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newsApr 2, 20261:31

Van Lamsweerde & Matadin's Love-Fueled Retrospective

About this episode

Inez van Lamsweerde and Vinoodh Matadins new retrospective, Can Love Be a Photograph, challenges the truth in images. Their unique blend of fashion, portraiture, and digital manipulation humanizes celebrities, while their latest series, Think Love, reflects their own journey. This exhibition at Kunstmuseum Den Haag until September sixth, explores photography as a tool for change, not just snapshots.

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Van Lamsweerde & Matadin's Love-Fueled Retrospective

UK News Today | 2 Min News | The Daily News Now!

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UK News Today | 2 Min News | The Daily News Now!Van Lamsweerde & Matadin's Love-Fueled Retrospective. Machine-transcribed; use the interactive transcript above to jump the player to any line.

On April 2nd, Inez Van Lam Swerde and Venued Matadine, the Dutch photography power duo just dropped a massive retrospective after 40 years shaking. Up the art world, their new book, Can Love Be a Photograph, pairs with an exhibition at Kunstmuseum Den Hog, running until September 6th. They blend fashion, portraiture, and straight-up disruption, questioning if pics really tell the truth. These two have always pushed boundaries, mixing digital tweaks with old school collage and photomontage. They turn to lives into vulnerable icons, think Brad Pitt looking soft and pretty, or Bill Murray with flowers in his beard. No raw docks here. They amplify and transform, making subjects larger than life deities or ghosts. Fans and critics dig how they humanize without stripping bare, grouping shots into 16 themes like still life and worship. It's all about photography as a tool for change, not just snapshots, building trust with

repeat collabs like Cindy Sherman and Lady Gaga. Lely, they've layered in more team input from stylists to designers, even slipping themselves into the frame. Their freshest series, Think Love, captures their son Charles and his partner, mirroring their own early days, proving photoshape our emotions and bonds. This word doesn't fix photography's puzzles. It lives in them, showing love and images as risky practices that remake us all. Cast the show while it's up.

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