just curious Because of his full flu With the pain of doom He had upset What's low value of poverty

14:33But looks like defendant Whith he haven't Jang But he outdid his revenge If... Yes, the very first I'm going to do it. On my own, Nidga. What's going on? A coincidence, a lawyer, and both Polkne and me. I have to keep the minister. I have to keep him. Yes, on the eve of God. You see, without the Paris law, my right hand is lying. You have to go to the front, if you might catch me. You know what the front is.

15:34A small half hour. Half hour? And your watch is closed? Do you answer? I have to go to the house tonight. Here is the bottle. I can't go in between with a good breakfast. Where it's from, brown sugar, a little sugar. Thank you. You're already late. I need you in my room. Now, if you like it, come on, macarons. You're right, Mr. Letz. Have you fallen for your idea? I have a hot, hot, cold, cold. When I put the bed in a stick, I'm sorry. It will be better than the following. I'm not afraid, and my flight should not be too long. I'm going to leave with my right hand. Go. The knee is up. Yes, please. Come on. You're a big man, you're a man. You're a man. You're a man. It's all going to be fine. Oh, yes. It's going to be fine. You see, the clock is ticking.

16:35The clock will be turned off. The clock will remain. For such a clock, I don't give a damn. If you're right, you can hear it. I'm sorry, I'm sorry. You can hear it. Try it. Try it. You hear it. What the hell? You can do more. If you break my son's clock, you should be ashamed. Let her go. Follow me. The dragon. Sister broke the clock, not the one she lived. The clock is the one she got lost. And with violence she thinks she's flying. I'm flying when I take the knife. The old man, the clock, I fly here. And the clock is shining white in front of me. How to get the king on the whole day? I'll get you a couple of times. I'll get the king. You're right. Love the king. From the eyes. I'm sorry. I'm sorry, I don't like to say anything. Let me be a single word, the secret. Nothing. You're going to the regiment now, Europe.

17:35The war is over. Think of the war in the end. Do you want to make such a king of me? A king? No, I don't want that. God will give you so much wealth as he can. But I'm going to marry you from the war to the sun. And you'll be married to the 80-year-old. I'll say you're still a dead man. You want to swear yourself? Reve, go away. Do you want to let me go? You're going to let the king go. We wanted to make a king and stand by him for a long time. Such a great figure. You're so stupid. You're talking like you're hiding. Your good name is lying in this top. And before the world, you're going to slay him. If God doesn't forgive you. One, two, three. And the four of you will be killed by the king. I, what's the plan? You're the whole thing. They won't blame me. My dear mother is following me. I'm sorry. Let this unhappy man be free. Father, tell me what's going on?

18:36La Paglia is a king. A king? Yes, he is. He's waiting for the king. My soul is going to be yours. Efchen. He is. A word. I don't want to know anything. What? Bring me here. I'm saying he should go. Efchen, I'm sorry. What do you mean? If he doesn't agree, I'll tell him to let me go. Father, I don't see you. The people are doing my duties. They're doing it for you. I want to go to bed. You want? I think you're happy. Efchen, I'm sorry. I want to tell you everything. What's the plan? Is it only the king? Yes, he needs only the king. And nothing else. Nothing else. Nothing. Nothing. Nothing. I'll tell him to let me go. What are you doing? You hear me, God? I'm happy. I'm sorry. You're ungrateful. In the map, there is a red temple. I'm carrying a stick in the bag.

19:38You hear me, Efchen? You see, you can see the red temple today. If it's a red temple, the Buddha will be buried. I don't speak with the priest. What do you mean? The new name is the place of your business. And open up what I've been waiting for. I can't explain it to you. Is something clear? I'm sorry. I'm sorry. I don't know you. What? What? I asked you. You asked if I was here. If you were here, I asked you. Your neighbors called you. I think we are here. The right one. The right one. What do you think you are? You should start the procedure. You are a sander, sir. What do you think? It's a shame that I bought a Indian driver. I shouldn't have understood it. And I asked the young driver. I'm a strange thing.

20:38And my hyena, my child. You sit here. Call the police and take him away. And you write the protocol. Very well. You will be able to send the process to formalities. Or as we do in the family, after the legal formalities. We are in the family. Not different. Good. I'd like to know. You are ready, driver. Your children. So take care of your kids. Cleger, please. Here, there, Frichter. Who is it? Who? Who am I? Who are you? The name is the standard of the family. I think he is a funny guy. What are you? I sit in the name of the Justice Board. The Justice must know who is it. That's right, the Sunderbarra. You look at me all the Sunderk and the Fenster.

21:38You know the woman. She lived around the corner of your garden. She is a Castellan. She is a very good woman. She's so OSняя who only gets Normal to perform acts hijaby themselves. Even the Girlfriend is very pitiful in his name. Who do you think is lying to me? I miss myself too. I have never seen anyone else. An Manager at the Court Othms prevents me to climb the D聽ment prison vista. Yes, here is the king. And who is the king? You are the king? Yes, he is the king there. I don't need that. You are not going to escape the hall. Shut up, man! The king has said that he is the name of the king. He is going to be punished. Now the same thing is going to happen. I am going to have to drive a car. Your names are not for love. If you are right, then you can't give me that. So you are going to drive. Maybe you can drive your car.

22:39I am sorry, I was here today. Your names have already been sent to you. I am going to take you to the court. And here in the housing, I believe, the court is different from the one in the United States. I have to be honest. We have here, the status of some kind, not written on it, but written through the valuable traditions of love. But in other words, I am like a rich man, a family. If you are wrong, you will be wronged. I can be right now. Now so, so much so. You give me bad memories of the court. It has been you who have started to rule the hall. You should be free. Mrs. Martin Rull, please bring your keys. I am sure you know this court. You see the court, you will be punished. You see the court. I see you. You see nothing, the court, you see. The court is the best, the court is punished.

23:41Here, especially on the clock, where nothing is, the whole Dutch province will be given the Spanish viele. Here, in the inn, Kaisakadar 5, you see the two still standing. Here, there are many knifes and the crowns, which are on top, up to the back and also on the back, in the middle, with the high knifes, you see the earth's bishops of Arras. He has been a great figure. Here, he sees the great market, here, a new guest in the window, but what he sees now, I don't know. Mrs. Martin, let us hear what you don't hear. How beautiful the court, heard what you say. If I don't speak the right way, I am not unruly. I want to go and visit a court that I hear. You should talk here. But if you say that I am a judge, we know that we are in the right way. How much you need, I don't know, but I know that I have to explain to you, what is the right way? The court, the court, heard the right,

24:41the court, had a sling, I need it. Who? He is standing there. He is the court, a great woman. It was Urelf yesterday. You say? Urelf. Tomorrow. I will come back to visit you later, with the king of the house, to have one to slaughter. And he, to the answer, gives me the hallulk. It has a different group of the sims. A different, I beg you. The one before him, from there, can only be called. And with a shimp with me, the girl is there.

25:42Oh, beautiful. Here. On this word, I ask the girl. She is a little lighter. I say, Eva, she is now, is a different woman. And Joseph and Maria, she thinks differently. So, tell me, who was? Who else says she? And who could be different? And it is hard for me to be the first one. What, where are you? What did I swear to you? Nothing. Nothing. No, I'm sorry. I heard it. And now it was the wrong. Nothing. Nothing. I swear. It has been a boring kid. What is the same? You would not have ever tried to make me feel safe. And Maria, in a group, I swear. I swear, I don't see you now. And Joseph and Maria, I swear. A guy, a woman, a man. What the fuck is the good kid? Even if the young people are special, he always tries to find something beautiful and what he doesn't tell them how to make it beautiful. He says, he says, he can't be called out today.

26:44He says, he can't be called out. Let Joseph and Maria play. Not, but he doesn't. We wanted to learn two German lessons. But I'll protect you, Richte. And I can't say it's hard to say. That I said, yesterday, I swear, I swear. And Joseph and Maria, I swear. And now I want to say the young guy, what did he say? He doesn't want to hurt you. He's out there. We're talking to you, that I said it. You have a sword on your feet. You're talking to yourself. From your experience, Richte, Adam, I don't know what to think. If you had the sword on yourself, you wouldn't have thought of it as a young man. You're not the only one who's not in the protocol. As a young man, I hope you're in love with him. Yes, of course. From yesterday, you're in love with him. Not from the doctor. Yes, of course. Is that why you're saying that? Who should I ask now? To explain. I'll teach you how to start.

27:44Yes, ask the person. He's asking you a question. This is the last thing he's going to do. The last thing? What? Are you happy about the conditions? I'm sorry. The Pipski Perl, where we are, is the close to Nudelklaus. What's there to be a close? The Nudelklaus. The one who should not give up. I'm sorry, I'm saying to Henker. The conditions. Richte, please. Yes, of course. If the Cossetian goes to the house, he'll call me to ask the woman to do something. Yes, of course. Do you trust him to bring something up? What? Do you know him? Or does he start to think of a man who's going to die? What I have to do to bring him up? That he was not promised the word. Oh, so? And that's what he thinks. Oh, yes. The ordinary woman did the bad things. I think it's going to happen.

28:44What's going on the woman doing to Richte? What do I do? Oh, God, I should be a Christian. He's a writer, you know the process. Oh, what? I'm already in the house. What's the point? What did he bring up? Is he not the island of the island like an ox? What did he bring up? Oh, yes. He should now tell the gang. My soul, if you come to work, I'm not going to die. So, about 10 o'clock it's time to go to bed. And why? Just this night is just as I was when I told my father that I would like to go to the Eve. And he said, go. Do you stay out too? Yes, my soul said, I'm lucky. Well, he said, go. To come to bed. Well, he said, I'm going. And he said, go. Go back.

29:44I think he's going to die. Now the garden door is closed. Because you only open 10 o'clock. The leadership of the leader. If I don't come to the 10 o'clock, I won't come. On top of that, I'm going to the dark, hear the garden door close. You're there, there's the Eve, I'm still telling you. And I'm happy to see you, from where the ears of my people are looking for my eyes. What do I see? The Eve is, I know the Lord. And one is still up. Who? One more? And who is your clown? I can take the evening. There was a window, and all the cats are grey. But you know that the flying ship will take the medium to the horse. The life of the horse. Yes, life of the horse. Good. That's your name. That's what I'm all about. Have you noticed the portrait? The writer? Oh, yes. And everything else, I'm listening.

30:44I'm listening, I'm listening now. I'm listening to you, a fishbre here. A heart. A nurse here. A sick, stupid one. I think what's going to happen is not enough. And I think the thoughts of the house are already in the house before the pastor. The mother of the house is going to be a nurse. I'm going to be a nurse. I'm going to be a nurse. But, my God, now he's like a blood star. He's going to the house, and there's a dragon and a dragon. Because the door is broken, he's going to be a nurse. I want to give you a lesson. Just as he's going to be. He's going to die of the sims-zimmer. And the dog jumps out of the window. I see the beautiful ones from the rock. He's going to be a nurse. A nurse goes to the window and finds a pig in the window. And the blade stays on the hand. When the door was open, he's going to die of the ecstasy. Because the hunter can reach me.

31:46What's a blade? What? Yes, the blade. You think it was a finger? A finger? Why? The blade is around the end of the vase. That's right. The blade is around the end of the vase. to be capable of doing stuff also! Don't be stupid here. Alright, now he is, you gonna abbortunatously his for sure, but what is he like? To bully you. Tell him the extra matter. He needs your permission. He's losing his mind. They should be sir! Why could he not speak again little crap? What is the reason?

32:47Here my zeuge is, Eve and Redぁ. Theyいや? No Why doesn't he speak again little crap? Yes? It's in the book of the title, or is it a square or a quinto? When the war or something else, what do I know of young men, are slaughtered, so they can't be destroyed by their own. In your head, science and art, I'm like a tiger. The young man doesn't yet know, he's declared it now. Yes, he's declared it well, the title of the sixth. But what do you think? Third, my young child. Hey, Lies, he's allowed to touch the teeth. Magicality. Yes? A glass of water. No. Can I say the same thing to you? Yes, I can. And when I'm free, you know, the things are a good thing about the comparison.

33:48The comparison? As you wish, you don't have to worry about the things. I'd rather listen to you. My soul, if I let the law set me up, I'd rather take so much to help you, so you'd be the most experienced. Or the most experienced? Or the most experienced? Who is the cook? Who is the most experienced? The most experienced or the most experienced? You see, with your own eyes, one like a hand in a sack full of herbs. On my ear, we'll be able to get it right if you're all ready. You'll be able to get it right there, and I'll be able to get it right there. I'm a chef. Speak, my son. Speak, Eiffchen. You'll speak now, my son. Do you think you're a god's right? A right is always known, a right and a right. One needs a tomorrow. Tell me, is it good to be alive? Tell me, is it good to be alive? It's good.

34:48Do you want to take me from one another? And the third one? Do you name them? They're going to take you to the market. I don't say anything. If you want to talk to your wife, you don't want to be a witch and you don't want to die. Don't you understand? The young lady knows what I want. What should I do? Do you want to talk to her? Do you love her mother? You're a fool. I love her. Who is she? I'm a woman. I'm a woman. She's already a bit sick. Yes, we're in. You're a bit sick. The flight attendant is already in. The doctor is in the middle. Hey, he's free. No, no, I'm not a witch. Just let him be. You'll be on my name. Hey, you. Don't make me a fool of you. I'm 49 years old now. 50 years old. I want to live. The third time I've been living in my birthday, today is the first. Do it briefly. Who was it? I'm kidding. Don't cry. I want to go to the market. This is something I'm looking for. A king. l want to carry out Muhle man painting. That looks nothing more than Wall an X.

35:49Thisinaudible old woman makes money. You can break those bones. How about you? I don't want to do it. Maybe grab something and show it to her. Which means that somebody's torn it off just by herself,... That my mother wanted to marry the queen. Oh, leave your stuff. It's as if you're afterwards such a оvar curl! I wanted to st ... I wanted to sleep between the two of you. I don't want to live in life, it's all the same. And if we understand it, it's also a day. My soul, this is too long for me. What I'm doing with tender grief, I think. Why, Urubrecht, why not should I say that you're the one who trusts me? The Urubrecht, so what, not young, is eternal. No, no, no, I don't want to. Because first of all, I want to be selfish. The Urubrecht, no, no, no. And if I say yesterday, you'll be crazy. Hey, now I'm going to sleep, I'm going to sleep. What do you want? What do you want? What do you want? What do you want? What do you want? What do you want? My heart? He's un-suffered, he's never right.

36:50How can he say that he's alive? Young, what do you understand? Is that the respect you have in your right? Oh, what is the right there? Who, for the right, is there a sin to stand there? He, however, is better known as a warrior. Do you understand Adam? Huh? Did he not tell the people about the commission to the protest that he was going to get out of the grudeness? How can he say that he's alive? Now, if he doesn't tell anyone, if he doesn't tell anyone, then what do you do? My soul, Adam, let's say that I'm not the same as the one who's not going to be alive. Good morning, clock 8. There may be a third of us. Oh, what? He told us about the protest. He said again, here is the young man, difficult to stand, not me. Why not? A gorgeous child, you look good, but you look good, young, young, beautiful, yet beautiful.

37:51Here, in the very night, he was quite rich Adam. He was very smart in all the young people. Your father was a good friend of mine. He wanted to be a great hero today. So we don't do this as our enemy and let his daughter go. I'll try to make a big deal with Adam to get the whole thing to the ground. He's the most expensive, he says who will be the king? Nobody can tell you where Adam is. Nobody can tell you where Adam is. My dear, my dear and dear, it's a wonderful feeling that I can't stop this thing. I can't stop this thing here, I can't stop this thing here, I can't stop this thing here, I want to say it later, but here the tribunal is not there, where she is right, she asked me to. No, not right, not right. If you want to swear the night here, then the mother will be punished. What do you mean by the explanation? Who would have a different than the other, in their room, then it's a bad thing.

38:51I don't care. The chair is the first to enter the door and says, go, child. The world is far, you don't have a house. And you've also heard a lot of things. Where you come from, you come from, you can hang. I'm going to do it, from the government, you're talking about it. Who knows? Who knows that the rubble is in the door? Good, grandson. First I want to show you that the rubble is in the door. And if you call the Brigitte now, whose mom is there, so much more than the one who is just being punished. Because she has a block of 11 in the garden, more than before, the rubble has been turned. What is the word with the elf already? Who has the Brigitte? Me with elf? In the garden? Me with elf in the garden. A block of 11 in the word, a big half-difficult, as if he wanted to talk about something. The devil is good. The boss of this woman is here. You don't hear me? That's not a true word. That's not possible. Oh, wait. Hello, go. Hanfried!

39:51You hear, you're flukting, you know what you're doing. Why do you swear to your father that you've been using the door in the garden? Why do you swear to God? God, don't be a fool, because it's not a true father. Take your eyes off and the noise of the house. We, too, are standing in front of you, you're hiding and hiding. It's your fault. You're not going to deny this thing. You're going to see the long-awaited. Your plans have my money and your status. I'm the opinion. To finish it off. Good. I'm the opinion. To drive fast. You have the opinion. Oh, good. Otherwise, I'll have to finish it on your morning, early morning, to finish it off. You know what I mean. How you like it. Write it down. You should get the girl to the right place. And take your own thing, a little bit. Very good. You could've been a little bit of a fool when you were a little bit of a fool. Well, yes, there was a class where we were in the meantime. From the very heart of the heart. He's the manager. He's the director. Yes, sir. ,"-Good evening." . The waiter pushed out and bent fine.

40:52He's in Bluebook too. And from his hut, he's about to sh realy celebrate. Al 한다, regardless from the ombreg. What a great chat you hear right now. It's art of oil the ainsi, in your case, the doctor says. Do you let people demand rain�� Sinvers' banning the rained. Bless the love либо be delighted !! From where he gets done before. Do you think it will be over this long , till we see him in Otto's hour, Today is the time to get home. What do I say? How did you get to your house, Harry? That's a bad thing. I got it. You got it. So, when? Tomorrow. Today, at 6am, tomorrow morning. I'm going to bed. Where is it? About... Genetge, I told you. The truth is, you're talking about me. I'm going to get you a drink at the opening. Until this hour I don't know why. From behind? Like from behind or from the form? You have two front and back. From the front and back.

41:53Maggerite! Hey, look at that! But how? First like this. First on the opening edge. The front, the steering wheel, and then from the opening back to the bottom again. Where I have the back door. It's your fault. You would have a wife, so I would have a wonderful thing. Why? Yes, because of my dream. I'm so rich, I'm so rich, I'm so rich, I'm so rich. No, thank God. Women are not the same. Go to your house. And today, the Berwickes have a house. They have a house. Yes, yes. Everyone is a swimming pool. How great! What do you think? What? Well, the Berwickes? Yes, you see. I sit and read yesterday evening an act. And so deeply in the street that with the heart of the flame the lights will turn the Berwickes. I want to be from me, but I still have the naked band

42:53released, as if I was dreaming and dreaming. Come on, I'll have three years to go. Oh, wish your friend in the city. With the Berwickes. But the wine. Not all too cheap, bitter, rich. What the hour has been, a glass here. The life is right. When the house was still there, it also had a bad case. On my ear. When here the things, like I almost closed doors, and were unhappy, the theater would still be in its wonder. How high is your window? There, woman, did you do it? My window? The window of the camera, yes, where the young man sleeps. More than nine feet, the window is not from the ground. You see homeless, if you look at the mirror, because on two feet a pouquinho of wine, the ures flow through a palace yard, as if in the entirevan, it becomes physician-fu, jug�s with a trigger. Oh, come on how do you dare? That silver with your head? Don't speak nonsense, I'm asking you!

43:54How do you know? I heard you from here. Hello, Mrs. Boh合. Two times! He could have slept with these guys, he had to have him slept, so he had to have him. He was right. He was right here before me, so I could say, he was right here. I didn't have the word. Yes, I do believe so. Here, what we love, Knieldge, sit down. What's right and good and sad, the right Adam. Yes, yes. Now, for the end, now, if it's dangerous. You are too wild to make a woman, the right Adam. Not as often as he was. Mrs. Machtte, you have the right Adam. You are right. He says, he doesn't speak to you anymore. Knieldge, you are right. I often see my house, I can't sleep on the bed. Nine weeks since, it's been too late. And sunsets, if you go to the front yard. Yes, there. There he is, he looks at the window, and says, good morning to me and my daughter. But then, then he goes back to his way.

44:55Should I go to my wall? He looks like an Adam's. Here, Mrs. Brigitte, come in. Is that the woman's written? That's Mrs. Brigitte's name. Now, let's finish the thing. What does Mrs. Brigitte bring for a wig? The woman is wearing the wig in the mirror with Mrs. Margrete Rull. She sings in a nest in the cross-baked window. The light and the window, where the young man is. What about me in the mirror? Mr. Richter, you have something to trust me, so I'm asking you to tell me the story of the story. I don't know you. You don't. On my mirror? Here, the wig is not yours. Here, the wig is mine. This is the element of the painting, which I have been in the book for eight days, after which I bring it to the mirror. What? The painting? Here?

45:55Why didn't he give the wig? Why? God's hammer, daughter. I gave it to the workshop. The master's name. She gave it. And now, do you think you're going to make it? You're a man. The man is not going to be able to do it. He's not going to be able to do it. I'll go to the house tonight. I heard the young man scaring someone in the garden. He was ashamed. He was not able to do anything. What are you doing? I'll call you. You'll go through the town. You'll call me. What are you doing? What are you doing? And you'll be quiet. You'll answer. What are you doing? What are you asking? What are you going to do? Is it the spirit of the spirit? Is it the spirit of the spirit? You're going to go to the house tonight. With him? With a lot of ink. Let the woman be blessed. I'm going to the workshop now, to the workshop tonight. And just on the left side of the workshop, I'll take you to the workshop tonight.

46:57I'll take you to the workshop tonight. With a horse foot, and behind him, he'll be standing like a dump, pecked and hard and swam. Is it the great Brigitte? The devil, my CVs? It's the devil. My CVs. I know what I've seen and heard. Today, I'll be standing with him. I'll be taking what the woman did to the whole scene. And I'll be standing with the woman in the group, to spy on the place where he jumped and the search. What do I find for you in a hurry? A right, fine and sharp and not known, always an ordinary human foot. And left, unfulfilled, group, in a single drop, a crazy Glottzka-Pferder foot. You're a black man, you're not a real woman. Or at least a tree. First, in the spallie, where the jump was, a white snow-like circle as if a sound was in it. And human foot, and horse foot, a foot from here, a square through the garden, a bit in the whole world. I'm done.

47:58Has the beautiful light gone? What do I do? The devil's eye is broken. Shut up, shut up. The writer says, he's now a hero of your fate. Spart your session. The group's dreamer doesn't suit you. He's not bad at all, but in the village. How is the spallie gone? So does the writer, too? Your garden with this spallie has a real power. A horse foot? A foot of a human, please. But the writer says, how a horse foot? My soul, you hear? The story seems to me, Ernsthaft. I'm asking you, before we conclude, to ask the synodist if the story is about to take place, that the bulls are the king of the kingdom. A task, as I've been waiting for you. What do you mean by this? The woman who has now been punished, the court is going to be executed. The case of the murder is clear.

48:58Here, on the written list, I say, let us follow the spallie. Good, he says, he's a good person. Maybe we shouldn't go around if we have the right to the Adam. The right to the Adam? Here to me? To you, yes. The devil will not be able to get in the right. The horse goes to the back, until it's too fast. Maybe he should pass through here. It can be. The horse goes from the front. It was a horse-shaped horse. The horse-shaped horse, does not have any horse-shaped. Yes, it's a horse-shaped horse, but it's too far. It's too far. I'm a sheep. The court has set the law here. I don't want to be honest if it's not a stink-nurdy. If my direction is not too far, I would have been able to find the right to my ear. I don't want anything. Does anyone have any business with the horse? No. But there is someone here. So? Who? Do you want to ask the right to the Adam?

49:59The right to the Adam? I don't know. I don't know. Everything is just as expected. Now, who do you think you are? You have his right to the outside. What do you think? Do you think you will be punished? Who? The right to the Adam? I am the right to the devil. Is that a horse-shaped horse? My ear. The horse is good. Now you make a change with the session. A horse? The devil could go to the bell and... I'm not saying that. I'm trying to make a change. Oh, what a shame. I'm saying the same. The only group you will be called is the feyery horse. What a feyery horse. Here, the parake. Who says the devil is in such a hurry? We know here only the unfulfilled what is in the hell mode. Women are wrong. You say, he's usually the one who has his own hair. But I'm convinced that he's the one who's trying to make a change. Conoration. With respect. Nothing will happen.

50:59It's worth to say something about the tribunal that you are guilty of only the era of the law. You are guilty of your session. I don't want to. You can't make anything to you outside of this. You think I'm throwing at you I'mンダホ as a moustache! Those of you who fell into the pit today look at your wooden flagwell the man will do the骒refist is gone. Fuck me, don't get any confused right. Dika has the daydead in his own kingdom. Listen! If I battle him in a brutal way he'll jogoskfeichlaufs me with my belt. I'll האף嬴gre לחć here by the court of law I cut the Kellidas and put the parakeets in the sand. He himself says I'mgin a bunch. Before I am custody Between M. succeeded it. A pair of belts Dodge the gun again. When I get out of your pile of doors, I draw you your fence. eight! Not?! Mine and soldiers, too far. How do they touch my head? Aye, they should slit us all the time. Aye, they should try. Aye, you boy, I should change the saying. Once again, you should... ...began the company.

52:00No, I don't think so. And he defends our quality. The half-knowledge of the island and his right hand is the one who is in the prison. How long will I still decide? The prison of the island? The prison of the island? Have you been ready? The court of the Marke doesn't have a good decision. The court of the island is not ready. And the court of the island is appellated to the court. He should first appellate the court. What? I? The prison of the island? The prison of the island? You are also not there. He is there. The un-fascinated one who is sitting there. He is alone. You hear a loud voice? The court of the island is not there. The court of the island has the power to break. You? The court of the island? Yes. The court of the island? He was there in the evening. He was there. He was there. He was there. I will not be here anymore. You are here. I will not be here anymore. You are here. He was in the house. Quick!

53:01Quick! Quick! I'll prices until I return the money. He called it drivers. I want to eat an ejuk! He's so nicely caught up with this, that's what I could have thought of alone. Goodbye. Let me go. Hi, e menjadi. We butchering is necessary to comprehend this. There's a bolt. Especially when things cry. I'mяниete? He is an magnificenter. What ever goes the same. Do you think you can give me your life? Oh, the right path. If you don't help me now, we'll lose. Why? Oh, God, what's happening? The right path is the description. The description? Because the description. The right Adam has given me his secret. He goes to the Indian. That means, the Thou? What? From the Indian? You see? Here is the letter. The Stille-Himelstruktion, the Land Milits, is being found. You see? I'm from one and the opposite. Oh, and he's heard of the right path. The letter is false.

54:01False? False! That's how I live. To the Dins of the Land, no one is afraid to send a person to India. And to prove my worth, the wrong path, if you say so, I'll buy it free. Oh, Himel, how crazy you are, you know me. Because with the terrible curse, he's a wild animal. He yells to me and He's hardly able to help me read an només example. As we want, all those ladies who are ill- humidly punished and accused me of poster Declaration of Wyatt Daug Vocal, a witness of guilt, as proof of a revolt. Oh, I deposits imponder, but this is really a mental matter. I'm useless, here's a gift. You look, I'm not ill. You know, my useful child, In every case under their breeding it inspires you, soon I will test you again right now. I'll be out of my mind of this and you'll be working at all Speak, tape and crevice always heal. But nobody's equivocated by Sentса at all. The bats will undoubtedly latenians down creatively See the yellow два

55:04mackerel and it will only find themselves at the gulf and으러 understand the story about this meteorite what a fripper is, ramen left over but there is certainly nowhere to go nothing full of annoying sc into two There I am.

56:19Her daughter Efe, Solveg Thomas, Bauerfeid Tümpel, Ernst Altmann, his son Ruprecht, Klaus Jürgen Wussow, Frau Brigitte Sophie Koseos, a Bedinter Hans Kautz, two Megte, Angilica Aurel and Kede Jenike. Thon Reinhold German, Schnitt Edith Eichhorn, Raji Ulrich Lauterbach. That was Archiv Schätze, the best from almost 100 years of radio. Today about the theater in radio. The broadcast, as the previously presented play, you can enter our podcast on fa2.de and in the iD-Audio-Tech. And if you have more play, then listen to the morning, about 22 hours on our play in a place, the 100th birthday of Stanislav Lemm,

57:21his play test. Everything here on fa2 and to the afterwards on fa2.de and in the iD-Audio-Tech.

59:13Music Music Music Music Music Music Music