Der Ring des Soth

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1:01und Alwin Michael Rüfer. London CD 35-188, Dr. John Smith. I would like to invite Paris to speak. What number? Paris 628, 1432. I repeat Paris 628123. Yes, please. You need to know if the connection is here. Thank you. That's interesting, I don't think so anymore. But of course. Well, well. So, what should I say? I don't know, but why Professor Johann, who has put out the wrong thesis, Aminophis, not Priester, but Hirti, but it's over 50 years now, but no one has ever had this interesting connection. Of course, that's great.

2:02And we'll be waiting. But can you forget about a view of science? I've come here to talk to you. Oh, so. You're afraid, Jennifer, that the most famous Professor Grine, not only can I look out for you, but if my work is not the first time. You need it, I'm going to be careful. I'm going to be careful. But you know, I'm the wrong one. And I'm going to get the connection that I have. I want to see it again, but I can't take Grine. I'm going to have to have a thought. You're a famous man. What should that be? Of course, nothing else than to be able to finally marry you. Because you're the one who's working hard. You should be a woman. A fashion. You can also take a man's unselfish love explanation. He just learned it through me. He didn't even count on you. Exactly as much as you. Oh, you're right. And I should not be asked at all. But of course, I ask you.

3:03If it's so far, you'll have to decide. You're not going to be in the first place. You're a blind man. That's why I want to talk to you. I wanted to tell you. You wait for the first time. That's enough. I'll come back on Friday. And then we can go to the end of the street. Jordan, 35, 18, 80. Smith. Oh, well, I'll go. That's the news. Yes, thanks. What do you say? I'll go and see you in a good trip. And many people. Yes, I'll see you again. I'll call you later, because I'm back. I'll be back. Please connect me with the director, Miss Jurati. If you want to call again, please. What do you say? Good morning, Miss Jurati. Here's Smith. Dr. John Smith. Ah, Mr. Smith. Again in Paris. No, not yet. But I have to come. If the papyrus of Aminof is not right

4:03on a flag, that's why I call. Yes, I'll call again. Yes, please. Hello, Mr. Smith. When will you come to the office? Yes, I'm tomorrow afternoon in Paris. So, you're on the day of the day? Very good. I have a uncle. How are you going to work with him? Ah, thank you. I hope you can write in three months. Very good. Very good. Very good. Very good. Very good. So, Mr. Smith, the papyrus is there. Ah, thank you. We want to stand on the field when you have the day. I will be the Egyptian department of informants. Ah, thank you for your permission, Mr. Walten. Dr. John Smith goes back. He starts on the gloves of his hand, the wistered. On the window screen, the letters are kept before and the wind of the car is turned on. The light and the bright black are covered.

5:03The sun is divided into the lights, a warm and a dark front, which is the middle of the car against each other. Smith doesn't see that. He thinks that the train from Calais is going to be in a hurry for 10 minutes. It costs 10 minutes. He walks into his mantel and looks like a rye. I think it will be worse if he's worse. I just stay healthy. He shoots the tablets on the ground, but his mouth is dry. The cramp is trying to get him to get out. He should stay here to survive. The first time in my life, I was scared. Actually, we are now working to get back. I have to go back as quickly as possible. I have a fever. Jennifer wants to tell me something. Why didn't I hear anything? Why didn't I let her talk? Why? That's the story of Paris. What did she say to me? Of course, I'm asking you. You know I already decide. That's why I want to talk to you. You just want to talk to me. You know everything is really about life. No, I'm too late for a meeting. I have to talk to you. I shouldn't have gone. And now I'm going to get sick. I'm here to talk to you.

6:03You're right. I'm afraid that you'll lose your mind. I'm on my way. I'm the wrong guy. I only learned through myself. Grine, grine, always grine. I shouldn't have done anything. I shouldn't have done all my work. I had to. It's the way I can get the opportunity to get to know you. How strong between 10? I'm grateful to you that I could become the wrong guy. But if I had learned through you, Jennifer... Grine, of course, only through myself, I learned. He could have done anything. He would have ordered me to do what I have ordered. But I should have. And how big did I have for two years? About our first conversation. What can I do for you? I have a job here, where the inshry from Elkamp will be, they will be friends, I will sit down. As an expert, a part of the conversation. But it's not necessary for us. I'm not a psychologist. I don't know if you're not the first to try this. Yes, a professor. I read a lot of your work. You've shown it. You're in the right direction. I'm looking for that. You have to specialize in it. You can use it in a very specific way. But I can't see the possibilities and methods of the company. I don't want to see them anymore. I want to help everyone in the way they want to.

7:06Which way? Listen, I studied in the beginning. I didn't come to work. I still have a lot of work to do. I want to stop the material to be used. And finally, a big deal is going to happen. And what's the deal? A joint agreement is going to be discussed about the Aminofis. But the Aminofis is one of the most important figures in the Egyptian history. I know. And you know it too. I want to stop him from being a loser. And he will get rich. My God, what did I do wrong? I just want to know what Jennie wanted to say to me. With a hook, the taxi stops before the delivery. The driver has no time to open the rear seat. The smith is pushing the handle in the back. There is a lot of money. So much that the driver doesn't feel well. But the smith is already in the portal for money.

8:17Speaking of fetch, that's my cue. Terms apply. See optimum.com for details. McDonald's is putting value back on the menu. Whether you're craving a big mac, McNuggets are sausage, egg, and cheese, McGrittles make it a meal and save. Your favorite is now your wallet's favorite too. Extra value meals are back. Sun rises, prices fall. Get a sausage McMuffin with egg or sausage egg and cheese, McGrittles. For just six dollars, prices and participation may vary. Promotion pricing may be lower than meal pricing. Good day, let's see what's going on. I would like to know. Oh, why is that so? I don't know. Can I get the rolls? Maywees, they're already here for you. But the small work room is renovated. Oh, so? You have to take a big exhibition room with a table. That's not bad. If you don't visit the table, you'll be very tired. I don't think so.

9:19I'd like to get a glass of water. I'd like to have a glass of water. I'd like to have a glass of water. Isn't it cold? Yes, but don't say anything. Thank you. And you're the rolls. You don't know how to make it. If you can, you can give it to the rolls. Maybe you can. I thank you. You too. In the back corner of the big exhibition room, next to the last window, the table stands. The table goes between the glass windows that hide in the middle of the room, a glass of a real decoration. He doesn't expect to see what he's up to. Against the circumstances of a person in the age of time. He sees but he doesn't take it. He doesn't care.

10:20He's got a headache. His mirror is filled with glass of water, but he doesn't even need to be a bit of a habit. He puts a glass of water in the table. He's trying to control the paper. His hands are dry. He's still thinking about the feelings of his fans and that he might be sick. A fluke? Then he got into the papers. Many tourists are not allowed to enter the exhibition. The rolls are lined up. He's on a table in the table, which is filled with glass. He's just thinking about a decoration. He's getting into a forest. He's going to be interested in it. In the monotonous cover of the roll, his mother's words are sprained. You only have this man to touch. I'll be right back. He's just being a man. Yes, exactly. That's so ancient. It's really precious. If you do this with antiquity, Smith doesn't know why. But spontaneity is being asked for dialogue.

11:22He's about to lose. He's trying to see the two of them. They're standing with the back. That's probably the best way to do it. Why not? You're going to be left with the exhibition, because the time of Moses is coming. But we have to go, but Carter is waiting for us. I'll leave now. These half-willed tourists are a sacred people. They are an antiquity-gripped time of Moses. They only have the exhibition. But he's still thinking about what the two of them have seen. One of the museums is going to create a moon in the museum. Is this a new fund? Maybe they found a new paper roll. The museum is about to see the view of the museum. And Smith has to push a challenge to the public. That's something. I don't think both of them have that much time. It's almost a city-like, broad-rooted place. We have a copy of the city and pictures that are everywhere.

12:23There must be a real one. The painting has already set off its shape. The shoulder is just classic. But that's not possible. That's not possible today. Smith is a bit fascinated and confused. He stands up and goes over. I have to talk to him. I have to know what we're going to see. I can ask him about this new moon. And he sees the view from the bottom. He's confused as a ghost. There's no such thing. He can't give it. A very thin, thick, long skin. The nose and the front lines are still in tension. And the eyes and the starry sleep with unscathed, gentle cheeks. And the color of a color is so unaccountable as the chameleon. Sorry, sorry. Is this moon new? I haven't seen it before. The description is not in sight.

13:24You... You're a ghost. The man sees it. Smith is in his strange dark eyes. This eyes are through-sickness. How black diamonds are in a shadow. Smith is very heavy. He sees how he sees a ray of light in his eyes and then sings in the background. A strong, broken, black and black eye. I have to... That's how I get it. The man is looking back at the shield with which he is busy. Smith goes back to his table. But he can't concentrate on the sense of the paper. He always flies his thoughts from one another. He always stands behind the eyes. The eyes begin to dance on paper, to be together. The wild, gentle image mixes between. Smith is back at his eyes. I don't know if I've never seen him. I don't know him.

14:25This light is heavy. The fear and forgiveness are behind him. O seeers, I want you, King and Father, the Pharaoh. O seeers, protect the country and protect the country. The king sends the black to the water. That's the same eye. Saurio. But I've never seen the eye in the saurio. Where are the signs of Aminoff's arrival? I've been in the secret. My secret is to work with him. He's a cost-efficient person. I can't believe this eye. I can't believe this eye. I'm going to be a thief. You'll be lying. I'm lying.

15:25Oh God, what's the name? His head is painless. He takes a blanket and drinks a glass of water. He feels that he thinks he's not calm. He has to see the man once again, but the museum's value is gone. Smith stands up and goes through the closed room to the hall. Nirkens is the man to see. As Smith comes back to his table, he's a little bit calm. Even the head is painless. He puts himself in front of the paper and concentrates on the work of the new. For half an hour, the paper is still on the surface of his head. But then the lines are no longer so straight. The books will be unregulated, the words will disappear before their eyes. And then the piece of paper is lying across the floor as he is from the hand. The visitors will always be selteness,

16:25they will not notice the sleeping. Then the clock will turn to the end of the opening. The lights in the space space will be closed and fixed. The light of the moon on the south front of the moon is spread through the window and the rooms in the room to show light, insolence and more darkness. Inside the table, in the large exhibition room of the unusual section, a total set of windows is set. I'll put the table on the floor. I can go to bed soon. What a shame! On this loud, bright light, Smith is not able to find his work in his country. Oh, you love time.

17:26How late is it? Suddenly his surroundings, the whole room was closed for a night. He was still alone. He was still alone. Is that John Smith, in the light room? That's a dead man. What am I doing now? Tomorrow morning, I'm not coming out. Maybe I'll have to go to a library. No, that's too strange. I don't think I can tell you. John Smith is sitting on the table again. He's sitting on the ceiling and running. It's so quiet that the light in his figures in dark, in dark, can exist a tone here. This quiet, is a nightmare. Now I'm alone with this moon. Dead, an old, dead culture.

18:27The stars are beating like a plasma that protects the past. Four thousand years. Time is running out of time when it's still. You can't miss it anymore. But... Smith is shitting his head. Then he thinks he's like a wolf when Jennifer is now in his room. But he sees the air of the room for a while. The second and third room is the sharp-cut light and light to recognize the light. That's 8669 optimum. Speaking of fetch, that's my cue.

19:29Terms apply. See optimum.com for details. The dark is in a silver smoke that always gets dark. That can't be an optical illusion. But the air is in the air. It's dark and light. There's a point that moves away a weak, yellowish shimmer. A lamp. Swim in the rhythm of the step. More comes. The lamp is running in the room. The light seems to be the most exciting to the light of the long-term era. A lamp. First, when the light comes into the last room he recognizes the light of a storm. That's it. No. That's it. No. That secret museum is worth it. But what does he look for? At this time?

20:31The man puts the lamp in the middle of the room next to one of the vitrines. Then he goes over to the mummy who made himself to create a future. He takes it from the place and takes it carefully next to the lamp. He puts it on the ground and begins to move the bandage. That's not possible. The new arrival of the mummy. The man leads his attitude to the so-called difficulty of being trusted with the art of mummifying his mother. He only leads to the head and the shoulders of the dead. And the face of a woman comes to the fore. My God, this woman. I know this face. She sees me. She sees me. The missing is on the mummy. Is this not the woman who loves her? But that's not possible. That's absurd. He sees how the man is betrayed with his face and is trapped in the dark.

21:32Then the man comes back to himself as if he was in a timeless dream. He puts the lamp on a spot with the old rings. The man is trying to escape the three little keys. Then the key is the woman. He hits the door and is dreaming of a ghost who is trapped in the darkness of a ring. A fine lamp falls on the ground. I want the man to return the woman and get back to a different one. The man stays between the four rings. He makes the test again. No reaction. He is dreaming of a ghost. The man is trapped in the dark. He quickly moves like a leopard. No movement. But I want to... Come out of the dark. Oh, my God. Now he comes to stand in his new gear.

22:32Oh, my God, this is a man. And he is still angry. He is going to get into the mess. I don't want to do anything. I just want to get out of here. Really? Oh, so... She is right. It's not necessary anymore. I have something to look for. I had seen her before. I had to let her get out. But now everything is not going to work anymore. It's all over. I have the ring. She and the ring. I have the ring. What do you think? Why is that so important? Especially why did you have the ring? You don't have much of a ring. How did you get in here? I slept in the evening.

23:33I woke up at an hour ago. And who are you? My name is Smith. Dr. John Smith. He wrote about the hieroglyphs of El Cap. Where did you know that? I read the message. I read everything that was written about the old Egyptian. And what you write is all right. One of the special reasons. Before you wanted to know that. Because I lived with her. But you don't even know that. No, that's not important anymore. I woke up the flower. But I can't do anything. To whom? My great God. How did you punish me for my fault? You can talk about it.

24:34I don't understand what you mean. What do you want to understand? If a person lives his life, he can't understand it. For him he is the day and day. And for the year and a year. But four thousand years. Not four thousand years. But you write about it in the book. In four thousand years a living hell was. All the important things were wrong and unbearable. My God, how can you talk about it? You do it. Where did you get the right to talk? I got the right to talk about it myself. I know that you have to keep me for forgiveness. But it's not true. And it's also important. Maybe it's the same thing in the symbols that I have a show. I want to say something. Maybe I should give my solution to the fire of the flood. What fire do you think?

25:35Are you still angry? No, because it's a fire of war. And he falls on every enemy who has the nature and their own laws. You have a right to talk about it. I am a selfish person. My name is Sossera. My father was priest of the God of Osiris in Temple to Abaris. There is today a Abaris, the cult of Osiris. At the time of the great Pharaoh Tutmosis. That's impossible. That's over 3500 years. I know. It's hard for you to believe me. Do you see what I tell you for reality or for a fever dream? But maybe you are at the end of it. That it will not come at all. Because the reality is only the cure of the war. And I have the war of experience. I am walking in the temple and he is already getting sick and scared.

26:38At the time, the Osiris priest was the most prominent man in the world. He had as a teacher. And I was a very old schooler. In my 17th year I learned everything that made my knowledge to be connected. My father wished that I would take the joy of the inner priest and only the God of the Father. But I was sitting from the lamp to the fresh research. I heard the words of my father. I would not have the advantage of your teacher. I would have your teacher. I know your garden. And I am happy to know God that you are also very familiar with her. You grew up in the temple and learned the great God to be saved. But I never forget that the people of the world are a ruse. The rest of the world is forgotten. I am looking for a temporary laboratory in the temple to be allowed to be over. And began with the early work.

27:38I have already discussed myself as a rightful person. My new experience with my early teachers. Many happiness was given to me in my first time. And a kind of legend was formed by the great knowledge that I have gained from my old, un-evident views. And then my father died. He was surprised. He was not saved. He had to see what the result of his childhood was. Because I began to meet the people who were very capable of a strong, but we are very happy. After the last meeting, we met to live and die. And then every day came. Why is my friend? I thank you for coming.

28:39Where am I supposed to go? I'm not a sport. You know that Rome is already gone. I just lost what I said to myself. But you are my friend. The only thing that needs to be smelt to me. Why did you offer me to you? I want to tell you all of your own, from a discovery I have made. Oh, is that a big honor for me? That's going to show itself. Next is the last of the trust. What kind of experience is this discovery? Especially on medical level. But much different is the relationship. But not the question of life and death. Especially this question. And one of the last answers. I had not thought that we would have given this question a answer. On every question that can be really thought, there is also a answer.

29:41Otherwise we can't even ask. I started from there. So it only applies to finding the answer. And what is the reason for your discovery? Our medicine tries to cure the constant evil. So something unusual is happening. I thought it was possible to make the event of the evil of the beginning unknowingly. But the evil that people, as a disease, are different. Also, I thought. I asked if there is a central reason for all the different evil. But that doesn't make sense to me with nature scientists. I tried to do it first. But I didn't do it. I knew that a connection between chemistry and meditative philosophy had to be found. The same was a material spiritual principle. And I discovered this principle in a coincidence. From there, there was only a small step to the practical event. A practical event?

30:42Look here. This phenomenon tells a essence that the whole body is determined that it is from the beginning to every evil that is being discovered. Is that true? I have given this essence a cat's blood. Then I tried to kill all the thoughts in the middle of it. But without any success. Then you discovered the eternal life? No. The nature is stronger than we are. And eternity is too long for our spirit. Therefore the energy of life is needed. But I have died for a period of about 5000 years. From life. And this period is free of all physical diseases. As long as it is in my mind the energy of life. 5000 years? A unimaginable period. For a life long enough to be eternity. The following of such discoveries are not to be seen. That's why I only told you about that. The whole mind has to be preserved in this middle.

31:43Have you already seen the essence in the blood? Yes. Yesterday night. And I have asked you to ask you whether you will be defeated. Who will never return this decision? As far as I am now with the research. No. If I finally share your loss with you. Do I then dare to trust your discovery with the loneliness? This great attention is now mentioned in the whole mind. If you give me luck you won't give it away from the hand. You can work through all the time. I thank you for the great trust. With the gods' sword and oars. No stronger will be able to experience me from the secret. When are you ready?

32:45Now. Good. Then give me your arm. Hold still. And it's the same before. So. Here are the recordings. I thank you. The life is much more than the storm of the youth. I was actually suddenly lost by all the hectic, animal fear and life. I had the pain sent and died in the sick. Now I was completely aware of it. I was always thinking about my sins. I was the only one who made the people happy and stood again. I was a god under the people. So I thought I would not have known that the spirit and soul are not capable of a godly body.

33:55Parmes came in the first weeks to talk about my sins. Then his visit was being sold. I went to the temple one day to ask him about it. Sosra? I didn't expect that. It seems so. You haven't seen me for a long time. I worked a lot. Something interesting. But it will take a long time until I find an result. What is it? Maybe I can help you? No, thank you. You are actually lost with my attention. Yes. I wanted to bring you the roles in the next few days. Now you can take them with you. You are the only one who knows. It is true that in the decisions of the discoverers, you always have to take care of the big, general understanding. You are not there and my life for it?

34:55Yes. But my work is not enough again. What do you mean? It feels something. It really is. Even the middle itself. Maybe the dead will finally get all the money from the will. And... I don't like this work anymore. I don't want to lose the time of tension. Here are your roles. You were arrested and killed. Nobody saw them. Thank you. You look like a stranger. Do you want to get some tension and accompany me to the city? Not now. I can't. I talked to you less and less to accompany the streets. We are talking about the security of our country and the government's storm of the Huxos. Did you also hear that the government of our city was arrested? That's true. I should build new laws and laws for the government. The government has promised me.

35:56Not itself, his vote. The political rise in his vote was framed. But I thought he would not be able to survive. We were too far away and my attention was started to be something else. You were wrong. The end of the caravan? Yes, there. The scene. The scene was a woman. Her beauty and courage were with the art of the painting. I saw how my friend's face was covered in a reaction. I was making myself curious. Who is that? The daughter of the governor. Do you know him? Yes. And? What about him? Do you want to see him? Then he only makes a mistake. He has his own views about men. He doesn't even start. Oh, so? Now I understand. What do you mean? What do you understand? The scene was torn into a side street.

36:58I wanted to see the most important activity of my friend's face. And he looked at his face. I didn't know why. Maybe he had the unexpected darkly deepened. He quickly and quickly disappeared. As he was gone, I felt a great relief. I brought the message to the governor at home. But I didn't have the chance to give it out. The boat came. I sent him back to his home and told him to explain everything to a person in order to explain everything. With great tension I expected my boat to be waiting for him. And how wonderful he was to leave everything to my secret wish. The governor ordered me to leave his home. Otherwise, so sharp and unbearable man would be with all his eaves. The conversation was not over yet as a dinner, and a boat was over.

38:00The face of the governor was unbearable. I waited for the next day to come, and he immediately got into the camp of the army. I was on the way from the palace, and when I saw a woman from a side, my heart started to start to feel so happy. I was convinced, my friend. You are Sossra? The great teacher? You bring me to the conclusion. Beautiful woman. I say no, Sossra. I say yes, I have to take my own big name. I will take care of it from you. What is a certain answer for a man who has to know how big his room in our country is? My father has very busy with it. I hope you have not kept it to him. How should I keep it to him? I do not think I can only say this, your relationship.

39:01I speak with the most beautiful woman, the under the sun of the island and the big lake of the blue. Now I am going to die here, and I am going to be defeated. I am going to die more than the reality is being defeated. Since you are a dream, as I could otherwise die, then my starting words will not be heard, the reality is being prepared. I am the same experience in your presence. Oh, tell me. I was unbelieved because I gave what I had to do with you. What is all the difference against the present of your opponent? You have continued to do my father? He was in the camp of the army, who could change our conversation. So I would come back in a minute and come here. Then you were only a little bit tired, because you were in a dark room. I really had already achieved what I saw.

40:02I waited for the new day, full of comfort and attention. I could not sleep, I only said to myself, I heard your voice, I knew I had to sit down. The day the other day came, I went to the palace of the governor, a dinner, and I was so excited to see the new day in which I spoke to the governor in the morning. I did not expect that. My father had expected that. Not true? Yes. He is not here yet, but he will come. You remember your yesterday's day? He was in the camp of the army. There he is too. Should I wait? If my opponent was still so sick today, how did he get the day? Sorry for my past. I am too surprised to see your picture. Because I did not have the whole night about the thought of you.

41:05What we expected should now be found. You found them? Yes. And I would want to go over the joy. I had not saved the sick. In this eye I was so sad. What is the story? Tell me if I can help you. When my father came to the camp, he was taken to a dead body, a war. The first few days the army came to our city and before he fought the Yxos. Is that a so big secret? He died through the white pests. But before he tried to get out of the camp, and so he also had the same in the outside of the city. That is a great news. But why did you call us? My father had sent me to the camp to send me to Memphis to protect me from the big danger. Tomorrow? Yes, tomorrow. And this is the last time we see each other. Oh, Sossera.

42:05I am afraid of you. The schiksel is great. I was hoping you could... But why should the dead be naked? Why can't I stay? Atma, nice, dear Atma. Don't listen to me, say everything. And you want to eat me up? Yes, I love you. Not only since yesterday. I know and miss you for a long time. But you were too much into your work. So did I. How did I see this time that I should start the day with yesterday? That was... That was it. Oh, my God. Atma, I can't believe it. I dream. Yes. You dreamt my love. And if you were to wake up from this dream, we were separated.

43:06My mind was sprained in your bed. And I waited for it to end. Good. My work has a sense of it. Should I keep my distance? I told Atma about my discovery and essence. First of all, she was incredibly stupid. But she understood everything I explained to her. Then she even showed her excitement and anger. No one knows until now. No one. Except... Parmes, the priest of the sword. I told him and gave him the essence. He is my friend. Why don't you say anything? What did he say? What do you want to do? Today. Just the same. Did you ask me again? The right was to blame for the dead. But Atma, what should I ask now? The time is long. Why should it be unrighteous? The gods have sent us to our lives,

44:07so that the living can be the same as our people. How come we are to destroy this same thing? What is right for us to be told about this will? If you already speak of the will of the gods, you let me find the secret. You have found us. Isn't it a sign right now that the dead drink in our brain? But all can't have such life. Why do you think we are? Because I found the right to blame. Only the right to blame is the right to blame. Maybe you are wronged by me. You are wronged. Yes, Sossera. I am wronged. But where did you get it? You have to live with me for so long, to be a part of my life. No, Sossera. I am wronged by this will. I doubt that the gods would be so happy. And the following is unfulfilled. I could not bring it. Atma, my beloved, what should be shared? Is there any worse than our training? Yes, the fear. But where before?

45:08I can not say that myself. What would change? Maybe it is the fear that we will be alone. Parmes, let me be a part of Sossera. Because your love for me is not a part of me. But the time is long. I am so happy that I can experience the night on the way to the great island. What the will of the gods is. No, don't bring me. I am so happy. Only this one night. But you will be tomorrow after the meal. The first day. Come to the third hour in the garden. A dinner will be served. Then I will tell you my decision. This one night must be yours. But I am ungrateful. Think about me. Think about our happiness. I am not sad. I do not care. I love you more than my life. Believe me. And say no word to my father. What I do not know about the governor's talk.

46:09We were not at the same time. I am very happy that I was at my place as the night. Too much was on this afternoon. At the time I loved myself. A endless life in Atmos love. That was the happy proposal that then the sleep over my disappointment was prepared. A powerful curse on my door was gone. I thought I had the time to sleep when I saw the Helmet of the day. Something else took from the sleep opened the door. The bed of the governor stood there. The bed of his face was in the bed of the governor's palace. It was possible in this night in which I slept. I was afraid of the peace of the king. With a glimmer of anger, the governor was in the mood of the king. He was so pleased to see me as a doctor.

47:10You know the happiness of your nature better than me. Is it your hope? I saw you lying on the bed of the governor. Your head was bent in the kitchen. And in the middle of the dead body, a small, sharp red arrow. You are aware of it. You are still alive. But hope is no more. The white beast. I saw him from the bones of the following time. I was out of my mind. The standing in the delirium. My whole body was surrounded. And I was alive. Because the essence was burned in my eyes. No, he had a wound in the chest. I saw him after a dark moment, as I was after the solution through death. A ghost that I could not once die. And for the first time I looked at the doctor's flight,

48:14which I had heard. You have been dying because you have been dead. Three weeks ago, I saw that you had died. I was released in a cell. Parme came in. It was night. He was in the lamp of light and glimpsed on me. A very light, light in his eyes. You were there when he died. Yes, why did you ask? Why didn't you ask? My God, I don't have any questions with you. Do you think it was not done when I was in contact? It was too late. She loved you. I am alone. I was so scared. What did you say? I loved her. I loved her as my life.

49:14I was born and she was like me. She loved me back then. You didn't notice it. You worked. But I had to see everything with her. I was always with her in the dark. I was so scared of my life. My death was nothing more. I hoped you would continue your life. And I would give you time to win. I knew how much this opening was. She would live only for you. Only for you. And not for me. You are so long with her. Parmes. I was so happy that I knew everything. You loved her as well. Then you could understand what I had in the last days. Parmes were close. We had the death as our enemy. He was not used to us. And you were my enemy. Not even happy. But not happy. Long time no see until we see her again. In the long rain. Not like you. You alone.

50:14I am going to you. What do you mean to you? Have you forgotten your essence? No, I haven't forgotten it. But my work is done. Hurry up and think. Which is the result? I worked the second time you heard. Now I am not used to your essence. Maybe I thought I could hear you. But now I can't hear you. I can die in your long rain. I will see you. I will love you without your father. You will live long. You will give us a lot of time. No! Please tell me the middle. No. No. Please don't love me with your love. No. Don't let me live this life. But... You are not a god. You are a innocent, stupid and stupid. I am a coward. You don't need god. You have your love here.

51:15I am sorry for that. You are a great man. Don't you have a look at everything that my hope was? Then I will find the middle myself. You can't. Because I have no evidence of a coincidence. And I shouldn't repeat this. It is an essence as yours. But you never know how to get it. You are in the ring of the sun. Where is the ring of the sun? You never know how to experience it. You never know how to find it. You have lived your life. You have lived your life. And who has seen it at the end? I will leave you in this life. I am your age. I was really happy when I was really happy on the next day. I was convinced that I was doing my job. I wanted to find the secret.

52:15I looked for it under my drawings. And I found it here and there at one point. But the last result was forgotten. I tried to find the ring of the sun. But I could have gone to all the possibilities. I was totally under the sun. The high source was far away from the country and had again my people's lives broken. But I was saved. I started the story and was as clear as the Euphrates. When I came back to the palace for two hundred years, I never found anything as a sun. And some trimmings, which were not completely broken yet, I was afraid that they would come to me. Here something was found. Once again I began to search for the missing solution. I did not try to get the formula to get it. The secret was to be solved.

53:17I had to find the endless time to be over. Until the power of the essence of my age was lost. But my fantasy remained over the time of the hope of a pre-scientific solution. I saw a room fall. I heard about the Siege and the music. I saw the revolutionaries on the barricades in this city. But their ideas were not mine and their mood was more strange. I learned all the language of the world and lived with their changes. But my heart spoke a different language. I saw people dying, saw them in death, they were crying, they heard them screaming and I was surprised by them. At the end of the last century, when the archaeological research on the scientific cloud was expected from my liturgy,

54:19one more time the weak function of a absurd hope was lit. It could perhaps be found something that would help me. I was afraid of everything that was written over the old age. So I left my position. Three months ago I saw a notice in a scientific newspaper. I went to the university and looked for the Egyptologist Professor McFarlane. My name is Delken. I read a notice for him, he made a geological book, which I was very interested in. You see, the fundamental, but... Yes, Professor. My French colleague Melan made the excavations. I wrote the notice by him. Could you give me private books from art? In which way? You were talking about a strange ring, which was found by a mummy. Yes, it probably was a strange mummy, which also was quite far from the trace.

55:21The mummy was found in a strange grave chamber, only a stone of the devil and the rings on the breast of the dead. Do you know what is on the devil's head? Melan sent me a photocopy, but I can't take it back. It is decided on the many names that should be included. Only some of the more known ones I found out until now. Can I see the photocopy? Yes, please. I didn't believe in my eyes. Was it a wonder or a wonder of the god? I was not sure how I started the pages, but there was no doubt. Atma's dead devil. Please. But I am interested in all the rings. That is my special offer. Oh, yes, the ring. It seems to me that it is not a ordinary ring. It is not a stone, it is a kind of a liquid-like, a kind of a Hulk-style tent, and you think it is only from a plate.

56:22Oh, yes. What do you mean? It really does not really matter. The ring is not a taste, but a cultic opposite. It is the ring of the dead. Original. Very original. The dead. Yes. How do you come to this god? In the apiaries, two temples are standing, one of them is the temple and the temple of the dead. Since the second dynasty, the priests had rings as a sign of the plate. And the ring of the Osiris with a mark, which is the same as a crystal. That is very interesting. Have you thought about it? Yes. Do you want to see an article in the archaeological report? Oh, please, for me. I am only a private researcher. But something else. Where can I see the ring? I do not know exactly. So much I have said, he is using the Louvre in Paris, because of the overname of the founder. So I would be in the Louvre. The devilish wise had the permission to destroy the ring.

57:25He knew that we would only have to bring in the front a grave. And now I have the ring in hand. The flower is broken. I am ashamed. He has a unlikely shifter. His unimaginable life. A quail, which has come last night. But you can not do that. You do not do that. You live together with your knowledge, because without any value. You can not destroy everything, because you are useless. He does not go to knowledge and knowledge. He does not go to the solution. A human being is again a human. After which he has forgotten himself. Do you know what this means? The Egyptian is looking for the ring

58:26and the ring is printed on the stone of the tree. With a sharp splitter, he is cutting it into the bottom, so that the blood flows slowly into the front and the top of the tree. The ring is unnoticed. There is a large light that has to be turned on. It works. I feel it. The God has been grateful that He has finally made it. Amen. My love. I am coming to you in the rain of the long rain. As a miss, in the next afternoon in a hotel room, he could not explain how he was there. The experience of the past was like an unhappiness of a pregnant woman. He was fantasized in fever. With a heavy head, he was driving back to London. Doctor, are you back again?

59:26Yes. You are so tired. You just wanted to come back tomorrow. I had no sleep. Now you look out, Doctor. Are you sick? Are you not sick? I think I was sick when I was in Paris. You are so sick. No, no, I am not. I am a sinner. The time of the writing was on his work, more of his health, he was bleeding and bleeding, as an mould still remains. Morning from the MEDVA. In Paris, the MEC made a victory for us every year. And at Easter his worked as a source. I was pregnant. I was worried. Meanwhile, they were taken to a hospital as a result of miejromole and Nutella! The head of the mummy was jawed star of the air than the mummy was,

1:00:31the stars dropped across the mummy's palm. This is a song special, such as, the same failure and natural discharge. However, the mummy tries to reveal it and attempts to say how is it... but despite weetst confiance they've appointed affordablerections. You were totally millones. Here. This letter is given to Mr. Duggan. Thank you. Your promise was given to Janifer McLean and Dr. Ralph Grein, Professor for Egyptyloky. London, with him. Three weeks ago, it was not decided whether to survive with chance. Several months ago, he needed a grip to make his own property, the first to live a happy life.

1:01:38We were talking about the game of the ring of the sword, from Reinhard Schober, after a statement from Conan Deul. The people and their daydreams tell me everything I have to say. Dr. John Smith, Paul Edwin Roth, Janifer Gisela Zoff, Professor Dr. Grein, Emil Lohkamp, Museums Werter Edward Marx, Parmes Gehard Winter, Sossra Ernst August Schäbmann, Atma Gertrudkökelmann, Ratie Kurt Glas. Madame Janu, Anne-Lene Reichert, a touristy, Tosca Don and Ernst Altmann, Professor McFarlane Thomas Fabian, Governor of Aberis Werner Zitoff, Anna Friedlwey, first to live a happy life, Christian Duke Mackelot, second to live a happy life, Gisela Wesco.

1:02:41Ton Reinhard Krawolski, Regie Matthias Neumann.