The Business
Lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors, hosted by award-winning journalist Kim Masters of The Hollywood Reporter.
Episodes (1017)
Sharmeen Obaid-Chinoy shares her path from making docs to directing ‘Ms. Marvel’
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Comedy is back: ‘The Lost City’ hits $100 million in theaters
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Samuel L. Jackson plays dementia patient in his most personal project
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‘Squid Game’ creator on the series’ global success and Netflix as a platform
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‘The Great’ creator on swearing, sex and ‘fun’ violence in 1700s Russia
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Replay: Creating ‘Reservation Dogs’ with Indigenous cast and crew
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Stories shouldn’t have to justify Blackness or womanness: Natasha Rothwell
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7-season ‘Grace and Frankie’ is Netflix unicorn of creator Marta Kauffman
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‘Dear Mr. Brody’ looks at thousands of unopened letters to a millionaire
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Powerful Hollywood agent turns to producing ‘Pachinko’
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Rerun: ‘CODA’ filmmakers on growth of Deaf representation
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Porn meets feminism in Ellen Rapoport’s new HBO comedy ‘Minx’
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Showrunner Liz Meriwether finds critical acclaim with ‘The Dropout’
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‘Dune’ director and producer on making epic sci-fi saga without a Marvel budget
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China’s rise, from factories to movie screens
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‘Drive My Car’ director takes Japanese art house cinema to Oscars
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‘King Richard’ director on relating to Williams sisters and nabbing Oscar noms
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Paramount doesn’t impress investors, Oscars struggle to reach audiences
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‘We Need to Talk About Cosby’: W. Kamau Bell on comedian’s complex legacy
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Phil Lord and Chris Miller on ‘The Afterparty’ and dynamics of their partnership
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Marlee Matlin and Siân Heder on ‘CODA’
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Bradley Cooper on future of movie business: ‘There is trepidation’
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Bradley Cooper on ‘Licorice Pizza’ and ‘Nightmare Alley’
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Asghar Farhadi on his Oscar-shortlisted film 'A Hero'
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Director Maggie Gyllenhaal on ‘The Lost Daughter’
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Megabanter 2021: Streaming wars get real, legacy studios at risk
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Oscar winner Mahershala Ali on ‘Swan Song’
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‘Flee’: Using animation to protect an Afghan’s identity
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With Discovery on the way in, what does the future hold for HBO?
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‘Tinderbox’: HBO has drama on and off the screen
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Netflix’s ‘Procession’ is a therapeutic experiment, using drama to ease past tra...
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Kieran Culkin on why his edgy ‘Succession’ persona sometimes follows him off-scr...
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Netflix’s ‘Found’: International adoption, uncovering complicated family histori...
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What went wrong on the set of ‘Rust?’
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How Edgar Wright makes original movies in an industry obsessed with franchises
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The return of HBO’s ‘Succession’
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Writer Danny Strong on his quest to make Hulu’s ‘Dopesick’
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As the Academy Museum opens, Los Angeles finally has a grand space devoted to mo...
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IATSE behind-the-camera workers make movies and TV shows happen. They may soon a...
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‘Plan B’ and ‘Language Lessons’: Natalie Morales on making her directorial debut...
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Sterlin Harjo on creating FX’s ‘Reservation Dogs’ with an Indigenous cast and cr...
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‘The Other Two’ creators Sarah Schneider and Chris Kelly on the return of their...
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‘Hacks’ creators Jen Statsky and Paul W. Downs on their Emmy-nominated comedy se...
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‘Space Jam: A New Legacy’: How voice actor Jeff Bergman brings Bugs Bunny and Sy...
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Director Shawn Levy on the ups and downs of making ‘Free Guy’
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Producer Jason Blum on the battle around compensation in Hollywood: ‘I hope ther...
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Media mogul Barry Diller defends Scott Rudin, decries cancel culture
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Barry Diller on the rise of streaming and why Hollywood ‘does not exist anymore’
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Making sense of the 2021 Emmy nominations and revisiting ‘Catch and Kill’
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Daveed Diggs on ‘Blindspotting’ and creative ventures after ‘Hamilton’
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