Turtleneck & Chain Part 5: Japan

0:00Your world, your world, podcast time, and he hates it. Woo-hoo-hoo-hoo! I want everybody to know right off the bat, four of us. Quaid Orm. Everybody's here. They're excited. Loved the last episode. Oh, good. Wasn't there, loved it. Did you learn anything, Seth? I learned a lot, but I also want to address some of the comments, as to why I wasn't there. Someone posited that because it was about Duky Island and just the tonnage of Duky that basically I was, like, enjoy your sixth grade regression I'm out of here. I think there probably would have been like 20% less Dukies if you had been there. I would have loved to have been there, but I do think you guys probably got to push the full Duky. What is the full Duky? You just got to step on the Duky gas in a way that maybe he wouldn't have been able to. So it was for the best friend of the Duky. We got to push the full Duky out. The full Duky out. Someone else wrote Seth listening at home, realizing he's been pronouncing Wu Tang wrong this whole time. How dare you. I know that's not one of the ones I can get wrong.

1:00That's fair. I know all those guys. Method man, RZA, GZA, old. Now you're just leaning in. Old man bastard. Ghost face killer. Someone said we should do a Wu Tang collab, Jizza. In my pants, or you should not me. They would love that. I'm sure. Andy's squeezing the bridge of his nose. Is that what liquid swords was actually about guys? Not because of what you're saying. I'm just physically uncomfortable. You look like a professor who is listening to oral reports and realizing you've just thrown your life away. Seth, don't force my hand in talking about me not wanting to do the podcast. Okay, okay, okay. I'll just chime in when things make sense. Wait, there's a small burn on you. It's not, you know, obviously I get a lot of turbo away. Deservately so. It gets a lot of burns, turbid. Someone said, a turbid. Just what I needed this morning, 340-something guys

2:00listening to snippets of Wu Tang songs from 30 years ago and saying, so dope for half an hour. I think it was mostly my fault. You read that sarcastically, but I hope that was an earnest. Yeah, no, you're right. I don't know, that could be just what they were looking for. A request for you are him to get Howard Parker to say later quads. Yeah, yeah, I'm more on that. I'm more on that. I think if you get him to do it, just get him to do it 10 different ways when we play them all in a row. I'll do my best. Someone said, Falkor versus Tree was my ringtone in high school and almost got me suspended because it was playing almost at full volume in my bag when I went to the bathroom. They thought I was watching corner my flip phone. I feel like that's what we're doing. Should've been able to predict where that one was going. I'm trying to think of what that porno would be like. It really does go to show you though, like a lid for every pot. Yeah. Like there was someone out there who Falkor versus Tree was their fave one. Makes sense because it came from your high school, Brian. Oh, we got bad hung again.

3:01Bad hung is when Polar Burns is in the Good Hang podcast. Oh, she's a demon. She's a demon. She has keen an on and keen is talking about how he came on did a guest spot on Riva and then went back and listened. He had a then a new awareness of the pod. Talked about how much he enjoyed it and he said, God bless those guys for showing up. And Amy said, showing up, barely showing up. Oh, my God. She then went on to also be a very complimentary. That's nice. That's nice. Anytime she gets a chance, she'll burn us. It's her right. Cross it. You know, obviously, your Amthorns, Keeves, Peves. There's a really good one, Andy. Somebody maybe I think cracked it. And it's a difference of when you hear one and you're like, Ah, Falk, that's really good. I'm going to give you one that I think is almost good. Okay. Queen beef. Okay. That's very good. It's not, right? It's almost good. It's almost good, but it also is horrible in a way. Yeah, it's horrible smelling. Yeah, yeah. It like, it like makes mathematical sense, but it's not pleasant.

4:05I don't care to say it or think about it. Ross vents. Oh, God. Uh, excuse I. I mean, Ross vent is really good. Excuse I. And then we hear Ross vent. I really thought it was fantastic. And then a bunch of more terrible ones for me. Myers Lemons, Myers Bryers, Myrers. Myrer. I mean, this one. Talk about unpleasant. The Myrers Club roast. It's supposed to be the Fryer. Yeah, that's bad. Myrers. It's admirably bad. Yeah, yeah. Myers Lemons works. Myers Lemons isn't bad, right? Yeah. You know, we don't want to be given out free plugs. It is a plug. Myers Lemons are some of the best kind of lemon you can get. Yeah. It's a type of lemon. It's a type. I believe it's a type. Well, then, you know, plug away. I think you're allowed to do it. We don't have to worry about not doing, not getting paid for it. Oh, but I got a, I'm calling out Dratch. Dratch did a bonus New York Times Crossword puzzle that was, that's an out themed. Yeah, I had the exact same thing on this stuff.

5:06Same. Yeah. It was put it incorrectly because it's called church chat. Yeah. Church chat. The answer was church lady. And then all the other answers were wrong. And I was like, the fuck? I was like, the fuck? I was like, the fuck? And then all the other answers were wrong. And I was like, the fuck? That I knew it had to be the A in there. Yeah. And so I was like, did they get it wrong and do church talk? Yeah. I was really scratching my head because of the way it was fresh. The name of the sketch is church chat. The character is church lady, but the clue is name of the sketch. Yeah. I mean, the clue is actually the problem. They should have just made the clue. Yeah, but the character is calling you out, Dratch. Yeah, Dratch. Where's the quality control brother? We're calling you out. Dratch. We're taking your name to the streets, Dratch. Yeah. And then you to task Dratch. Then, oh, the New York Times many. Oh, yeah. I mean, it was a Zersky. Let's talk about it. It was our B-Boy. Yeah. Sam Zersky did a little guest editor over on the many. Woo! Thanks, Sam. And, uh, pretty awesome, guys. Now, Andy, you did it and didn't notice it.

6:07I did it and didn't notice. Me as well. I did it at three in the morning when I got home from a shoot. And what's crazy is, so the first real big clue is that there's a clue called needing a friend and the answer is lonely. Yeah. And when I put that in, I was like, oh, good, I can type that super fast because I've typed it 10,000 times in my life. So I even connected that lonely, two lonely island in my brain. Yeah. Then just another two clues later or one clue later, really. It said, uh, what was it? It was something about the kitchen island. Yeah. It was something about like, what do you call the free standing counter at the center of the kitchen? This was on the fifth. This was just Saturday, September 5th. Yeah. And it's an island and somehow I put them in place too. So it said lonely and then island. Well, there's one in between. There's an elk in between. Sure. And that's famously because Andy was a founding member of the Elk's Club. Correct. Well, I would say that Quaid Army is a modern day Elk's Club. Right. Definitely. And you often say that. And that's where he got it from. I do often. Yeah. You got lonely island right across the center. It's the middle clues.

7:07So they're just owning the whole board. Can I say something because we've been sharing now the mini-scores. And those guys are better than me. I know everyone knows that. But this is where there's a real drawback. They're not paying attention. They're sitting there. Like they're going so quickly. Right. Whereas I'm sitting. I'm like ferdinand the bull. You know what I mean? Just like in it. Yeah. And I feel like you guys are missing the fucking points for the free. So you got it right away, you're in. Because you're so slow. So slow. So slow. It's, it's an homage. Yeah. Yeah. He was savoring it. Like, oh, what's coming next? Well, it stood out to him because the only words he could figure out were lonely and island. And the rest of the board was blank. I took it in. I took it in. I got elk too because of the elk's club thing. Yes. Okay. Wait, we texted a lot about because then we were, we were unsatisfied with the fact that it does would be the only clues that were shut us. We realized the whole mini is actually us themed. You can break it down and figure out some connection to us in every single one. Yeah. And I just want to tell the quads. It was September 5th, 2026 mini. Yeah. Just if you want to find it.

8:07So 14 across is karate. Clear nod to karate guy. Yeah. So one down is ACL on obvious link to me tearing my ACL. I'm so sorry. Yeah. Although I believe it's an obvious shout out to a closer look my signature piece. I think it's a double whammy. As Erskie will obviously clear this up for us at some point. Sam is good at what he does. And I pointed out that Austin City Limits is my favorite festival. And I often talk about it. And so he might have been giving me a little. So it's a triple whammy. Yeah. Yeah. Two down is Lou, which is what they call the bathroom in Foggy London Town. Not our Foggy London Town connection. Yeah. Three down is Amnesia. What your own suffers from your house. Oh, that's right. Yeah. What do I? Because Burrito brain didn't fit. So they had to make an Amnesia. Exactly. So I don't know what an Amnesia means. Common. Common appeared, of course, in a blizzard man. Pretty clear cut. Smeller for nose by function is a nod to the fact that I've got a hawker. Yeah. A ten-hawker. Seth, you pointed out that Dieter is actually Dieter.

9:09Dieter. Yeah. From Sprockets. From Sprockets. They just misspelled it. Or his Drage calls it Sprockets Chat. Probably. No, Sprockets Lady. Sprockets Lady, right? We wish he'd call it Sprockets Chat. Yeah. What else we got? Yeah. So there's any from any given Sunday, which we've all talked about, is our all of our favorite film. Yep. All too very big time. Oh, and Colcata. Yeah. Is where Keave gets his poppers. That's right. That's what he takes for a big night of going out. That's what he takes to us. He doesn't just do him just any night. He's like, where's a big going out? That way he gets through a night shift. No, no, it's just for big nights. That's where I go. We have no choice but to take him at his word. You had night shoots all this week, right? I gave you just, like, gagged out of your mind, right? Yeah, it was all poppers. Yeah. IDK was me and your first fake graffiti crew when we were like 11 and we were horrible at it. Wasn't it IDK? Yeah, I don't know. It was risky knew that. Yeah, he knew that. The people would ask us what our crew name was and we'd be like, I don't know. Yeah, it was more of a joke to verbalize it.

10:10Yeah, it was always great. It's a really nice thing in the comments where a lot of people, because you guys brought it up and then you looped back to the actual fact. And so for the 30 minutes, a lot of listeners did want to shout out that Wayne's world, the sketch debuted the day after the movie Bill and Ted's. Because you guys kind of danced around it and then you actually did do the official fact. So people were calling it out before they heard it. But it is, I mean, one of the most seminal weekends, obviously. It is remarkable. Yeah, it's special. February 18th, 89. Can I just say something to those people? Because you got to slow down, guys. You got to slow down. Just enjoy the pod. Just enjoy the pod. Make a little note. Yeah, don't get all the answers. Leave some stuff blank. Exactly. Notice things. Andy, your hawkers work. The purpose, as you are always says, the purpose of the mini isn't getting all the squares. It's the journey of the words. It's the mouth feel as they roll into your brain. My smeller, my smeller is really noticing what you're throwing.

11:10I have an exercise, guys. 1989, Bill and Ted's is the comedy film, right? Right. Of the idea. I want to ask this question. I'm going to put in a chat. I looked at this earlier. Wikipedia comedy films of the 90s. I think it's pretty clear cut, which is the comedy film of each year. Do you guys have the list over there? I'm opening it. 1989 is very clearly Bill and Ted's 92 is clearly Wayne's world. 1990, look through. Tell me when you guys have an answer. I don't quite know how to frame it, except if you know you know, right? There's one. For comedy people, it was the comedy movie. I think it's in order to understand comedy. There's a lot. It was definitely a time in my life where if something was PG-13, I saw it. I think 1990 is an interesting one. I feel like I know what you're going to say, Seth. I'm still looking by the way. Okay, great. I'm trying to figure out if you think it's a not a sarcastic book. I'm going to say I don't, by the way, I think that this is a weird year because I don't think there's one for the comedy heads,

12:14but I think there's one for the cultural heads. Are you guys ready? Yeah. I'm going to say one, two, three, we'll say it. One, two, three. Gremlins, two. Gremlins, two. Is what you guys went with? No, homalones. I went with my blue heaven just because it was the, I don't know, that was the classy one that had our guys. It's Rick Moranis and Steve Martin where you were like, whoa, there's a Rick Moranis Steve Martin. Yeah, but I feel like it's why I was genuine. That movie didn't like resonate. No, no, it's not that. But none of these, besides, I mean, Ernest goes to jail as I assume what you were going for. No, homalones, I think homalones. Even though homalones are like a kids movie, like that movie, like of those movies. That movie's all time. That's the big good one. And there wasn't, alright, so, alright. Wait, wait, wait, wait, wait. Can we say what our favorite one is though? What's your favorite one? Because I definitely know what's meant to work for me. It's homalones. It's meant to work for me. It's homalones. I'm serious, that movie's great. Alright, hold on. 91 is a no-brainer for me. Look at 91. I feel like 91 has a movie that has the fun of Bilton Tets. There's a bunch of good ones here. I think it's again, I think it's one of them.

13:14That's what I'm talking about here. Once again, I think you guys think it's one, but that one doesn't do it for me personally. Really? I'm shocked. There's a bunch in here though. Alright, I'm interested in here, but for me, it's a, I have a very clear choice. But again, that's where all we all have. I have my choice as well. Okay, so, your move go first. I gotta go with Hot Shots. That was mine as well, Andy. I was gonna say, Hot Shots are defending your life. Oh, Hot Shots. Fucking classy. I mean, defending your life is like a great film. Yeah, I watched Hot Shots a thousand times though. That's kind of what I guess so like, let's think of it. I saw them both in the theater that year, but I definitely, Hot Shots is the one that resonated. And defending your life was a little above my pay grade. Yes. So by the way, there's great movies on here that I don't even really consider comedies. Right. But like, what is the thousand time comedy? Yeah, Hot Shots. Okay, alright, fine. What I never didn't realize at this moment is Niki Dunn two and a half and Hot Shots came out the same year. Yeah, it's amazing. Alright, Wayne's World is 92, go to 93.

14:14What is the thousand time comedy movie from 1993? Everybody talks about it. They don't make comedy. They ain't more of it looking at all this. It's like, it's insane how much they don't. Oh, yeah, there were so many. Those are the same year that Wayne's World came out. You got white man can't jump. You have strictly ballroom. You have sneakers. I think you have a League of Their Own. Sister Act. You have my cousin Vinnie. I mean, League of Their Own might be the best movie of that year. Mr. Baseball, Mr. Saturday Night. Money, Mom and Dad Save the World, the Mighty Ducks. These are all comedies, even if, you know, some of them are good. League of Fades. League of Fades. A comedy? Yeah, Ladybugs. There's some House Cedar. House Cedar. House Cedar. Honeymoon and Vegas. Honey, I blew up the kid. Home Alone 2. And scene Oh Man. But this is just how many they're the distinguished gentlemen. This is just how death becomes her. It's nuts. Captain Ron, there's two like all timers and I think there's one for me that is drummer by always in 93. Hold on. This time here's what I'm gonna do. I have a dry race for it. I'm gonna write my answer.

15:14So you guys ready? Yep. And you go first. Groundhog Day. Keith. Same. Yarm. Of course. Yeah. Now, you also have your Mrs. Doubtfire in there, which for a lot of people is in a similar category. For me, it's not even though it is obviously wonderful. Robin Hood Men in Tights. We've got So I Married an Axe murderer. Which I also love to answer on the theater. Yeah. And I mean last action hero without the racism, right? A lot of people ride hard for Adam's family values. Yep. That one's great. All right. Guys, do 94. I've got my answer written down. By the way, don't sleep on CB4. Don't sleep on it. This is a good shit in that. There's great. I mean, it was a great time. Oh. I don't even have to go past the second title. Oh, yeah. 94 is done. I don't care what else came out. That's true. Absolutely. Absolutely. Ooh, Drunken Master too. Sure. Cabin boys in here. Four weddings in a funeral. Clerks. House party three. Wait. The mask came out the same year. Jesus. And wait. No. The mask came out.

16:14You're 94? Yeah. Don't rush. Don't rush. Yes. Ed Wood. Pulp fiction. Oh, fuck. Great comedy. Oh, no. 94 was lit as hell, dude. One dude had the craziest year of all time. Yeah. Oh, and silence of the hamps came out. Because I felt the same way, Andy, where I read the list and then I changed my answer. I mean, I'm giving you it. I'm giving it away. Yeah, but that's fine. Yeah, so I have the same comedy here. Ooh, true lies. You know I'm a fan. Everybody have their 94's. Let's do this one of the same thing. Because it's all the same answer. Alright. One, two, three. Ate, ate, ate, ate. Oh. Yeah, Seth went down the dumber, but he's wrong. I'm wrong. By the way, I'm willing to admit I'm wrong. But I saw a dumber in the theater three times. I love dumber. Right. But Ace Venture is the one. This Ventura, Dumb and Dumber and the Mass came out in the same calendar year. That's fucking insane. The year was smoking. That year was just smoking. It's such a good point. Very. My God, every now and then, a lot of the quads are saying that the rest of us are missing

17:16a lot of sly, yorm comments. We're not missing them. Yeah, you're actively ignoring them. No, sometimes they zoom over laps and I don't hear them. No, yeah, that's true. All right, so 95. 95. I'm done. This is. Yeah, it's into bees. But it's interesting he was able to turn around when nature calls, aes Ventura, to that fast as well. Yeah. Andy does say often when it's hot, it's pretty hot in these rhinos. Little hot in these rhinos. And I do still say it all the time. All right, so obviously for us, there's some goodies. Yeah, we need to give some honorable mentions. Oh my God. There's so many honorable mentions. And tell me when you're ready for your answer. And I go, I go, I go, I go. I'm so happy. But this one's personal to us. It doesn't necessarily mean it's the truth because. Well, I guess maybe that's what we're trying to get to the bottom of is like for this group of people, what is the one movie? Well for me, I have mine. Oh, yeah. Of course. Yeah, yeah, wait, I think I got it.

18:17But by the way, it's close. All right. Take your time with these guys. I really invest. One, two, three. Billy Madison. Yeah, Billy Madison. Oh, wait, I didn't see that one. Billy Madison. Billy Madison. Billy Madison. But then. I mean, Tommy Boy is any other year walks to the title as does Friday. Yeah, you're right. Oh, yeah. Billy Madison is on here. Sorry. And for those that know heavy weights. Yeah, that's great. Just show that that. That's. That's a lot of really good shit. Mall rats is in there. And then on the action tip, bad boy. And glue. Big time. Right. And clueless, which is an all-timer. Yeah. Not to mention, forget Paris. They're at a dinner and then we keep flashing back and back to the dinner. It's the format. Yeah. Has this run its course? Or should we do 1996? Let's pick this back up on another rep. Great. Maybe we'll have time. But we'll have our answers ready. Let's beat it into the ground. As we're doing this, I can feel the quads complaining in the comments. Yeah. Yeah. The Lonely Island and Seth Meyers podcast is supported by article. Key, what's your favorite article of clothing?

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20:20Do those words mean anything to you, Andy? I'll say. Okay. You're on the right side of history with this one, but you're on notice, buddy. With articles, 30-day satisfaction guarantee. You can shop with confidence knowing that if you're not completely in love with your new furniture, you can easily return it. This piece of mind ensures you can invest in your home without hesitation. Article is offering our listeners $50 off their first purchase of $100 or more to claim, visit article.com slash island and the discount will be automatically applied at checkout. That's article.com slash island for $50 off your first purchase of $100 or more. So guys, we are back. We're doing your album. It's written like a chain and we're going to do two songs. Well, we're going to do two tracks. Yeah. Let's not call things that aren't songs. Japan is going to be chunky, but should we just knock out another?

21:23What is? I'm sorry, I can't remember how do you. Classy skit. Classy skit. I'll show you just how it looks. Classy skit number two. Yeah. Okay, great. Before we start it, I will just say so you guys I want to talk about watch me do me. But someone did know this was coming. Say a question for watch me do me. Classy skit two. Who came up with it? parentheses. Definitely your right. Question mark. How was it recorded? Well, at least two out of three of you thought, yeah, this should be on our potentially platinum selling album. It was all three. Yeah. It was all three. Nobody, there was no doubt about this one. No doubt. Yeah, we're all idiots. People said that a lot at the time. Especially tea pain. Trent Paine of itch are deer bud. In the culture of being like, yes, but the beginning, okay, well, watch me do me. The beginning of karaoke by tea pain, which is a fucking banger. He says it a lot. And we were cranking that. This is just another more literal take on it. Got it. Well, hang on. Should we play the beginning of karaoke? Yeah, go for it. Yeah.

22:23There God must make it happen. I'm trying to be you. Yeah. Watch me do me. Watch me do me. Watch me do me. Watch me do me. Yeah. That is a good. Uh. Thanks. Well, I love it. And then your mousal guys, I had an idea. I had an original idea, guys. So this is a your mousal, right? That's my collection. Is that correct, your arm? You were just a hundred percent. Yeah. And then I think we got drew. Did you do the bait for us? I feel like he mocked us up for us. I think. That's not the question. It was a hundred percent your idea. Yeah, I'm trying to skip over that Andy. Not everything needs to be sat with and ingested. I would always be the ones a little down on our fake sketches. And then I remember a Monty, the guy that runs Republic Records, being like, no, I love

23:23him. It's part of like, I forget how he put it, but essentially the tapestry of one of these, it's just the fun of a hangout and you want those little goofy things, leave them in full-agre. And I was like, okay, this guy knows what he's doing. I really hope he said tapestry and you didn't just pin that on him. I love, I love the key to be convinced by a professional. Not as too best friend. Okay. I'm fucking real. Can we listen? Can we listen and watch me do me? It's 27 seconds. Yeah, I strap in. Oh shit, geez. Yes. Yes. We're taking over. Yeah, yeah, watch me do me. Watch me do me. Watch me do me. Don't look away. Watch me do me. Okay. Watch me. Watch me do me. Okay. Oh my massage. Keep rushing. Oh no. Oh. I'm finished doing me. Okay. Can I just say something?

24:23Because this does remind me there was a bit that I would do. I think it has an L when I started. It wasn't great. When that finished you said can I just say something or collectively said no. And I just kind of want you to sit with it. We've lost that right. We want you to sit with it for a second. Yeah, yeah. You think about what you've done. I think if you say something right away it will diminish what we're trying to accomplish here. Mick, you already made everyone's do better. I would do this bit that Andy in particular really liked it. I don't know where I would be pretending to ejaculate. Oh the trifecta. Yeah, the trifecta was me ejaculating. I talked about this all the time. Vomiting and shitting into a trash can basically like a little waste made of basket. And it would be like a little. Like was and Andy loved it. I still love it. I still can convince you to do it after a drink or two. I don't think much.

25:23But the best part about it is you know your arm's physicality. He starts acting like there's something happening inside his body that's making him spasm uncontrollably. I wish we had been good. No, no, no. Like his whole body starts vibrating. It's happening. You can picture it. Now do you think Andy have you ever thought of three like do which one is the sort of first domino to fall? In terms of those three things. Depends on the day. Well you are what order do you do them? And I was trying to remember this the other day because I'm 48. Oh god, Andy that's such a great question. You know I feel like it's a little bit like taking a card out of Fred Armas and wallet where you know like every time it's different. Oh good. You don't know it's going to come out. It's a yes surprise with yourself. Surprising yourself. Yeah. I thought it would maybe ask first then barf then jizz. But anyway. You might be right. So watch me do me. Should we listen again? We can probably only the only the only thing is it does you know and I'm already regretting the way I'm going to phrase this.

26:26It does kind of you know wash the bad taste of felc or the attray you out of your mouth. That's my burn. I think you've stopped you stopped thinking about that. I mean I think we can all agree that both of them are great lead ins to whatever song comes after because you're just like oh thank god. It's like Dave Sheppel's thing you know like you've really downplay what's coming after so you know sure like oh your expectations are already on the floor. I think people probably want to know what the sounds were. I think that's you Andy I gotta say. I think it's the thing where you like pinch your cheek and yeah yeah it's like a flapping. It's a bummer. That's not by the way there's a reason there's not video here that's not what Andy just did. Yes it is. Don't let's not say things. It was all been switched he said is it the old cheek thing and then he did a different thing on camera. You're right that it is like just such a perfect setup for like the thing that comes next Andy. It would be like if when you auditioned for SNL the guy before you did felc or versatility. Which I wish.

27:26I know but you would definitely watching learn react to that you'd be thinking oh man if I just keep this ball in bounds. Just don't die. Just don't die and then of course cut to 10 years later and learn like mad because you left the show and he's like we don't have anyone who can do felc or versatility. We're fucked. You completely changed his taste over that. Yeah but I mean I think people get watch me do me and I kind of curious where that beat was going. Yeah but I think that is Drew Campbell. It was a pretty fun intro. Do you think he cut it off there intentionally because you asked for just that? I think we probably were like 200 dollars like just don't do anything. We only need 10 seconds. We paid out a pocket guys. That's how the record worked for us. I don't think that's true at all. Well we got a stipend or whatever whatever you call it and then we spent it all our housing. It's wild realizing you never knew what was happening. I have a Kiva.

28:26You know like what am I gonna do math? I'm gonna do math. A Kiva plays like couple therapists and he just gets quiet while you guys work out stuff. There's no winning. If I button and say something they'll both gang up on me like a dad. Shut up and fuck up. Shut up and fuck up. That's not true here. Say something and watch. We won't do that. I would just well you guys started and I'll correct you guys just normally. I mean so the way that I did it would have been nice if I needed help. Shut up. Fucking turd. We don't want you in here. And just saying there's a budget and we all are on the calls you guys could just pay attention and look at where the numbers are going and where the money's going. Oh my god. We're so poor. So poor. They go straight to the atmosphere. No but thank you for being like you. Well this is a great by the way a nice segue about budgets and labels and what you get paid to make music because that certainly ties in very nice to Japan where the idea come from. I think this is from the beat. The beat inspired. Oh wow.

29:26I think it's a great beat by this producer named T-minus and it just came in the you know many many that we would get sent from various A&Rs and publishing houses. Is that what you call them? No publishing houses for books publishing companies. Yeah. Oh my god I can't believe you don't know this. So embarrassing. Hey I knew it when I said it and heard myself. So you heard the beat because it's such a premacy idea. Yeah just listen to the first few seconds. And I think we did exactly that. We were like in the room listening to it and we were like what is it? Wow. Look at us in Japan. I think it all just stemmed from because that is how we brainstorm on some of these beats when we don't have an idea. Somebody just talked about it. We either have an idea and then go searching for the beat that could fit the idea like oh I have an idea for a Drake song. Do we have any beats that sound like Drake songs? Or we go to a producer and say hey can you help us make a beat that sounds like a Drake song? Or when we're really out of ideas we just flip through beats and see if something inspires. It's mostly that dude.

30:27Well that's the lazier one so that's our more favorite. That's the better way. But it was it really was that quickly. I don't know if we listen to it longer. I don't know how fast one of us did the wow. But that is when we clicked in and started fucking around with it. I mean it's infectious. And then I think probably one of us just said, I can't believe we're in Japan. And then so you can't believe we're in Japan and then how quickly do you take the next step which is let's make a song about a video that would be expensive for someone else to pay for. I think you then think of like well you can't actually just do that. So what's the joke? Right. Sometimes just to get the ball rolling we will record even an intro to the song that we think is funny like just the wow. Here we are in Japan and just the mic is right there. We'll just say it into the mic, put some reverb on it and so we can play it and kind of hear if it's sounding funny even just right away I guess. Like when we were all recording over the writer's strike and wrote a lot of songs we have lots that are like the first 20 seconds of something that could be something and might be eventually someday.

31:30Should we listen to Japan? Yeah. Let's start. I can't believe we're in Japan. Look at all the whites. The food. The people. Wow. We're three cool white friends in Japan. So we are over. Are we cool or are we? Is it that we're three cool white friends? Yeah, just we're cool cuz we're friends. Just hitting y'all fast. I think we get into that. It is immediately you know in that way where a great screenwriting is like telling everybody who the character is right away. Yeah. It's called Jiroi. Exactly the lens I'm supposed to be listening to this song for. They say like a Huey Dory. Yes, I listen through lenses. Fucking hell. Yeah, one must and one is you. Sure. We're three cool white friends in Japan.

32:32We've never been to Japan. So we wrote a song about the three of us in Japan. And our label has to pay for it. Here we are. I like that we get a little atonal while we're explaining the prep. Yeah, yeah. Is that way? I would have thought that it's like a little more premise than the road you have to do. Yeah, the song doesn't want it. No. It's actively trying to remove it. But it's important. It's important and it's necessary. All right. So we wrote a song about the three of us in Japan. And our label has to pay for it. Here we are at our five star hotel. The one from Lotha Translation. In Japan. The views are amazing and they're champagne waiting. Because that's how we wrote it. Yummy. And now the label has to pay for the video. And pay for everything that we say. No matter why. For example, I'll be getting a massage right now.

33:33And I'll be drinking some sake. So excited to care. Now I always pictured this video just to be clear. Is that we wouldn't do it with any production value. So we really could live this. Where we would get like one or two camera people. Now it would just be on iPhone. And no lighting, no microphones because it's a music video. So like minimal footprint where it really is like the three of us and two other people. So five people total. And then get a like a tour guide group, like a high end one that creates bespoke agendas. And just go, here is the list of all the things we need to do. And we're going to be there for five days. And as long as we get through everything that I'm labeled, that's on this list, our time is yours. You're just describing a vacation. Which is, yes, but a well structured one. So just clarify, you wanted to do it cheaply, but you wanted it to look good. I wanted the video to look like just pure bee, pure documentary, like an Anthony O'Bour day in episode. Gotcha. Like not a polished music video where we're doing the lines and stuff.

34:37I mean, I think we could have also done the lines, but the video to be very clear in its style. And we spent their money to have that we did it like an Anthony O'Bour day in episode. That we actually, it was expensive because it was first class tickets to Japan, these hotels, all the things we talk about. Because if we shot it like a real video, then we're there and it's work. Yeah. Because then you're lighting and you're shot listing. Then I'm not getting to do the vacation. And I think you could feel that as an audience. You want to spend a hundred thousand dollars. If it's polished and we're like, here's the champagne and we're in the hotel room. And it's all lit like jizz in my pants, like a music video. That's not actually fun. Now we're just working. We had to go through hair and makeup. You know, there's nothing fun about that. I mean, it's fun, but not for this. What I wanted this to be is truly we go on this Japan vacation and people just document it. And we could do the lines, but it would feel, you know, homemade. What was that Drake video where he like handed out like a $100,000 million. Yeah, exactly. That was like a Blink-182 where they took the video budget and handed it out to people. Wasn't that Blink-182?

35:37That but selfish. Yes. I like key that you think that when people watch, you know, videos where there is people enjoying excess that the viewer is like, yeah, but that's work. Yeah, they're going to see the smiles on our faces and go, this is authentic. They're going to smell the authenticity. Like that's who she did. I love it. I'll see you guys are just so insufferable. Your voices are insufferable and perfectly executed. Some expensive girls. Here we are at the most expensive sushi restaurant in Japan. And now we're at Tokyo Disneyland. And now we're in Hawaii for one random shot that our label has to pay for. We're free. Whole white friends in Japan. Indonesia. The fact that we're white isn't white. We're friends. But we are white and we're friends. So that clarified why we were commenting on that we're white.

36:37Yeah. But not that we're cool. Don't get tripped up on thinking the white and the friend's part is like they're just tied together. It's happenstance. Exactly. And it's just facts and we're just letting you know what's happening. Are you saying it's not happening? Well, no, you're not. So you're saying it too. We're all saying it. A lot happening with these fellas. Like one, you know, they are their whites in a foreign country. Yeah. Kind of basic in their desires. But they're also little shits who are just fucking over their label. Yeah, they're little shits. They're just little shits. This tour guide in my fantasy was going to find the most expensive restaurant in Japan. Sushi restaurant and be like, well, this is the most expensive. It's like $2,000 a person and we'd be like, that's where we're going. It's a good shot. One shot in Hawaii. Which we definitely would have done and then just been there for days hanging out. It's kind of on the way. It's in the middle of the ocean there. You can, you know why there's a lot of Japanese influence. You can feel it.

37:37Did it ever actually get entertained? Wasn't Monty sort of into this idea? I've from mentioned Monty said, let's do it. He was down. Right. They would have paid for it. And then what happened? But he also understood the idea of recruitment though. You know, it goes against our own, our own album recruitment. So they get the last laugh every time those sons of bitches. He kept saying it's not my money. It's yours. Let's do it. Yeah, let's do it. You have to pay us back times six on every penny spent. So sure, guys, go ahead. Honestly, he would have ultimately made money on it. That is such a funny thing of album math of being like, right. But if they spend another $100,000 on a stupid Japan trip and their album is successful and sells lots and lots of copies, then they get to pay us that back sixfold. But these guys probably don't know that. I feel like these usses. Yeah, no, we weren't thinking about that. We just thought it was rad. And it would have been. Oh, what about that? Guys, it's not too late. It's not too late. We tell the wives, we're so sorry. It's work. We gotta go. It's work.

38:37And the good news is, if it goes well, we lose money. Yes. There's zero percentage. It makes us any money. And a hundred percent chance that it puts us back in the red on the album. And we're friends. In Japan, this point in the video will be super drunk, standing near some kind of dragon. And we'll buy some sticky-used girls panties out of one of those pervert bending machines. I like that we are becoming uglier and uglier Americans who haven't even... You didn't start likeable, but now you were... No, but now we're veering into disrespectful to the local culture as well. Just no research. Just some kind of dragon, just the vagus interest. Well, we're drunk now, that's you. But that one line about this sticky-girls panties, I will say my kids love this song. Every time there's a little heart-hick up for me when listening to them, like, here it comes.

39:37And I do the thing where I speak really loudly over certain parts where I'm like, Hey, you guys picked up, we should go to the park. I do that trick. But we walk it back, we acknowledge those are pervert-fending machines. Sure, we're doing it as a joke. Yes, but we would have done it in the video. Absolutely. We would have had to because that's what was in the song. For the joke, that's not our thing. No, guys, no. We don't kink shame, but that's not our kinky. It's just our thing. It's just for the song. We all have fairly specific kinks. Yeah, we all have them. It's crazy. What are the odds three whites? We're friends because of that, but our friends would share a kink. Would share a kink and it would be a bad one. Unless they, of course, met on a message board that celebrated said kink. Yes. And then made agreements to meet outside the message board, maybe in person. Right. For perhaps doing some sort of trades. None of which are sex tourism to Japan for the fending machines.

40:37I know. Here's a question. We don't have those here. Does that mean it's more of a kink there? Or is it just like they lean into it more there and are more open about it? You know what I mean? Have you identified a hole in the marketplace in the USA? Look, I wouldn't even know where to begin because it's not something I'm into in the slightest. Well. Or is it ours as one collective? Andy, Shopify, the Big Purple button. It's a great way to start whatever business you want. It leaves less cards empty. And anyway, I think this is the wrong time. I don't know. That's what you can remember that well, Yorm. Jesus. Really. You really commit to our ads and I appreciate that. Thank you. Really nice. A good memory, Sean. Get paid. Out of one of those pervert bending machines. Now we've seen two more excellent lies. Unless we get dropped by our label. It's a part of our master plan to get so much needing our in our act.

41:40These men, some universal records. Wow, look at all these Japanese minds. I remember discussing we should say universal records, even though republic records is the real name. They're part of UMG, universal music group. But we were like, yeah, but we say republic records. We were like, it just sounds bigger to say universal because everyone's heard of it. Yeah. What recession is that what you said, Yorm? What recession? Yeah, dude. Hitting that stuely line. That's stuely shirt. That was off of just you guys, right? When we bought the shirt, it came out that said stuely saying what recession? Yeah. Yeah. So we backed that one for a later day. Well, it would sound like if stuely said it though. What the recession is? Is that a talk like that? Yeah, it's really good. It was better than I thought it was going to be. Initially, there was a pause and maybe think he don't got a stuely. Sure. Well, I wanted to take my time with it. You want to do you coming in to read for live action family guy? Yes. And what would you like me to read? No, you don't. Okay, forget it. We've done on this podcast. Just move on. We'll have time. Okay, we'll move on.

42:40Yorm thinks he's coming into audition. He's stuely. He literally doesn't know where he is. All right, so do stuely auditioning for Elvis. But then you got to do the bit where you realize you're bad at you guys' layers. Oh, yeah, yeah, yeah. Stuely has to realize he's bad. Ah. Hi there, our bads Lerman, a big fan of family guys. So happy here. We're down to a couple of finals and we set McFarland made a call and we're very happy to have you. Oh, yeah, I'm going to be doing Stuely and this is Stuely reading. He's going to be singing a song from the guy Elvis. And this is a blue suede shoe. So hold on to your hips. Okay. I just put on my blue suede shoes. And then this is the part where I thrust my pelvis back and forth like this. Is that... I'll just go. I didn't do the end part very well, but... I actually didn't notice that you kind of have overlap in your tone of voice with Seth. You mean that when you were just doing Seth McFarland?

43:41I was like, you kind of sound like Seth McFarland in that moment too. I got to. How was this to you though? You know, being honest to you guys. Was that all right? It was there. It was there. I would have ever have thought it was something else. Yeah. It helped that we kept saying Stuely. Guys, let's keep this civil. Let's keep it normal. Oh, no, the therapist is spoken up. You know, in the therapist chips in. I always think things are getting ugly. I was setting you guys up to be like, Fuck you! Get off me! Get off my brain! Wait, we still have more of the song Japan, you guys. My favorite part of the song. You know what's funny? I could feel us needing to telegraph that we know the joke with the word douchebags. And I kind of didn't need it. I know. I had the same thought. I felt judgmental like. Yeah, it was in there. Like, that's the fun of these guys. They're characters. No one thinks it's us. We don't need to have them become self-aware. If I was going to change one thing, it would be that. It's self-evident. Also saying cool white friends is that it's redundant to say that douchebags. Yeah, we understand it. Also, they would never call themselves that.

44:41That's what I'm saying. It's breaking the world. Yeah. It's breaking the rules of the world. Obviously white friends are cool. That's what I thought you were saying. Well, with your underlying political beliefs, I kind of thought that's where. Well, I feel like now that we're great again. I don't need to say the name. Yeah, we got to be good. Take us home, Keith. Now we've seen two more wrestling lines. And let's be get dropped by our label. Let's work three white douchebags in Japan. It's all part of our master plan. To get so much needed in our honor. He spends some universal records. I love what the beat is doing there. It's called yen. I heard it's worth more than American money. Let's dump it in the river. Close your mouth, you guys. The label of this video is really expensive. Bye. We'll see mom. Dump it in the river. Our rental car. Dump it in the river.

45:42It's all gone. Dump it in the river. And now we're flying home first class. Okay, Keith, I have a question. Have a question. Since we're doing this low five, right, dock style, right? Like, blink one, eight, two, or whatever. How are we doing the old guy in the river? I think we still have that. That's your concern? The rental car was the thing I thought you were going to say. Yeah, the old car is fine. It's not. They get us a stunt person to dress them up. You just find an old man. That's what Keith's saying. But I'm saying they're be doing them a favor. They don't have a life anymore. You either do a stunt person or like an obvious dummy. We would hire like a Japanese production company to help facilitate because they have to get us the camera guys. Let's we're flying out with them. That's a slippery slope and to work. I gotta say, I don't know. But a car. A full car into the river. Yeah, they get some old car that doesn't work anymore. It's just a shell of it and put it's in neutral. And we just push it on into that river. But you do it. I mean, it's going to cost much. I'm not saying it's going to be cheap. You just push it on into that river.

46:43Yeah, and they're going to crane and they take it out. The crane is expensive. It's not about saving money. It's about our enjoyment. I just want us to be able to pull up in a black car, hop out. They go, there's the car. Push it in and we go, yep. Here we go. But I'm saying, we're going to leave. Work around. We as if we're pushing it. We push, right? And then body doubles. B camp. Like that's a whole B-shoot when I'm involved in. I mean, I hate to tell you guys the way to do this. But clearly what you want to do is you want to rent a car from an old guy. You push the car. Oh, right, right. Have the same goal. And then you keep the camera rolling and he's like, what are you doing? And then you have to push him in two shots. That's great. See? You could have come with us. Yeah. I would love it. I would love it if you guys ever invited me fucking anywhere. I really like a Japan lock, guys. Thanks, athlete. Oh, wait. And totally it's completely different from anything on the album, which is really fun and cool. Yeah, that again. Yeah. I don't know how exactly to say this. Totally to me, Japan feels very kivinyorm. Like the same way just two guys does for me where I'm like, I think maybe because it's even like kind of similar to, why did you just

47:46write fuck you on the screen and give a, just seeing if I could. Oh, great. Like, we've talked about this a long time ago. Like when we were in high school and they did, they're like on their little boombox skit of them talking over the Wu Tang skit where they're like, oh no, not Shaheem. Like, it's like their comedic tone. Yeah. That's something that has always made me laugh ever since I've known them. And it's very funny. Are you saying that we're irritating? Sort of. No. Like, you guys have a tone that I didn't have in my comedy until I met you. That's what I'm saying. It's also very fun. You guys are so effective as going very hard. Like the comedy being, like going hard in a sort of contrast to like the way you look and the way you're often presented on camera. So this one's very fun too because it's just such a right turn. It's the opposite of trouble on Dukie Island in terms of our posture. It's quite soft. Yeah. Something's always a little off though. I'll tell you that much with these guys. Seth, we can be femme.

48:46Very progressive. Very progressive. Somebody referred to you. Have we talked about the three adores? That's what everybody said last week as well. And it was an episode with the three adores. Yeah. Three, three adores. I scan through the YouTube comments and Andy, a lot of people thought we texted about this. A lot of people thought it was me and your on trouble on Dukie Island. That's right. Really? Yes. Because Andy, as he pointed out, he's a little out of his normal range on it because he's doing a screechy high guy. Kev is usually in the ad rock upper register. Correct. And he's going in that thing. Now it sounds interesting. Obviously, to my ear, I know it's you for every single part of it. It sounds like you. Yeah. But I can understand that people that don't hear our voices as often wouldn't have known that. Yeah. But they listen to this pod though, you know. Yeah, but for years, you know, this isn't an older album. Also though, I would argue probably there's lots of people who listen to the pod who can't 100% tell us apart all the time. Well, I'm Andy.

49:46Don't do that. Seth, could you tell who it was on the song? I did. I could tell. Yeah. Okay. Anyway, for everyone out there who thought it was Kev and not me in your face, I'm good too. Whoa. I can do things too. Is that what this is about? Andy, is that what this has been about? I couldn't be high guy. I couldn't be the high guy. Oh, we always thought you could be the high guy. You proved that. Yeah, it's hard to listen to a little though. So I think maybe it's not something we ever did again, but I can do it. You sound good on it. Thank you, Kev. I love you. I'm a little bit lazy to compliment. Guys, got an email from Eric Krypki. I hope that's how you say your name, Eric. He created the boys. Yeah, Eric. I know, Eric. Fan of the pod. Ah. Quaid Army. He wrote me. Actually, he's in two Quaid armies because he works with Quaid, Jack Quaid. Oh, right. Of course. Double Quaid Army. Yeah. Yeah. Yeah.

50:47He did write this. And I do, I think part of it is he wanted to share it because he understands he's submitting a fan lyric to the pod and like you guys judge him as you see fit. I would never do that. And first of all, Eric, thank you for the kind words. Also, congratulations on the boys. Yeah. Thank you for your show's friggin' dope. Thank you for your shows. Incredible work. And thank you for, you know, again, anybody who uses Quaid to such good results, we're a fan of yours as well. Every time I hear this song, Jay's in my pants, I suddenly sing to myself an alternate lyric. I'm sure it's lame, but I need to get it out of my head so I figured I'd mention it so the guys can properly ridicule it. Here's my fan lyric, I suppose, toward the end of the song. I just write in my pants when your body's close to mine. You say I'm premature. I say I'm right on time. So he's just like hearing that? He's just like, I think he's just kind of like juicing to like, it might be like the Mandela effect. Like maybe even he just thinks that's a lyric and it's not. Yeah. Right. It's not bad. That could have been the alternate lyric. Yeah. I don't think there's anything wrong with that lyric. You know, there's a lot of doubt, does protest in this song. I think that maybe it crosses over into not protesting as much.

51:50I don't know. What is it? It's when we're holding hands, it's like having sex to me. Ex-dicey? Isn't it ecsticey and sex to me or something? You say I'm premature, I just call it ecsticey. Yes. Six, one and a half notes. Yeah. Six, one and a half notes. Yeah. Holding hands, it's like I think sex to me. Yeah. You're right. Lateral. At least lateral. It's lateral. So congratulations on receiving the highest grade possible, Eric. Lateral. Yeah. If you were in the room, you probably could have. Well, if you started in A plus and you're lateral, you're still in A plus. Oh, yeah. Look, it's a nice thing. It's criterion. You didn't make a criterion song, anyway. Uh, Jack Black. Spelling B. Spelling B. Ugh. Yeah, sorry about it. What? What? Not the B. I knew, too. You already told me. And I mean, I hate having to do it. I bailed one short. And do you, I mean, I'm not going to get it. But are you kicking yourself? Yeah, because it was bodega.

52:51Oh, I should have got that. Been gone from New York too long. That's not English, is it? A Kiva. How dare you. That's it. But do they put not English words? Do they put French words? Such a such a... Wow. What's up, your comment? Come to New York and say that, Kiva. Oh, your arms got a Kiva. Come to New York and say that. You and the octagon, Kiva. I like my spelling B's American. Oh, and fucking believe. You throw them the gauntlet. Oh, my God, he's chanting. French, to French. Yeah, I'm far out. It's a bottom. I mean, now I'm going to get it, because you gave me bodega. And I didn't, you know, that's not on me. If I overhear it, I'm just in the world. I hear bodega. Like, what? Now I got to not use it in spelling B. Wait, no, that's like inside of your training. That's not. That's not. I didn't have to tell me. You didn't, you should ask me. You should ask me if I was done. I'm not done. Now I get bodega. You said that you were tripping about me saying it. You said it. Whatever, I just put it in. I got it. You know what? Great. I'm still 17 away. Wait, Andy, when you say you build one short,

53:52that means you gave up like a jump? It means I got every word. I got to a certain point where I was five short. Then I used four hints. Yeah. And so it would have been a five-hinter. It wouldn't have been clean anyway. Yeah. And then your wife starts screaming, why are you doing this to us? And then you're like, fine. Yeah, you're fine. And I'm like, get off my back. I'm one away. I'm nothing. I'm one away. I have nothing but this. She comes right in after me with the rolling pin. Classic. She's like, all day I make you pie. Oh, sorry I make you pie. This is my thing. And you're on that infernal machine. You're on a pie with every mouth. What part of me being the real world Andy Cap don't people get? Can you think Andy Cap went out of circulation? A lot of people get that rough. Two peas. I wonder. I wonder if Andy Cap. Look at him guys. When did Andy Cap go to circulate? There by the way, there's a great chance it's still in circulation. And I was going to say Key and all of our circulations in my mind.

54:53Andy Cap, last strip was. His not ended. Great. It has to have handed off. Who does it, I assume? Yeah. Red smith, red smith died in 1998, but they've been good. They've continued. Yeah. I bet it's woke now though. It's a little bit. He drinks water now probably. Now he burns the casserole. Yeah, totally. I can't stand it. Well drinking NABs. It's a lot of nabs. All right guys, well that was it. How many two more songs on turnleck and chain that are not SNL videos? Got After Party with Santee. Santee. And we've got No Home Oh. All right. And I think that that's kind of it. And we also got a lot of comments about how people liked that we were doing really deep dives on one song from the album instead of blowing through it. So we're trying to slow it down on purpose here. Yeah. But I also think there might be some doubling back where we could go look for some that we did just kind of maybe a little quick.

55:56Rezover and actually kind of get into it. Hit us in the tittis. Anything that we needed to deeper dive on. Yeah. And hit us in the tittis. Anything we missed on Japan? Think from a crowd about it. And I think that this is a nice reminder for everyone out there. To just slow things down. Slow things down. I just a bit. So have things out loud. So much that you say them slower. Yeah. In a way that's like you've gone for a long time. Not just for your album enjoyment but for your crosswords. Right. Is what your arms get out. Your arms always say finishing as far as importance finishing it is of the many is importance. Yeah. Races are not about finishing them ever. Interess on time. Yeah. And also your is like you know what? It should never happen between friends. There should be no crosswords. We shouldn't even text about it. We don't have to always text our scores. Sometimes that can be internal. Yeah. Yeah. Those times to ourselves because the journey is with yourself. You know what I mean?

56:56You're only competing against yourself. We should make a little schedule for when because I want to make sure one of the four of us is taking it to the streets, taking Drac's name to the streets. Pretty much non-stop for the next week about this church. I know. So let's just make sure we're out there in the streets. We should probably get her to defend herself. Yeah. Yeah. You know sometimes people yell things during Rocky Horror. Yeah. You go by take us to her show and just yell that. Can I, hey, I'm here to audition for Rachel Drac explaining why she said church ladies said church chef. Oh, we're closed actually Seth. No. The audition happened in our room. That's not how this works. Not how. It's real. Not yes, Andy. Sorry. Sorry. We can go ahead. Yeah. Good to see you Rachel. Oh my god. Oh. What? Did I? They hate to hold me. Let's see how much that aligns with what she says. Yeah. I know. We get a voice no from her. I by the way, we were text about it.

57:56I'm just going to also big while we're talking or NYT. We're game people. I got first last name. I got Seth Meyers in the crossword last year. Yeah. That was a nice one really sweet. September 1st. Just, you know, peace and love to everybody over there. It was a big deal. Yeah. I got out Michael Hoffman who I just hung out with for the first time. Michael is a New York Times game enthusiast because he works there. And he started listening to it. He an enthusiast or does he work there? No, he's both. He's both. Wait, does he work for New York Times games or does he work for the New York Times? He works for New York Times games for the New York Times. Right. It's the same umbrella company. Like how we're comedy enthusiasts by way of it being our jobs. I know. I am. Yeah. Anyway, I mean, we are. It's true. Oh my God. Anyway, our kids hung out in the park recently and he told me that he started listening to the public as people at New York Times games were like, hey, you got to check this out. My man, your, don't know how to talk. My man, your, don't know how to talk.

58:57He's a new guy. He don't know how to talk. He don't know how to talk. I'm just getting zen with all of this. I just want all of you guys to know that I'm. By the way, I would say like, obviously Seth Meyers finds this way in the crossword because all my letters are good letters. Right. And I was just thinking like how fucking hard a crossword puzzle would have to be to need to use like a Kiva shaffer. Yeah. Yeah. And you're met to Coney. Like there's no day of the week. That's hard enough. I bet they can't do it. I bet they can't get it in there. Yeah. Jay, you may be Andy. They would need to put in some work, but it's possible. But there's no, and never in a million years. But don't put a pass them because they are winter soldiering us. They are winter soldiering us. And you're also me and you're not famous. Do you think that has to do with that? We have shitty names. Oh. May shitty. Probably. With bad letter full of bad letters. Oh my god. I mean, even in fucking Finland, my name means giant penis. So I mean, fucking like not not even that. My middle name is Daniel. And I often think I should have the moment we got as an open like called me a Kiva

1:00:01Daniel. And then that was interesting that you weren't going to drop the Akiva. No, I think Akiva's cool and memorable. Akiva's good. I'm not a rapper that turns to you. I'm using the chabby gobly hook who cares. Akiva's a great name and it doesn't mean giant penis. No. It means tiny penis, right? Yeah. Invisible. But it is. The old school kind of way though. A lot of, a lot of Finnish girls will sort of be like, I'm not looking for a yarm out but bigger than a Kiva. I like it to keep it simple, you know. So far between Akiva and Kiva. Akiva, two not okay. I know you're not for tonight. That's not how they talk. That's what you said. Oh, sure. Now that we're rolling, that's not how they talk. All right. Love you guys. All right. Love you guys. Love you guys. Later Arnold. Later Quades. Later Stewie. What's Recession? Later Seth McFarlane. Later Quades.