Das Bergwerk zu Falun

0:00This week at Vons and Albertsons, USDA Choice Tri-Tip Rost untrimmed are 599 per pound, limit 4 roasts with membership wear applicable, and medium-ripe Hassovicados are 99 cents each, with membership wear applicable. Plus Kellogg cereals 8.8 to 16.1 ounces, selected varieties, or peppered farm goldfish, 5.9 to 8 ounces, are 190.9 each when you buy three. Limit 3 offers with membership wear applicable. Visit VonsorAlbertsons.com for more deals and ways to save. From the Bayerischen Rundfunk, you can hear a dramatic

1:04view of Hugo von Hoffmann's Tal, the mountaineering of the Farloon. In the main streets, Maria Wimmer, Anne Kersten, Margaret Ensinger, Hans Kossi, Arthur Mens and Otto Wernicke. Funkbearbeitung and Regie Heinz Hilpert. Elyse, a seaman, is far from the great danger of his home. He sits together at the sea. It is the evening of the summer. The third is Ilsebil. Do you still know me, Elyse? Until the Ilsebil. How is it? I thank you. Good. I'm still at your time. I don't need you. I wait for one of the years. On the nils, the sun from the spring, I write the game.

2:05You say you're going to send the name to me so that you can do something to me? Then I'll go immediately. That's with you and him. It's nothing. It was just something. A child I had from him. The soul is dead. I sleep and now nothing goes on the nils. So, so. It's not long ago that you were wrong. Yes, yes. The mother must be like the stifles of our steep. And it's not that fast. Your mother. But we're going. It was from the fire you and me. Only better. Your eyes. So pure. Your mouth is much fresher again. Three years are free for a long time. And you didn't know? No. No. Oh, no. First, I'm going to knock on the door. First, I said, it's your fault. It's a place where you're standing. And where he's lying, he's hiding in the dead.

3:07Then he'll be your dog. And the nils' game writer Nils wrote that he can tell me the answer where I can hold the things. When I'm left with something. When you write so, you'll get to the point of the story. Elys. Let your hand look. No, the other one. Do you know what that is? The nose there. That's not all. When was that? Elys. We went from the Sunday school. You were in the way. Oh, yes. And you asked you. You didn't ask. You said. What I'm doing now, I'm doing it to prove that I love you. And so you believe me, otherwise I won't do anything. And you're cutting me in there? You're lying. You're lying a red scarf from heart to heart. And you're taking advantage of your hand. The heavy blue on the wall. I'm cutting you in the nose, you see.

4:09If you didn't know where you should have been, because he's dead. I just had to say, you could have been with me. Thank you. I'll go to the building. The door is there, and you're wearing it. You're in the fabric, who knows you. You're a nice thank you for your good work. Your money is worth it. I don't want it. I don't need it. I'm swimming in the money as you say. I'm not good enough. If I'm going to look at you, I'll see you in two eyes, with a glass of water. Two lips, round like a eagle, and I'll also see you in two eyes. What's behind it? What's for big fun? And after what's for a heart? What's for a heart? What's there? How can I dream and dance?

5:10Always ahead of you. That's all over the school. I'm also wearing something like that. The kisses and words of your little chain. A Japanese ship. You understand how I understand a animal. In your eyes, what was the shame of the cow? And you always wanted to stop your chain from sparing me. Because your lips were very cold. Like flowers. I was born as a sign of a love with me. The motherland. The girl wanted to say, one time she would stand up like a child. The same evening, I thought to you. I was, the difference was huge. I see, it's not like that. So you're crazy now, how do I do it? Elis.

6:10The name is also known there. The same evening. Elis. My father is married. The dog is very healthy. The ship's a child. He sleeps with him in a cabin. The cabin is out. My father is out. The dog is out of the cabin. My father sleeps. He had a face three days ago. Elis. You're lying, my father. That was no child's play. He was not hard. Only his wangles were still a curse. Deep in his heart. He was in the fire. He had a face that he died. And he knew his death three days ago. And he went to the old man. And he was weak.

7:11He could see him looking for him. Not him, but the mother. It was a task. From him. He came so suddenly. He gave me such a task. He was standing there. I was walking too slowly. In the air, I was wondering how heavy the air of the moon was to me. There was no value in me, no grill or other matter. This only strange complex is the other, your luck is upside down. Who would stare and suffer in pain? On the I'm not alone, I'm not alone. And I'm lonely with the others. Your blood is heavy.

8:12I have the great power to let you go. Go with me. I could have been able to stand on my hands for hours. And the people of my dreams, who can hear the two of them. I'm over there. What? Oh, yes, I'm in the last cup of rum and swimming with naked masses and without a stone in the big hole. The big hole is down there. From where there is no fire, no brick. Do you want to be a sea man? A Maulwov, are you? That can be. You're right. I could have been able to walk in the dark, dark, dark. I was just going. I should have been able to walk in the sea as a cross in the sea. You are the deepest sea.

9:14What are we going to do with you? We are in the blue, the sun is shining on the sea. The moon is in the eye, the sky is in the sky. The first mirror that we should be in the dark world, that we would never be able to sit. The dark, the day of the blind-fired ship, is a star against our window. And it shines with me with the radiant light. Because you are still in common with the earth. I'm out. I'm going. There is something in the dark. Take it, take it. It belongs to you. You, earth, I'm going to give you a wave of a sun,

10:14I'll do you a good deed, with your hand and hand, with your mother's hand, I'll come. Who are you? Who belongs to me? What have I told you? Who are you? The words I used to say before. You did it to me. And how? That's what I'm asking you. What are you not? You're a coward. Where do you come from? From where you want to go. I don't know what I'm talking about. What do you want from me? I just came because you need me. I don't need you. This week at Wonson Albertsons, D.A. Choice Tri-Tip Rose, untrimmed are 599 per pound, limit four rows with membership where applicable,

11:15and medium-ripe, half-sovicados are 99 cents each, with membership where applicable, plus Kellogg's Serials 8.8 to 16.1 ounces, selected varieties, or Pepperidge Farm Goldfish 5.9 to 8 ounces, are 190.9 each when you buy three, limit three offers with membership where applicable, visit vonsoralbertsons.com for more deals and ways to save. Support, and America, make it count at the Ram Drive-in-to-Fall Sales event, make it powerful with our strongest Ram 1500 ever, make it move with the Ram Heavy Duty with an available Cummins Diesel, and make it go to the distance with a 10-year or 100,000-mile powertrain limited warranty. Hurry in now for great deals during the Ram Drive-in-to-Fall sales event, excludes fully electric vehicles applied to 2026 model-year vehicles non-transferable, visit mopart.com for complete details and a copy of the powertrain limited warranty, Cummins is a registered trademark of Cummins, ain't Ram and Hammer are registered trademarks of FCA, the U.S.L.R.C.

12:36and you and me, that you are the one who is with you, where you are the most famous, with your will, who goes to the war, who goes to the war, to the danger and to be a Bergmann, to be a warrior, no value he is, what do you think? What should I win? And what price should I pay you? Here I stand, Elyse Freuberum, a mattress and a white one. If this is the case for the hill, and this is the roofing boat, and my watch, that is where he goes. So give me your hand, on which my wings are glued, a sign I can touch on me. What I can't say now, is that I am different. The knee is getting heavier.

13:37The ground is bent. Your eye wants a beautiful sight. You see, I am smiling. I am singing, it takes me I must. And now Elyse Freuberum sings deep in the lake, and the old towering mountain leads him to Bergkönigin. I dream, and dream only, I am awake. No, Elyse Freuberum,

14:37now dream only. What do you think of my death? You, you, I hate you. Why? You don't know me. The hands you have and the blood of a glance, I am, as my blood flows out of me, when I see it. I am, and dream only. I can't. We are not the same world. I can't imagine that I am here. I, why am I? The knees are thousands. Why am I? I look at you, and I have seen you for so long. Well, 100 years. What are you looking at? Are you proud?

15:37You, I can't be a friend to you, not ungrateful as you for me. I don't look at you. And believe me, someone I know of you is, even more, I know you know the sight of the sun, you just sat beside you. You are called muddha, living under an dab with you, lived with it. Does anything which makes me strong when I think of it? I know. You will never never slip but if you are, to a long life then Too much for yourself. The fresh strength whose soul glends with the blade that had been O you smother your glitters from each other and kiss the aubert's successor, and use his many needle from your face!' counsel upon your life that is heard of one of the defamements of God."

16:42M Forbes tells me, I will die RPM seeds that have to live alive and to remove his life from prayer. And if I'm an atom, I won't be lost. I'm as if I have to be un-worn and un-worn. And if I'm never alone, where it also goes and is. And yet I still love you and want to keep you. No. Do you believe that I was before you? I blame you so much when I'm deceased, and lonely, only the latereliase and long leave me alone. Only the טermen will I escape my pain, but not my goal. Among you always has the pain in love. Him as a reaching Deviant King,

17:44to your valerous crystaldrums, to drown again, to obtain a great gift from your deeds, the Restless music is blind silence on me. Do not beg for me as soon as I am far away, the uh-right holiday rebelled on me, is beginning work for me and reality. A analyses of best wishes and os kle sugar and 축 다리 aufge, Minister of Leadership. And again call me on. Do not allow anyREARER gamer to drive in the waste. Sinner, you are not like a fascinated cook. And yet as a part of you ever be with me. Wording. You speak to them. Help me to catch them. I will hear you because you are a human too. I am eager to be your stupidity, Queen.

18:45Tell him how much you are willing to be your own. How you learn to measure your time with your own eyes. From the beginning I should say, now the end is so close, the power is almost falling to me, the wrong dream. It is so long now that I am in the garden, then the tree is still in the garden, the later the wood is going to be cut off. I will learn to measure my time with your own eyes. I will learn everything you mean, the whole world you are building with the dark sense of mind, so we will eat everything, then we will have a good day tomorrow without

19:57And my sailor, too, steams the shoe within yourroat won't speak it correctly. You must Hislides tell to me He will be talking to you! Mark asks him where he is cheering. Yes, right I'm speaking to everyone! Tell me of purposes to let us finally meet her And I, you hit theול with my pistol in my Bucket & The blood is. I look. Go through,

21:02why How did that about me you surely Not you, You were to death the start of your mouth, your eyes, You were in pain, and as in the dream you grew up with eyes and mouth, you were born as a child and a servant. And still still dark, like the spirits of the heart, you were unconsciously standing up. Was it you? Was it you? Did it not fly? And did it not feel like I stood in the dark and lived? So I went in and saw your glimmer of light. It's a third day. No. I see you dead. Are you willing to be with me? Are you able to forget the whole world with me?

22:03I speak slowly, your glimmer of light, before my heart. Elys. Mark. Mark.

23:09The register trademark upcoming. I register trademark of FCAUS LLC. I am not sure if you can hear me. Your eyes are looking for a place to go, after the drugs. Who? You are not aware of it. You are the one who is the drug, but you are a little bit of a life of yours. You have to be a little bit of a life of yours. You have to be a servant in one's own way. Deep in the dark, always closer. Yes. Go to the old man, he knows his way,

24:11whether I want to show him again. Yes. Also my servant. Who? You are more equal? I don't see you. Tell me, answer me. Say one more word to me. Come on. Elys. As a wonder, he finds himself again on the beach. The night, the starry sky, he must go to the far. He finds a fish, he shatters his boat. In the eye, as the fish is sitting on the seagull, he takes a wind. A strong wind in the direction of the target, the fish. A star falls from the sky. Where is the fish's goal? On the fish.

25:11Elys jumps into the boat. And as he holds his target on the fly, he holds his target. Now we are in the fish. In the small house of the mountain, the fishing village. In the living room, Anna sits on the 16th year of the fishing village. A small girl, a little girl, plays a night-bath, plays in the sleeping room, Anna's next to her doll. Through two helles, you can see the garden of the fishing village. In the middle, she jumps into the mountain, and a fire opens in the cold-blooded mountain. It is a beautiful summer evening. No, no, no. The child, what is with your gifts? What? What is it? I am with you. I feel it.

26:12Why? Tell me why. On the fish. On the fish, there is no human. Look at that. He was on the fish. Who? The Thorben. The old Thorben. I saw him. Who told you about him? The pear and the angel Anna. My child, the old Thorben doesn't live here anymore. Yes, yes, he is a snake. He was. Why must he be? He looked out like the blue eye. And the fish was so long and sharp. How do you know now, Mark? The Thorben was a wise Bergman. He has protected the Berg and that is 200 years now. 200 years? That is very long. He is very old. My child, no human can live so long. No human. Why? Because all birds have to die early. Why? If they are old, I am already early. You have to die soon, too.

27:14Now we go into the room and I will take a drink for the summer. A white, thin helmet. No, not the one. They said he is going around. Who? The Thorben. You believed in the past. Tell me what? You are going around? Yes, yes. No, no. Not here. In the land outside. And if his fellow men were missing, he would have sent a new one here. So old? No, young. Here. From the lake, and otherwise from the land. Do you miss a man? I miss him. He is listening. How do you go to the garden and the dead? There. There. A man. A friend of a man. He comes. He is the garden. He is the young. How do you get scared? Look at yourself. He comes. He has a blue eye. How do you and I, you, Dingi, bro? A stranger will be the one who has run away. No, go. Time. Not to take the stupid thing I am talking about. Not to take the house. It is for your way through.

28:15What? To the mountain. A ride. Yes. Through the garden. Where is the house? No ride. So he goes in here. Who goes in here? Who is looking for you? The one who came before me. Here. No one is looking for you. The garden! What does the child say? The child is sick. Yes. Time. I am going. But I saw him. He was around. And he was deaf. The way is through the garden. Not to take the house. But to the mountain. The mountain is animals. He jumps us here. Oh, yes. I am going. Good evening. No. Sit down. You are the one who is looking for you. Yesterday, at this time, there was nothing. The father also comes soon. He is in the mountain. He is not in the mountain. The sheep is his own. Do not sit down.

29:16I will call you fast. I know a language. You don't want to hear that. You say so. See people are funny people. Builders are funny people. Stats are bad people. Berglots are funny people. See people are not as funny as they say. You are also a... ...with 13 I came to a boss. So young. Now it is like a dream that I heard in the heart of the mountain. In summer, the cuckoo is up and the wind blows. We also have three lines there. And there are three trees. Yes, there is the tree. With birds in the crown, stars are flying through the tree. Because they are so beautiful. But you live here. You can buy eight. With 14, 15, I love her, until she was. And she is so far away. Sometimes I get lost with the wind. I was, it came through the clouds, the air that I had to solve. I was alone. And through the cloud the sun was shining. And how they went there and there,

30:17you flew in my style. And in the room of the dark mountain, I was still as long as. I found it to tell. From the bed I was in the dark, and I told her. And I told her, they were then under me. And they had to fill me with a cloud. But if you have a lot... Yes, yesterday, as we were waiting, we were waiting for the birds. In the dark, there is a bird from us. So, I was so surprised. Because he was holding a white light, the clouds were shining. A white light, and you are a dark person. No, but a star of the many. You make me red. A star? Did you say? A star of the many in the evening, and so many stars of the day, and so many stars of the day. It is not dream. Or that dream with this all? Here is the end of my path. From here I must remember. Since you haven't met your friend,

31:17you have realized. I would only say a word to you. Don't you want to eat? He says, come here. I don't know what a ship is going to be like. There is a lot to be in the world that we don't care. You are still young and you want to be so beautiful and so shy about you. And your eyes are over. I beg you, stay with us. We are three. The father is so good. And I live here with us, so nobody can harm you. Here is a place to read our book. The letter is for long today. And his room is also empty. With many signs, you know the way. The room is not big, but light and light. It is noticeably, when the sun rises in the morning, the sun rises so that the child doesn't move away. It doesn't sleep once again. I have you over night with me. And your room is over. Do you hear? Not only you, but also for short. Now the door is open from your room.

32:18You will live there. And your days will come and disappear. So the sun rises out again. And not even you. First you should be up to the sun. Then one you like and light in the dark. Because the dark is in the dark. You heard. But before that, the kitchen is being cleaned through the evening. The sun rises. The sun rises only not below. The stars are being lit on the window. The sun rises on the windows of the sun. The stars are always the dark. The dark people hear. Another. I don't want to forget it. God, show us. I wanted to have it. You are so nice and good. You have to be fast. Take me here for a long time. So you know the day that you can see me as I am. But also like this. You don't have time. Freilich. You sit there in the garden. McDonald's is putting value back on the menu.

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34:41If nothing stays on the world, then my thoughts will be. So you have no home, poor people. In you. Because you should think. Should. I know your name, not once. Not where you come. Not where you go. And when I go there, where no return. You want to do it, what is on you? If you and your message is again, it will not come. It will not come. Never, never, never, never. Say Anna, say, how is your name again? Anna, who is the way? What you said, what I said, that is the meaning of the word. It can be not dreamt about the day. So you speak and protect the look of your life after the bath in the bathroom. Not this talk, Anna, say.

35:41What do you want me to say? You should say Anna. I beg you. Say, how can I help you? To which thing you are in this house? Be quiet, good girl. Because I want to become a mountain. Because I want to become a mountain. No, so do not speak to me. I know, I am young and not happy. But not live two German and bad stories. That is what she says. I understand so much. That is not mine. By God I mean it. Why then do you deal with your lies? As if you are on the wall. As if you are a friend and what else? I do not speak to you. It can be. You do not lie to me. You take a heart. No one speaks to me like this. And I am sorry.

36:41It makes me sad to see my face to the people. I am probably a liar. I want to love you. I love you so much. All I believe. How? Anna, listen to me. The one who has feelings for me. Will not come back. I first have to know the sign that I am on the goal. On the sign? Not after. Not after. You are not out. I am almost only what I am with the hands. You do not lie. You. With words of neither. And differently. I beg you. Because that I am sorry for everything I have. I am already now. As if I am not. Everything is clear.

37:42I think the road to the house is already in danger. We are there. Tell me what I should say. I do not know your name once. So tell him that I am Elis, Freiberumheiss. And I want to drive in his lap. Because I do not drive anymore, I will continue. I want to say that you are called Elis Freiberum. And you want to enter the corner of your home. Yes? Elis Freiberum. I am. Vimtraum. Father. Now we are in the garden of Daalcius House. That the house is built into the mountain. Evoi, Georgian, Spalier Obst. Anna and her blind big mother sit on a bench in the evening sun. You are the good enough of the fresh, sleepy wood.

38:43You are spilling out of the forest. There we are. Here we are still in light. I feel something is in the air. It must be soon a year that Elis is with us. I can hardly think. Today for a year we did not even know the name yet. How everything goes on. Everything is so beautiful. Tell me where you think. I hear you talk and think about how you look out that the voice sounds so different. How? So different. I am not different. Go, big mother.

39:44You come. Who? You come from the mountain, it is the fire evening. Do you want to go to the side? You see us, we see you and hear what you say. Yes, big mother. I build the roof a new wall. And the left side is sitting on the trees. And when I am old, like now, the mother eats her fruit and thinks about the wonderful year of happiness. God, don't be afraid. Come here to us. I have to write something. Then I come to you. The Elis is not there yet. There. I see him. Hello, Mr. Reuben. Where did you know my name? Oh, you know how my name is. You are the son and the regent of the mountain. What do you want? We want to have work here with you. The village is built. You are from the Hanthag. I am a huff-smeet.

40:45What do you search for here? You are not even learning. I know, you are a thief. Yes, and you have to do it. You have to walk from the Hanthag. You are going to be better. You are. I am my dear Hanthag. And you are looking forward. Since the country has been prepared, we have been prepared. Since the swan is so smart and proud of him. I have many people who need your kind of people. It will not be easy to heal the body. And you? Who are you? I am your brother. And you want it? You have already heard. I am going. Stay. You want to have work here. I will tell you, let me go. I don't have a lucky house. Do you know the brother? The mark is also going where he wants it. Because I don't have anything to do with him. You are alone. Are you happy to ask so much or can I go? No. Because I want to stay. Come. Now, if you want. Mr. Dalcel. I write something for you.

41:46I will come out soon. There is a lady standing there and standing in the ground. And she knows the scene and doesn't want anything from the world. I think it's fun to watch the heavy cream. And also the deepest heart is on fire. Then you are the light. And you know yourself hardly in the dark from the night and the shadow. Who has been flying for the day. Your eye is the light. You don't know what you came for. But it is as if we were only here to eat. That's right here. Maybe it's different. But what's the only thing here? What's the hell and still? What is a dog? What is a little garden? And what is the smell of a house? And where you sit in the dark at the evening, hear how they go up and down and down. And where the dog comes, you are aware of the house.

42:48Don't be afraid and fly as the wild water. Don't be afraid and find the way to the fields. Hey, Danzeel! I have a new nail on your face. You are wearing it? It's a burr. It wasn't different from the eels. That I can wear it myself. I can wear it. Go to the house and sit down to the scene. I thank you and go and sit down to the scene. It's time for you to go. You have to be careful. He was young and shy. I don't know what I'm talking about. He has a response. It's like my mother always says, eight on the edge of the field. It's a tree that can grow up from the hill and the sky. Tell me that. Big mother, is it cool? We go in. I didn't know that her daughter was here. I think there is a stick when I think

43:48that the time comes where I have to learn to end the vote. How? It's coming to me. It's coming to me that day I have to get away where in the country. It has to feel like something is falling like something has already fallen. Do you see? I want to sit down there. You have to fall into the wall. You have to fall into the wall. But my heart is not to be loud. The Paul Sales Event excludes fully electric vehicles applied to 2026 model-year vehicles non-transferable

44:48visitmoapart.com for complete details and a copy of the powertrain limited warranty. Comment is the registered trademark of comments and ramen hemmy are registered trademarks of FCA-US LLC. You have to let the people go. You will be able to save your life as a dream. There are the words you are talking about. A dream in the morning. The appearance of the garden and the case in you I ask you to go immediately. Because my ears are talking to you with something full of luck. That was my opinion. Not because of her. You see, I know my child and you don't know her. It's also my way of being so faithful that you can't let anything be ungrateful. As if it wasn't just the best in the world there was no name, because it was too careless. We want to go to the first place. Not Elys.

45:48It was my eternal dream to send the adress to the child from you. And as I said, I know you. I know you. And me? Who are you? I think I know Elys. The ungrateful I am. The homeless, the homeless, the one who has a job to show you what we are talking about. The long-term brother of his uncle doesn't have a way to look into the face. In the inner circle, as he speaks, the window of the high-heeled wind is out of sight. But now he is the one who knows if you are not there. Is that your drawing? But he is calling me. What a business! If you want to get lost, don't get up. It's a day you are telling me. The day does not come. At least it's not long.

46:48You think it was something I forgot. How? Or not? What do you mean? What do you mean? We want to have the warm spices that have already been burned. Come Elys, come on. Come on, come on. Come on. And down there, because of the dark work of the sheep, it feels like it's going to burn. I was the man who was bleeding from the inner fire. I can't go in now. Let me go there. I want to be there again. I think of a reason. I say, I'm going to get my man. He is there, where we can get the work. I find him quickly and quickly I get back. If I'm too lazy, Elys. Don't you come in yet? You are not there. He is there, he is there.

47:50Do you see me? Are you still there? The will makes my heart happy. Yes, you. Yes, you. I don't think of anything. That means, the will makes my heart happy. Your heart is so happy. Anna. Father, where are you coming from? Where is Elys? The Elys is just a jump in the mountain. In the mountain? Alone? Now at night in the mountain? We talk about something that is afraid of the storm and the fire. I'm back there. You see? And it's not there. You can see it almost until the end. That was not even a evening.

48:50Maybe something else is going on in the sun as a different evening. Father, tell me. Do you promise that only so? He does not come. He does not come. We go against him, Father. Yes, and show him what he does to us. But I am not sure. That's what I am. And show him. Where do you go against him? So you are not bad, Anna. So you two are both convinced. Father, do you mean I talk to him about such things? But Father, no. Alone, I see him. And I think about him early in the morning. If he does not hear me, I will hear what he has said. I believe he does what he does and the big mother does not see can tell me. Because he is going to sit on the bridge, he is sitting there and laying on the head. Since he is with me and in the room, I have loved the whole house. I sometimes hear the big mother and I am happy that she is alive.

49:51And in the morning I see the twilight. She has the nest from outside to the wall, to the air that sleeps. I believe that he speaks to all people. Then they are more and less alive. And you and all of us, Father. All of us, all of us, tell him, you want to know. Only now. I can not think. I see him only with the ball between them, because he does not come to me. We go with both against each other. I am sorry, I have already told you. Don't be afraid, Father. You see, he does not come with pity. With your fear, I do not know him. He is a man, knows every step and third. Who is he in the mountain? What should he have done? The perfect Father. That what I do not know and always feel. Come, Father, come! You are a child.

51:14And now we are down in the mountain. And Elis comes and sees the dark cloud in the sky. Hey, grubemwächter, I do not hear anyone calling. I want to get my mantle. I have not got much time to get here. Hey, there, you who do not sleep. Hey, go on. Mantel, where are you? Mantel. Mantel. Hey, God, you are the man.

52:15Who are you? Who are you? Who is so loud on me to come? And you are standing there. You. You. You. Anna. Anna. You are a soul. How come you? You. You. Anna. Dear child. What do you come here? You know you love everything without words. And you drink everything because too much for words. Together in this lovely, sweet wordless, there is a present in this unreachable, I will not return. Big me your uncle, dear. This, I should take.

53:16This, the key there. How nice. Are your hands cold like him? Anna, look at me. Anna, you are so loud. You speak, but you have the fear to come. I swear to you once, to make you hear your sweet, you sing more. Blend and cry. No one. Don't cry, tell me about this question, am I free? I'm lo your預, I destroy and don't speak. I suddenly I feel like an alien. What else should I have then? Do you know you am? Your率, are you just lakhs شيgu? Do you sleep somewhere at night? What are you asleep? You actors,�도 your favorite fondon. What do you feel to eat and askacción? You are dying in the dark We need to think about it. I am the only Lord For the sake of affliction,

54:18I can't do it. I can't. He's been in me for years. And he's a part of my self and is very proud and happy. He feels very proud of me. It's time for me to go back. I love him. I don't think I can do it. I can't hear him. Your senses are looking for a suitable song to me. She's crying, my heart is shaking. But I don't know. It's Fall in America. Make it Count! at the Ram Drive-In To Fall Sales Event Make it Powerful with our strongest Ram 1500 ever. Make it Move with the Ram Heavy Duty with an available Cummins Diesel and make it Goat the Distance with a 10 year or 100,000 mile-power train limited warranty. Hurry and Now for great deals during the Ram Drive-In To Fall Sales Event.

55:19Excludes fully electric vehicles applied to 2026 model-year vehicles non-transferable visit Moepar.com for complete details and a copy of the powertrain limited warranty. Cummins is a registered trademark of Cummins Inc. Ram and Heavy are registered trademarks of FCA-US LLC. Grab the functional on a door. There. There. And there the key. String on your door. No. Totally this orange. Elyse! Back to the fad. String on your door. No, I'm not. I'm not. I'm not. I'm not. You're here. Father. I'm not. But how? How difficult? He also sleeps on the floor. Not this white fad. Let everyone know what he's heard. Take me. You're not. You don't want to see me. But he's holding my hand with his fingers. How fast?

56:21Anna. Are you really? This time. Really? He's talking. He's talking. Fast. He's not fast. Fast. Fast. Fast. Fast. Fast. Fast. Fast. Fast. Fast. Fast. And now Elyse. Elis, deep in the garden, on the deep, standing sun-dried-race, his eyes are closed, Anna is over him, he is standing in the middle of the big mother.

57:23You see, big mother, how he now sleeps, I want the hand to keep the sun shining on the lilies. That was the first night in my life, which I waited for. That's how everything comes. First, if I wanted to talk to him and ask him, then he would call me to his hand again. Big mother, later, if I am his wife, big mother, do you know that it should be tomorrow? That something like this, that's how it will be, you can touch it. Once, it was there, it was said, he is lying and holding my hand in his hand, and in his soft eyes again, he speaks of his father as he is in the shadow, and half of him is to be happy, and he, half-deafly in the bed, brings his big mother to me and says to his father and tomorrow, let it be tomorrow,

58:24so easily, not first, then once again, he is happy and happy. Tomorrow, then he says, and my name also belongs to him. That I am not heard, what his father says. His father is not happy, big mother says, he can't help me. He is not different from him. Not true? He is not different from him. I speak too much. Do you mean, I will go up. I can't swear. I swear to God, and before I do everything, it will be my death if I don't turn back. Big mother, if I am his wife, do you know? And you, my man, big mother, where are you going? I go in, and make the big step up, which is not open for a long time, the high,

59:27there is the train, the big father to your father's long-term job. He only needs this one time. The buttons on it are heavy silver plates. Tomorrow, the Ely's, and you put my clothes on. That's still my mother's. So comes in a row everything again. He has already given me a lot. What can I give him? You sit with me. So is that true? Say, Anna. Say, tomorrow, tell me that it's true.

1:00:29And that you are the whole night. You really not asking. But before you. What? Don't think about it. You went to your uncle, you almost hit you hard and I was scared. It was his uncle on me. And your face was like that. That's not true. And from the evil light I don't think about the dreams. Now it's hell. And now it's dark. We are together. And I'm sure if I notice you dream so much and if you leave me so much, then we'll cry. And as you notice, that I am the one who belongs to you and the woman. You are all on your own. And the dreams are so far away. You love in the room in which you belong and me. I don't need to be so and not to be.

1:01:29I don't think so. So do you know how everything came? I'm happy. I saw you immediately and immediately and I loved you the first night. Not so. I mean not so. Not so. Nothing is in you, the Ant. How everything is together. You love God, I'm not happy. I mean if you're happy as I came here. What's going on with you? I love you. You have to hear me. That what I'm here to drink. That I think was in the dark, somehow, on seeing you to lose you. Elyse. No, let me talk. It has to happen. You never said that I'm not that I I'm the crazy madrosa. Now the journey is in your chest and your old dirt like in the dream and there in the white. Everything is linked

1:02:30and you are rich, like no human. You never dreamed that somehow a price for it has to be paid. Do you call it the mountain name of the tree? A terrible thing. You want to tell me now? Listen, I who came here here to live here, to stand and stand and to sleep with you. I don't do that. You think of me so much as you like. I don't do that. I'm warm and I don't do that. I'm letting you go. Don't let me go. Say everything. You have a wife in a different country? No wife in a different country. That belongs to me. I don't need to hear or come closer to me. I myself I am so busy that I can't be home anymore. Before I was there, I had a little bit of

1:03:33a drink at the beach. Then I was so excited. I don't belong here anymore. I'm a guest to pay for me. You're a bit scared. I wanted to forget it. I wanted to give you to you only this sweet air. It also leaves me. It leaves me. But yesterday I jumped out of the dark and took me back and pushed the key in my hand. Which key? The one who first closed the door and was in the dark and was sleeping and waiting Anna called me to my place. I wanted to say everything but from inside I was scared to the key. From outside I came to tell myself that I was right between us and that's the word of the lips. Elyse I feel my lips. You first I can't hold you in between us. I believe you. Everything is nothing. You're scared.

1:04:33There's no secret of fear. How cold my hands are now. It's because I'm scared of you. You're the only one who's healthy and fresh and happy. It's the same as what you're scared of. Now you what's cooking and making you not everything. I'm just holding you in one hand. You're the only one who's scared of you. You're the only one who's scared of you. Your lips are the only one who's going to die. I'm not afraid of you. Your illness is not because of you. Believe me I'm almost dead. Now I'm scared of what I'm doing. And I have the first thing I have to do is to want to kill you. Now it's only half. Half something is love. And I'm just going to turn around and immediately see you. And no place. No place. Not in the house and not in the garden where a blind man is. So read from the memories that I'm also there and there. And there and everywhere

1:05:33so before you lie. Whether I'm not you. It's fall in America. Make it count at the Ram Drive into Fall sales event. Make it powerful with our strongest Ram 1500 ever. Make it move with the Ram heavy duty with an available Cummins diesel and make it go the distance with a 10 year or 100,000 mile powertrain limited warranty. Hurry and now for great deals during the Ram Drive into Fall sales event. Excludes fully electric vehicles applied to 2026 model year vehicles non transferable visit moapart.com for complete details and a copy of the powertrain limited warranty. Cummins is a registered trademark of Cummins in Ram and Hamir. registered trademark of FC AUS LLC.

1:06:34And should be a house. And should be a pipe. The trains are spinning. But it swallows a picture and is in a bit of this. Whether you're young or old, what the old men call. Both sing the same way back. A woman sings everything. I'm so old, here, still to remember. You don't want me to hear. What do you feel to me? Here, here. I couldn't get this Frist in one house. I couldn't get out of the wilderness and get out of there. What do I have to do and the trouble is to die? Elyse, I can't get out of the church. You're too close to me. Yes, yes. I brought you here. I'm happy as your sick only stands my head.

1:07:39I don't even dare to get out of the air. Tritnach, Tritnach. Do you know how you saw the beach down there? How you look at the eagle and look at this world? How you have made its most part to bring it away through our generations and to do as much as possible as your wife, made this man two-fold rich subscribe to your media and talk about it. You don't even notice what you did there in the past. The faster you distance yourself from me andman sending you I pour a cabinet. He jumps off of me and above me.

1:08:40During my time I would come to you. I would raise them and distribute them all to him. But with God, he means to him. You are the Lord of the seas, Elish Völbum. But I am the Lord of the seas, who takes me. Where are you going? To die I go. A water-dark, I find again. I dream, but the wind blows a storm of the night, the trees. But I lay myself, but I am not able to lie. But a monster starts to fall in the dark and let it sink as a ruby. The night-dark circles through the open sea.

1:09:40It does not feel like our starry sky is about us. Because we are living, part of us are better than one. We are the human feet, with high feet, and deep, and with great happiness of a life, with which we can enjoy the time and the stars we know. Elish, I don't want to hear what you are talking about. I don't want to see you anymore. It is worth to see me that you are willing to live, because I am ending. Trezna, trezna! We, cross, cross, and you are like him.

1:10:40You are his equal, you are always with him. Always with him, always with him. To the end, dead, not dreams. Really, how does this heart of the heart... Anna! I don't speak. I have understood everything. I know who he was. I know, Elish and weep. I know what he told me. I know what he was saying. Now I say to him, that he has not said 200 years ago, and he says that he is talking to you like the same thing to the same thing to me. He is not the double. A hand is in my hand, and he tells me in the head that I am not a burden

1:11:42and that I am a dead star, and that I could be able to achieve everything right away. Now I don't believe that it is dream. That is how he has to live his right, that extraordinary, ungrateful, just as he loves. Have you always known that? And could it be like this? So sad, so dear, so good, so happy, Elish, as if you never knew, that I did not do anything. Stay close to me and kiss me. You dear, have you not heard it? It will come tomorrow. Anna, I am both of you. Do you feel me? I am close, and in me there is no blood that I see in you.

1:12:48I am calling you, because I am still standing there, in the world of your way I am going to be. You are almost dead, I am going to be dead. What we are a word you are talking about, Anna. Anna, you seem so used to me, you are perhaps so, so say that you are. I am nothing, as what you do from me. No, Elish, no. I know that, that I am with my love and my love, all that I am never able to hold you back, for this life is not everything to me. Is it you? You had the pleasure of me? You dream. The eyes, the light that all shudder,

1:13:50what can be of your mercy, I must go to your arms, I follow the lamp which it takichions hath infinite noble among me, as you have mange fill of love, as you build out of the power of fire, with your great desire 끊k, which might bringdeath into your mind, no matter what radiant time and twelfth day you build it. There is only an echo of the night. What outlines this, You are still there, and you are looking at me. There, you two mothers, you are happy. There you come, you want to kiss me? Eles, you shouldn't see me that I am starting.

1:14:55And now the last morning comes. It should have been the time of the day. But Eles, where I am the most busy in the inner. Because the mountain is called Königin. In the room of the Dalzje House, everything is ready to be finished. Anna, but from an anointing, was warned of Eles, who had brought the night peace in his room. He comes down and under his tritzes, every stooge is standing, like my heart. I don't wear it. Eles speaks to me. I'm going now. I have to go now. Time is there. I'm not so full of grey on me.

1:15:55Because I'm happy. You thought the night was over. Everything was so full of secrets. The wind came and I started to cry again. I was so annoyed because I was a wonder. The stars knew that too. It's fall in America. Make it count. At the Ram Drive-in to Fall Sales event. Make it powerful with our strongest Ram 1500 ever. Make it move with the Ram Heavy Duty with an available Cummins diesel. And make it go the distance with a 10 year or 100,000 mile powertrain limited warranty. Hurry and now for great deals during the Ram Drive-in to Fall Sales event. Excludes fully electric vehicles applied to 2026 model-year vehicles non-transferable. Visit moapart.com for complete details on a copy of the powertrain limited warranty. Ram and Heavy are registered trademarks of FCA US LLC.

1:17:11I'm happy. And I'm happy to see you for the first time. But I still have to go to a restaurant. And I'm happy to see the most popular food in the world. Which I should go now. The man stood up to my service. He walked the star and told me my journey. I was ready for the dish. I was in the mountain, the mountain was cold. I walked and walked and served my meal until the old man came his way. The mighty and his last breath on me. Not the unbeleared and I am sure as one of the other wins. And now the time has come to fill the burden of my burden. He speaks to me and I don't know that I am.

1:18:14I haven't forgotten. Even you, I was convinced of the way. My heart was not even read by the Irish watch. It was still a bit of a storm in this world. You know everything. A wonderful game will guide you to what is in the heart's secret room. You have to stand here as a guide. I have to catch you and all the tears and all the darkness, unbeknownst to you, I am going to shoot you. We have to play the sweet, the warm game. So deep must one person be distracted. Atmend is soon no longer know which species. One in the other, dark and dark, begins. How am I going to do it? I am ready. Because my word is your lust and your heart.

1:19:15And all the higher and deeper. Anna, do you sing to me, my Lord? So are you also a star? The most lovely, most blessed, the last of the fallen must to shine my father. Because a watch over all watch after you, has taken out of my inner world, unbeknownst to you, the eye, the lips were still a bit of a hint. The last earth and dream were still a star. But the wishful, exciting, the sun, as soon as the goal was met. And as a teacher, the most lovely star in the dark, I had you. You did not have much of that. I am so ashamed of my father's world and I am no longer here.

1:20:20In my ear, I am a swiss tone. The meaning comes soon. So come I, then, and soon. Because what is your desire for the times, the frist I am about to overcome here? It is, it is, it is! Anna, do you sing to me? I have to sing for the same reason. Who is a young man now does not want to be disappointed? I am from Marx and Sté and Wait. It starves me the eye and I am not a very low-key drum.

1:21:22In the inner world a wind, a wind-emperial, everything is connected like in flowers. And as the dead today stirs in me, my first son, his child, on the glass of the glass, is in pain. The song of a water with a glass of blood in his peace of mind. He was dreaming, he went to his own dream, and over that time he came, now. He started so unbefined, he was pushing him from the bush to the bush, to the bird's nest. It was no desire,

1:22:23the sweetest was as a desire, that Scheuer dropped out of the 한번 Shadow, that until dawn was coming to an end, unemployment was not yet grade 8 We all go to his dreams, I don't like it anymore, I am too old. By the way, I will be like a glass. Big mother, what are you looking at me like this? Do you feel anything strange to me? It makes the sound.

1:23:24How beautiful it is. What is beautiful is that I have always loved to have. The forest, the rainbows, like a child, once, a year ago, there were so many, and so close. I think that you would have gone out of the garden. Big mother, don't look at my voice. You don't look at me. Now it's not time. Do you feel anything strange to me? Oh, yes. The cramp. I have to peel it before it. That's what I hear. Where is Anna? All eight of them should be in the house of Evis Ruf. Ruf, not. Ruf, not. Your brother will bring you flowers and the guests. I am ready. Father. You!

1:24:24Your brother will bring you flowers. Do you love me? I don't like the children. I don't like flowers. I don't like to have anything in the world anymore. He has not told me. Now people, that people are nothing for nothing. He can't come back. Father, for me, where is the old man? He is in there. In the window of the mountain and the window of a light he would not have been worth. But he was. That's where the heart of the dance was called.

1:25:28How? Time. Anna. Anna. From the bay round you hear a dramatic poem by Hugo von Hoffmannstahl. The mountain works to the far-loom. The rolls and their voices Evis Freibom Hans Kossi. The old Thorben, an actor of the German theater in Constance. The mountain king Maria Wimmer. Ilsebil Ursula Barlin. The old Dahlsje Otto Wernecke. Anna, his daughter, Margaret Endsinger from the German theater in Constance. The big mother, Anne Kersten. The child of the Rigidze Helga Zwick.

1:26:28Two handwaxburschen, Justin Lauterbach and Horst Rasmussen. Music Hans Werner Hänze. Thoningenieur Erich Klemke. Schnitt Sibille Röhr. An exception of the director Richard Rubrech. Funkbearbeitung Regie und Verbindende Texte. Heinz Hilpert.