About this episode
How did Chinese painting, arguably the elitist of arts, fare during the Cultural Revolution? To discuss ink paintings, socialist realism, oil paintings and the political upheavals that formed their backdrop, I’m joined by artist Arnold Chang and Curator of Chinese Paintings at the MET in NY, Joe Scheier-Dawlberg.
We discuss:
Whether chaotic periods produce the best art
The role of escapism in the creation of Chinese paintings
Painting, the CCP and the four olds
Why so many Chinese paintings have writing on them
Which university exhibited a 12 by 20 foot oil painting of yours truly without prior permission
Check out the newsletter at https://chinatalk.substack.com/
James Cahill lecture series: https://ieas.berkeley.edu/publications/ieas-publications/james-cahill-video-lectures/pure-and-remote-view-all-lectures
Cover art is the random giant painting of me.
Check out my teacher's paintings here! https://mp.weixin.qq.com/s/KnvizfUxkr6TDlZk6sf6_Q
Outtro music: 良宵引, a Ming dynasty banger https://www.youtube.com/watch?v=s99gDVECTro
Learn more about your ad choices. Visit megaphone.fm/adchoices
Get every episode summarized
Each time ChinaTalk publishes, we email you a written briefing from the transcript — the topics, who appeared, and any specific claims, with the ad reads skipped.
Email me new episodesFree for 3 shows. No card needed.
Hosts & guests
No transcript yet
This episode has not been transcribed. Request it and it moves to the front of the queue.
More episodes


