Das Lied der Drehorgel

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1:29In this shot, my dear Damen und Herren, and the melody on the three-organ,

2:52I have a few words to say. Hey, phone number. Really? That's a big band. I have 5 words to say. God! What do you want to see? I... Hello, are you still there? Yes, I... I have a human shot. What do you want to say to him? Yes, I have killed someone. My name is Richard Gordon. I am in my apartment. London, West, Reynolds Street 8. The man I... The dead is behind my garden door. Then he was arrested. I ran over to the boss inspector. He heard my message without his special attention. Good afternoon, sir. You are taking this today for the inspector Thompson. I'll be right back with Zorch and Morten on the way. Take him to the police station and come back with Karl. I'll send him to the police station. Have you got any questions?

3:52Yes, I have. Give him a few more questions. He'll be back tomorrow. If you're not ready, call me. I'm on my way to the office every day. Shortly after I met him at the station. A lonely white street with only few houses. Before the school entrance portal number 8, the dead died with the face of the ground. But my first glance didn't give him a single glance, but the instrument was the next one. It was a three-organ. The dead was a three-organ game. Nothing was special, either. It was because he was in the opposite direction of his own. He was probably dressed up as a witness. He was about 60 years old. Maybe even older. He was a man of choice.

4:53Only a few different people found him in his house. During the time of Morten and the police station, the search for the dead was carried out. I was brought to the base by the unassured garden portal. A painter, a gardener, was building the living building of the street. Suddenly, a man stood with a foot and a mantle before me. You see the criminal police? Yes. Sergeant Patterson. I'm Richard Gordon. You're the one who brought us up. Yes. How do you see if I'm ready to drive you to the station where you want to take me? Your wife makes you a great man, but I've asked you a few questions. Yes, that's not here. I've ordered the door. And the door is closed, the door is not open. Come in. Before we go on,

5:54the door is out of the house. Yes, it's a room with a roof in the floor. Then I'll ask you to take me out. How do you wish, Sergeant? The rooms in the parking lot are unbound. Because the furniture is hanging in my eyes. Yes. I'm very happy I'm on my way. On one day, when I'm in a longer-term trip, I want to go back home. And if you want to go home, you can go home. No, I have a household. A household. And where is it now? You've been driving to Kroppen today. You were not on the road, what's the date? No. Here is the room. Have you been here before? Do you feel yourself? Yes, often. I'm a musician. You've been here before? Yes, often.

6:54I want to ask you to answer my question. It's not my kind of question. I always say that I'm home. I also hear the three eyes from the bottom. That was a short time ago. Yes. It's just that we were able to build a new building in the past, so I could make a clear picture. But that's impossible. Impossible? But I can't kill a person. Please sit down there on the plane. So, there you are, and you play. And you hear your house, a tree-like organ. And how is it going then? I'm going to go home. Then I'll go home. Then I'll be on the plane. Did you get the organ? Yes, I did. I told you you wanted to reconstruct the entrance.

7:54Where is Stereo-Wolver? Here? Please. Do you always ask a weapon? No. I have to ask you because I'm in the police station. And where was the weapon before they shot? It was there. In the upper-right corner of the shipyard. Then we want to shoot it there again. And you're shot? I'm shooting the gunman. When I leave the room, please stop. Did you get out of the gunman? Because you were shot? Yes, I know. And now you play. But that's not possible. That's unfair. You play. And who are they? They are the players. They are the players who play the organ in the upper-right corner of the shipyard. The players are the same melody. The same melody? The same melody. It was unfair.

8:56And you stand up. You go to the shipyard. Then you take the revolver, and open the door. Yes, that's not possible. That's not possible. That's not possible. That's not possible. That's not possible. I can't do that! I can't do it! You're not allowed to do it! You want more of my other stuff? Yes. Finally. That was unfair. You want to tell me that the organ player of the basic for his life? Yes. And only because he went to the shipyard, did you have a human soul? No, I just wanted to meet the instrument.

9:57What's wrong with you? Someone wrote here. Especially when we tried to find out the thing. That was Mr. Gordon. He's a weak servant, as it seems. I can't let him go home. I'm convinced that I'm so reckless. But the door is open now. Who are you? My name is Bonskitt. Dr. Bonskitt. I'm the doctor of the drugstore. The doctor of the drugstore? If I understand it correctly. Yes, I'm just with you. Mr. Gordon. Why didn't you tell me that you're a traitor? You didn't ask me that. You're a fool. But I have to go back to my senses. Mr. Gordon, you're a woman in the drugstore. Absolutely a woman. You're a kind of a slave. I gave you a tip. So you can sleep for a few hours. Tomorrow I'll take a look at you. I have a request.

10:57Mr. Bonskitt. Yes, I have a request. I have to ask you a few more questions. Mr. Gordon. You're a fool. You're a fool. You're a woman in the drugstore. You're a woman in the drugstore. All right, Pat. I'll give you a shot. I got a big punishment from a small caliber shot. You have to be there. How long is it? The dead must have been three hours before. I'll take you to the hospital. And you'll be in the hospital. Here's your phone number. Come in. Come here, Mr. Gordon. Please. Please. Come in. I have a request. If you'll find a woman in the drugstore, then tell her that she doesn't want to do anything. She's really trying to treat you well. Mr. Gordon, can I do something for you? No. I don't want to tell her to be my wife. and the things I'm not going to tell you. It would be very difficult.

11:58We will try to keep our wife as far as possible from all of us. I thank you. Live well, doctor. Ansel Korakter, man. Yes. Now it's that. Not to understand. You already know him? No. I spoke to him many times in high school. His wife is in my control. You have to believe it is possible. It is possible. He has the usual social activities, if I say so, like a child, a nervous transition, a new routine, and if he would consult me, he would be sure of it. But that you are constantly in peace, he always feels the pain in his hands, that he has seen more of the money than the health of your patients. Does he have a lot of work on his way? Many of my acquaintances are invited to a man to his business.

12:59The householders had told me once, they don't have a bad luck at all. No, of course that is true. Sure. But that is also the only thing I know about the God's knowledge. At HappyGLP, whether you are brand new or renewing, it is 99 dollars every time. No teaser price, no switch up. Getting started this fast, convenient,

14:00and happens virtually with a licensed provider. Check it out for yourself at HappyGLP.com. Compounded medications are not FDA approved. Eligibility required and determined by a licensed provider. Individual results may vary. See website for details. I practice for the first time in the past two years. Was it early on you were doing market? No. It is your E-lens nest in the near future. One of the things I would like to ask you, doctor. Please. I have to give you a little bit of a gift from Mrs. Kokon. It was Mr. Gordon Selbst, who was offered to his wife before. Yes. He called me to his house when I wanted to leave the house. Why? Because of a good hour. So against 11 hours? Yes. He was called to his house. What did he say to him when he came? He said to him, what was he supposed to say? He said, I have killed this man there. Please don't ask him further.

15:01The police will be convinced of me. Then he will send me to his wife's room. He had a wife when I came. When will you be Mrs. Gordon's manager? That is a heavy question. Maybe tomorrow. Maybe you will be the first two to four days. Thank you, that's enough for me. As a surgeon, or almost a tip for you? I mean, what is the motive? Why did the almond-caldor have to be cut off with the knife? Do you say your patients who know the diagnosis before you know the case? 1.0 for you, surgeon. Well, you could not say that Inspector Thompson was part of his surgery after my investigation. If he was a man from a large society, from a rich or a poor person, he would have heard Gordon once again.

16:03And then he would have been arrested. No, that is not true for us. Why not? No, the man is listening to the doctor. He is a very normal person. Yes, he is. But it is so difficult to get something out of him. If we were to be very suspicious about Gordon, what would we do with his wife? I think we should write a letter here. I think Gordon still has the courage to take the surgery. But he can't do anything else to us, Inspector. He can try to create the identity of the patient in the meantime, but he will not be able to do anything for a long time. Are you in the office tomorrow? No, not at all. But I think you will get used to it. If something is special, you should go to the doctor a bit more. One more thing,

17:03you say, you are dead, I want to get some sleep tomorrow, that the survivors of Gordon are in the psychiatry. I will do this today. Dead, almost immediately. So I write on the doctor's assignment. I wanted to start my research in the morning. There, the phone was ringing. Patterson. Dr. Bresget. Yes? I speak from the inside today. It is a bit strange that it is dead. Mrs. Gordon is dead. What? Mrs. Gordon? She took a big, heavy sleep pills. So self-mode? I don't want to decide on it. And it is not to do anything anymore? No, nothing. I have tried my best. Exitism must be two hours before the surgery. Do you want to go through the hospital? Yes, I do. I come so fast, wait for me.

18:03And let everything be as it is. A half hour later, and I was with our police officer at the second time in the Reno street. His research confirmed the suspect of Dr. Bresget. Dead, by a name of a overdose of sleep pills. But more than dead, I was able to get the health of the victims. She was the type of an old woman who was only able to imagine that she was a million years old. She was all her hard-hearted and brave. It was much more difficult for her to be a criminalist. You should never be taken into custody against a person. And such a research followed her without the most appropriate signs of a case. But suddenly, in a very slow way, our police officer was dead, and she was placed out of the hospital. This city. I told you that it would be so. Jesus, take care of it.

19:04Why did you let yourself go so suddenly? Because it was over. If I only tried to think about his crime, then it was easy. And how? I never let the woman in the house be killed. Nobody would stop her. I said to you, no one in the house could do the crime. Since when did you have the house here? Since the owners of the house had been paid. It's now half a year. But how did I hear the whole time and the way? That's it. Above all else, his wife was killed. She had her own peace. She was killed in a village, in a forest. Yesterday, it was very bad. Yesterday? Yes. She came from her room and ran away. I wanted to drive you away. I didn't want to drive you away.

20:04Then she ran away. And she closed herself. And what did Mr. Gorn say? I don't know. He only heard that he had a chance to get his wife out of his room. So that the three of us wanted to kill him. Yes, and that's why you said yesterday. Yes, it was. But he shot the three of us today. Maybe yesterday was not the time to die. The layman was here two weeks after the next day. I told you the whole time. And what yesterday? Further. Further? Nothing. We didn't see Gorn anymore. No, I brought him the evening to the room. He was there. He said he was there. He said something. I mean, Mr. Gorn said something. Or something else, otherwise? I didn't think anything about it. He said, no, I couldn't kill him anymore. Then I asked if I could drive to my sister's room for the next day. But she answered immediately. So what did you let him go before the house?

21:06It was against seven. You didn't smoke anyone? No. I prepared the breakfast and I'm ready. One more thing. With Mrs. Scorden, you always understood well. I mean, nobody gave it to you. Between me and the lady? Yes. How do you get there? Mrs. Scorden was finally ready and nervous, as I said. You already allowed her to ask a question in the hand, colleagues. Dr. Prescott. Yes. Have you already signed up for this big deal with Mrs. Scorden? No, no. You know, I'm a weaker nurse. Of course, I have a very strict trust. But Mrs. Scorden was now a malign, an over-sensitial and an astrophobic human. The unethical center didn't get any further. And the medicine and the sleeping center had to be prepared alone? Or do you think that's right? I don't know what she wants to say again. Of course I have made Mrs. Scorden the only thing. And today?

22:06You know. Where do you know she was? I think she was not here before today. Of course. Of course she still brings me together. Of course I was at my sister's. Yes, that's right. And we can do it. It was a thank-you-thank-you-for-nothing. You had to turn around like this, so I didn't have to tell you anything. In any case, I thought that Mrs. Scorden's self-mortem would be not even motivated to play the Dreh-Orgel again. And so I immediately made the identity of the murdered party the next day. I don't think this is a long time ago the Asyl and Kneipen city, as it may have been, had to look for a certain Henry Colourway. He's a businessman who doesn't have a branch of the story. Though the line of Dreh-Orgulan and the Donna-Musice drama trade shopline... Is not really that difficult to get her acting orders out, but every street worker knows that.

23:07You used to have a shy and audited one, but you were tooforeign and setting foot in. One's never opisng such a nice story as we did, but the other's never tells us the story of س bás hétuan, nor is it beautiful. However, I would only say proper that the last execution Where can I go? You're Henry Colourway? Yes, I am. I'm sure they've come to see you to get a Driorgler. Anyway, I just want you to look closer. A Driorgler? Yes, I know that. For those who are still in the business, my own patients. I don't want to sell them, I just want to know if they are from him. If they are wrong, they don't get it. It doesn't matter if they are wrong, they don't get it. If they know Colourway, I'm already a periscope of Scotland. Oh, yes, yes. If I don't help you, I'll take your camp. I'll get you the money. I'll get you the money. I've never had anything to do with the police.

24:10You're not saying that's what you're doing. I'm not worried. So, I'm curious. The money is for me. And I can also remember well. If you gave me an assignment then. A year will be a bit of a deal. There's a man to me who isn't so good. If he had to pay for his money on the street. You see, these guys are good. Can you please give them a piece of money? Yes, of course. But... I think that's going to work. Then you build them in one year order. I want them to buy them. Buy them? They want a driver to buy them? That's not really possible. Do you think it's possible? Not at all. It's a bad business for everyone. I'm so sorry. And what kind of melodies do you want?

25:10No, it's not possible. When can you be ready? In a week. But I'm going to be late. Bönglich, after a week, he came there. He had a room and he wanted to go to the village. I didn't see him anywhere. He didn't listen to anything. But I thought he was crazy about things. And then... Where am I? Oh, here. Then I wrote down his address. He had given it to me. He didn't want to be right. But I took my method. I took my method. And I was just sitting in front of the table. Here it is. And here is the statue. That I bought the face. Almost exactly one year ago. How did you find it? Andrew Taylor. He lived in the barclay street in the 17th century.

26:12The barclays were not difficult to find. He was told to the river that we had to look for more. But in the 17th, you didn't know anything about Andrew Taylor. It's Paul and America. Make it count. At the Ram Drive-in to Fall Sales event, make it powerful with our strongest Ram 1500 ever. Make it move with the Ram heavy duty with an available Cummins diesel. And make it go the distance with a 10 year or 100,000 mile powertrain limited warranty. The Ram Drive-in to Fall Sales event,

27:14exclusively electric vehicles applied to 2026 model year vehicles non-transferable. Visit moepar.com for complete details and a copy of the powertrain limited warranty. Comment as a registered trademark of Cummins Inc. Ram and Hemi are registered trademarks of FCA, US LLC. Finally, I want to show you a missus Landlock, which was in the 4th stock. A bit of a wittwe that was lying in the room. Maybe I could have something to experience there. Next, I'll tell you everything. Missus Landlock opened the door to a hand-priced and without the safety kit. Do you want it? Maybe you want it with you, Mr. Taylor? No. I've got a wrong answer. You know that's so important for him. Important? For Mr. Taylor? Yes, that's why he's... But it's obvious that he didn't say anything about it. So wait a minute. Why did you do that?

28:15Maybe I can help you. I don't know how. You don't want to get in there. Thank you. So, start that I'll go ahead. Oh, good, that's good. How was your name exactly? Pettersen. Ah, so Pettersen. Yes, Mr. Taylor has been called. I think Mr. Taylor lived with him. Oh, I just said that because I don't have any conditions for the meeting. Because of the ghosts. I don't want to be a bit cautious. It could be one of the police's. Oh, you're right. I have to be careful today. That's the theme of Mr. Taylor. But no, here I am. Do you think she's the one who plays the piano? Because of the piano, my friend. No, that was my friend.

29:15He was a music teacher at the university. I don't know any notes, but I like to hear very much about music. But Mr. Taylor played. That means, if he's here, he has to be on his way to the top of his work. But I think a composer should have played very hard today. Yes, sure. Can you please note that? Yes, that would be the song that he plays so often. So I'm a bit too sad. Can I try it? Yes, please. If you can. Yes, of course. That's the song I'm playing. Yes, that's right. Why? Is the song already known? It's known. But the composer himself played his own song. Oh, that's impossible. No, no, that can't be.

30:16Mr. Snellock, we're at the bottom of the court. The truth is, it's a bit too boring, but we're not going to make it. You're the same. Yes, I'm a bit bad. But you're the same. You're the same. You're the same. Yes. You're the same. Yes. You're the same. Yes. You're the same. Mr. Taylor is the man who was murdered yesterday. Mr. Taylor is... I have no idea if he's the one who murdered Mr. Taylor. Oh, that's... That's a joke. You don't mind if I call him up? How did he get there? Mr. Taylor was in love with him. Did he tell you? No, no. No, that was just because Mr. Taylor had a little dog. He was a driver of a car accident. We came to the court and he said to me,

31:17we're from the province of the city of Hildonten, Zimmer. But he didn't have too much money. You remember when that was? Yes, I remember. Yes, but now I'm going to... It was in March, where I had bought a new hat. So you bought it at the same time? Yes. And a single head of mine had been known. And in that case, only notes. From a tree organ? You didn't notice anything? I don't think so. I can't believe it. Mr. Taylor with a tree organ? What did he say all day? I told him he had a lot of work. Sometimes he was about two weeks old. But he always paid his half-time and never had a visitor. And he lived very much back. Just once. I saw him in a row. He came in... A brief. Yes. On the last Monday.

32:19The bell was ringing on my postcard. Thank you, Miss Lennock. You may live in a Joffrey park. I've already asked you all the time. You're welcome. But at my age, Mr. Taylor... No, he's not. Here you can see. Here is a very clear park. But the letter is addressed to a address in Killington. Yes. But the Killington wrote it down. It's called London East. It's called Barclay Street 17. And here it is. Yes, you have to send it back to the center. No way. That's stupid. What's up, Mr. Lennock? Oh, that's just the postcard. He's looking for Mr. Parker. Parker? What do you want? I think he's called Taylor. That's just my artist name. Here's my answer. You see. Joffrey park. Loss, give him a brief.

33:22And that's how I got my name. Mr. Parker was left in his room all day and the next morning, when I wanted to make the room, he was right. I want to see him now. Oh, no. If he wants to talk to me about something, on the other side of the floor. But I didn't find anything I could do. Especially in the Cannes-Liebricht. Only notes were left to be heard. I was in the following research and I immediately went back to the prison. Inspector Thompson expected me to do this. The police officer already told him about the death of Mrs. Schorden and told him to tell him about her husband and not to tell him anything about her husband. But to wait for the psychiatric investigation. Thompson heard of me. He didn't find anything I could do. And I went to the police station to find out

34:22where Mr. Parker's letter came from. He ran away. No, no. Nothing will happen. There's a letter that we'll give you today's identity details. But I'm the best suspect in the spectrum that there's more in there. I'm here to see my good soul. Sous-and-patterse. Why should a trio of three great names be so? I haven't seen them before. Why should there be no journalists? And that's also something new. There's also no reason to be seen here. To see them with their orders. Of course, it's also comfortable. A road to the city must be very quiet. But you were more aware of the house. That's what you do with a psychopath. So we're making the investigation. On Sunday I didn't have a clue. It was the first time I've been here. I was used to driving to the Eigenme Forest to the Killing. A former province city, which you can see.

35:23That's from the main city of the country, as 200 kilometers away. I went to the police station, where I was confirmed. That a certain Joffrey Parker, until a year ago, was in Killing, Anselssisch. He also told me where he was. From my attention to the squadron, I didn't tell you anything. On the opposite address, I found a idyllic, small villa that was surrounded by roses. I was sorry. But nobody was able to see me on the portal. A few days later I tried to find out. Everything was fine again. Then I got up. I had to ask the police for a while. I had to go to the police station again. But I had to tell them that Tomsten had right. And I asked myself, what could I do? In any case, someone who knew the Kaudst Joffrey Parker.

36:24A man who had taken away the roses and had no choice but to leave the office. This rose was the case. I was not able to take anything from myself. On the way to the bathroom, I got to a place near the corner of the house. I went to the station to play with a man who was not able to play with a girl. It was a day before and not much work. Only a few billion players were there. The world was very happy to have someone with whom we could stay. You are a friend here, aren't you? Yes. On the travel or business? Yes, business. You come from London? Yes, I am still a friend. Hello, dear to us from London. Please. You were a woman with a woman for two years. She had a little life in our nest. A woman was a woman.

37:24Yes, and you were a man. Yes, because she only saw her woman on the street. She was a very nice girl, and she knew her name and name. And he? Yes, he was a famous genius, a musician without money and without money. She was much older than her. The whole city had won over the High Rat. Did you say music? Yes, yes. She was so composed, she knew a lot. But she didn't hear anything from her. I have seen her often. She lived here in the city, but in a small house in the village. Now she is empty. No one wants to enter. Can you tell me the story? Can you tell me the story? Yes. Yes, that was it. In the morning, she told her wife to go to the police and said that she would disappear. She was late at night and came home late. She was immediately gone. She could not imagine where she was. First, she was really convinced that she was gone.

38:24Because she was not in the house anymore. Of course. Yes, but then the mother came to her. She was in the street. And the police showed a letter to her daughter. She wrote a letter to her daughter. One day before she disappeared. Yes, and she was in there. She wanted to come forward. Because she felt threatened by her husband. I was afraid. I think something terrible happened there. The letter was late. We were in the time. Then the husband was arrested. He came to search. What else? You let her leave for a few months because you could not go to the hospital. A quadsch, where she was arrested as a single worker. She could not solve the air. Of course not. When did you leave from there? From the year of the war. And what is with her? Is there still life here? What is there in our city?

39:24No, the poor lady. She could not see us anymore after she came out. She was gone. That means she was supposed to be gone to London. I had already heard everything about what was written about it. A picture of the woman. I'll wait for you. This week at Vons and Albertans. USDA Choice Tri-Tip Rost untrimmed our 599 per pound. Limit 4 Rosts with membership were applicable. And medium-ripe Hassovicados are 99 cents each. With membership were applicable.

40:24Plus Kellogg's cereals 8.8 to 16.1 ounces. Selected varieties or peppered farm goldfish. 5.98 ounces are 199 each when you buy three. Limit 3 offers with membership were applicable. Visit vons or Albertans.com for more deals and ways to save. In the time I was certain. The man was Joffrey Parker. He was identical to the man murdered from the Renewal Street. But he said that the picture of his wife. This woman was a stranger to me. Suddenly I knew who I was. I could hardly wait to get to London. I was told what I had brought out. A lawyer still had a lawyer. But he was allowed to call the police. Please, Mr. Waden. You want to go in? No, thanks. You haven't got anything to say to me yet? I don't know what.

41:24You can see the newspaper. Is this woman here? Where did you get the newspaper? They asked you the question. Do you know this woman? If you don't need it, you can't say it. Then you have to hear from me, Mr. Waden. This Mrs. Parker photo, which was published two years ago, was written by Mrs. Waden as her wife. She was murdered, but she was your man, Joffrey Parker. Did you hear my wife? Unfortunately, it wasn't possible anymore. Then it was death. Yes, it was impossible to swear to Mr. Waden. My wife, who, who, as her wife, had given up, did not love anymore. She died of blood from the blood of the blood.

42:24Catherine is dead. Everything was about her. I can understand that she is not in the camp to give us any explanation. What I have to say, I told her. Let me go now. She was already aware of the next day about our trip. She said, he is convinced. He must talk to her to stop her from being able to rehabilitate. The first part of what she told us did not surprise anything. It was the story that I already heard in the killing. The story of a young woman, a woman who was a man who was a man of many age, who understood the genius of playing with her to get her in her own way. She then started to be jealous. She was with her family in the second. And she, in ten years, was more than a selfish and selfish person. She was the devil in her soul. She had already been in the door.

43:24And then the day she was caught. She explained to her that she wanted to leave the camp. She was afraid to leave her as hysterics and to leave a secret place. Perhaps she wanted to leave her in the prison of her money. She was leaving. She was taken away from the prison so that she was planning to leave the prison. Somehow she had to be in a dangerous place and then she went to London to get her next order. But she was then moved. I couldn't find the barbell before. No. No, we never saw each other before. And how did she get to meet another? That was a coincidence. I came from the club and with my car the Regents died in the winter. That was the last time we saw each other. We saw each other in the spring and on the old Oxford street.

44:24Thank you. What happened? Did you get lost? No, thanks. I'm sorry. I thought you could have gone out. You left the car right away. Yes, I saw you. You were on the road without going to the right. Or you were in the right direction. I like to go home. Please let me go. I was sure I was leaving. I was confused to see this condition. But that's what I heard. I didn't get lost. I just walked out of the car. I don't know if you've heard of this. I think you're welcome. Please, please. I know you're in the near a small table. Ok, I caught it right in front of a gazebo. Now silence is over. Let's catch a quiet wall. The signals are increasing. It

45:36and a morning through the time before that Joffrey Parker was in his own search for him. I'm just sorry, I'm just alone. I don't know what to say. I had to do that. Just walk forward and believe it, everything could be fine with me. I could destroy everything, what would be there for me. Just destroy it. So come to think of it. This self-suffering, does not allow us to survive in peace. In peace? For you, everything is not worth it. A very interesting life with which you can finally take care of it. But what do you think? Do you think it's easier to take care of it? You're just too much to take care of it? I'm not afraid of being the most sweet person. I've done that because I love you and because I knew you lost me. Nothing is right here. So tell me. I'm telling you. I don't want to know. I don't know, but that's the fear. You understand the fear that you're going to go to a day's court.

46:37Like I'm from Jorfre. You can't come back anymore. That fear is the strength for you, for what I did. We can only talk like that. If someone has a strength, then it's your choice. Do you forget what he did? And I'm afraid he's free again. But don't forget that. And one day he's going to see you. He'll stand against me. You don't want to let me go? No, no. I'm afraid. From this day on, I gave my wife a letter to Catherine. That was before she left the last time to return to London to her abroad. No. No, no, that was much earlier. That was the time when I bought the villa in Reynolds Street. But Catherine had a panic attack. She could have taken her attention. So she always drives me back to our abroad. And she kept her right.

47:39Yes. I was a kid. We were in the palace, I was talking to my husband in London. Wait a minute, please. I think it's going to take a few weeks. It's not so simple. Maybe you can send someone to Brussels. Oh, God, it's going to be a great show. Hello. Hello. You don't know the melody? Yes. That's what I'm going to say. Hello. Hello. I think we were in the bathroom. That's it. That's the melody that I wrote to me. Now it's the house. Now it's the house.

48:57That's the house. That's the house.

49:58That's the house. That's the house. That's the house. That's the house. Let's go. What's this thing? Catherine. What's this thing? Jeffrey. It's his melody. I'm sorry, I'm sorry. I'm sorry. It was two weeks ago. I had to go back to London. I tried to talk to Catherine about our friends. I was so excited to stay. But she flew away from me to let me go alone. And then I called her. She knew everything. Mr. Gordon.

50:59You always wanted to shoot a few shots because you were going to sing music. Yes, I was going to react to my short reaction. It was the fourth time. You played the parkour on your house on the day before. Yes, good. If you know that, you do it. Very much. If I had come to my house and had a roof in my neck, I would have said it was a roof. We didn't know each other in the house. What we did. She wasn't alone. No. Yes, that means... That means it's the first time. But then Catherine was killed in a room. I can't hear you. I can't hear you. I don't want to go any further. I want to go.

52:00I want to go. She had killed me in the revolver. She didn't see her. She said she had killed the gunman in the revolver. She wanted to tell you how to explain it to your wife. Mr. Gordon. Yes, I... I didn't want my wife to be in this room. She could come out. She was Catherine Gordon. She didn't have any security. She played the psychopartens, because she hoped to reach a mill of the roof. She didn't see everything. She shot the wife. She was the woman who was protecting her.

53:01She was Catherine Parker. Why did she become an orphan for a date? How did she not have the opportunity? I had her in the kitchen. I was wearing the same clothes. Her attitude was erotic, but the fact that Catherine Parker wanted to be seen was very serious. We are not here to move the human clothes. We are here to see the woman. She is free. Mr. Gordon. Free? What do you want to tell me now? Yes. That was the story I wanted to tell you. The melody was a very relaxing play.

54:02It was a short time later to hear all the streets of London. The The They heard the song of the tree-like eye, a criminal play by Dieter Fuß. In the main streets, Sirchen Patterson, Heinz Schimmelfenig, Inspector Thompson, Willi Mertens, Richard Gordon, Carl Jung, Geoffrey Parker, Ernstwalter Metulski, Catherine Parker, Karen Jakobsen, Dr. Prescott Fritz Rasp, Mrs. Lenock, Nora Minoa,

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