20261002-0900

0:00is for folks looking to go to camp. And those will be ongoing until they decide to call it quits, or the camp is whatever outcome is going to happen. Or we win. Or we win, yes, exactly. Or they go away, yes, based. Yeah. That. But yes, every day that we stop construction is a day we win. Thank you very much, Juan. I really appreciate this. Thank you so much for having us. I end like I said, thank you for letting us extend the invitation to all. Yeah, absolutely. If you want to support the final straw radio, you can subscribe to our podcast via various streaming platforms, follow, rate, and share our materials online, and learn more at tfsr.media.

1:03And if you'd like to fund our transcription work that allows for easier translation, more accessibility of content, and the zines that we produce for each interview, consider picking up some merch from us, or making a one-time or recurring donation via PayPal, Stripe, Venmo, or Libra Pay. Or joining our Patreon to access early release content and other goodies via the links that you can find at tfsr.media slash support. Finally, if you'd like to hear us on your local radio station, visit tfsr.media slash radio to find more info or reach out to us for some help. Thanks for listening. Thanks to Willow Whisper for the intro and outro music. Check our show notes for a link to their soundcloud. Yeah, so my name is Jackson Kuziak and I use hehem pronouns and I live in Philadelphia

2:08and have been organizing around prison justice and prison abolition movements for roughly the last 10 years. And I'm a volunteer and organizer with the Human Rights Coalition, which is an organization that was founded by political prisoners in Pennsylvania's Supermax Prison in 2001. And that's originally how I got connected to Collie Fmiller who wrote a letter to HRC a few years back. So we've started supporting him. We have a legal support committee and just general Collie Fmiller support committee here in Philadelphia. Great. Thanks for taking the time to chat. Yeah, I wonder if you could just tell the audience a bit about Collie Fmiller who he is and what he was doing in 2020 before he was arrested. Yeah, Collie Fmiller is a really great person who I am humbled to call a friend at this

3:10point. I did not know him prior to him being arrested and come in contact with him through the prison justice work. But Collie Fmiller is born and raised in North Philadelphia and is a father. He has a child named Cal who was about four and a half years old at the time of his original arrest in October of 2020 and has unfortunately had to grow up without his father for the last six years. Although Collie Fmiller does his best to remain in contact with his son Cal. Prior to being arrested, Collie Fmiller was basically running a small business doing auto repair and auto rental. He had a used car business essentially. He would buy and sell and rent out used cars. He would fix him up. This was a business that he had done for some time with a close friend and a partner at

4:15the time. He was doing that and during the George Floyd uprising, he was devastated to witness the brutal murder of George Floyd on video. He was called to action and essentially his whole life changed because he decided to go to a protest in Philadelphia on May 30, 2020 to protest. He stayed up the night before making cardboard signs, honoring George Floyd and Breonna Taylor and others and ended up going to the protest alone. He wasn't a part of any organization at the time and a close friend of his who he was going to go with was not in town at the time. He ended up going to the protest alone and in some ways his decision to join that protest that changed his life in some big ways. Yeah, 2020 was absolutely an inflection point for a lot of people.

5:15It was the fourth year, the first Trump administration. There was this raging COVID pandemic that some people might have heard of. The economy was retracting and then there were these racist murder of black folks like Breonna Taylor, I'm at Aubrey, Tony McDade and especially George Floyd who the video of which was played over and over again and shared around social media by millions of people. My experience at that time and I think a lot of others was lack of employment and so not the sort of limitations, I mean I didn't have a kid though, but not the sort of limitations that a lot of other people had to what I would do with my time outside of my survival. A lot of people hit the streets. Yeah, has Khalif talked a bit about what his thoughts were when he was going out that next day, like making the signs, like what kind of stuff was on the signs. What was he hoping, like did he talk about it, as he talked about it in terms of like, I've got my kid here. This is like a thing that I've seen all of my life and I need to like say my piece to

6:19help stop this. Yeah, to answer that I'm going to read a quote from Khalif and something that he wrote a few years back. So he said, my name is Khalif Miller and I'm a North Philadelphia native. I'm currently incarcerated and have been for the last six years for protesting the brutal killing of George Floyd, an action that was needed to bring the government's hit man, Derek Shalvan to justice and face the consequences of his action. History has proven time and time again that without the community taking to the streets, the government's willing to sweep, sweep things under the rug. So I'm okay that I did not allow that to happen during this incarceration. I've endured so much from attorney neglect to harassment from correctional officers and even being stabbed 16 times. But through my determination and passion of wanting to better my community, I refuse to give up and I've dedicated my time to fine tuning my skills, which I'll contribute

7:22to our cause upon my return. Only I may be beneath the mountain, but I'll never compromise on our cause. I do it for my son. I do it for your kids. I do it for generations to come. Most importantly, I do it because it's the right way to live. And I think that gives you just a sense of who he is. He's a selfless individual, but he's also somebody who understands that in order to make the world a better place for his children and for himself, we collectively needed to do something in that moment. And we still do because really nothing has changed or things have in some ways demonstrably gotten worse since that time. And I think one of the things too, he makes a reference to being beneath the mountain, which is a book that came out that was authored by Mamiya Bhujamal and other political prisoners called beneath the mountain, which I'd highly encourage anybody to look at. But it gives you a sense of how he narrates his experience of being a political prisoner

8:23of these last six years in some of the ways that he's thought about the choices he made that landed him in prison and also the injustices he's faced through that process. Yeah, I guess maybe if we could talk a bit about the conditions that Khalif has been incarcerated under, like we said, there was the, this was happening, the uprising was happening during the pandemic. And he, like, according to some of the documentation that I've seen online, he was sitting for two years in pre-trial detention. I mean, you and I were speaking about some of the different venues that he was incarcerated in or circumstances that he was incarcerated in and so far, including in relation to a parole violation for pre-existing parole. I guess could you talk about, we'll talk about his prosecution and what his incarceration has been like. I mean, like being stabbed 16 times is a pretty crazy thing to hear. I didn't realize that. Yeah. So, Khalif was arrested at the end of October of 2020 on a federal indictment.

9:29So just to give you a little bit of context, the alleged incident which I won't go into, you know, the facts of the case for today's conversation, but the alleged incident happened on May 30th of 2020. But the feds waited until the day after the Philadelphia Police Department killed Walter Wallace and our city was undergoing a renewed uprising in October of 2020. They waited until the day after in order to release this federal indictment and kick him the doors with five different activists who were active in the summer of 2020 and, you know, really to bring a chilling effect to the entire movement in October of 2020. This was also less than two weeks before the election that year that was taking place. You know, it's literally Trump told the Attorney General Bill Barr to go after the BLM agitators all around the country. There was more than 300 people who were federally targeted in 2020 and indicted.

10:37Khalif was one of them. So, you know, ATF, DEA, SWAT, you know, every federal agency FBI kicked in his door and arrested him and he was held in Philadelphia in the federal detention center, we call it FDC here. And he really didn't have a support network. He was not connected to activists. So he didn't have a bail fund or an attorney or somebody who was sort of looking out for him at the time. Activists were scrambling to support other defendants in that scene in indictment. And, you know, it wasn't until some time later that Khalif's story really got lifted up. So he was really working to do it on his own with some family support, largely from his grandfather who was trying to help him. You know, like I said, Khalif had a used car business. So at the time, his partner in the car business sold all his cars that he had in order to

11:38raise some money for an attorney. And they actually paid $20,000 to an attorney who completely abandoned him and never even entered an appearance in his case. This was basically an attorney who built him for 20 grand and never went to visit him, never tried to collect any evidence or, you know, investigate the case, let alone actually represent Khalif. So he waited for a long time in federal detention to get any type of representation. Eventually, he was represented by a federal public defender after he was able to get the old attorney removed from his case. But that was a lot of time and money wasted. And actually, at that point, he had more limited options in terms of his defenses. So ultimately, he spent close to two years at FDC, a year of that. He spent in solitary confinement. And you know, just, you know, anybody who's been in pre-trial detention knows that it's

12:39a tough place to be, but just to put some color on it, you know, in this situation, it was the middle of the pandemic. It was, of course, 2020 through basically 2022. You know, this is a time in which lockdowns were frequently 20 hours or more per day. Time that you would get out of cell was limited. But then he actually spent a year in solitary confinement. And by the time, you know, he actually had to come, you know, to terms with his case, he ended up pleading out as many of these federally indicted people did in order to get less time because mandatory minimums for these federal sentences are extremely high. You know, he was originally charged with arson, although he was never convicted of arson, but police vehicle. He was convicted of a civil violation, which essentially obstructing justice during a civil disorder, his name is a charge, which is a charge that originated during the Nixon era to prosecute people during the, you know, rebellions of the 1960s.

13:45So that was his federal charge. And he, he basically from there was shipped to a federal prison in eastern Kentucky called USP Big Sandy. This is 15 hours away from his family in Philadelphia. And he, he had to stay there until 2025. So he did close to three years at USP Big Sandy, which, you know, one can only, you know, start to describe the culture of white supremacy that exists in a racist town in a small community at Eastern Kentucky, where the majority of the population of prisoners are black and Latinx. And the white prisoners were largely part of white supremacist gangs. Just one story that I thought is important to relay that gives people a little bit of sense of how the guards and the white supremacist gangs work together. Khalifa was present when he saw a white nationalist prisoner be frisked by a guard.

14:51The guard found a knife on this white nationalist prisoner that was several inches long. And the guard handed the knife back to the prisoner. This is the kind of place that USP Sandy is. So the guards and the white supremacist gangs sort of worked together to control the jail. Khalifa is best to sort of stay out of the way. Stay out of trouble to his fed time. You know, at the time that he was arrested and indicted, he was on probation for a previous sentence that he had served in the 2010s that he had been released from. And so he later had to serve a state sentence for that probation violation, or sorry, a parole violation. And so that is currently where he's at. He's in SCI forest, which is in Pennsylvania. He's back in Pennsylvania still six hours away from Philadelphia. So we've really been working hard as his support committee to get family members to be able

15:52to visit him to keep money on his books. We put money on his commissary once a month. And actually this past week, we were able to get his grandfather, his mother, and his sister up there to visit him. So that's been something that's been really important. And I think it's just like something to drive home for anybody that's doing political personal support work is that family support, visitation, helping people drive up to visit folks. Those in person visits are so important. Yes, having money to call your people. Yes, being able to do virtual visits. But Khalifa is talking about just being able to play cards and laugh and hug and hang out with his family all day. It was just like a beautiful thing. And I think it's something that the families need, something that the personers need to kind of maintain that willpower and hope and optimism. And something that we on the outside can really do. It's a tangible way that we can support people who put themselves on the line for our movements.

16:55Cool. Thank you. That's very moving. I'm so glad that he's, you know, even if six hours away, so much closer, and then he's got that support. So what is the timeframe around the rest of like how much sentence does Khalifa have on the state charge? I don't know if you have charity plans that he's got. And I'd love to know if there's any other ways that like listeners can support him. You know, I'm sure if he's got any legal paperwork need to be filed. As you said, getting money onto his books, helping support family visits, things like this or even like setting them up when he gets out. Yeah. So Khalifa Miller's Instagram page is the first place to go. We maintain a support page for him. It's called free Khalifa Philly. And we post periodic updates. There's information there about how you can write to him, how you can send books to him. He is looking for books right now. He loves reading and having good reading material on political struggle and variety of topics.

17:58He's like I said, he's an entrepreneur. He formally have this used car business. He'd love to go back to doing that type of work in the future. So he likes reading texts about how to get a small business up and running and some of that stuff as well. He has been in state custody since February of 2025. So he's done a little over a year and a half at SCI Forest in Pennsylvania. And his parole violation sentence was a one to ten year sentence. So his federal sentence was a five year sentence. And he got a little bit of time locked off of that for a good time. And then his state sentence was one to ten years. So he has already seen parole twice. And the first time he saw parole in June of 2025, he was denied parole hearing in February of 2026. Comes and they said, nope, you got a year hip.

19:02So he is working towards this next parole date, which is parole hearing in February of 2026. As he said it, it's a true Philadelphia. And he said, all he has to do is make through this next Eagle season. And after the end of the Super Bowl, he'll be up for parole again. We can have him come at home. So, you know, Calif, you know, would love me to say go birds. You know, that's a lot of what we end up talking about is sports and, you know, just keeping things positive. He is playing football on the team at SCI Forest. And apparently they had a good season this one, one side of the jail against the other. I don't know exactly how the sports leagues works in there. But, you know, he's been staying positive and motivated on that front. It's really confusing with both teams are called the Eagles. So, yeah, exactly. Yeah. So we're doing our best to support him during this time. So he is basically, you know, just maintaining connections with family.

20:05He's been reading. He's been preparing for his life on the outside. So yeah, please go to free Calif Philly IG page and, you know, that'll be a good place for updates and places to support him. And then after this chat, like when this airs, I'll put in some of the content for the notes for folks that don't have Instagram. So like his current address and how to get, how to support the commissary or the fund raising for books and for other stuff too in the show notes. Awesome. And Jackson, is there anything else, any other quotes you want to share from Calif during this chat? I do. Yeah. I want to leave you with some inspiration. So I recognize that we're living in a pretty dark time and it's really easy to lose hope, especially with, you know, the levels of political persecution with ice and federal forces on the rise and, you know, some of the challenging prosecutions we've seen with Prairie Land and Defense and others. And I think the thing to stress and the thing that I learned from all my interactions with

21:09political prisoners is how much hope and optimism and belief and the movement that we have. And the capacity of us to collectively change our circumstances. And so Calif wrote a quote for this interview that he wanted me to share just a couple days ago. Here's what he said. His quote is choosing to believe in tomorrow, even when today gives you every reason to quit. You must fight for the life you know you deserve. Your current chapter is not your final one. It's the chapter where you discover how strong you truly are. Keep going until the struggle becomes your testimony. And that just gives you a sense of who he is. He's really a strong person and somebody who, you know, really believes in our movements. When I talk to him, he's always looking for updates on what we're doing outside. And it's a good reminder for me of what our political prisoners ask of us, which is not

22:10just to help free them, but to keep these struggles going that they were working for before they were incarcerated. And so, you know, all of us can be doing our work to fight back against police brutality, mass incarceration, you know, racist and sexist and homophobic and all sorts of oppressive systems. And when we work against those collectively, we're advancing the freedom of our political prisoners and we're advancing the causes that they believe in. So it's our duty to maintain that radical and revolutionary hope as well. We can't give up. I'm not only for them, but for ourselves. This is something that we all can learn from, you know, our prisoners who are facing down long sentences, some of them life sentences or longer than life span sentences or people who are facing decades and numbers, you know, behind the walls. And, you know, they don't give up hope. And so we owe it to them to not give up hope ourselves. Cool. Thank you. That's very moving.

23:10And I really appreciate you taking the time to share and Kali Friday up those words to share with the audience. Yeah, I'll definitely point the listeners towards those resources and anything else before we close out the chat. That's all I have for you. Cool. It's been a pleasure talking to you. It's nice to meet you. Absolutely. The National Lawyer's Guild Federal Repression Defense Hotline is live and ready to help you assert your rights. Did you know you have no obligation to speak with law enforcement or let them in without a warrant? Instead, you can say, I will not speak to police before consulting an attorney. Leave your name and number and a lawyer will call you. If you are visited by federal agents or served a federal grand jury subpoena, call the National Lawyer's Guild Federal Repression Defense Hotline at 212-679-2811 to have a free

24:11privileged conversation about your rights, risks and responsibilities, and to be connected to legal resources in your area. As the federal government targets people for their constitutionally protected beliefs and activities, standing up for your rights is more important than ever. The National Lawyer's Guild Federal Repression Defense Hotline is here to support you at 212-679-2811. This is the Final Straw Radio. The show will later be archived at tfsr.media and you can mail us with questions and suggestions at the Final Straw Radio at RiseUp.net or the Final Straw Radio at protonmail.com. If you'd like to use any episode for your project or radio show, feel free to do so, just send us an email to let us know. If you care to, you can send us letters at tfsr, p0box60004, ashville, north Carolina, 28816.

25:13Programming support is brought to you by Firestorm Books, located at 1022 Haywood Road in West Ashville. Firestorm is a bookstore and social movement space owned by its workers in operation since 2008. Their event calendar and complete catalog of books can be found online at firestorm.co.op.

27:33You're put in my heavy store, all the blackest thoughts.

28:33I'm brought down a social ring to feed me and care. My ship's a sail, and you hear it's tender frame. It's screaming from the leaf away. It's screaming from the leaf away. It's screaming from the leaf away. It's screaming from the leaf away. It's screaming from the leaf away. It's screaming from the leaf away.

29:36I let it go on the edge of the river. Yes, I say it's beautiful. I'm patient, I'm lucky. It's new, I say it's beautiful. The team is going in. They're going in there. My ship is hot, my ship is heavy. The ship is not quiet. We're listening. We have volume. The ship is always important in the ship, in the voracious ship. I contacted you to encourage you. I contacted you to surprise you. No further, no further, I put my bag on my bag. It's forced in impossible. The ship is still falling, the price is still high. We're looking at the mercy of the small little little little little. The weight on my back means that the finger does not renounce it. The finger is furious, frappied and frappied. I had still my words, I had still my words, a word that precipitated its death.

30:41My eyes heard, my ears saw, they called it the monocular of brutality. The finger is crossing the city, the finger is crossing the abattoirs. I suffered from the abroulure, I suffered more from our limits. But the finger had to be abstinied, to reveal the wealth, but the tears were in my veins. I had a griserie in full stomach, I had a gas station, I put it in my pocket, finally until the end. 1954? Still? What is hard to find texts from 50 years ago, in the erotic texts, written by women? It's a challenge in itself. I'm not in the group, I'm not the one who explores the best to bring back the texts. But on this body, it was quite surprising, on this theme of sexuality,

31:43it's the first body we've put in every year. We also have a 1907 text from a poem, René Vivien. This time, it was beautiful to see all the others, through the 20th century and the beginning of the 21st century, and with French words, like this one, it's going to be. It's not a major thing. We're going to do a little musical pose with King's Queen, Amour and René. King's Queen, King's Queen, I don't know.

32:50A beautiful woman, a beautiful woman, who is in love with her, how? A lover, a tattoo, a doctor, a pleasure, a fracture, we're not capitalists, we're a governor. A beautiful woman, who is in love with her, a taxi in the night, a man in a tattoo, a pleasure, a fracture, we're not capitalists, we're a governor. A beautiful woman, a beautiful woman, a hair

34:12II buzzing I'm scared of the new inherently sad {\cars throat blouse baide Lac��acala Goond playинг shoo

36:03Don't fight for any part... Don't fight for every part of your life And now, what is it? Shoot like real weapon Don't fight for any part of our life I burn 99 degrees and I burn We're gon boost the diner なぜかで 甚麼やべやべや an ...her like goal. We're going!

37:05Audience and interest RadioPani sessions Aut hours in the best charge It's not easy. So in the mission, Okis, with Babu Sanchez, the collective Werby Billon, who is with us. And you can find a Facebook page of Pistonet, who already has a Facebook page. The little photo we know is drawings with a lot of heads. Ok, you are crazy. You are too young. Ok. And then, to finish the mission, there is a few numbers I was going to tell you in my first texts. And then this evening, I will bring you two small others. The first one that is for the world, not a small one. But without a mouse, without a lion, even for the love.

38:08I have a mouse. It's not a child of all the gods. He refuses to sit down. I have 24 hours, always ready to fight and for the love. He creates. He creates, the joy, the effort, the desire to die, the pain, the pain, the desire to die. He creates injustice, being too often to leave for account, because his little missing is not interested in the world. Of colors, of frustration, sometimes he runs in the browns, forces the ax of a bush, seeks the desire of a language, the exchange of a dance. My missing are cascoes, acroes of strong sensation, raised in the parachutes and in the astic waters, they fear nothing and rush to their pleasures. But we don't remember any attention to the right that most of the time. Maybe because he is too strong, we don't hear them. Maybe I am the only one to be broken on their frequency, the only one to perceive their pain and pain, their desire to die when the love gives them.

39:14But I have the night too short, too vertabre, to occupy both, as he deserves, I need another. But I feel so strong that I don't hear it any more, and I regret it simply because of their pleasure and two days. A text from Lorie, and now you are going to make a text from Dorothy Aison, who is a little bit of a demon on Dorothy Aison, I took you. It's a American literary, and it is born in a social environment, super poor, and in the book of the question of gender, sexuality, lesbianism, also the class question in the body, just a little bit about intersectionality.

40:14It's very good, it's their job on this question, because we find that we have a lot of other risks, and there, the authors, also, the class of the social base, and who will talk to you, who will talk about what is poor, and what is the relationship of society, for your poor. I have a discussion with people that I work with, and I work as a guy who is quite a bit slow, and we will tell you, the look of people around me, I have made big, and the society says, well, if the big ones are strong, the poor ones are the same, if the poor are strong, they are poor, they are poor, and in fact, there is no other strong. So if you are the occasion of Dorothy Aison, go to them and give you a little text here. Bees as a reward, these hands on my hands, but they are not against me anymore. People are well-cured, their faces are tied in the chest,

41:14my hands are filled with these arms, it is in the dead of the sun, nothing else is at the edge. I put on the tip of my feet, and went to come and eat my hair, to feel each possible twist between the legs. It was all his face, his face, covered by the blood, his feet, planted in the sun, as I put on the back of the body, a beautiful, beautiful, a beautiful creature, whose arms are tied to meet each of his bones. My lips are filled, I can feel each skin that is around his arm. I think of the romantic, growing old, in the ocean, and they are enveloping the object of their eyes. As I put my lips, my hands are filled. I love it with my hands, my mouth, my neck, my hat, my hat,

42:14my powerful clothes. It is in its serene, its deep anguish, its dust, its tears, its tears, its tears, its tears, my feet are stable. I can do anything for you. I raise my mouth, I push before it, I kiss it, I call it my love, my heart shriek, my selfie, my face is filled with tears. It calls my name, baby, its soul, its joy, its love, its... It says it will never stop. It will never let me go. I support it. I support it, you, you, you, you, you, you, you, don't stop. It's mine, baby, don't stop, don't stop. It says that the lesbians don't do that. Maybe we're not lesbians, it's a woman. I'm a woman. Maybe we're aliens,

43:15what we do together and is it a act of lesbians? Let them live. It's the first time we have special effects on hotlif. I'm really sorry, I'm really sorry. I'll try to understand one last text, which is a text I wrote and what? A text from the book. A new, new, sad, evening. No, it's not good. Is it good? Yes, for the young people, I've spent a year, this year, the last book of Livestown, which was, before the mission of my Quaram Marad, I asked myself, the love, the love, the love of the dead.

44:15And no, I think it's the song of the book. And it's also, I think, which I talk about in this text, the love is not dead, but it doesn't mean that it's a little bit very good in this book, it's that you have to learn to love, you have to love and that it's to love, it's to give. It's a text called, in a radical way, you wrote it this way? No, it's not going to be great. You're too comfortable. While it's killing me for the first time, it's their opposite. I think he was waiting for me when I was screaming at the first night. Maybe he didn't even notice my surprise, my ability to move and to move in a sense,

45:16and in the other people on the head, in the orders. Since a few weeks ago, we see that the bodies, they have been estimated to be my natural proposal to the mission, my ability and the pleasure that I try to deliver to the other. The other is not a board, I feel confident with him, my comrades, my accomplice, I know he could do me very badly, I see in his eyes how much he wants it, I guess his brutality, I read it, I'm in doubt, and all the tenderness he has, I'm going to read it today, I'm sure he's not going to be able to do it. No, not only I'm going to release one of them, but stronger.

46:17No, because under the red beast, the love, the love and the love will always be present and in the haze. More he's dead, more he's strong, more I'm waiting for him. Even I laugh, he's French and French. You're too comfortable. A first key to the story, I laugh again, a second he's following after, then a third, he's lying in intensity. I laugh more, but I do for him. A weapon blows the long of my knee, and the matter is that, using the link that is in my hands, the sword slowly goes up and goes on my knee, my arm of the long tooth, and my most brutal breath on my knee.

47:18I smile, in his gaze he's smiling, the game begins, it's not a contest, it's a matter. The moments that follow are incredible in the city, he takes his time, tears and tears, he's in the room, all alone, to bring love to him, who is in the train of creation, and the curse of my life in Galat. As I become his thing, again, I'm a man, and soon it's a choreography that has been shown, and he's been lying to us. He's deserve to see that, that's his shadow, a kind, I tell him that if a man is in my hands, he's in the room attached to me. It's him who's still, it's me who's in the wall. Not for long.

48:19A man, he's made the body of a beautiful woman, without a suspicious feeling. In the new world, he's the one who's hiding his head on the mat. I'll never let him go, he takes me in a train of ink, without a fork. The mobile, under his foot, I don't know what it's like to find out in which one is going to be better, of the more beautiful one. We know, we're transformed in reality. We see him who's in the middle of my train. I'm ready, I'm going to give him my life, I'm going to prepare for a little bit of life. And this dance I'm supposed to do, to bring him to the end, to bring him to the right hand that I've had in my heart, to the right hand that I've had in my heart. We're going to the origins, the right hand of the child, the right hand,

49:19the right hand of the child. I'm ready. The way he's doing, the way he's doing, the way he's doing, I feel the one who's hiding his head on the mat. And this dance is too much. I can't help but be a bad guy, I want to help him to be a little bit more creative, I'm a man to help him to be a little bit more needed than I can. In a suit, I'm going to put my magic key around in my heart. And my head, my arm, my neck, my comfort, my body will be able to see the red-shaped piece of my heart. And I'm going to sleep, I'm going to be calm, I'm going to sleep in the fall. For the first time, I'm going to be able to sleep, I'm going to sleep, I'm going to be sleepy. I'm going to sleep,

50:19I'm going to sleep in the dark, I'm going to sleep. Because I'm going to sleep, it's a pleasure to sleep in the summer of late. And I'm going to sleep because I'm going to sleep in theulys. It's too dark. Thank you. And the thought comes to an end. It's close to my dream, to my heart, to my heart, to my heart, to my heart. I told you, I started with my family, my friends, my friends. And how did you talk about the extract that it is? I don't know if you know it, but you know the extract that you think about. Or I don't know. The extract is a baby, sweet sweet, like a mousetail, a mousetail. She's already been a baby, and she asks me a lot about the family,

51:19a couple of couples, a couple of lovers, a couple of friends, a couple of family, a couple of lovers, a couple of lovers, a couple of lovers, a couple of lovers, I have a lot of things to do on your own. I don't really need to. And so, it's a text from the previous one, which was in the last couple, and here we are talking about this huge question. I understand, the book, exactly the title, it's the most strong statistic of the love. There is a painting, a real painting, a statistical painting, which measures the catastrophe or the liberation, which counts on enthusiasm or stagnation, which measures the pain, the chaos and the reorganization of the world. Your future rupture is already codified in this gray,

52:21more easy to read than a sillon in your hands. When I spent my life, my material, and my life reduced to a computable information through this gray, I notice, first with surprises, then with the smile, that I am in the statistical average. Even if the study has not yet recensed the forms of a non-operated in-between and of a woman in a form. The singularity of our resistance of genre is applied to the statistical law. The statistic is stronger than love, than the queer political. The statistic transforms the nights where we are loved and the days without the real world that comes after rupture in inert matter for arithmetic calculation. And now, the immobility of these numbers is doing us well. Another worry before that, during the 15 months of their millennium, the couples make love in half a day.

53:24After a four-year-old marriage, the average of 100 to 4 times per month, after 15 years, 50% of the couples make love in half a day. After a reading of my day, and a more detailed scrupulous conversation, thanks to the book and the obsessive energy that leaves the rupture, I calculated that I loved it 93% of the days I spent with her, that I was happy 67% of the time, but happy 11% of the time. I can't pronounce myself by lack of memory or precise feeling on the 22% of the remaining time. We made love 60% of the days with our number of satisfaction in the first three years. 76% of the two are following, and only 17% during the last years. We slept together 87% of the night.

54:25We were hugged before sleeping, 97.3% of the days. We slept together, 99% of the days. The relative quality, 98% of the words changed during our relationship was almost invariant in time. The exception of the days that preceded separation. Our hyperbolic couple according to the psychological version was centered and just in the shape. How does it start in my heart, the battle between the appeasement of the statistic and the fear of the revolution? Thank you, it's a pleasure. It's always a pleasure. It has been a four-year-old of its birth in the Liberation of 2014 and 2018 in a book, on the surface of the sky. It's terrifying.

55:26It's wonderful to be able to do this type of comment. It's like terrifying. It's true. It's still a book. Thank you, Bob, for coming to the show. Thank you for inviting me. I'm going to introduce you to the audience who wants to follow the group. It's Werwebielong. We have a site. I think it's Werwebielong with blogs and WordPress. But normally, it's a Facebook page. It's not Facebook. If you have Werwebielong, you have to go to the site. On the site, you have all the Korpus. All the Korpus. We didn't even have a whole bunch of texts that were brought to the Korpus. They are quite dense. Yes. In general, it's Korpus. We have an hour of reading. There's nothing to do. There's nothing to read. There's nothing to read. I invite you to read. And well,

56:26I think it's up to you. Laura, I hope you've listened to us. Listen, you're proud of us. Good evening to all. Good evening, thank you. Thank you. Welcome to... Come on. You're boring life. You're boring life. No fun. No drunk. No art. You're welcome to...

57:26You're boring life. How burning is boring life? I'm just a killer. Pretty good. It's fine. It's fine. No way. No. Five. No. Five. No. Queer. Welcome to... ...Eboring Life. Come on. No way. No. No way. Welcome to... ...Eboring Life. No. Down. No. Five. No. Tramps. Welcome to... ...Eboring Life. No. Sixth time. No.

58:26Pleasure. No. Forgazam. Ah! Ah! Welcome to... ...Eboring Life. Welcome to... ...Eboring Life. I burn you. This boring life. I burn you. I burn you. I'm just a killer. On this justice high. This fucking eye. No way. No way. No way. Welcome to... ...Eboring Life. Come on. Boring Life. I burn you. This boring life. I burn you. I burn you.

59:26I burn you. I'm just a killer. On this justice high. No way. I burn you. This boring life. Reckless you. I burn you. I burn you. I burn you. I burn you. I burn you. No way. I burn you. I burn you. I burn you. I burn you. I burn you.