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newsMar 20, 20261:28

Yentl's Journey: A Modern Yiddish Stage Hit

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Kadimah Yiddish Theatres stage adaptation of Isaac Bashevis Singers Yentl is heading to London, following a successful run in Australia. This production, based on the 1962 short story, stars Amy Hack as Yentl, a young Jewish woman who disguises herself as a boy to pursue her love of learning. The story explores Yentls romance with Avigdor, played by Ashley Margolis, and her relationship with Hodes, portrayed by Genevieve Kingsford. The Yetzer Hora, played by Evelyn Krape, serves as narrator and trickster, pushing Yentl to challenge traditions. The production tackles themes of identity, gender inequality, and knowledge quests, with a queer feminist vibe. Directed by Gary Abrahams, the show features an evocative set by Dann Barber and mixes Yiddish and English with surtitles. The talented cast delivers, though the first half paces unevenly. This meandering yet intriguing production, with brief nudity, is suitable for ages fourteen and up, leaving audiences hooked until the poignant end.

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Yentl's Journey: A Modern Yiddish Stage Hit

UK News Today | 2 Min News | The Daily News Now!

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UK News Today | 2 Min News | The Daily News Now!Yentl's Journey: A Modern Yiddish Stage Hit. Machine-transcribed; use the interactive transcript above to jump the player to any line.

On March 20, Kadima Yiddish Theater's fresh take on Yensel is heading to London after a strong run in Australia. This stage version draws straight from Isaac Bachevich Singers' 1962 short story, skipping the glossy 1983 Barbara. Strysanne film. It stars Amy Hack as Yensel, a young Jewish woman in an 1870s Polish sterile who disguises herself as a boy, named Ansel, to pursue her love of learning at a Yashiva. The story dives into Yensel's unexpected romance with fellow student Avigdor, played by Ashley Margolis, who's smitten with local hoads, portrayed by Genevieve Kingsford. A playful figure called the Yetser Hora, brought to life by Evelyn Crap, acts as narrator and trickster, pushing Yensel to challenge traditions. Themes of identity, gender inequality, knowledge quests, and queer feminist vibes make it hit home today. Writers Gary Abrahams, Elise Esther Hurst, and Galit Klaus have reimagined it to feel current while honoring the original bittersweet tone.

Directed confidently by Abrahams on an evocative set by Dan Barber, the show mixes Yiddish and English with Sir Titles. The talented cast shines, though the first half paces unevenly before settling in the second. This meandering yet intriguing production suits audiences open to its spirit, with brief nudity guiding the 14-plus rating, leaving you hooked. Through the poignant end.

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