Notable Guests
Episodes (532)
236: Modern Classics: Carina Del Valle Schorske on Cat Power's "Manhattan"
Switched on Pop
235: The Joy of Music Festivals
Switched on Pop
234: The Beauty and Horror of Insane Clown Posse's Summer Festival
Switched on Pop
233: Summer Festivals: How Coachella co-opted the Woodstock look
Switched on Pop
232: Modern Classics: Mark Ronson on Ginuwine's "Pony"
Switched on Pop
231: Summer Hits: Jack Antonoff on Bleacher’s “Stop Making This Hurt”
Switched on Pop
230: Modern Classics: Yola on Childish Gambino’s “Redbone” and the Longevity of...
Switched on Pop
229: L’Rain asks “what have you done to change?” (live at JBL)
Switched on Pop
228: Summer Hits: City Girls - Twerkulator (with Kyra Gaunt
Switched on Pop
227: Summer Hits: Lorde - Solar Power (w Hanif Abdurraqib)
Switched on Pop
236: Summer Hits: Olivia Rodrigo - good 4 u (with Jessica Hopper)
Switched on Pop
225: Modern Classics: Labrinth's "Sexy MF" (with Sam Sanders)
Switched on Pop
224: Growing Pains with Lucy Dacus
Switched on Pop
233: Summer Hits: BTS - Butter (with Jenna Andrews)
Switched on Pop
222: Pop’s Worst Kept Secret ft. Emily Warren
Switched on Pop
221: 40 Years Later, Japanese City Pop is Still Crashing the Charts (with Cat Zh...
Switched on Pop
220: J Cole’s The Off Season and the Power of the 12/8 Shuffle
Switched on Pop
ICYMI Rina Sawayama Reimagines the 00s
Switched on Pop
219: Vijay Iyer on why jazz has always been political
Switched on Pop
Introducing Galaxy Brains
Switched on Pop
218: Turns out Willow Smith rocks
Switched on Pop
217: Julia Michaels’ Songwriting Superpowers
Switched on Pop
126: How Take A Day Trip took off (full interview)
Switched on Pop
216: The Mystery of Montero AKA Lil Nas X (feat. Take A Day Trip)
Switched on Pop
215: Pop On A Perilous Planet (with Kyle Devine)
Switched on Pop
214: Inside the songwriting session with Teddy Geiger & Dan Wilson (On Air Fest...
Switched on Pop
213: Silk Sonic's Retro Soul (with Tayla Parx)
Switched on Pop
212: AJR Conjure Broadway on OK Orchestra
Switched on Pop
211: Return of the Funk Guitar: Cory Wong Breaks Down Dua Lipa, Jessie Ware and...
Switched on Pop
210: What the 63rd Grammys say about the state of pop
Switched on Pop
209: Kimbra reflects on a song we used to know
Switched on Pop
208: Kaytranada's Journey from Basement Beat-making to the Grammys
Switched on Pop
207: If The World Was Ending We’d Talk to JP Saxe About Songwriting
Switched on Pop
206: Adrian Younge's new project sounds like James Baldwin meets Marvin Gaye
Switched on Pop
205: The Scandalous Sounds of Bridgerton (w Kris Bowers)
Switched on Pop
204: How The Weeknd’s “Blinding Lights” used retro sounds and modern bass to bre...
Switched on Pop
203: Epik High is our gateway into Korean hip hop (with Tablo)
Switched on Pop
202: Olivia Rodrigo’s “Drivers License” is a full throttle power ballad
Switched on Pop
201: D.O.C. (Death of the Chorus) with Emily Warren
Switched on Pop
202: ICYMI: The End Of Pop Music As We Know It: Fall Out Boy & Charli XCX
Switched on Pop
102: ICYMI: Do You Believe in Life After Autotune?
Switched on Pop
200: Wham! Op. 84, “Last Christmas” with Chilly Gonzales
Switched on Pop
199: "evermore" of a good thing
Switched on Pop
198: Women's Rap Renaissance
Switched on Pop
197: Red Hot + Blue with Meshell Ndegeocello
Switched on Pop
196: The Cyndi Lauper Conspiracy (with Sam Sanders)
Switched on Pop
194: ANTHEMS: Missy Elliot — Work It
Switched on Pop
194: ANTHEMS: Smash Mouth - All Star
Switched on Pop
193: ANTHEMS: Jock Jams — Get Ready For This
Switched on Pop
192: ANTHEMS: Queen — We Are The Champions
Switched on Pop
