Camorra con l'ex Boss "Genny Terremoto" | Pulp Podcast #47

0:00Two good and co-coffee creamers are made with farm fresh cream, real milk, and contain three grams of sugar per serving. That's 40% less than the five grams per serving in leading traditional coffee creamers for a rich, delicious experience. Whether you enjoy your coffee hot, cold, bold, or frothy, two good coffee creamers make every sip a good one. Two good coffee creamers, real goodness in every sip. Find them at your local croaker in the creamer aisle. How many friends do you have in your computer? I've been trying to make more than twenty-eight. Almost always in the picture. Yes. Do you remember your first friend? The first friend is like when the first time you do this, you can't forget it. But the thing that makes me happy today is the feeling that I remember the

1:03satisfaction and the feeling of having almost arrived to a guard, to a guard of whom I am still doing today, in a wrong way, and trying to make the Guys, look, when you touch the life of your little brother, or anyway, you have a person. I can't joke, guys, you have a life, you're starting to touch the pieces of your life. In a man, there are two times in the same film, because the film is never the same and not the same man.

2:03Today, guys, we'll talk about Camorra. We're here with Jenaro Pansuto and Tomaso Ricciardelli, our expert of organized criminalization. Welcome to Palp Podcast. Jenaro Pansuto, to give you a little, let's say, the excursus of your wife, you're an ex-boss of Camorra Napoletana, grew up in the area of Marjellina, Napoli, and in short, an activity, a criminal curriculum, a Christmas tree, today, let's say, you have done a tour and today, let's say, as all all the people who came here, you have completely changed your life and try to tell them that the young people do not take the road that you had decided to run, even you. Exactly. The first thing that I want to ask you, Jenaro, what is Camorra? Look, for how much I look at what happened to me, Gamurra, it was something that,

3:10in any way, I am involved in family dynamics, because it is a school of literature. In my opinion, the truth is that I know a lot of things. I am a literature teacher, and for me, Camorra, in any way, the lifestyle, the worries, the risks that I was taking for me, it was something that I also took from me, because I look at many, many more young people without family. I was 50 to 60 million in a week. Then I operated in the arc between the 90s and early 2000s. Exactly. And so, for me, Gamurra was something that I do not feel like a Camorraist, but I am not afraid of Gamurraists.

4:10But today, if I am going to make a picture of Gamurra, it is something that, at the moment in which I do not change my arm with politics, we are all devolgares of the 50s. So today, if there is still Gamurra, this is a good actual picture that I do, with my 51 years ago, I have understood that this chaos, that we call chaos, is wanted, because without this chaos, today, we do not build a lot of work, we do not put ourselves in power. So, where this delinquency, this associative criminality that can be made by Gamurra, until it feeds a system of power, it will always exist.

5:11And this, in my view, is Gamurra, is the mafia. For me, this is the mafia. This system that, through this criminality, feeds its powers. Let's say that a important theme, even in this case, that we have talked about often about the commission, the state and the mafia, you personally have never had contacts with men to be able to deal with two criminal activities. But certainly, I have had to do with politicians, I have had to do with white collettes, that have made, in my view, a corner, more cornered, both political and Gamurrares, or the general mafia. Because they are those who, then, are in the middle and act, both from the mafia, from the political. I have had to do with white collettes, I have had to do with politicians, that, then, I used to enjoy politicians. I give you an example, in the period of electoral,

6:14there was a good soul of my cousin, Antonio Picirillo, who was much more pragmatic, and we were much more proud of him. And, then, we propose, yes, to the right, to the left, to the left, let me remind you of Forza Italia, OK, the PD. Return to your mind, this game. And no, we propose ourselves, to do so that our guard feeds on their motivations. Exactly. That's what we have noticed. I always did, as I always said, I, Antonio, I used to take money from here and say that we do it for them, and we take money from there, and we don't do anything. And we didn't do anything. This thing also told us, to the idea, and I remember,

7:14the doctor who came to the front, I looked at most of the things, I looked at a guard, I mean, exactly. It's true. Instead, in that occasion, I remember that he looked at me, and said, he did very well. That's right. And they never agreed. What? I said, they never agreed. No, no, they didn't. They didn't do it for the count, then they understood. And how many soldiers were there? At the time, you imagine, that my guard is not here. We're not talking about Naples, we're talking about Naples. At the time, I remember that it was 25,25. 25,000 euros. 25,000 euros and 25,000 euros. Yes, yes, 25,25. Those who ask for money, yes. Yes, exactly. Well, in fact, they also wanted, you know, we used to use guys,

8:15but from our competence, from an extra order, they went to Africa. How did they say? To Africa, to Africa. To Africa. To Africa. To Africa, to Africa, to Africa. To Africa, to Africa, to Africa. To Africa, to Africa. To Africa, to Africa. Well, in fact, they wanted to, you know, to have a career within the organized crime. You, at a certain point, you, let's say, have escalated the hierarchies of your clan and you have gained the reputation of Sykario. Yes. But I am in that clan, I have entered from Sykario, because I have entered from Sykario, because I, if I could, I would go to the literature. But I have always had to stick with weapons, and above all, when I was going to go to college, I was going to go to college, right? Because I was not motivated. Even, I was also used to weapons,

9:15like you say, in Jergo. I had this brutal desire to take weapons, which was something that I was fascinated by. But I was always fascinated, but not for the office's tools. I was fascinated by how I objected. But then, doing the life of the sequential, right? From the literature. It has been, always, like a chair, or a window, using a filter. How did you call it? To remove it. But to remove it, right? To make a hole against a person. To remove it, it seems to me that when I joined the Coalition with Coetani, I could be from Sanitar, so I didn't have that good sense to understand that even if I had joined, right? You have to

10:16ask for permission. You know what I was doing? I was going there, and I was going to shoot. Consequences, the guapo di turno, of that quarter, I was going to the house, to be able to escape. And then, I was looking for it. As soon as I got there, I was already inside the room, on the second floor, in the special garden. When these events were held in my house, I was intervening with the garden as it was said in Naples, Paparago. So, I went out of the base. When I joined the Coalition, because I went to the Coalition with a new story of Naples, Naples, Naples,

11:16automatically, knowing that this is my exposition, if I can say so. I entered the house, but then you, belonging to the Picirillo clan, you entered the clan that was already in the alliance of the second legion. Yes. So, in the meantime, the Lichardis and the Allianos followed the war between the NEC and the new family of the Vari, Luigi Giuliano, and so on and so on. And this emotion is very important. So, they finally found themselves working for the Lichardis, in the specific labo of the Marial Lichardis. General Lichardis. The Picirillo clan, in fact, was at the famous tower

12:16and he was commanding and then he was commanding the regents when a quarter of the area was attacked and then he was commanding the Marial Lichardis. On the other hand, the river of Chiaia and the same river of Chiaia was then theoretically speaking in the name of the Marial Lichardis that was in the Marial Lichardis and the Marial Lichardis was the tower of Chiaia but it was the only guard. He began to have with the Alfano, this family who is now here. The Alfano Friziero. Yes. And from there, that was born, this new beast from the Pinature, from Schumitz, from... How old are you? I speak in 1996,

13:16yes. In 1951, in your 22 years did you find yourself to cover a fundamental role of an organization? Exactly. For 24 years, after two years, you were born as a child, 15 years old, the hero, the hero, the hero, and the hero, we were transferred to the... ...productive of the hero. Now I have been one of the first, I have been one of the first because I have been doing for many years here in Milan, from Minorene, we had our balance. What did we do here? We were transferred here. We were transferred here. We were transferred here. We were transferred here. So, now

14:16thevic group is going to train. The rest are going to go through these embarassing, so to speak. Nothing ever. Now we are going to Milan, from Lone Di Alvenerdi. And we do both things using proses. I like to see how you expressed your logic. I used to see your logic. I don't like it. I've seen some who put the fashets, you know, the fashets of plastic, the fashets on the belt. No, because if they don't, I can say that who knows me, you know, I can say that in my regard to the ideology, but this is the reason, but it was also a little less, because there

15:16were many things, but something of the genre has never been avoided, or I don't know, in terms of feelings. So there is not a secret, if you want to give a advice, do not put it on you. So I wanted to tell you something that, essentially, Lorenzo X, and he told me my old times that they were, he told me that recently, in the last few years, the ideology like Daitoona, etc., I put the double hand, and then for this I made, which is very often, when it is treated by Rolex, it is taken by a rapin, which could be called Rolex, also, in addition to the dimension of the others, of the ideology, today, the Rolex is not only rubbed more, because you see, today there are these rich worlds, rich or mills, excuse me, rich or mills, you take, I, for example, we will talk about this, we can

16:22get rid of ourselves, because someone has remained in life, of some of my friends, stories, that we do not know, we do not know, and nothing, anyway, this is getting rid of us, let's say this, imagine a week, we were fighting, we gave 18 to 24 watches, to arrive in a summer, that today you do it with an ideology, exactly, and when we are always fighting, we think, that is, at the time there was a ceremony, a ceremony called, at the time there was a ceremony, you think, 18, 24, there was not too much, there was not that easy to find, but wait, when we went, it was very easy, you do, for example, the Milan adoro, I don't know, you are a friend of mine, no, no, no, in fact, you were excluded, you were younger than me, ah ok, then I took it very badly, forgive me, forgive me, I am 51 years old, if I had to

17:28be happy, I would also be happy, but I said it is good, so I don't offend you, and you are at your times, you are at the time of the Milan adoro, ok, I make an example, Annapolis, sporadically, excuse me, sporadically, and I managed to find a Rolex gold, ok, with the glasses, but they were not Napolitans, they were tourists, which came from the Aliscafi area in Mergelina, to go to Cablea, and Lille, and Lille, you see, Milan adoro, at the time, the most stupid adoro was a Tetonaccio, which at the time we took on 14 million, ok, and then you took a Vip, you took 14-5, which was a strip of hair, ok, orologi, Patephylips, Brege, I don't know if you know Brege, Brege, at the time it was worth a lot,

18:32it was a plate like this, with a skin belt belt, meaning, except for us, fortunately, there was a famous Napolitian boxer, Dominic Horus, who then killed Alias Mimidecani, and he was our boxer, and he said that he was a boxer, that's what he bought, ok, then the most pesant of the United States, and he, and he, for example, added, he looked at the Rolex, there are also these, these, these, the models from Ruben. Exactly, and then when we see them, we will recognize them, ok, but I was also Spanish, more often, Ibiza. No, Ibiza, I worked, Ibiza, but Ibiza had to play Fuga, because they put you in, because if you can take them three, how well did you do it, do you know the number more or less? No, excuse me, the first

19:33agent said that I believe that they are the role model. At a certain point, but let's say that this two-phase change, for this reason, what I said, you, as you saw it, there is a count, it is to steal a count, you want to spoil yourself, even if you say this, you, in fact, this passage, as you saw it, a thing, when you started to manage the army, so many years ago, when they took the first pistol, for example, I can see it for a long time, today, it is based on consciousness, it seems to me all strange, but this discourse that was still doing it today, I touched it with my hand, and I tell you why, because I, in any case, I chose the wine, the bags of the representatives, I mean, the representatives of jewels, we were also doing this, but it's always a mistake, never with the weapon, it's with the weapon, running, there is a moment that I have to be strong for you, because we don't know that you are behind it, so he goes to a bar, he puts me on the legs, he takes coffee, you go from behind,

20:37or, for example, he puts it in the car, no, and then he puts it in the back seat, then he puts it in the back seat, and then he puts it in the back seat, and then he puts it in the seat, he turns it up, opens the door, it's closed. With the lock, given to you, it opens. Anyway, and when I told you... When I was doing this at the end, I, in my mentality, of the because it was legitimate in that mentality to say, but it is very obvious that it is already said that it costs 100,000 euros, but it is said that after five minutes, if it is already forgotten, it is not that it is brought up, it will be with it, and it has brought it down a year. Okay. It is only a few minutes that Rubai Ricchi will lose his own. Exactly. It is said that Rubai Ricchi will lose his own own. Yes, yes, yes. But he was still with the mentality.

21:38Yes, yes, yes. So, so, when then I started to make fun of people, but also on this aspect there is a great difference. I tell them, confedents, I feel wrong, I feel, I feel that I did not respect, I did a lack of respect, no matter what. How did you do a cake? Okay. Normally, I feel legitimated in the middle of always that mentality, obviously, to make fun of people against affedents, but instead it is changed. When it comes to you... What? It has been wrong. It has been wrong. Well, it is called fantasy. It has been wrong. It has been wrong. Yes, yes. It has been wrong. It has been wrong. It has been wrong. It has been wrong. It has been wrong. It has been wrong. Why? It has been wrong. It is this... This is the book that begins to understand something

22:41that does not make part of your nature. However, then, the traces, how it will be said, once it begins, if initially it was not for something of your character, but then it was doing, then it was escalating. It was in the middle, then. Then, automatically, then everything becomes personal. And everything becomes normal. Everything becomes habitually. Everything becomes normal. Exactly. And how many people... How many friends do you have with you? Well, I... From a friend, I have tried a friend, I have made fire more than 28 times. Almost always in a strange way. Yes. And all the first friends do you remember them? The first friend, Guarda, is like when the first time... He says, don't forget it. But the thing that still happens to me today, that is the test,

23:42is to believe that it is like this. I remember that the satisfaction is true. That situation, that sensation to have almost arrived to a guard, to guard who. That is, I still do nothing today. It is trying to make people understand Guarda, that when you touch the life on your knees or, anyway, it is a person. It is not a joke, Guarda, you have touched the life, you are starting to touch the pieces of your life. Because then we arrive, when you do it frequently, and I did it frequently. I arrived at the point, I don't know if you have received a lot of information about me. I arrived at a point, which is so much that I arrived at a guard to make fire against the people, which even

24:42my friends, my accomplices. They were waiting for me with the bike. I said, I'm with my hand like this. You have to ask for help. I said, I say it and it comes. How do you say it? The brief. The dog. I said, I have a lot of... What is the answer? I don't know. I don't know why, I don't know why, I don't know why, I don't know why, I don't know why, I don't know why, I don't know why. I don't know why. I don't know what they said, what they said. The deal was good and we did it yesterday. What do you think? The deal was better. I don't know...

25:43What is the answer? I think the answer is relatively reliable. I don't think one thing would be fair. I'll ask theseKAMORA. And look for your website. Camorista, because Camorista arrived at a certain point, his presence as a person or as a mental profile, he represents this ignorance, arrogance, pre-arigation on others, okay, it's close to I don't know if this term is okay, and this is a lethal mix, which then fortunately the same mix that can be terminated at the end of Camorista, okay, and on this aspect I am, I am still grateful to my psychologist, okay, but only on this aspect here that he has given the conclusion that this this is my sobering mode, which has arrived at a level that has even killed me and I have

26:45gone crazy, he gave you the conclusion that in my unconscious I wanted to stay, while instead I believe that without less arrogance, I didn't define myself as a Camorista, but I didn't have a paura of Camorista, okay, he made me feel secure to be a Camorista, yes, but above all and all, because then those vehicles, no, or like now, I now say that I die every day, and then we arrive because it's a part, but in order to make it clear, yes, I, as I feel a pattern of me, that is, that I believed internally, obviously, that I could not fall asleep, nothing, and that I said now, even now, what I have put a little bit, but in the midst of the fact that I live in my neighborhood, in my neighborhood, in my neighborhood of origin, where I went, okay, of course, the old people of the past, but they have not returned to me as a

27:47worker, if you have come back in a different way, I speak that they give me the same, yes, today I feel secure, as I feel secure, but the difference is that in the past, you had the shoulders covered, okay, today, I am sure, but it is true that there are so many people on my neighborhood of Nannaboli, people who say that they still demand the correct, I mean, you imagine me that I was from the morning with a microphone in hand, and I do a piece of gammuristi, but we gammuristi, the children of Gomorrah, the stories of Napoli, I speak of the mazzarellas, the chardes, the containers, that is, cabish, the names that still today are still read, and above all, still today, people also have a fear of nominating, okay, so I am the same person who

28:48says to me, after all, I know, after all, interview, etc., etc., that can denounce people, yes, I have helped so many entrepreneurs to have courage, to denounce these medias, my friends, but I do not give birth, I give birth to a city, and they are the same person that I always do for people who do not have the fear of these things, to denounce them, and then at the same time I send Napoli to me armed, but they tell me to destroy them. This process, however, I have told you, I want to try to say more well, because you initially said that I was seeing you a little with a stack, I almost made me laugh, gammuristi, I did not identify you, I mean, how did you explain this, because maybe you initially rejected that figure, then they plan to take care of the aspects, because maybe you see them as powerful, even when they come back to you, the people come back to you, your family, the people who asked you, how did they interact with this reality, let's say, of the gammurra.

29:49So, I explain this mechanism to you, I, in the gammurra, now I use the term, which is a strong term, which is going to catch up with that style of life, I have entered for feelings in the gammurra, that is, I have not entered in the gammurra to become gammuristi, I have entered in the gammurra, because I wanted well with this my eyes, which was difficult, I already had a friend, his friend, and the second was him. And then, sometimes in which a general, I am dealing with the gammurri, I send to call him, it is only my name, and I said it looks like you are a good Zidet, which is a moral war, and I know it, at the time I do not know him, why was he not a man? Because, no, it was in the first battle in Antonio Plota, a man named But yeah, I don't even know. I was also a sort of a debit of color. I mean, from here, from the tripe that we were, and then they decided to do it. Exactly. Anyway, in that case, I want it to be good to your uncle.

30:49It's like I want it to be good to my uncle. Because I really wanted it to be good. However, then it was acquisito. Because my uncle... My uncle... My uncle... My uncle... Okay, but I wanted it to be good. Maybe I want it better to him than to my uncle. Okay. And I said, how do I not want it to be good? I said, I'm not good at it. But because he's a selfish person, he's already a bastard. So it was a different situation. So it's a reason why I didn't do it. I was going to help my family. But this didn't justify me. No, no. Of course, it was just good. But then, after the second question, it's the most... Parado sale. But you see, the photograph of what's left today, even for people who don't live in Camurra, present it to a mentality that determines, then, the whole scenario of all social citizens in Naples.

31:52I'm a genius of the right, but I'm a genius in the right sense of the word. When I say, I'm a genius, you know, you don't have many children, you don't have many children, you don't eat food for everything, etc., etc. Okay. And then I was a kid of the people who grew up from that population, from that neighborhood. So I had a certain confidence in everyone. And everyone had a confidence in me. They were alone. At times when I became a member of Camurra, I was like, I was like, they approached me differently. I was like, I was scared, I was like, I'm like, I'm like, you know, I remember the power that you had received. But look at me, I was like, you know,

32:53you don't have a difference today, you know? You know, when I was a kid I was like, I was like, I was like, you know, I was like, you know, you know, I was like, I was like, that's why I don't have a difference. It is said that it is from the misery, but the communist is not in misery. That is, first of all, I am convinced, I am lost, because I make you a very banal example of the nature. There is no attention in merit to the passage of money to buy things. Instead, when you enter a socialist association, all that we have now, the white card, theoretically speaking, are all these things that happened to the valentess.

33:54Okay? So, who has made me to accept, conclude your question, who has made me to accept this change of law, this change of position, of power, etc., is the same population. The people who came to me today, I propose to the population of what I want to ask for this thing. You had a period, if we have also been to the internal dynamics of pizza. Yes. So, do you go directly to Chiederlo? No. No, you go to other people. So, there are two categories of pizza. The one from the Serrande, which are small companies, I operated on the big open public, which is nothing. Do you speak? The big open public, for example, the work at the Comunale Villa, it is worth my watch, it comes from a certain extent, or that on the top, then on the other side, etc., etc., So, you, the metropolitan, the mergelina.

34:56You should talk with, let's say, this entrepreneur. All that I was looking at, or the public in your watch, in your area, in the other area. Exactly. I am not alone today, but, I, to my population, my agent, I am not alone. Chiederlo, you do not put yourself in control of the population. But there are some people, like Mazzarella, Lune Parla, and I have also occupied recently Mazzarella, they do the extortionies, the bankers, and he says, it is Serrande, that is, the businesses. Yes. But there is also the extortionies of the bankers, the one from the person, who works the day in the market, and that is, it is abusive, in the sense that I am pure. I am trying to sell that little, that I can sell. They also sell, they also sell 5, 10 euros a day. It is just to be fixed. And that is a robot. The more you believe that for an intra-economic, the more you want to, the more you want to, the more you want to, the more you want to. Yes. But, well, I always tell you, let's talk about the chargers. Yes. I am a striker.

35:57So, listen. The discourse is very simple. Here, all of us, and we have done the abuse. Okay. But, I repeat, there is no one alone. If you are a striker, or someone who has another, but here it is almost like being a woman, in what sense? If Cicciott repends Rotta Marcellina, when she was a creator, I say to her, because she believes in me. Yes, she believes in me. When Cicci, who was a creator, when Aurelio Lugioski, when I was a little girl, okay, they decided to kill the Coca-Cola. Oh, they decided to kill David Sett, but they killed a man, but I killed the Coca-Cola. What a courage. You have to ask them to solve this. Okay. What is your strategy? Yes, yes. At least for when I look, because then I find it, yes. This is my conduct.

36:58And the demonstration, why I am today, I have been able to put the light on. No, not to go back. Not to go back. To go back in the neighborhood. The fantasies of the people think differently. But what was decisive, that my guard, I accepted also with the figure of the collaborator, and why I, to my agent, the same agent, that Mrs. Marena Manna, that Manna Raducasattina, that Manna Raducasattina, I said, I can never go back, but instead, to kill her, that I, I didn't expect her in the past, figure out now. Okay? And this is not something of a visceral audio. No, because, Manna, you see, here, at least with the social status, one needs to give a hand. So, it's the blue zone. Now, a period that I am experiencing very often, no? In Milan, you understand? No. In Napoli. In Napoli.

37:58In Napoli. You see, on your way, no? Over there. Okay. And I see so many desperate. Also abusive. Okay? Because then, there are bullies authorized, bullies. No. Or, who lives in the margins of legality? You see? And then, they take all of them. That is, desperate. I would like to ask you, you have seen, we say, a very particular period, we have explained before, in Napoli. Today, if you have to describe the time of today, what has become? Because the feeling that it is, at least, let's say, respect the public debate, is that the situation is plagued. That is, you hear very less of organized criminalities in Napoli. Less blood. Less blood. But you have to describe the time of today. But no, we don't, we don't

38:59know. You have seen, let us say, the second third public of the катis, we believe in the sixth, maybe. Today, if you have to describe the катis. What is, what has become? They are still, there was a period where previously, they were uan, Federico Federico that balance is lasted for six months I have been in trouble. I have been in a bad mood. I have been in trouble. My father was also involved in a mischievous life with me. I have been in trouble. I have been in trouble. He was a small talker in 2005.

40:00He was a 6-month-old parable. He was the same parable that gave inspiration to our Roberto Saviano. He then designed the children's appearance. He took this message, that if we play such a thing, they could also do the camera games. De-seeming a parable of 6 months. Then he finished with a tragedy and death. I'm used to doing that. Will I listen to the footage? It was done before 6 days ago. Who was touched with his hands, who was afraid? Who is afraid? on photos, always this white face, it was already dead, because when there is fear in these dead contexts, I'm still alive today because I don't have any fear. And this still allows me to be alive. The day I put myself in fear, but it hurts. Someone said, if I'm afraid, I'll die every day. But let's see, this is a fact,

41:02that anyway it's realistic, etc., but anyway it's in the concrete. It's like this. Ok, and I was telling you, that tree was made of seeds, with the end tree tree, but then if today we arrived at this, it's because I'm afraid. But today what is the situation? Today is a barzelletta. A barzelletta, but the barzelletta is more tragic in the history of the campaign. Because today it will seem strange, because you said it before, but it doesn't arrive so much. But maybe it will be a priority for the public debate. It will come to an agreement between us. Yes, it will always happen to you, a second young girl. Young girl and... Look, I was used to it. Now I want to do it well. You know why? Because you said something, that I'm talking about five years. I'm vomiting for five years. Now the institutions that want to create in the figure of the Sindaco, in the figure of the prefect,

42:03that everything is in Napoli. They even have numbers in their hands, saying that the young girls are gone, but maybe that's the adults, but not that of the minors. They even say that the numbers in their hands are not enough, but what do you know? The numbers of all the numbers have been made, because they are afraid, they are comfortable from the institutions. And I live in Napoli, I know that every day, from their mouth, you know, slogans, and veterans, to always make sure that tourists come to Napoli, and everything can happen. The things are even more recent. I leave them out. I don't want to attack the Sindaco, to attack the prefect, but I'm more excited about them. That is, I go to Napoli, in the sense that it's not more respectable. But I live in Napoli. I live more than them. Okay, and today I have changed a press of different science

43:05and Stongue Gas, to have a track. Yes, yes. It's the same thing. I'm always small, difficult people. I live in Mezzavilla. So I'm good. So when I hear that they say, Napoli is more sure, let's do it here in Napoli. Let's do it here in Napoli. We, recently, are also on the days. Why? I made a tick-tock, fortunately, that you are in a fad. That you are in a fad. You have to put your tops and run and drag your kids. Because one day, one day, one day, there are all the parents. And recently, the teacher had to stop in the middle of the morning at seven minutes. Why? They have intercepted that they are organizing to go to San Pashkuala Charyan, in my neighborhood, outside of the barracks. To kill, 11 to 17, to be able to do it. Okay. They have to do it. In the middle of the day, they have listened to this. They have to do these seven films to avoid the same homicidio, they have been told by minors,

44:06against other minors. It was a son of a friend, who, at the time, was close to my friend, when I made many actions of fire, he brought me to the bike. I feel bad. And these are all the days. No, well, I don't think you have stooped. How? You have stooped of this thing, no? No, I have not stooped. However, however, it is something that if you touch it with your hand, it is motivating to talk. But where then? Yes, I feel more comfortable. How did I do a fight with this friend? In general, we did a lot of things together, right? We believed that we wanted to do well, but, anyway, we did well at the end, it was only bad. Okay? So, if you consider, for me, as long as you look at it, you have done it. And if you consider, that you have touched, touched your hand, also your finger, which was to die, if it was not for the intervention of the prosecutor, so if you don't want to fight yourself,

45:06try to save your finger, which, fortunately, thanks for having an other possibility, just like you did in NATO. In general, they took this friend intervention on social media, which means, this friend of mine who was the second of the pochilli. That's right. Okay? Excuse me, let's make a panoramic in the Parthidian part of the Panoramic. Yes, yes, yes, yes. Let's say, a bit of the dead or winter, with the season as structured, and the great ones, there is respect to the Andrangeta, or, in fact, the same path, or in a different direction. So, if you have to try to take the stone in a sentence, and say, today, that the stone in 2021, there is a stone for every person, that is, the stone, every village, is commanded. Yes, in the sense that every road is different. You make the war for pezzettini minuscoli of roads, even corners. Okay. For the price, yes, yes, yes. If one should make

46:06a panoramic, fast, it's the following. That is, the Secondiliano alliance that we have liked before, it was in order, above all, but clearly the ramifications in the corner of the and then we first had a man named Mazzarella. Mazzarella and his friends are the clan that came from Napoleon, San Giovanni Atteduccio. But what then happened between Mariana Giuliano and Michele Mazzarella, said Venomino, and they took the CentroStory of Napoleon. They were created, the famous Fahida of Forcella, between the war between the children and the young people of Giuliano, against Mazzarella, which is now the CentroStory of the CentroStory. And they found the most important species that were not born in the North, so they were seconded in the year, as it was the first with the Laura in 2005, in 2005. The number of species of species was the same. Yes, no, no, but in the sense that the largest species of Europe was born.

47:11Yes, yes. Now, of course, they are looking for the fourth species, apart from the one they have also done, but the CentroStory continues to have a huge weight. It is the Naples, it is the city, where they are created, they are closed, in the B&B, they are created only by the third sector, relative to the restoration. Those are all the 100% of the population of Naro Sportco, because the beaches of Spacio continue to be the central nevralge of the criminal economy, but above all, now the gugain has not been bought, they buy it from the cartels, directly. You are a journalist. How do you live this story of the Naples? Maybe I also tell a story about the art, we have also discussed, outside of the camera, but let's say a bit. According to you, as I said, the government has not yet realized, it is a bit of a surprise, if something else is done. So the local level continues to be told.

48:11In fact, when you take a article, you always get the aroma, you think about it. The aroma is the aroma. Yes, they are all local. It is really local. In the vision of the situation, there is an emergency, where you have to speak to the national team. Yes, it is a local level. So if you want to be a national team, if you want to inform yourself, respect these things, you can do it with local journalists. The problem is that they are those who received very few people, even those who have little, in this case, metaphorical power of fire, so they don't have literature, they don't teach them anything, they are very few, and even on social media they are null. Even if they would deserve much more. What happens? The thing is that, in reality, between the mafia, I respect Andrangada, and it is something ours, because it has been sold very well, it has been sold very well. It is very often told, that tirade is less, the truth is that tirade is less, it is in this moment, and tirade is certainly here, the fixings, as I said,

49:11but it is not tirade, but it is not tirade, the map of the map, if I tell you, what is going to be the map today, I respect that, those are the most important of the map today. There are no topical arguments. We have talked about it, for example, on Palpland. It is ours, in my rubrican, that we do now, mentally, we have talked about it, I mean, in a few years, for example, what is ours? You, according to many, what is ours, no one talks about it, no one talks about objects that today command, that today are the rules. For example, Genaro always talks about emotions, that are defined by him, a Amazonian Gamor, that now I have given you the hook, like this, a Amazonian Gamor, why? Because they are the reality, they are the reality, they are the idea, they are the idea of Roma, and also of Naples, that they have recycled the proofs, and now they are the most important of the Age of Anna Matza, the Capo Stipite,

50:11let's say, the first, one of the first bosses, together with Maria Lichardi, let's say, the Capo, at its time. You have created, well, but the Lichardi were the Capo, Genaro, the Fradello, the Capo, but anyway, before his death, after his death, he was there. And so, I said, there are the Mocs, today, which are the arrival of Roma, they all gestify, a series of questions, and nothing, the Mocs are one of the most important glams, but now we have, we have told you, the Mocs, in which the Mazzarella recycled them only in sports, inside the chair of the Benzina, in the Ambitocinematography, which are the same names that are found in Hydra. The same names, exactly, that we have in the Mocs, in Hydra, which we have been one of the few that will be counted. Yes, in the room, between the Chamorra and the world of entertainment. Absolutely. Entertainment. Yes, that is, in reality, the Neomelodic song is very connected, historically,

51:11to a certain part of the criminal of the organized, so, today, we will talk about the Lichardi of Genaro Sport, and we will talk about, of the subjects that have been created, of the Chamorra, because, if you haven't seen it, in the 90s, of the drug, you wouldn't be able to do it, you wouldn't be able to do it, because, in many cases, the local discographies are linked to the Gland. Of course. Genaro, if you want, you have an artist who can become a great artist, starting from the campaign, without the approval of these families. So, today, we have many good singers, who, if they have talent, if they have made Gavetta, they have seen music, but it is also true, that, we know very well that, in many cases, talent can be found at least in this country, not only enough, you have to do something

52:12that makes you a trampoline, or, let's say, something that opens you from the doors, gives you the opportunity to translate your Gavetta, your career, that you are going to learn. And we know a lot, but also many expressions, to Naples, that today are famous. What? The first thing I do, today, I learn all the responsibilities that I can take, I say, I'm going to take responsibility. You're just talking to you, so... I have seen, I have seen, from the beginning, the career of... and I repeat, I recognize that Nasha Artista is one who has studied conservatory and so on. But, there are many others, singers, good ones like him, maybe better at the level of voice, but they have seen the advantage

53:12that at the time, the advantage of... was at the time, Gigi Giuliano, Capo, Capo, especially Naples. It was a time that was recommended to Naples, and it was the promoter who took Fianca S, to pick up many people from Naples, to fight Kutolo. At the time, at the marriage of my uncle, who didn't sing, on a piano solo. Okay. He was going to support other singers. Anyway, he didn't sing. So, as a guest, he reached. Okay. So, I saw him leave as I can say. He deserves his gift, as it was with you. With all the difficulties, economic, that he had, and then the same difficulties, that he had to relate to people who have invested

54:12on him, and who invested on him, I'm discovering the water out of the water, and attention. He was Gigi Gileano. Gigi Gileano pretends at the time that he had to sing, pretends that he didn't. As Gigi Gileano wrote, but not only many singers in the melody. There was a boss who wrote the songs. Gigi Gileano has been paid monthly for the songs. Yes, he wrote, he wrote, he wrote, he wrote, he wrote… He wrote, he wrote, he wrote, He wrote, he wrote, he wrote, he wrote, he wrote… He wrote, he wrote, he wrote. So how do you know? The Dutchman has been syrup on sheet, he writes, his rhythm hits the German and his pace which I remember He was certified by the school of mobile school.

55:16Yes, exactly. He studied there and took the diploma from the school of mobile school. From Mr. Pincopalino, right? It's not that he took it with the double pay. Yes, yes, yes, yes. He took it with the money. He took it with the money. He took it with the money. He took it with the money. Yes, yes, yes. And at the time when he didn't sing... ...he was a mess, ok? And the judge made many songs that wrote to many people saying that he did not speak for the last time in our campaign. He wrote a song... ...that we're a... OK. Him and her. Exactly, exactly. As in fact, if you want to see the CIA, I'm three of the investigators of this song. Luis Giulliano? I was also in a movie with Mario Merro there, this song. Exactly, yes, you make that movie.

56:16Yes, yes, yes, yes, yes. No, no. And in that occasion, that song, I wanted to sing it, Mario Merro, and Mario Merro the son. Okay, because Mario Merro also plays the son, and Mario Merro also plays the son. Well, instead, Luis Giulliano has always believed in talent, in musical valence, even as the owner says, and he says, no, this song, the song, and from that song, then ... ... bravura sua. Okay, statistically speaking, musically speaking, like that, but I repeat, today, in our Italy, for the following, this is not enough for the song,

57:16this is enough for the music, for the ball, for everything. I don't think you know these events, right? I really, personally, I can't say that where I grew up, even in quartiers, there is no this type of dynamic, so I don't recognize it. You know? Where I grew up? You don't know the dynamics of television? No, personally, for the type of course that I did, I have never had Geno Fletcher to anyone. No, I'm not saying anything, but I've seen it, considerate, that it's going to happen. For example, in my context, Roman, I know how to raise the world of cinema or television, but these are more cliente-like systems, that is, more of castes, not properly organized, there are also, obviously, No, but I said... No, no, no, no, no... I was speaking, no, no, that this country is composed of things that today, in many cases, it's not enough on the talent... Oh, right.

58:16Today this country, if you are not a son of a friend of... I have ever said that someone someone who takes you to Lala, okay? But what I want to say is that all of them are not based on Italy. We are based on a bit of simplification, but we are a bit banalizing. What I think is that surely a great part of Italy is also based on this, on the favor, on the rich. Your answer to my question is no, that is, it is possible to start from, let's say, to Naples, I mean, I'm still in camp, to start from Riemann, to Naples, to have that kind of success, that sense of approval, obviously impossible, no, but it is very, very rare. No, but I don't know how to say it. Luis Giugliano, fact-checking in temporal, is a diplomat of Mongolia, in the School of Mongolia. Here it is. So, I have already answered. No, I have already answered. I have already answered. Yes, of course, of course. Okay.

1:00:15Then I went to England, then I went to that period, then I put everything in jail, and I was almost the only one who had not been arrested in the Middle East, and in order to go via. And as I had many adherents there, I used England, so to continue to do me in England, and yes, also, as a kind of refuge, that then there, also the book too, I have not been able to prevent, in a way, only the dynamics of affairs, also there, then there was a period that I was able to go out to other Bosch, to meet, to talk, to try to find the definitive solution to finish that war. But you came to Sofia, in your case, therefore, for the remaining generals, you came to Sofia,

1:01:21you managed to escape. No, so to speak. In my case, Verandia was the second, this is edited, then I gave the cards, the cards have always taught me that when you do the life of a tourist, you do not know how to do it. So, in the period of war, you have a factor of eventualy blitz, eventualy perquisition, you have a factor of refuge for yours, in columnity, I took an apartment where I had science alone, and my ex-compagnia, ok? So, when I was at that blitz, I was everywhere, from there, I then moved to organize me and activate my adherence to England, which then helped me. What do you mean by business?

1:02:22I created the society, the societies that produced millions of sterling. The territories were fundamentally less. No, we had these societies, for example, banal, commercialized now that period history went to these coffees. So, I created the societies to buy these truffles, to buy these coffees in all the world. I put more bass than that one, then commercialized, but why could I allow it? I don't know what to add, I'm going to add a little bit. After paying three or four times, because England, for example, for the societies, is radically different from the societies created in Italy. In Italy, there are more accessible to the controls, while, instead, there, in merit to the private sector, there are many factors, banks or, however, those where you are going to reform, they haven't access yet.

1:03:24So, we were going to result in health. And where you were going to health, you could also make an order of five hundred thousand sterling, a million sterling, and then you could pay to trance. So, what was we going to do? We had a big series of societies that, in Catena, then we used one, we were going to jump one, and then we passed to the big part of the material that we bought, we paid it for the twenty percent, for example. So, we were basically on the dynamics of commercial, we had large advantages that then brought us to cut the fields to all. In Merida, the Scarico Diva, we united three societies, one that was made in England, another with the capacity of Pakistan in Ireland, and another in Spain, with another capacity of mine, my old friend, who,

1:04:27then, was revealed, that he had to do with the secret services, but, in fact, we had to do that. We had to do that. And with these three societies, now, I don't go in particular, because they are technicalism that, even now, I have to make you understand. But, after this game of the three societies, in the end of the year, we had only the encounter, we were talking about millions of stars, through politics, based on the Scarico Diva. Okay, so you arrived in 2006, you joined the Scarico Diva in 2006. Yes, in 2005. Yes. And I already went from 2004. Okay, so let's go back there, but I don't mind the possibility of being arrested at that time. Do you feel safe, or do you have to be arrested in the end in a year? Yes, yes, a year. A year? No, no, no. Yes.

1:05:27No, then, there, I really feel safe. I feel safe because, because I had this possibility of having these adherents of people well seen in England. I mean, when I changed my mind, I changed my mind, I repented. But then I was going to put white glasses on, to put white glasses on to make sports results, and now, before I said, I don't enter the technicalism, I want it to be because I didn't do it as a friend of mine. No, no, there were no objects. There was Michael, there was... There was Michael, there was always Michael, when you were going to put white glasses on. Yes, that's right. I think the most personal thing that I used to know, I mean, when I saw him, because he also sold his glasses to Lyra. Who then? Who then? And then a problem. But he told me that in 180 years. Yes, he was a commercialist. In 180 days, different values. Yes. Different values. He was a lawyer, a commercialist. Commercialist.

1:06:27He was a commercialist. I think he came to the sold that... But it was a problem where to put the sold of this Richard. Then they would arrest him. Yes, they also had the problem. But it was a real deal. Well, problems with these here in Lyra, that they accused him in some way, if it was stolen from the sold. Like in fact, there was a period when I had to go out to my relatives, and I was going to sell it at home to make it easier for him. So I was going to make it easier for him to be more serene. Because he gave me great advantages. I had to make them more careful. I was going to sell them at home. I was going to sell them at home. Yes. So, well, calm down. And then what happened? What happened? Well, it was well informed. What happened in 2006? And now what happened? He bought cars too. Supercar.

1:07:27Ferrari, Lamborghini, Porsche Cayenne. Lamborghini, Porsche Cayenne. Lamborghini. They went out of this Porsche Cayenne in Biturbo. Ok? So the requests were very... And this was a surprise. I contacted a day on the phone from Spain and he told me, there are two small customers who want to buy two Porsche Cayenne in Biturbo, one to go to our church. If you feel okay, however, we have to meet now, he asked me, because he was with me, because he was with me, and he said to me, I have to go buy these cars. So he asked me, he asked me, I took two Porsche Cayenne. I had a big store in Manchester and another in London. So we met at Manchester. I took two boxes, I took two Porsche Cayenne, as a substance. But it's also a Spanish restaurant, because he told me that these two clients were Spanish like him.

1:08:28And no. At the time of Branzo, for example, one hour, they didn't come. You know what I mean? Because this was a joke, it was a lot of... You know, it was a joke. And no. The phone was stuck. I arrived at the 4th, I said, well, we don't know what happened. Let's do something. Okay. While we were organizing to come back to Preston, because I, my new office, was Preston. And then, we were organizing my phone, it was Bruno Shoratt. And he said, you're going to excuse me, etc. But I have a problem, I don't know where to start, etc. So you feel Bruno, you have to go to Preston, you know, you're in the bus, you know, you create a confusion,

1:09:29you know, if you want to say something, you just want to go. You know, you're going to say, you know, we're going to do something before you pass. The people who want to talk to you are going to do something before you pass. And who are these people? Are they secretaries? Okay. Italian? Yes. What do you want from them? And you think they're present? Hello, we're secretaries. Yes, yes. Yes, yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. She asked you what do you want and to herd, when you're looking for a place with real herd,

1:10:30but that's what you wanted to say. You know, if you'd like to avoid it, you can go out. I tell you about it now. They told you something very important about your work in the city ofId man's family, where people started paying attention嚟 to the last of this work. Right that brood? and then I put my phone in front of him, and he called me and said, OK, so for the first time I was in Brunoshorat. I was organizing to go to Spain because I knew Brunoshorat's house and so on. I was already in my intention to go to Brunoshorat. And what did I do? I was able to understand that Brunoshorat's house was in Brunoshorat. They all organized my arrangements and so on. I was organizing to go to Cyprus.

1:11:31I had other arrangements with other societies in Cyprus. And I was organizing to say that I had more time. But this week... I was not in England, I was in Paris. I already had all sorts of arrangements. I had to go to the airport. I had to go to the airport, to buy ice cream and I was able to go to the airport. So I had to go to the airport. I was in the airport. And I was able to go to the airport. I had to go to the airport. to see something, to see all those who are thinking about me. And if, like England, to read my book to the police,

1:12:32you know, you know, you have everything, you have the shock, you know, it's my bad that England, to read my book, they were in general. Yes. That's where I just say it. Yes, I was, but I'm not going. It's just that I'm not going. I'm going to start posting, first, my ex-compagnia, because at the time I was married, I also had a... I mean, I had... You were in charge of reading. No, no, I also had... How did you leave me? I had a family. Okay, okay. And at the time, yes, at the time, my partner, who then called me a son in England, in the period of dance, in Lancaster. How many children do you have? I don't know. Me too. Against my mother. Yes, I had to do it. Yes, at the time when I left, I was trying to recover. And anyway, after a week, they arrested me. And this time, you did the secret services.

1:13:33Yes, the secret services. Exactly. Exactly. But, you see, they complicated me, life, even when I was working. Because, I still remember how it was, years. After a year and a half, I remember the scientist decided to collaborate to make it work. Even there, how it happened to be a man set up, as you said, with a certain kind of code to translate this code and to say it with the work. I imagine there was a mental process of... of death, so... First of all, all of you finished painting? I, today, I work with the work of Justice and painting. I finished painting, I spent two years because, in the middle of the year I worked with the work of Justice, what does it mean with the work of Justice? What difference does it have? With the work of Justice and painting. With the work of Justice, what is a contract?

1:14:33Okay. I'm interested. It's an important thing. To go in time. To go in time. To go in time. Okay, instead of painting, as I said, in the literary, it's a person who had... Oh, you know, I was also impressed. Of course, who saved my life, I had an income. Okay. I lived in Miracolo. I did two years of rehabilitation. I came from the infirmary. Okay. It's not like that. Yes. Yes. Yes. Because, after 12 days, I didn't accept that pass that I had made. I was going to your question. It's... It's nothing. It's like... It's like... It's like... It's like... Genital and remote genes where you don't have to kill them, that is, you have to kill them, you get stuck, you die, and you get caught. Fortunately, then, on those ones, I had failed to control them.

1:15:33No, certainly, for the dynasty, the gender and the Middleные, and it was, the new leg for when you work with the right hand, you will lose everything, if you do not tell them, they will leave you, they will take care of everything that I said to you, but to have contact, I will not be with other collaborators who also do it in 180 days, I will be alone, but if there is a couple of gents of the French prison, there is only me, so that thing then saved me, saved me because they are only me in that couple of gents, look at you turn, you hear the noise of the scabello, having experience that here at that time are crucial moments and strong, maybe it is possible to save me, but I have been in coma, reanimation, rehabilitation, and anyway, if you give the speech of the painter of the collaborator,

1:16:35I have been painted for two years, I have never been distracted, I have understood that when I I was implicated, I believed that what I was doing here was working and the contract was natural, instead I then understood that the contract was what I did, a little bit like if you had implicated land, in reality, exactly, yes, and in the midst of the discourse of the secretary of mine, he told me that with work and justice, I could not forget that, yes, and I was more in control than with the idea, I was more interrogated, general, the same thing that we have to do, but to you, it is 41, you said, you said, you said, you said, you said, you said, you said, you, you said, you, but you asked, you said, you said, you said, you said, you said, it in jail, yes, no, they believed, they were, they were, they were, they were, they were, they were

1:17:39motivated because, I had, the thing must be related to those who well-known people, because that is what services services will have, no exaggeration, they will agree with you, that everything will be worth the promo, yes, yes, yes, we'll see, yes, it's, say, it's, we've got something to tell me, we want to clear, but when you were in 41 Bees on a visit you said, you said, you said, you said, but he said he didn't tell him. And he just replied? Yes. He said he was sure, but he was sure. He said he was sure. He said he didn't tell him. He said he didn't tell him. He said he didn't tell him. No, I'm not sure. I'm not sure. No one came. Then after the chapter, because then, the discussion ended. Then I understood why they asked me this question. Because then, that colloquial, from me, these subjects of secret services, they didn't tell him. No. Okay. In fact, it's a legal truth. It's a legal truth. It's a legal truth. It's a legal truth. It's a legal truth. And when you follow

1:18:41other interrogators, talk to another judge, and this judge, while we were talking about verbalizing how to say it, he said, I love you. You follow secrets. When you were in London, what did they want? I mean, I understand. Why? You know, I'm not interested in you. I said, it's a legal truth. In fact, it's a legal truth. I'm in England. I said, it's a legal truth. I don't know. It's a colloquial truth. Unfortunately, we have intercepted you. Then, excuse me, Dr. Lee, if you have intercepted you, you know, who are you? Who are you? The colloquial. No, who are you? You know, what kind of colloquial truth? And he said, he said, he said, you know, because he did he did it too, he said, the terminology I use to break the context, you know,

1:19:41but you have given me a response to the second question. But I have, with the following, with the following, apart from the immemorial of so much, you know, you did that colloquial. Yes. Yes. No, they are honest. Well, maybe not. The immemorial of so much, but also for the colloquial. But also for, that is, the second question, if he had accepted the colloquial, I would not have arrested him. They knew where he was. They knew where this is clear. No, but they already knew. They knew. They knew. They knew. They knew. And we, with the following, perhaps understood that they were interested in creating something in England. To understand the law. But no, but I do not believe. I believe that they wanted to use me to... To take someone of bigger. No, no, no. No, no. In the midst of the adherence I had. That world of the adherence I had. Because I have to do with Pakistan. Now, we hear Pakistan. No,

1:20:41in England, in the midst of that reality I know. That is, apart from that, there are many. They have a family structure. They have a family structure. Criminal structure, obviously. There are many. There are many. There are several. Actually, only then, in this subject I have done several references, that is the Don Delira legio. It is exactly. In my comment in the comments I would say Michael Richard Michael Richard. Okay. And any And I said to you, So I, In my comments Oh come on, I told you. In my comment, there are My comments There are There is a genius, it is really apparent that we have recently gone out on all the newspapers. I think that's what this land is. What is it that you have to do, in fact, with the citizens, and then I'm going to dig this land, from Bonna Poletano. There was intermediazion. At the end of the game, we're all in the same place.

1:21:43It's fair. I don't know what's going on. What did you say? Did you want contacts? No, when I wanted to use them, I thought in that organization that was structured by Pakistan, and then there was this second structure that was formed by English, in the figure that also lived with Lira. But it's a question. I saw that there was an intersection, and there was a procedure that I tried to find out who I was, whether it was these services. No. Well, he can't see it clearly. The important thing is that we have made a point on the secret services that we use. And one fundamental thing is that, indeed, we know how secret services often intervene at the same time with the victims of justice. Obviously, for that, I'll give you such a question. I came here, too, because often they don't know it, or at least they don't serve the authorities. I think that the question that makes me happy,

1:22:44the doctor, the suspect, from that contact that I... No, I mean, the question that makes them happy. No, I understand. I understand that the agency... That's the question that makes them happy. I wanted to tell you that... How could you tell the truth? Yes, because I'm in Genoa. I imagine, you know, Camelista in Genoa. Yes. Very excusable. I asked you directly. Yes, because obviously a normal person who has not seen the truth of the truth, is brought up to think that with the laboratory and that we are always based on communication. Yes, but in reality, in this case, if I can allow me, let's say, they are a bit more... There are at least within these dynamics, because I came here in the account of Genoa, another fact that we have never touched our hearts, but it's very important to the historical level, which is, essentially, when in 1996, before that year in London, there was another subject, that we called Francesco Di Carlo, which was the largest, after the largest event, at the time it was at the top of the bridge,

1:23:45and at the top of the bridge, because we were all the people who did the same thing. All the saints were killed, we were all there. We left it in London, we put it there. We recycled it to the ports of the 70s, because it came to me. Because in 1990, it was close, and this will happen, after the event, from a certain Mario Ferraro, the figure of the war, I have occupied a lot. This Ferrari was a colonel of military services, the Silvecchiosism, before the... The Silvecchiosism. And the Silvecchiosism. The Silvecchiosism. And the Silvecchiosism. And the Silvecchios. The Silvecchios. The Silvecchios. And the Silvecchios. But this post of ours is the man, who has been killed to be the murderer of Roberto Calvi, under the point of the FratiNeri. And the soldier... Yes, he was not condemned. But he... He was the arm of...

1:24:45...of the various... Well, he did it. He did it in the balance, second. The bad benefits of the Silvecchiosism. That's right. Historically. But then... No, no, no, no. But this thing, this thing, this fact, excuse me, is that Mario Ferraro what happened? In 1995, in Rome, he was a little impassioned because he had... This is a South Italian mystery, but they spoke to no one, because then it was... In 1996, he was a bomb. Many mysteries, in the specific... ...in a piece of a good story. And so... He was found at his home at the time, at Torrino, let's say, impassioned. And then... And then he found these children of the registered Nazis. And then he said that he would have been denounced. Of his superior, of the Nazis, of the time. The problem, which has been rubricated as his son. And so, in the end, it's like this, one of the many suspects. Why do you say that then the services

1:25:45have been highlighted in your collaboration? First, there's the saying that the services then have been... No, no, no, no, no. I don't want to say this. I want to say... That then I had problems. No problems. No problem. No problem, obviously. At the most special, at the time of the prosecutor, I'm talking about the figure of all the pretends and really a professionalist with the attributes. Look, you say, something else that we have to clear here... and if you say, you... I'm not having any contact in jail. You say, you're a great lawyer. You're not supposed to believe. It's not a word you believe in, then it takes minutes and seconds. It depends on the doctor, what you think. A few of the old women also, she was admitted to the doctor. You know, a lot of women have said that she was crazy. They said nothing. They said that the end of the day, but it ended up that the

1:26:49and the acceptance of the point, clear, I'm finished with the fire, I said, I was going to talk to you, that the Brassians were going to the house. Another thing that happens to London, it's when you tell them that in this area there's a request that you can tell us. I've been doing this here for about five years of indignation and everything. No, no, no, no, no, no. Okay, well, I had this kind of society as I said, but at that time, I was living to do a video shoot with the societies for how much they look at Naples, okay? There was one of the souls that automatically shocked me in this situation. It was a Greek called Teo, Teo, a thing to generate. And then I, you know, I was afraid. No, I was afraid. You didn't accept it? Yes, no. Kamorista, the arrogance of Kamorista, you see, you don't discuss the future, you can accept it.

1:27:52You are not exactly right. You don't accept it. You don't accept this destruction, that is, the destructionism that you can do. You also believe that you accept it. So you know, but I had to tell you, you know, at least at least a few days ago, the little girl didn't kill me and understood only that an act of fire, there, I was not able to do it, the police didn't dare to let me go, then imagine all of them could put me to do something like for Naples. So I thought to myself, and automatically said, Kamorista, what do we have to do? We do something ecstatic to give a coin to all the people who can, they give it to him, or they can give it to him. And at the same time, you can say, and not, without a light. And then I said to myself, but what can I do? We organize a beautiful scene,

1:28:52clarify, and let's pretend that we are calm. If you were taken to the scene, you wouldn't have come. Instead, you come to the scene, and it's too late to the scene, you know, in these stories with this Greek. Yes, we were in a scene of us. Even him, I can say, that is, it's not just Lungimira. No, but for him to be legit, he was in his position. I mean, he was used to English, with taxes. Yes, certainly. And then, at the end of the scene, there were these answers to the stories of these stories. They are these spied up with parquets. Okay, they can also be noted there, the machines, because if you leave with a break, you can still remain there. So, it's a nice space. And no, let's go out of this restaurant, we have these machines. Come on, let's go out of the car, and then I said to you, the last thing, etc., etc.

1:29:54You say it, you say it before a date is done, and then I'm driving him to the ground, I put my legs on top of him, on his chest, and I ate a delicious one. And then I said to all the administrators who think that this is the area that takes you here, if it's like I say, no. Yes, it's here a delicious one. Yes. Everything? No, no, no, no, no, no, no, no, no, no, no, no, Everything? Yes. And then this action has continued. Not only then I was easily with the society, or also recovered. They helped me to get it for me, because this was my socio, Terri, who was really happy with Federico, with you, with him when this situation happens, These people, knowing that land was my friend, and land had made me enter this situation.

1:31:00I didn't have all the years of my life, but after that I had to give everything. I was 50,000 years old, I believed in myself. I was shocked because there were my friends. My friends made money, and they always come to me with me in England. I said, we'll land here in Buscany, we'll get out of Caga in Naples, without doing anything. Passing the letters from the right to the left. There was the extreme legitimation of violence. At that time you were doing a gesture that meant that you were looking for respect, but you were looking for respect, because what was my name? My rights and rights were more than mine. It was more than mine. At first, I was able to understand that you can kill yourself. That was a kind of warning, physically, to him. We said, we have already gone to the river. I was not able to do that for 5 years. I had to fight with all the people. Sorry, I already took 20 people and you didn't have enough of the problem. No, but let me lose. Let me still lose.

1:32:02I said, in the first, he would have said it in his own way. But this happened. If you were in this situation, it would have been so. So if you have time, you can send a message to all of you, because the modus operandi is this one. So you conclude this narrative arc in 2008, so you started the collaboration? Yes, in February 2008. Ok, and then after two years, 2010, the tour for the interior is also about to reflect on all these stories. I was just finishing my time, you are talking about the Nashida, this is for sure, because you see, then you are confronting a physical, there is a certain temperament that I have had from the Nashida. But then this temperament, you are very wise, you give them the reading, you give them the style of life, you are even more experienced. So at times when you are pressured by the light, you don't light it. Ok, based on that temperament that you can feed on, in that environment, in those positions, mental, pure.

1:33:11Ok, it is a big challenge. So the change of... Even just the change of style of life, the fact that... I remember when I was young, when I was young, from the coma, apart from what I felt, because if one of these things had been very dominant for my prose, but I remember when I went out to go out from the jail, and I went to the church, I don't know, I remember, I went out from the bed, because I was still in phase, etc., etc. And I say to myself, I have done the window. And it is true that there are some Wi-Fi in between. It is true that there is a friend of mine in between. But when I have done the window here, for the series, what do I do? That is, I, the sense of your life,

1:34:15that is, that sense, you see, now I am remembering it, and I come to hell. Because you feel the most useless person in the world. You feel the most sterile person in the world. And the person, above all, is not the most promising person in the world. For the last time I was in the world. For the last time I was in the world. Where do I go with you? Because you, ironically, grew up with those rules, with those mentalities, crystallized, regulated mentalities. You believe in erroneously? What is now a discussion in the prison? Are you from La S, recently? In the prison? The security guard. Where is the prison? Second of January. I went out from the prison and I entered the prison. Because I also did a film from the police recently. It was a prime, even to me. It was a prime in Amazon. It was like this.

1:35:15Nothing prejudicated. And I was telling you, I entered as an actor, and there was also with me Gaffiro de lao. There were many scenes. I speak first of all, then I can speak, I feel, deputado Borrelli. I want to choose. I look at the legality of Napoli and the civic sense. And then I talk to you, then I talk to you. I told you that you all know me. Ok, you know who I am? You know my story. I speak in the magazine. There is a security guard. There is also me as you. I believe in erroneously, that our dimension, we are not only grown up here. That is your world. You don't need to look at me today. Today I go to school, to the university, I go to events of the legality, I go to documentary international, international.

1:36:15And this does not mean that you want to teach. Today I am here in Las Vegas. Exactly. No, that's what the message is. There are many, maybe you can tell me. Today I am here, as an actor, as an actor, as an actor of the law. What are you here? You speak of actors, as an actor of the law. So, if I found another dimension, because here we call you here, that when I was in the legality of the law, I said, I'm going to do it, you know. Ok? And then you say, another thing, that happens to people. And yes, you say, there is a demonstration, that we can do even more in life. Why do you think like you, ironically, that we are not only going to do it, and we can do something, just in that way. No, we can do it. I do not do it with you. At the time, the maximum expression is an icon

1:37:15of the nature of Naples, the unity of all the priests, Marino, Accavo, Dr. Barbera Saricente. My first commitment, that I had, a genuine commitment, because the genuine commitment, in my context, the commitment that I had, first in my context, was not related to something of Marino. Ok? I remember, after four or five interlocutors, who live with Dr. Barbera Saricente, now I think he is here, no, a Milan in Rome. I mean, do you know, first of all, I know you correctly. Now, what I'm talking about, with you, that you have been lucky, geographically. That's what I'm saying. I'm not saying anything. I'm saying it's a connoisseur. Barbera Saricente. Ok? I, in my ignorance, in my ignorance, I said to Dr. Marcius, what does this mean? It means that this thing, geographically, it's a dinner. It simply means that, if you do not leave, in two weeks for all,

1:38:16you leave, moment, moment, or a Milan, what you wanted to do in life, you success. Actually, it's not true, because there are contests of free periphery, even in Milan. Well, yes, yes, yes, but I say, as a profile, well, in reality, the characteristic of any boss that we have, from which we talked about, if, indirectly, in a street of legality, almost everyone, Region Klan, of the two, what does this mean, what you are saying now? Because you see, here there are still people, who are convinced, at least leave the language. Nothing happens, that it becomes, and so, this thing, what shows, that, if you take a child, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you,

1:39:16you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, I look towards the south, I go from the beginning with the Disages etc, I see, on top of my room one that comes to my own social status that also comes to him too from the Disages etc and there are bigger version but that others in my own life, I myself have the same room the improv, you see it, you, it is as per your guess the They probably saw it with double-picked and Porsche. The guys said, orange, green and botanical.

1:40:17Colorful. Yes. Like this, you recognize yourself in your own way. Yes, of course. I'm from the internet. So, you do this erratic attitude, to get out of my business, to do what you do. Okay. The only opportunity. They are the same, they are the same difference, and all of them are the same. But this thing is very difficult to get there, you know? Because this job is very important. You don't have to say that you are trying to get there. No, exactly. Then you have to say that you can always get there. On this thing, you don't have to tell the fact that Gennaro was born in a social context degraded and started to be linked to that context. It means that we are 11 years old and Gennaro has done well. Exactly. And against it, it has been served. It has been served. It has been served. It has been served. But it has been served. Why? The state must be better than death. It is very special.

1:41:17It is not just to give. It is not just to give. I think it is a very scuffle. In my sense, to see the end, that the final ones are less than the same. That is, you have to go back to the beginning. No, I'm not going to go back to the beginning. But you have to go back to the beginning. Second, right? When people give me a 12-year-old, let's talk about it. To play with hands. When people give me a 12-year-old, they will go back to the beginning. But as I said, it is a good and bad thing. So, who is a child of 13 years old? No one? No one. No one. Yes, it is too much. Exactly. There are so many things. There are so many things. Some are also old. So, I'm saying anything. Siempre a really當tably. A child of 13 years old. What to do for a girl? Whatto where this girl, the choose that made you have a training to be ordinary and to be a business guy. So that's what I chose. I don't believe this.

1:42:17And that one from which we spoke about this story we found in chief in Morocco, to talk about these guys. Obviously, this type of point is always a debate, because it's difficult to understand these dynamics, if you don't really talk to people about it, but you don't realize that it's a completely different condition, that is a tool question. When you see these guys, you talk to them, and you almost doubt that they have talent, I talked about musical talent, and then, of course, it's a human being. Obviously, because in reality, this division is not human, this is something different from mine, it's not different from yours. And this is the reason why people say, I'm talking about all of them, maybe it's because of racism, that you can also look at the campaign, but maybe it's because of the fact that you have a child, and so you enter all these dynamics, in which you have a completely inebriated vision,

1:43:19but what I'm saying is, if we don't want to work on empathy, go on selfishness. To selfishness. To selfishness. To selfishness. If you really think that the solution is to get rid of all of them, you have to get rid of all of them inside, then it's even worse for you to get rid of them. It's been five years, you said it wrong, you said it wrong. I, every time, who feels a bit stupid, who, unfortunately, feels the situation in a lot of ways, that they say, ergas, you have to be sure, and it's proven, it's given a historical fact, that the rest of us are not enough, here we have to invest in culture, because in Naples, we don't live more than culture. Here you live above culture. Today more than ever. The truth is that today cars are a criminal laborer. But I already said it wrong. It's a fact. I said it wrong. I was also assigned. Periodically,

1:44:19I had the fiducius of the Senatrice, Marialina Castellone. Okay. And I was also assigned. I did interventions, probably merit to the cars. From X to Zenuto, anyway. From Gigantese. Exactly. Okay. And I, I said it wrong. From five years, I said it all wrong. And here, every time we fossilize, to put you, to pay off the long-term reasons for people, when they leave the cars, especially from young people, especially from young people. In fact, the gas, it's better to have them open. But when ever. It's a fact, historical fact, that the rest of us are not enough, therefore, where to prevent, to prevent, to prevent, but, to prevent, to invest in culture. That's right. In schools, after schools. But today schools, guys, I believe that, you know, they're so much political, you know, they're so much political, you know. But why? Today we can say that schools are in time. They are obsolete.

1:45:19Traditionally, they're obsolete, guys. It's structured, it's made up. So, we invest, and then, especially, it's to invest in cars there. But, I mean, I don't know, in which language? I can't understand why, if they don't make this effort, because they think that, part of their money is giving them the favor of those who don't. I think the fact that there is a percentage that's a lot of people in charge of innocents. That's what I remember, because then what's the process of empathy? But let's put it in case of many cases. Even in that case, the most functional mode, also to use our results, is just that of the structure that we have in a sense. Otherwise, it will become a death penalty. That's right, but if it's a function, that is, if you have to become a software's place, and the third, according to these perspectives, it's good. Then it's clear that it also serves for other functions because they are individual and dangerous, that are at home in certain cases. But the goal of that, must be to prevent, as we said, from forming the tools that many cases do not exist.

1:46:20And so, according to me, they will see a normal percentage. And then, you must, within those contexts, create additional positions to end up with a small percentage, they can become society. And contribute, as you, with the tasks, apparently, or with a civil relationship, closing, you in 2008, then continue your collaboration for 14 years. Right? Yes. Let's say, on the other hand, but, fundamentally, in the end of 2021, you work with justice and then you go to the management of protection. Then, you are going to be in jail in a region that then establishes your work. Okay. And then, automatically, where you are suffering from the mental illness, if you are your family, and there is the territorial one, which would be the most close to you, which can accompany you, in video conferences and processes. And then, there is the NOP, which represents the logistic, represents the CCP. Logistic, in substance, is that they are the people who have the compit of writing your own school,

1:47:21in the compit of where you are going to school in Calcio, to write the compit of justice, the house itself. Okay. And you, in these years, provide you with mental information, even for, I will try to make suggestions for these areas, in regards to the arrived, the email that counts in Naples, at least before today, Paulo, in the region of Clowni-Cardi. In response to the second year, in general, yes. But, has an effect in some cases, in February of 2021, you are going to the protection regime. You are begging, you are begging, They are not kidding me, they come to me and they make me, they tell me, in general, we have seen the placet from the ECP to capitalize. Specifically, the difference of what they are told to know.

1:48:21What does it mean to capitalize? Capitalize means that when they have the needs of security, they give you a good exit, which is called Project Vita, which then buys a house or an activity. To set up our society. Exactly. In 2019, if you look closely, we were in Pinolocdown. Yes, exactly. In Pinolocdown, they sell it to me with this proposal of capitalization, which then has been created in 2021. No, exactly, December 2020, December 2020. Yes. And no, they tell me these 20,000 euros initials and with these 20,000 euros, what I have to do, I have to rent a house in Pinolocdown.

1:49:27But, well, it is not a problem in Pinolocdown. Problem is that to rent a house, it should have a empty bag of references. We call it like this, in a civil world, isn't it? Yes, yes. I generally have sold X-ray here, X-ray here, without any parts, etc. There are those who rent the house. No, not at all. The problem could also be overcome, because I had spent so much time here, the region that, however, both friends had done it, no one could take responsibility for me. I am so happy that, in the place where I have lived for 15 years, the two have ended the protection that they have capitalized. And then, the prefecture, the prefecture, is based on my previous ones, that the protection was going to be hidden to keep me warm in that region, where there was not the hidden protection of the dissent, based on the two previous ones, we can't do the last

1:50:28pleasure that you don't have to come here, if you have to come here, we have to do fire here. So we don't give you the time that you have in another region, lock down, without knowing the essence, ok? Do you know what I say about the use of rambiós? Do you know what there is again? I came to the village. Because, in the only place where I could have a family, my family, that's exactly what I was looking for to the village, to the use of rambiós. They didn't believe that the situation was better. We were in the first place. If we were to kill each other, we would have killed each other. We would have killed each other. You know, 7 of Gomorra has opened us. I was told that Gomorra had been in the terco with Roberto Saviano. There were five years left in some way.

1:51:30We said that. You didn't have the same scope. No, no, no, no. It's different from the scope. When I went to the temple, I found a 7 of Gomorra who opened us. It was from the children and women. The children were called by Saviano. If you try it, then... Yes, it's true. It's normal for him to answer. But you have to be honest. I was told that I was a bit angry. I was told that I was going to the cathedral. I was told that Gomorra was going to the temple. So you're telling me about the thinking that Gomorra had done bad things to culture and instilled in the young people, the myth of the Camorris. I was told that. I don't think so. But you're talking about the crater. I also think of Luca. I think I want to thank you.

1:52:30Thank you. Thank you. But you can listen to me. Yes, of course. I thank you very much. Thank you very much. Thank you very much. Yes. Thank you very much. Thank you very much. Thank you. Thank you. Thank you. Thank you. So, the motivation that I give you, guys, like me and my Epoca, which we can work on, two Epoca, relatively different, was said by Miserya. Thank you. Okay. Okay. And the references, they are realistic, are they realistic? No. Okay. We come from the new family. That is, the stereotype. Yes, of course. Today, apart from the motivations that they express these guys, okay, to get into this lifestyle and to absorb this mentality, how to behave, how to react, believing that to go into jail and become glorified, to die like this,

1:53:30okay? Despite the stupidity, then they say, but Gomorra, let's see that all of them, right? No, that's probably this problem, because these are the guys. But it's not that the fact that we all do it, we all think of the film on criminality and in general, it's glorified and criminality. And you're not the one who is the writer and editor. Oh, I see. I see. I see. So, apart from what we live in a different time, from social media, from these phones, and all the importance of all of them, from the difference of when there was the film-turned-out, Caso Mai went to cinema, Caso Mai, he proposed it to him, to the television, sporadically, and in an area, etc. And then they didn't give us the kids at the time, they didn't give us the kids today. I mean, they're five years old, with different opinions, and they've been in a different way. And I,

1:54:30and automatically, no, I can't respond, I can't respond to you, and this thing gives me so much joy. So, you're for the series, excuse me, general, but every year I've seen you, in our national company, I've said this when I attacked, no, every year, they saw you in a mateix, I'm really going to say you have to be ready. OK, nothing, I'm going to say I'm going to say I'm going to say I'm going to say I'm going to say I'm going to say I'm going to say I'm going to say I'm going to say a certain mentalism, which is a matter of... there are a lot of different ways of living, that represent that mentalism, that become... examples and different ways of living. But these guys, at the moment in which they see each other,

1:55:32they are like, the difference between the American and the American people, the difference between the both of them, they are known in their territory. It's based on their reference, it's based on what they already breathe from the sky. It's very normal, that they are known in their territory, and in the examples, etc. and they are healthy. In that statement, today, they die every day. And all this has always been said by minors. What do I do? My refund though, I'm freaking out. Don't worry, I can fix this. Lifelock fixes identity theft guaranteed and gets your money back with up to $3 million in coverage. I'm so relieved. No problem, I'll be with you every step of the way. One in four was a fraud paying American, not anymore. Save up to 40% your first year. Visit lifelock.com slash podcast.

1:56:33Terms apply. I'm sure this is a difficult thing, but it's all about the whole thing, the money of Saviano. No, no, no, no, no, no, no. Attention. And put your testimonies on my videos. Well, if Saviano is too bad, I'm also aware of that. If Saviano is too bad, we'll confirm it. Saviano is one of the most bad people we've ever seen. Yes, yes, I know why, because he's too busy. On the global success of Gomurra, he's too busy, and he's more than ready to be used. You can't go on, you're too busy. You're too busy, because you're too busy. You're too busy. For today, you're too busy. You're too busy, too busy. Because today, we can't allow you to say something weird. Because before when he was the only Guida line, you're too busy. You're too busy. No, no, no, no, no. But when he says something weird, he's doing his speech, he speaks about something of the word. The word doesn't mean... A text doesn't mean anything.

1:57:33The word doesn't mean something. No, no, no, no, no, no, no. The word! The word doesn't mean the word. It means the word. You can't answer in the word. I can't answer in the word. I have a question. I think that, in reality, the concept of identification is also reality. It's not territorial exclusivity. It means that women are. We are all living in emergency, minor, yes, but you say, guys, you see those people, you say that in the favor of the people of the origin. What? In this, in this kill you, to all the people, there is a need, pure, and make the people of the origin. What I tell you, I don't believe in the central plane, as the origin between the others. Yes, I know, I know. But what I think is that from the guys, I have been in a lot of stories both in literature and in cinema, that in TV. Maybe even in Europe, maybe I imagined it would be a pirate, I imagined it would be a

1:58:37martian, so the connection that a kid does with a fantasy opera, because we do not talk about documentaries, there is a different story, it must be the story of the story. According to me, it is much more clean. What I think is what is connected to all the stories that we have done on education, that is, when a half comes in the hands of someone, as art, if there are no instruments to understand that kind of half, then they can, let's say, create problems, if the kids live in a difficult context. That difficult context does not come penalized by a story of a film. At the very least, they take over the name of that series, the aesthetics, but the criminal world is not that comes from fiction, this has never happened. The truth is that the action of David is, according to me, you always explain it. I have made a confrontation with the way he uses it. No, no, I simply said that the reason of David is that it is a story, according to me, instruments. That is, you can decide whether to amplify or less a certain type of message,

1:59:42you can decide how to send it to that message. The artistic system, there will be, even after the various realities, then you repeat, you can decide whether to amplify a type of message and how to send it. If the kids, however, do not have the instruments to be able to understand that those realities are fiction, that they serve only to entertain them. Then, according to me, you should be given both to Roberto Saviano, both to the regularity, to have access to the reflectors on the subject, if you think that you have also brought to the imitation, to what I said, I understand it, but according to me, it is also given to you. It is relative. I do not believe that, as you consider yourself, you cannot deny the fact that you have access to the reflectors. Even if there are some who don't like it, you like it, you like it. I am a millionaire, so you like it, you like it, you like it, it is very good. It comes to live a little, five or six months, and when I return to do podcast again, according to me, you are all the same, that only speaks to him, it is from the face of the audience.

2:00:47At the same time, I come here, I am a millionaire, I am a millionaire. I have come often to Naples recently, I have also been to the cinema, but I do not know what I am, but I have been recently to cinema, I have met some people, I am talking to the judge of Naples, I am a tourist. I only do it, I am close to you, if you want to help me, too, you need to thank me. I am here to tell you this, to tell you the truth. We are open now, here, who do you want to help me? And thank you for having given me this opportunity, I can go to the occasion for our open-minded, open-minded, okay, because if you are a bad person, you offend, etc., etc., I say, no, I am convinced that you are intelligent, you are destroyed, surely you are the culture man, because I, fortunately, have represented the subculture, I am about to improve, however, however, I always remain the ignorant, you see that you are ignorant, you are a legal patron, however, you have been cultured, so we can confront, in spite of the

2:01:48side effects with the sides, without talking to us, because you recently have accused the melons that want to destroy you, that want to limit the freedom of expression. And then, in two videos that attacked me, I am the Babaglio of melons that want to put me in the hands of two people, so, so, they are giving me a confrontation, we are willing to explain. We are constructive this dialogue, guys, exactly, exactly, who would you like to do a deal? In Basia, the effect of the things that I have said in the past, in Basia, things that have recently made me want to ask the families. For example, we are, we are the grids of Gonzáviá, on a question that looks at the geopolitics. Yes, I am close to my consideration, then if you want to conclude, I am from the opinion of Wes Craven, Wes Craven in great record horror, which you have received from my late critics, probably, no, look at your film, the violence, the transformation of guys in serial killer, he answers it in a definition that, according to me, it is precise. In my films, they do not create new serial killer, at the maximum,

2:02:51they make more creative, the serial killer. This is the difference, maybe, with my film, I put in a mask, before I put in a mask. What are you doing? This, what? This lady here, this artist, who was, she was, she was, she was the right person. Yes, yes, the director. Yes, the director of Nightmare. Yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, the voice. Yes. But to me, she knows what, you know, the scene was I had a conflict with the magistrates. Yes. The magistrates. Yes, yes, yes, on the balcony. She was the one who was the one who knew the other. The one who knew the other. That is, a guy who you heard. And there was not even their one day like Bui. Okay? Well, you know, that was a question that was very clearly asked, but when you spoke about art, you said to yourself, pay attention, they are ignorant, well, of the fact of the world's space, of the art, we said to her, Gomorrah, you know. I

2:03:52I can't even count the circles, I can't. I can't even count the circles, I can't even count the circles. What's that? It's the Arte! The few men who worked in the movies, you've got a lot of skills. We don't know if he likes it or not. He likes to, more or less, in the first Lessons I made, in the last movie of series Z. I've given him, I would kill him. Anyway, we invite Robert to a journalism industry. Of course, it is important, because he said that, I've pointed out, you're a 19-year-old, right? Yes. What about their relationship? What can I say? Look, today I do what I do, even by dying, which in my opinion, in my hands today, they kill me and I hide, but I do it, I refresh myself, even now they have suffered, it is before, which is also now, but today I give you a possibility, I also do it myself, because I don't move from the side to the side, it is above all my sins,

2:04:53at the moment in which we live in a society that has a lot of pain, pain in life, you know, that is cool, etc., and the two guys, who are in pain, they give me a dose of my sins, that your father, your father, your father, your son, yes, my father was a son, my father, your son, but today my father is this, my father was in school, my father was in university, my father was also a teacher, my father was a documentary, and he is trying to save so many Germanic men, so they have arrived, they are their own body, exactly, they have arrived, so this is enough for me, thank you very much Giannaro and thank you very much Maso, see you next week,