
About this episode
Some fans of the indie-rock band Geese have been feeling betrayed after learning that TikToks that looked like they were made by fans were actually created by a PR firm. But is this just what artists have to do to make it in our hyper-saturated music world? And when major record companies have long been accused of payola, is this even new? We talk about how TikTok and Spotify algorithms work, and whether we can ever discover music without marketing having its thumb on the scale.
Guests:
Glenn McDonald, former "data alchemist" at Spotify; founder, music microgenre catalog Every Noise at Once
Darren Hemmings, author, industry insider newsletter Network Notes; founder and managing director, UK marketing agency Motive Unknown
Bobby Davin, senior vice president of A&R and label partnerships, Stem Distribution
Hiroki Tanaka, former lead guitarist, Canadian experimental prog group Yamantaka // Sonic Titan; just released the solo album ISAN (遺産)
Olivia Jones, associate music analyst, MIDiA Research
Learn more about your ad choices. Visit megaphone.fm/adchoices
Get every episode summarized
Each time KQED's Forum publishes, we email you a written briefing from the transcript — the topics, who appeared, and any specific claims, with the ad reads skipped.
Email me new episodesFree for 3 shows. No card needed.
Hosts & guests
No transcript yet
This episode has not been transcribed. Request it and it moves to the front of the queue.
More episodes
More from KQED's Forum

Can Anyone Solve America’s $40 Trillion Debt Problem?
KQED's Forum
Sep 3, 202654:45completed

In Daniel Mason’s Comic Novel ‘Country People,’ California Collides with New Eng...
KQED's Forum
Sep 3, 202654:48completed

Rozina Ali Traces Islamophobia’s Long Shadow
KQED's Forum
Sep 2, 202654:50completed

Can the Trump Administration Allow Private Development in Yosemite?
KQED's Forum
Sep 2, 202654:48pending