Todas las revueltas de Grison (CARNE CRUDA #1620)

0:00The Toyota Tundra and Tacoma are built to keep going, backed by Toyota's reputation for legendary reliability. Step into a Tundra with the available iForce Max Hybrid Engine, delivering impressive torque and serious towing power. Or take a look at Tacoma with an available power lift gate, so gear goes in fast and the adventure keeps moving. Toyota trucks are built to last year after year, mile after mile. So drive one home today, visit Toyota.com to find out more. Toyota, let's go places. What do you like? Let's go to Tacoma. Yes, let's go. What do you like the third one? Well, you can give me one, I don't know if you will give me. No, no, I will give you one. Please, I will give you one. Give me the one, I will give you. You will give me. Come on, you're asking me. I'm a man. And 20 minutes ago, you're well. I'm not in the middle of the day, you don't know. You have to feed yourself. You're a man. You're a man. You're a man. I'm a man. No, I'm good. You're good. You're good. You're strong. You're strong. No, I'm strong. I mean, I don't like any fat. No, you're in your point. There, there. Your point. I have to cut a bit, I have to cut a bit of fat. I thought I was going to cut it to the other side.

1:01Yes, I like it so much that it touches it. No, the meat, that's just the meat, the crust. Well, I have seen all the people coming to see you. Joder, I'm flicking. A pleasure, no? But more embarrassed, please. That is, very early in the morning. With the time I was young, I had to see you with the time I was young. And three hours that arrived here, until you were a radiator, the poor, that I was not involved in, we've done the 30s. I use Cabrón and I say that the 30s work. It works. It works. It doesn't work. I mean, Cabrón. You imagined a music that my voice could become in a television star that woke up so many passions and so many things. Well, I didn't know that Pablo Motos had such a role, but the truth is that I'm flicking, that people come to see me, flicking, and that now I'm going to stop the gentlemen from the street, man. Yes, that's right. The gentlemen of 80 years, that's when they asked me for a party, and that's why, at the beginning, I asked, and now people of good health say, I'm coming, I'm coming. Broncano, look at me, I'm coming. Broncano. No, no, I'm Grisa. I'm from Piraraire. Who do you know?

2:02Avera, that periodist, who was, no, he went back and he ended up in love with a word of you, of his smile, that had the smile. I don't remember that. Well, a bit like that, of the classics of the gentlemen of Hollywood. I'm fine, me, everything that is, the gentlemen, I like everything. I'm a lot of people, I'm putting the money, that's clear. I'm sure that some of these are in the money, but now that the man is in the money, I'm going to put the money here. Well, a little bit, a little bit. There are others who don't, eh? There are more. There are more people who are, eh, for the party. I'm going to sleep with you, as you know. I've been looking for the man, I've been looking for something, something like that.

3:02Something like that, right? I'm going to give it to you. Thank you, I know, for the support. Talking about the name, Grisa and Trupp used your cousin. I used my cousin, yes. But why? What did you come? For the C.C. Miami, nothing. For the C.C. Miami, nothing. But what did you do? You were all invested. It was the day in the laboratory. Now I'm going to sleep with you. I put it to make the grace, because I didn't know how to put it. I was in a boxing championship, I was in the eighties first, and I started to know it there. But I always call it the Russian, in my body. In the Russian? In the Russian, yes, in the Russian. Well, the face of the Russian, what do you say? Well, at least it was the C.C. It's the Trata or the... It was very clear. I remember, no? I remember, I remember, I remember, I remember, I remember, I remember, I remember, I remember, and it wasn't that bad, at the end of the poor. I know it's not that bad. I know, I know it's not that bad. I know, one of them is called the Guapo. Yes, it's clear. And it's not the Guapo, it's not the Guapo. And it's the Russian guy, why? I have my... My people say that they call it the Carasuzia, and it was because it was a host, with an audience, the one out of the eye, man. So they call it the Carasuzia. Like that are the guys. Like that are the girls. That's right, that's right. That's right.

4:03And you're always like that. I've always been the Russian, because my mother made a different Russian, it was very bad, that the Russians were not Russian, they were not Russian, but they were very small, and they made me a different Russian, my mother always cooked very well. Yes. And then she stayed with the Russian. Well, the motorcycle is not that big, there is not a very big background, what happens is that of... of the Roces del Carino. Well, it's the Carino of the motorcycle, isn't it? Well, we'll go to the tournament, between the Russian, Marcos or Grison. Come on. And today we've seen three people in one, in the very saddening. Kurba, you're going to have a storm, you're going to go to the bar, you're going to the bar. The Russians that make it difficult are the Russians. They're very consonant. You have to learn that. Yes, yes, yes. Well, we've seen two musicians, two fastest musicians on this side of this one. Grison and the white dog, two green dogs, two machines. So fast and short as our Giotina. You're going to put the Giotina in the door of the sun. Well, if I'm Giotina, the Giotina, I'm going to follow all my life, writing pamphlets, and, unfortunately, against the revolvings, if I'm Giotina, the queen, Zah, Giotina, the churros of the queen,

5:04Zah, Giotina, the churros of the king, Zah, Giotina, the ministers, Zah, Giotina, the churros of the king, Giotina, Giotina, Giotina, Giotina, Zah, Giotina, the Giotina, the churros of the king, you're going to finish. Yes, sir. Let's go eat. It's not easy, it's Grison. It's not a spectacular thing. That's it. But it would be more difficult to do, isn't it? Look, the other day I was going to go back to the cell phone, man. How? I was going to buy it at the car-refour, and there in the suitcase, and... Yes? And... Well, that's where I'm going to pay for the mobile, and Koño, I'm going to rob the mobile, and Jodi, I put the backpack there, he comes to me and says, it's the program, isn't it? I say that the program is... I need the mobile, my son. That's right, eh? I started being the guy who made me... What's the news, man? That happens to me to buy the car-refour. That's right. That's right. I need the car-refour. I need to buy the car-refour. That's right. I need the car-refour. Every time I buy the car-refour, I'm the one who's green in the weight like yellow.

6:06I bet. Yes, yes, and I take the elbow, the elbow and I put them out. You're doing it in your own way. Yes, yes, yes, yes, yes. You're doing it in our presentation. Yes, you're going to leave me to do the... Sorry, I'm sorry, I'm sorry. You're going to do it, Juan. You're going to do it, Juan. You're going to do it. I started feeling the guy who made a video on the resistance and the program of Bronkana in Movistar Plus. And they were giving a competition until they became rich. The man who takes the sheets as you take them to the top is the television. Hey, Pallala! For the match I'm very slow. And for the... The artist who makes the music. This is you. This is you. This is you, huh? Oh my God. It's the whole program, I'm the one who makes a fucking shit, really. I do a bit of better, man. Now, now, now? There's a microphone for that manager. Well, it's not easy, you know, they're green, but the biggest part of the time is the market. Marco Martinez born in Madrid in the 54s, champion of the world of bifot. A musician that looked like another music, Tully, to make the porcelain. He collaborated with Mayuman Arrumbas, watching Stoppa's songs. Your perfume is the winner of the line that you pay And that ended up appearing in the middle of the program that now is a very direct competition

7:07This is Madrid, I present you to... Grison Beatbox! Professor of Beatbox, in any other television program, I've also worked on a commercial for a brand of music And before all that was his little run and churrer Because he's a child of churrer In the background he hasn't changed Now he makes jokes and rhythms like a lot And that revolt of Brongano's return And this is the song With the one that's the show What are you doing Bale? Oh, Balot! He's a perceive, he's a plug. Well, he was already there, right? He was already there, we've already seen everything Look, now he's here, he's here. Oh, well, you're going home to say goodbye to Rubio, also teaching to beatbox Really? Yes, we made that happen He's one of the challenges you had Yes, yes, it's also a good thing You have three pastors in your hands That make you the reason for the race to beatboxers They are the best of the guys Did you say a beatbox for the Morricri? No, no, he did a beatbox. Yes, we got it in the army, right? Huh? We're going to carry that leg. I don't cover a stick in the army.

8:07What did you say? I swear, I never did it. I was going to cover it. I was going to put it in the middle. I didn't even have it. I had the trunks to steal the trunks. And the Camerino there... The trunks and the barrens to steal the camelos. They had it, right? They had their Camerino with food. Yes, they did. They did it in the way. Yes, of course. That was a catapult of my career. That's why I'm now where I am. Well, the scene breaks. There are many scenes in the scene. In fact, there are scenes in Barcelona and Madrid. Because the manolo is not easy. The 22-year-old is from Barcelona, the 15th of March. In Madrid. You can point another one more. Yes. The 13th of March. There's no way. She's growing up. I see it. I see it. I see it. I see it. I see it. I see it. I see it. I see it. I see it. I see it. I see it. The first one that I met, I saw it. I didn't see it. I didn't see it. I didn't see it. But it ran away. I did see it. I wanted to show it to you. I wanted to show you. I wanted to show you a屈. I didn't see what to do. What to do?

9:07What to do. The屈 has no ears. And the one in Madrid doesn't have ears. That's the difference. That's the difference. Look. Ah, like that? Ah, but the wing. Right. What a strong one. I do everything I say, right? People think that it's not, but I've lost or I've read it on what day it is. I lost the two. So, the half and half. Yes, and what you're going to tell in an easy cry, in fact? Well, there's a lot of animal content, of course. This is my life. There's a place on top of the stage. It's not a monologue, as it is, it's a musical comedy. I do this with the mouth. Those noises, it's like it seems to be pretty. There's a lot of pachyrictus, it's the same thing. It's pachyrictus, it's a total pachyrictus. And I'm going to tell you my experiences, too, with a lot of improvisation, and a lot of music, which is what I love the most. Look, music is what I love the most. And tell me what stories you could have just happened to you.

10:08What kind of things could you have just happened to you? Well, things like that, my grandmother took her a lot of three. Sorry. Yes, my grandmother took her a lot of three, man. And it didn't work. Yes, well, at the age of 18, you know, the German and everything. We didn't realize that. Well, my grandmother was going to the field and to perform a very three, I took her a lot of the neck, man. And to take her a lot? And I said, Well, Franco, no, no, it was a very three, it was a very three. Yes, yes, yes. I was going to have to give her a hug. No, no, no, she raised her a little, I only raised her a little. Okay. Well, I think it's a very three. And you're going to pass another flight, you're not going to pass it to you. Eh? Well, but I saw it there in my feet. It's a legend, it's clear, yes, yes. And you're going to keep telling about your flight to today, right? Yes, from my flight, a little ... Well, the things that I had with my mouth ... That's how it came out. Well, it started. Well, I really touched the guitar and I had a feeling ... And I was a little bit like a velociraptor. And I took a few months without being able to touch the guitar ... And I started to give this topic ... There was an announcement of Rasel. I don't know if you know him. You know Rasel. No. Rasel is a Negro who makes pit-boxes of fucking mother.

11:10Mary. And I made an announcement in the MTV, because of course, there were no networks or uncles. Do you remember? Yes, yes, yes. If your mother does a pump, pre-know, no pump, no pump, If your mother does a pump, pre-know, no ... And she said, what a cow, then, I put the rod down. And this is how it's learned. Much from the market ... Much from the market, but very much. This is learned from the duck and the frog. If you catch the radio, you're going to have a 5-6 gap. You are going to have to train. There must be training, right? Yes, if you want. You'll have to do it. I have the gun, it's been a year. Let's see. God, it's a different. That's a year. And this is three or four. This is what? This is from the Philippines. How's that going to cost you that four years? Not much. But that's the way it is.

12:11I can't say that. It's like I'm with the free cups, I'm the winner. Of course not. Yes, yes, yes. Tell me, tell me, Javier. You can't say that. How do you say that to me? Yes, I wanted to be able to get in, you know. I didn't know where the guy came from. No, because he came to the party. I'm a big man, I'm a record. I'm a record. I'm telling you, we're going to the party. I'm coming to promote the new one. We're leaving the party, the soul of the party. We're going to have a lot of love and we want this guy to do what we have to do. I'm telling you. How do you say that? How do you call him Chrison the musical? I can say that. Because he's a musical. He's a musical, right? Yes, he's a musical. Yes. Chrison the musical, two or well. No, no, no. How do we do it? Chrison the musical, one. You have to start with two. Of course, he's the best. How do you say that? How do you say that? I'm going to show you a new one. I've seen it. Let's take it out. I'll take it out. You'll see the cards. He's the best! That's the second one. That's the second one. You're the best, two hundred cards. They're going to change it. We've seen the beatbox where we came from,

13:12but the scissors and the light were so fast when it started. That's it! That's the best. I've done quite a lot of work. Everything that happens in my home, is in my mind. How do you say in your home? In your home? You need to be in your home. But it's not that. I've been doing it fast. And, and the jokes, well, it's a thing that, in the first moment in the program, 19 years ago, not so much, but, well, I liked it, it's good, my father and my grandfather are funny, then, of course. It's already funny, okay? No, they are fast, in the party they are fast, so I came from a tradition of people who like it, they like to go to the football, those things, the package you like, then... You realize a lot of jokes, a laugh. You realize jokes, yes, yes, yes, they are people of the sun they are people who like it, they like it, they like it. My father and my grandfather are rappers, but Gil, who is in line, can be close to the line, and, well, they are... Collagen, Raytodos, my grandfather is coming over here,

14:14Ploretary of Caravanshel and Caravanshel, the rest of the real, there, there, there is the movement. And always, yes. Always like the media, always like Raytodos of our own, thanks to the only way of... I'm not going to say this, you have always done it. Yes, I have always liked, I always liked, I know the kid who was sitting at the last row in the studio, and I was at the point of the lecture, you know. What was that? What was that saying? I always put myself from the leg of the class because it was the only thing I had to do to burn the part of the throne. I came to the first hour to sign and finally take me to the party. It's a functional, it's going to be a functional, now I came from the studio. And you said that you came from the humor of getting up from, well, from... To not touch me, because... To touch me a lot. To me, I liked... You said churros at that moment. Yes, churros, yes, yes. At the end of the morning, at the end of the day. But there was no touch, there was what I didn't like. It was directly from the pyron. Yes, yes, yes. Yes, it's churros. You have to hurry up, potatoes. I'm going to take you to a potato and what you want. Yes.

15:14Quickly. I like to eat potatoes, yes. And the potato is the best. Now I'm going to eat something, I'm going to feed. Yes. But potato 12 is called in Portuguese. Potato 12. Potato 12. Potato 12. Yes. And how did the churros stay? How? How did the churros stay? The churros, well... Well... Well... I don't think it's that good churros like my father. My father was good churros, but my father is still better churros. Well, I think it's a good churro. Well, I think it's a good churro. Well, I'm going to eat chocolate. But for that... I don't think it's a good churro. I don't think it's a good churro. We're talking about it already. I'm talking about it already. Joder. No, no, no. Well, the secret is to fry it with a very hot oil, that doesn't go into a lot of oil. And the cleaning, especially the cleaning and the... Yes. I've shown you some churros. Have you seen some churros? Yes. But of course, but... No, no, no. Let me eat churros. I don't know my father, my grandfather. I know, I know. But what do you mean by frying?

16:14I think it's frying. Oh, well, it's not that bad. Look, it's Andrea there with each of the churros. But that churro is carbonized. Oh, yeah. That churro has... It's on the third level already. What are you doing? Yes. I wanted to do it with you. Like you, the thing in the back. All. Ah, take me a churro to the mouth. Come on. Look at what magic is. Andrea, thank you. Andrea, Andrea. Andrea seems like a cat. That's it. What do you want to do now? Do you have something to the mouth? I want to eat it. No, I don't have a cat. I don't have a cat. I don't have a cat. Of course. Yes, yes. It's the one that's colder. There are some that you like. There are some that come out of the air fryer. No, no, no, no. It's okay. It's okay. There is a pair of fryer churros that are not that bad. They don't have so many additives. Let's do that. Let's cut it. Cut it in half of that. Yes, cut it in half. That's right. If the move is like this, if I do it for a long time, I'll do it like this. How much? Ok. But... Look. Take it like this.

17:14Ok. Oh, no. Oh, no. Oh, no. You'll throw it more. It's very bad. It's very bad. You'll throw it from you. Look, let me give you the churros. Look, let me give you the churros. Yes, it's you. You're the one. I'll throw the churros, I'll throw them from you. Yeah, that's a time contract. We'll throw it from here. Let's do it. I'm gonna see. I'm not gonna throw it from the window. Come on. Wait, you want more? What a bad idea. It's so cool. You're going to get a bit more into the table. You don't have to go through the bowl, you don't have the churro. You've got a churro imaginary. Oh, the ball fell! Yes! Well done. How are you? Well, you're good. Grafias, yes, plus. Gracias Andrea, un par suena, Andrea, por favor.

18:16Well, we have the shirt, the shirt. Look, the shirt, the shirt. What? YAPE. Oh. Oh. Oh. This means that you had a tweet on YouTube and you saw it on the radio, you didn't understand it so much. No, I understand. Well, that was a bag. It was a bag. We took out a bag and we put it back. It was a bag with shoes. Well, apart from being a ballerina, the ball was a ballerina. Well, it's not a ballerina. No, no, no. But it's not a ballerina, it's a ballerina. It's very small. Yes. Then there's a way to finish it, but we'll do it again. You have to do it with your hands. Yes, man, you want me to do it with your hands. Well, you have to take this, for example. This is a pair of t-shirts. If you could put your feet on the ground, you'd have to put your feet on the ground. This is not a ballerina. You know what? The world that the ballers for the night is a lot of carbon dioxide. Come on, come on. Have you seen the news? That's what... Talk about the topic, Ricardo. As we are with the second intention of this challenge, I understand we're not going to see the race, but I know that sometimes we don't know where the guys are. But the people here say that they want to put the tarp on us.

19:17But that's not what other people are. You know? I don't really know what the nose of my name is. Well, it's a general that you have specialized in. The drug, sorry. Yes, the drugs. Yes, the drugs. Why? They enter the top. Yes, they enter the top. Yes, they enter the top and they sell me. But why? Why? Well, I don't know. They work. They work. You have done it. Yes, you have done it. No, the truth is that I'm taking it off. Only the end of the week. I'm going to do another one. And that my son is going to do a miracle too. I think it's the same with me, I know that there is some kind of action of what it is. Yes, yes. I wanted to put a little bit. Yes, yes, yes. A little bit like that. Yes, yes, yes. And how did you get out of there? Well, well... How did you get out of there? Yes, see. I always tell you. If you want to talk seriously for a moment. Yes, please. The drugs, the drugs, the drugs, the drugs. Well, I'm here to entertain you. Everyone has to have an education for the coming of his parents and read books. Read books, boys. And to have a critical sense to see that there is time for everything.

20:20That is, the drugs are bad, but they are not bad like other things. No, it's bad. The drugs are bad. It's bad, it's bad. It's bad, it's bad. It's bad, it's bad, it's bad. It's bad, it's bad. It's bad, it's bad. It's bad, it's bad. It's bad, it's bad. It's bad, it's bad, it's bad, it's bad, it's bad. It's bad, it's bad, it's bad. Your son will end up with a magical man. What? Your son doesn't know what I do. It's an old, old, old man. That's right, he's an old man. He's like an old man. He likes to play the bass. He too? Yeah. He plays the bass! And your son doesn't see your back? He doesn't see it. He doesn't see it. He doesn't see what I do. He is the Underneath, everyone. But, you know what's good. Yes, they call me Angrison to judge me. When I'm with a lot of people, they say, I'm not Angrison, and I'm better than I live, I have to do 25 photos, it will be here, bro. They use me to make me do this, or you write your name in high. You also use them there, it's in the program. But your son says, no, he doesn't, he doesn't. There I have Marqueda Vadillo selling pañolos, there's no more for him.

21:23He says, no, he doesn't, he's a family member, your son. Yes, no, the truth is that they have good jokes. Yes, yes, yes, the robot, the robot is for the program. The other 10, you know what it says, a gardener or another. We don't see it when we can. It's very, very good. It seems like a tip of my nephew who comes between us. Yes, well, they throw them in TikTok. So I, well, from TikTok to my children, it's from my children to me. I think they are in your children. One has seven and the other nine. They are in the flower of life, let's go to life. Well, let's make a little review of the life of Marcos, the Russian. Come on. You are charming. Almost. Who was it? It's from... It's a very good song, but it's very good to be charming. Yes, yes. You are very musician, of course. Well, from there I come, right? I like music. The music is the best. How do you start this? The music. Well, it all started a morning that I stole the guitar from my house. Why? Because she didn't touch it and said, well, I got a Spanish guitar here with 13-14 years.

22:2313? Well, that's what I learned. I moved it to the hotel and there I was going to play the guitar. In the park there was a very big fashion, I was going to the streets. I was going around, that you have a girl looking at you, you know. I already know that the girl is teaching us here at the barricade and everything. You are the girl, you are in the school. Goodbye! You are going and you were doing the song, the girl. What a dream, what a dream! I'm a child. Then come to the service, Sofia. Yes, I was 17, I had the girl and I was doing the song. Yes, yes, yes. Well, we were talking about the guitar, the guitar. Yes, I took 13-14 years of my life and started to see a fashion, until the streets, then I was in the guitar. Yes. Then the one who was good in the park was the one who touched you well. And then I got it to Mogollón. What did you like about you? I liked the heavy metal, the top. Oh, especially the top. Vinny Vincent, the skis, I know what it is. The voice, the voice. That voice. The voice, yes, yes. Then I went to the Judas Priest, the Black Sabbath. Very well. Very 70, also Lep Petlin, Jimmy, that's all that is in the guitar.

23:26And then, what kind of music do you like? I like the music with love, I mean, you can listen to electronics. Everything that is done and is done with love, I love it. And a little pagerier too, right? The music pagerier of this is only like that. Ah, okay, different. Oh, no. I mean, I know what you mean. I pay it without music. I pay it without music, I pay the dry. The music of virtuoso. No, no, no, no. I put the morning one and I get it. You know that guy with the ladies. When you're wearing glasses... You're wearing glasses with... With his son Agrizo. Because in Spanish you don't wear glasses. So I'm wearing glasses in his... No, not in Spanish. But I'm wearing it in Spanish. Okay, okay. And that was your turn. I took you to... I took you to the world doing music. Like vocal people or human beings. Because I was very fashionable. Yes, yes, yes. Yes, yes, yes. Well, we started to see how business is. How we were collecting a shit. Then there are musicals.

24:28But maybe about 50 or 60 countries. And from behind bars you can see how the show works. And it was hard. But at the same time, it's going to be a process of learning. Yesterday I really learned... Well, do you realize that it was a bit of a thousand? That was the shit of a thousand. Yes, yes, yes. And well, not only with Israel. That is, hundreds of thousands of sources. So... There is where you see the way to work. Of this. It's that after the end you say to people, like this, that you take the money. I take the shit out of it. Since I have 17 years, I take a job. Maybe I'll upload it. Now I'm going to the show. And I'm there. And the last year I did 70 small balls. At the end... I think it's like being a cook. And I offer people a little entertainment. And I forget about it now. Now I'm going to pick it up. And I'm going to do it well. It's very gratifying to see it.

25:28Let's remember it. Thank you, Javier. The ones you have. My name is Grisa and this is my video of participation. For the European Championship in Spain in 2010. Man, you know. I think you have a beatbox there. Yes. No. There was a big one in Sabada. There was 90 and a little bit. You were a big one. That's why I was also a little bit embarrassed. I had a good head of... I don't know. That's the same thing. I think the physiognomy... The beatbox is the same. Each one has its own instrument. And each one has its own instrument. Because it sounds like a way. And you can make sounds. Other ones don't come out. Well, there's the grace. And that's... In Sallari, in Sallari. And that's... There are things you don't know. No, there are tutorials. Look at this.

26:28I don't know if it's good. That one. That one. That one. That one. Well, then... You realize that there are some sounds that are in the community. That everyone... You have to know how to do it. Yes, yes. And there are things you don't have to do. The trumpet... The trumpet... The trumpet... The trumpet... The trumpet... The trumpet... The trumpet... The trumpet... Yes, yes. It's a circle that we're going to use. It's bigger. That's horrible. It was all... That first one... The first one... The first one... The first one... The first one... The first one...

27:28It's a bit bad. It's a bit bad. It's very simple. You know... It's a parallel language. You know how to make a flow of... Well, doing that... As a silver. Yes, everything is very easy. But without the lungs. That's only with the language. You can't do that. Then you do Uid. Or if you put it on. And then you just have to cut a little to get the sound of... You know, when you fall into the water, in a side of the face. You give it well, you give it well. You give it well. You're not capable of doing it. And then you do Uid. Yes. It's easy, isn't it? It's easier than you can do, Mr. Cabrón. Did someone come out? Did someone come out? I tell you that if you put it like that, then you're done.

28:28We have a couple of minutes. Well, we'll see. Well, you put a little bit of a box. A little bit. And then you have to remove the mouth. That's just the console. It's going to be a little bit too long. It seems to be a little barbaric when you put it on the tortilla. Really? That's what I'm talking about. Well, I'll continue. Go on, go on, go on, go on! You have to get there, right? Fende. The next step is to remove it to do the put. What do I have to do? Puts. There! That and to prevent it. That and to prevent it. No, I don't have to prevent it. You have to do that.

29:28Press again and again. I'm going to prevent it. No, it's inside. It's inside. It's inside. It's inside. It's inside. Well, what's this? Yes. What's the category of the beatbox? How? Where is the beatbox? There's no category. It's not in the category. In the category of the beatbox. There's a lot of things that do it. What do you mean? The beatbox has the category. What category? It's a good one. It's a good one. Oh, okay. You have to choose. Yes, with the track, I hit the structure a lot. I hit it a lot. It's a car that I also wearing on the show. Who's recording? Yes, I have to stay tall. or nothing. Up-to-earth. Yes, of course. It's what you do, record and repeat. I record and repeat. For the final, lots of books down the floor. Like a pizza or something. You put it in the base. I do a battery, I do low, I go down. I play guitar and so many songs. It goes much higher. Because when I imbe innovated, people said, I think Peinate already knows. This is a lot more rich than that musical,

30:28and it's generally a musical environment. And then in the contests there is a category that is... Now there is everything. Now it's like the voice. This is my voice. I could do the voice. I would have died a lot. That was one of Natipeluso. Yes, yes. Yes, yes. Well, yes, there are couples, groups of more than two people, under 16, which are guys who have less than 16 years, who don't look like the guys. Well, it's clear. Well, they turn around. Yes, of course. Now people are like in Fortnite. They are in... in Bidbox rooms, and they will take 10 hours doing Bidbox, or with the computer. You know. And you've heard something new, because it's not only my dream of reality. It's a dream of a very rare machine. People do something. It's a rather rare dream. Well, maybe this one?

31:29It's a strange dream. It's like a rich wine of cassettes. Yes, yes. Yes, yes. It's been a long time. The disproved one, look at me. It's like a drone in the police station, right? And doing all this, as I saw you, Ricardo Gastella, then director of the resistance, and you made it. Yes, of course. Well, he came to... I made a loop station, because I haven't won the World of Bidbox championship. I won it with the loop station. Bidbox with loop station. Sorry. Well, Ganello won one of the brands, who are not instrumental musicians, and Japanese musicians. That's what he said. Very Japanese musicians. That brand is really cool. Do you play something here? You play it? I play the drums. I play the drums too. I play the drums in Roland. Yes, I play piano, but... I play a Roland. You know, that brand is really cool. The brand is really cool. For the performance in direct, it's the best thing I've ever seen. Device.

32:29Device in Roland. Well, he said he said he wanted to talk about the brand. Yes, yes, yes, yes. Ganello won the World of Bidbox championship. In 2013, we faced a guy from Peña, and Los Angeles, who didn't have a fucking job. He said to me, the bassist, Michael Jackson, he said, it was a joke. He said, it was a joke. Yes. And then he took me to the brand and said to me, we're going to have a dinner for the stores. I'm teaching him what to do with this guy. He doesn't know the people in Spain. And we want him to see it. So, we're going to put you in a store in Spain. And we're going to do a demo and teach you a little the possibilities that it has to do. To see if the people are as good as possible. And to begin with... I'm sure he's coming. He's coming. Sorry. Sorry. Sorry. You're wrong. You're wrong, aren't you? Yes, yes. Well, one thing we already have a little time, you have to leave. I'm going to... I'm going now to Naci Digital, which is another... Yes, Naci Digital. Yes. And I'll complete it here. Well, on the other side of the spectrum, there's the left, looking for the laps, I've never been told. To see how they get

33:30that people are mobilized. I don't know if it's raised, that there's the left, if it's not raised, it's not raised. Well, nothing more. Well, what they can do. What they can do. What they can do. I don't know if it's raised, but I think I'm going to make a game there. There's a game there. A game there. Yes, what happens is that the left is missing a flow of time. So, we thought we were going to do the following to finish the game. We put one of these that are postulated as possible leaders of the new left, of the left. And to see which has more flows. They start talking and to see if you put a flow out of it. And I put them there each one of them. I can put them on Mombasi, but with this micro, with the other one, with what I'm talking about. This is a better one. This is also in these. This one. This is a micro. That's a micro. That's a micro. What is it? What is micro? It's R320. It's effectively correct. It's R320. It's a micro but it's a micro. It's a micro. Yes. That's the URA-17 control. It's also... Yes.

34:31Yeah, I got a... I got a ffff... It has that effect. I'm not talking about it here, I don't know how it turns out. No, you speak, you speak, you speak. Well, thank you very much. It's a big hug, so you can, please. Two passes, that's fine. Now, there's a soft, leopard, it's very good. Very good, very good. Are you ready to put on the floor? No, whatever you want, you can do it. Come on, come on. The front is 200 feet, from the right to the right. From the top, from the top. From the top. The roof, from the top. The roof, from the top. Everything that serves to enhance the hope of Welcome, is to mobilize the people. You won't get anything else. No, we won't talk about that. We'll talk about that. No, no, no, no, no, no. No, no, no, no, no, no, no, no. You don't have to be that guy. I'm not going any further. No, this is the one. You're going to get nothing. What a problem. The one. No, no, no, no. No, no, no, no, no, no. Take me on a plate. Come on, yes. Come on, take me on a plate. Take me on a plate. You're going to face 200 feet, from the right to the right.

35:57It's a bit longer than the short one, it helps us a little bit more. Yes, well. Yes, yes, yes, that's how it works. We have, there we can… We have… Some of us don't. We don't have… We don't have any of us in Montero. We don't have any of us in Montero. But please, now we have to find something to say. To be honest, this is the future of the Russian project, right? I insist on the truth. I have the information that it's a joke. And… Well, that's for the government. But I insist on going to Montero. Can I ask you to put a police station? No, of course I don't want to have a floating station. To put a police station. Ah, they are all from left to right. Of course. Of course, it's all from left to right. The one that fits is the right, and the right one, all you have is another one, there is a hole with pencil and the flip,

36:59it is obvious. But, do you have swabs? I want to open it in one, but the apparently opposite被 Poel and you don't have the pencil. Hold it. Yes it is the Charger, I made you into itself. Sorry Volta, I laws it. Don't you want to have the blpektable in your notebook? Ikua, flintable and I have something to choose for the Blaptable 3. And what do you have? Valentía. Joder. What do you have? Valentía. You were the one who had more flow. It was a Montero. Yes. Montero was the one who loved it. That's what you enjoyed the most. When I tell him that I don't understand him, but you do it. I do it like I do with my mouth. And he says, okay. It's weird. Are you good? Yes, yes. Everything is good. Everything is cool. Marco Martinez, Griso, the Russian. Joder, thanks. Thank you. Well, you're welcome. I like it. You like coffee? No, no, no. No, no, no. But coffee. Coffee with milk is very good. You like coffee? You like coffee? Of course. I can also take the car. Yes. Well, I really like it.

38:01Come on, please. What is the car? Look at my car, man. It's a new car. It's a new car. It's a new car. It's a new car. It's a new car. It's a new car. It's a new car. A new car. A new car. Come on, come on. Thank you very much for the opportunity. You know, a new car. On February 22nd, Rammathas, Barcelona, on the 15th of March 15th. Yes, well, I saw it. I saw it. I saw it. I saw it. I saw it. I saw it. Well, let's go. Let's go. Goodbye. Carne Cruda has his own radio studio. But he hasn't stopped traveling. We have been in Barcelona. Barcelona, how are you? Bilbao. Para Chaldeón. Valencia. Los Altres como esteo. Las Palmas. Gran Canaria. Los Altres. How are you? Pamplona. Acoruña. Cáceres. Fontevedra. Peruelis. Espera. And what happens with Sevilla, Leon, Alvacete, Malaga, Santander,

39:03Badajo, Murcia? What do you call us? If you celebrate a day congress or anything, or any event in which you can play Carne Cruda, call us. We will do a direct program with public in which we will talk about what is important in your city, town or neighborhood. With interviews, humor and musical updates. Subscribe to publyerrobacarnecruida.es and ask us, of course. We want a tour of Carne Cruda. Salud y república. Y que la radio. If you want to see Carne Cruda direct, we are open. Now we continue the festival of music and humor. From the green dog to the white dog of the rock and roll. Davas y caballeros, animales, salvajes y domésticos. Ya está aquí la furia. Y era de cadí. La mano más rápida y con más pegada de los escenarios. La guitarrista más meteórica y energética. A cualquier lado del océano, el torellino, el ciclón. La perra blanco.

40:06Así, la perra más latadora, inmordedora de la península la que araña y rasguea la guitarra con sus carras afiladas y a ulla como una loba hambrienta la lute, el crepus. Deja que te diga lo que va pasando. No me tengas viendo lo que me dejes así. La que lleva ocho años incendiendo los escenarios de toda Europa con un fuego que no se apaga sino que se expande con llamadas de rock y vús ardientes que te dejan patí difuso y patí tieso. Pero puedo asegurar porque yo he tenido la suerte de ver en directo I can't be sure, because I've had the luck to see in direct, not a few times, but number one. Between the queen and the queen, one with a power, one with a smile, and the same king, and Elvis, the one with the name, he'd be legitimate. And then four of them, now comes the fifth one, to talk about his loves and his fears.

41:07The blues of Celta, the rock of the 50s, the rhythm of blues, the soul of the garage, the counter, even the surf. In a glorious disco, the one that sounds like the big times, until I remember it, and my good house, and it's James. And in the one that doesn't just sing in English, but that sounds like that such a characteristic and jealous boy. With the Spanish. This has been a long while ago. Sometimes I fear not to have loss because sometimes you're going to get stressed out. They call the white woman and they know that she is being scared, but they can do it with the reggaeton and they do it with the rock and roll. So the palm trees and the ladrids that are already here. The white rose chubby. Blanca! Blanca, Blanca. Blanca, Blanca. And you tell me, you're better than me.

42:09You and still all alone I want you anyway. Alba, Blanca, we're all together. Yes, how are you? Very good because here, in Canta, with all you've got, this is wonderful. You don't even know what it means, at least. I'm sure you've got a cup of coffee with this one. I'm so excited. If the table is new, we haven't commented. It's cool. It's got a party. I loved it. Yes, Sanguino lentas, as your songs. Well, I think I told you the first time I told you that there are already several, I don't know if you will remember. When you go through the program to play this... Yes, I agree. And for... What better occasion than with this piece of news? Lovers and Fierce published with our favorite folk records. It makes a lot of love and a lot of fear to lose it. Yes, well, it makes a bit of fear, really. This album comes from a phase that you were a bit sick of saying so. So, it makes a bit more of fear. And then we end up with love. But not with love with anyone. That's why it's more important than others. And fear to stay alone. Oh, fear is a lot of things.

43:11Man, I'm going to go with the theme of Arquile to stay in the street too. To stay alone in the street. Yes, of course. But it's a bit... And the album is really... doing a lot of crude names here. It's a lot of... Very organic, everything. And as you receive your music in a city like the line. Bad. Yes. There's a lot of music in the line. There's a lot of music in the line. It's bad that we don't have a ball every year. Yes, yes, yes. There's something weird here, I feel it, but I'm looking forward to it all. Well, it's called Miento. It's called Miento Alasagia, over there, over there. No, there's none. But the truth is that this music that we do in Andalusia is because of the grace that today is my land. It's where I don't... Then there's Tyra. For example, for example, at the moment we have to look at it. We don't play there. Because it's not possible. I think I had to change my mind. Because with everything we play there, I had to change my mind. I had to change my mind. I had to change my mind. Since you've released the song, the question is clear, it's inevitable. Coming from a place where music is called Flamenco, which makes a 30-year-old girl from the line playing blues and rock American in the 50s. Here's a lot of different theory. I always think that I'm a weird reincarnation.

44:14Because I... The other day, I have a colleague that I have to sing. I'm going to call you on the phone. I'm going to sing a couple. If you hear me, we're going to sing. And I'll call you on the phone. And I tell my colleague that it's also from the line. I say, it's just a song from the tabloid of the 1940s. And I'm going to identify myself. But my colleague is going to sing for a couple. I don't thank myself, I don't like the harmony of the voice. I don't like what you're telling me. I don't know. It's weird. I'm going to investigate it. It's a bit mystical, eh? I told you I already came. It's a bit mystical. We can see all the mysticisms that you're going to play. It's true. It's not a place where you're going to play, but a lot. We're going to record with you the love and the good ones. To the point, this song was actually thelist after the last one in direct. I've got a sensual effect on the mouth as you said without letting go. It's a rename number one for you. Play and ain't go anywhere, play, I ain't going anywhere, I'm going through with you, a 150-pearl song. We're going through the album. We're going to start with a Dico, and I'm doing that. And it's like this.

45:14It's very good to love you, the person you're going to have a hard time. It's stupid and stupid. It's the main thing. But, well, This song, I have one of them, and I can tell you that this song was the first one to compose the album. And this song, well, it went very well, and it was the first one that materialized me, it was very clear. When I did this song, I was getting to know a guy, he took me to the floor, he stayed with the guy again, because he had to explain to me that I was going to lie again. Of course, I was going to lie again, so he came here to Madrid and while he was waiting for him to sleep, he was listening to this song, and I wanted to work with him, I said, dude, I don't know where this is, and I'm in Madrid listening to a number one, while I wait for him to come to this person who I love to sing. Of course. Well, the owner of the love, no, but the band is sure that yes, where did you get the ideal person? Well, these people, well, I started, the first was Eguilla, with work, that was Amor's first appearance. Yes, I had a bassist before him who cost me everything I had to do, because of course, when I went up to the stage with Guillermo,

46:17I came here to be so shy, I did not give them together, I think that they ended up in a relationship, they go to a completely horrible band, as I said, I'm completely hers, and someone was coming to you, they were reaching the music, then he went to his lop, that he was going to love you, then he arrived to Geral, he was a pianist, he was a saxophoneist, or he had a little bit of double, with a suerdo, with two instruments, there was a lot of work on the lop. And then, after a while, he was a pianist who was a nail, who also dances, and then we had a saxophone on one side, not on the other, it's a little less than 15, but at the level of sound, well, it's a little bit different. At the level of sound, it sounds very well, in fact, it is said that it is one of the best directs of this country, and part of the foreigner, that, how do you get it? Well, I got it, well, I started giving it all, that is, that is, that the stage is going very well, I have already seen it, and I have seen it, totally clean, I am going to take an organic one, to a lot of ports, yes, it goes very well, I have already done it, yes, yes, yes, now I am focusing on the boss, that is what I was doing there. Of course, and in a photo, I made it with... Yes, I have the hand here, yes. Of course, of course, be careful, you have to work with that. Well, that's what the boss also told me, I'm going to go to the top. But well, basically, it's like I work,

47:17but let's go, mainly what I think is that when you do what you like, both of you spend it so well, don't tell you about that work of what you are costing, don't you? When you put yourself in love, don't you? You spend it so well that I say, I'm scared, but what do I do? What do I do? What do I do? What do I do? What do I do? What do I do? Well, what do I do? Well, how do I put it on? And I say, I take care of all the clothes. I close my eyes. Exactly. Totally. But well, basically, I work very well and enjoy it a lot. I take the ball out and I take it out. Yes, that's right. Well, speaking of that. In addition, it's a musical arc, but the composition does it alone. Out of love. Don't let it be put in any demon in the bed. In the hell of my habit.

48:17Two, three. No, no, no. Three. As good as a good woman, exagerate. Ten thousand, I speak. Not so much. Well, prefer to be in love in solidarity, that you are faithful and not like this song. Why do you like to compose alone? Well, mainly because I like to understand my own dream, creative, so deep, I like to understand and to someone who I've never tried. Well, the first time I saw something like this, I was told by Jimmy with the producer that there was some composition. Yes. How do you say that? I think so. Yes. It's a little weird to compose. Yes, I believe so. I believe so. When I was in a band, I was told. I was told. I was told. Precisely. But with Jimmy, I experimented a little more, to open a little more and say, well, I'm going to do a little to see that you have your hood here, to my composition and so on. But really, I'm confused about things, obviously, if I make a song for the whole morning, I'm not going to call one of them.

49:17God, what happens here? Come on, give me one more day. Well, I don't say it. I give it to you. I give it to you. I'm a very independent person on the other level too. So, you know, for some... It's no longer appearing like that. Yes. Because of the circumstances of life, as they say, I do it myself. And I don't know if I'm shocked or not. I don't know how to say it. I've screwed it up very well. I don't know how I feel. You have a lot of trouble. Yes, exactly. So, you can go out there, but hey, I'm confused. But then take it to the band, like the process. I take it with a director. I want to be the fuck out. Go, go, go. I'm just a little bit of a jane fraun there. Fuck. Well, it's all the components but then here sings a duet. This song is made out of the same demon, and more or less it's a rock and roll. The most annoying in the world. JD MacPerson. What's the name of the person, what's the name of the dude? Man, very, very white, by the appearance of the guy who, well, I recorded in... where... where... I'm kidding, because I don't know where he was. When I recorded it, but... but it's true that... I don't know.

50:17I used to live in Nashville, in Chicago, in... I don't know. I don't know. Yeah. Yeah. I'm quite white. I don't know. I don't know. I don't know. I don't know. I was a psychedelic person. I don't know. I don't know. I don't know, but I don't know where he is. I don't know. Nashville. Nashville. I don't know. I don't know, I don't know. I don't know, I don't know. I don't know, I don't know, I don't know. So, it's true that it's a coincidence that I was already on the album, because, of course, J.D. McPherson, when I started with this project, Rock'n'Roll, I ended up going to the... Science and Science and Science, right? Yes. That was a album, the North Side Girl, right? It was like... It was from Jimmy Satton. Exactly. When I was a director, I was on the North Side Girl. So, of course, now that I'm on the album, I have a collaboration, well, of course. For me, it would be... It would be weird, right? In some way, yes. For me, until we got here, and it doesn't matter, right? It's been so many years, that it's been a few years ago, I was listening to this man and saying, what the fuck happened? What was this man doing? He wanted to collaborate with my album, and he offered it to me, and so on. What happened in this period of time, right? What happened?

51:17I don't know. I lost weight. That's the only thing I could say. It's okay, it's okay. Yes, but before I had more. It's okay, it's okay, it's okay. It's okay, it's okay, it's okay. It's okay, it's okay. It's okay, it's okay, it's okay. You're a homer. You never saw him like that, right? No. Maggie, I said Maggie, if you had the hair. I said, I'm a march. Yes, a march. And now, a march. Yes, in fact, there are some girls who are very spectacular. They're looking for the photos. Well, in this book, I've already mentioned it, but not all of their songs, including this ballad, a three rock song about the loneliness. Yes, love. The most sad songs are one of our favorite songs of the album, with the most white and iconic album of the year. Now you can't look behind me. No, no, I can't look behind me. Everything that I've eaten today can't remember. There are some times I have no place to get in. You can't make a theory.

52:19I have time, I've not given my prayers. It's strange. I'm asking myself, do you think this song is some country song? We are quite capable. Yes. The truth is true. Of course. It's a good way. Look how beautiful this perfume is. When I was born, I wanted to live. Looking for those steps that I had. How does it take the love with so much money? Or do you call it life? In general, being on the way. My love lately always hurts me. This is the face of life. I don't know. Or maybe I want it to hurt me because of the song. I don't know. I'm not shy. I'm not shy at all. That's real. Totally real. But it's true that this song speaks more deeply. Basically, when you talk about love, you don't talk about romantic love. But this song speaks about love itself. You want to be yourself.

53:19You don't feel guilty. Also, in a sense, being an ergo, cross the circumstances you take part in life. So it's a bit up to you too. And you've said it Way to get there in Spanish. Yes, there were two more topics here in the album. Yes, exactly. On the way out there, it's natural, because... It's indeed a great opportunity to get there. Because I had the impression of everyone. Yes, I don't know what I'd want. Done becauseжеter... My family is finished. It was clear. From this moment, i take all my particle when I wanted to tell my sister about that is Alba debería cantar en castellano y yo le dije tú quieres que yo sea como un cigarro y yo nunca voy a hacer como un cigarro con mi respeto hacia los cigarros que me encanta ah si como el grupo los cigarros también claro no un cacer un cigarro y ahora cuando le digo que dice que yo seré un puro los cigarros se seré pura puro con con con bicoza un peta igual puro un cigarros y entonces pues tenía mucho precio ahí por por parte de de mucha gente no tía debería intentar castellano tal porque tenía de puta madre y claro tenés sin tener referente en castellano

54:23como lo hace no bastante difícil y el primer tema que hice fue el de bolin my bed pero gracias o que llegó hasta allí y cuando pues se trabaja la reproducción con él me decía oye y un tema castellano no me pueda digo cuño está la americana no me pidió tomar castellano digo no me dejan tranquila joder hasta que me salió ese y claro sin amor fue un tema que la letra es bastante durano yo creo que había cosas que nos funcionaban en mi vida no que yo no sabía que tenía entonces este tema por ejemplo muy simbólico para mí porque cuando dice sin amor me había dado cuenta que yo no me quería mi misma dar alguna manera no que me estaba corpabilizando de muchas cosas pues cosas que te pasan por fuera y tú te crees que es corpatuña que pase no luego hace esta que son bueno que la vida está totalmente totalmente todo fuera de tu control cuanto antes lo asuma más feliz vamos a todo voy a intentar controlar todo es horrible no entonces tú va a ir como una especie de de movista me volveré un poco ahí oriental lo que estamos hablando de este tema de meditación tal y bueno ahora soy taboista esto es un mundo aquí increíble o sea si yo te cuento aquí tenemos pasiete mil horas entonces pero bueno pues viene un poco ahí toda la movida esta no de

55:27una estupo un tipo ahí de de meterme muy para dentro no sigo me tía para dentro de veno no bueno no vorto a salir salgo los escenarios pero luego me ha puesto otra vez así un poco me ha puesto hasta que toqueceré el escenario y así va mi vida ahora mismo no estoy un poco de conecta con el con el mundo exterior pero bueno ahora mismo lo que me hace feliz y pues ahí me quedo si la verdad que cuando uno no lo ve en el escenario o sea no se imaginaría que luego fuera para dentro que la música pantanos está de alguien que está en un pantano el pantano soy yo ya ya eso de vi water my friend es mi pantano my friend bueno pues la canción decía que no quería mirar para atrás vamos a mirar un poco para atrás porque cuando esta señora sale al escenario pasan cosas como esta empieza a saltar como un salte in monkey con canciones como esta con la canción su primer disco se llama ese disco y esto se llama duirraque un instrumental aceleradísimo marca de la casa en el que ya mostraba el torbellino guitarrístico que se nos venía encima me imagina tía a la perra y una para otro saltando pues el perrego de esta es

56:41diferente a los del perro del reguete como sal es como un salte in monkey pero a queda hay que coger la guitarra para tocar nace yo empecé a los 14 años creo si no me equivoco y cuánto tiempo al día es que no quiero decir a la que tengo aquí se tiene traita no me no me devela que estaba ahí llaman teniendo si ya lo he dicho antes que hace una galita una vez 30 años de cinco claro si es una edad para nosotros no tiene que no tiene que ser una persona que que yo nunca me considera una buena guitarrista como tal de decir yo personalmente porque lo jalepeña que ves esos vídeos que te quita la jana de vivir y si no sé si me da gana toca o de deja todo de tocar la guitar no pero si verdad que yo considero que tengo una cosa especial que que no sé si la tiene todo el mundo no pero verdad que yo tengo un vinculo con la guitarra que para mí es muy especial comentando como dijo antes que durmo con la guitarra de hecho la he dicho no que la que la has arropado ahí en sí por claro me quedo tocando por la noche no es que yo llegue y ponga la guitarra para la psicótico sabe porque tampoco que sea así es claro si no me quedo dormida tocando y me gusta toca por la noche especialmente no es como la

57:45última conversación de her día la tengo con ella entonces pues pues acabo y toca yo que coño me levanto ahora voy a voy a ir a ponga la un entonces y la tapa la tapa pues si no no me poto pa yo luego hay una descompensación rara no se bueno la tapa que no sé esa fina y si que verdad que lo que te digo no me considero una guitarraista de masio tecnican y la mejor no pero pero si verdad que para mí la guitarra es completamente imprescindible en mi vida o sea prefiero perder cualquier cosa o sea no sé lo que es quedarse carbo por ejemplo pero diría prefería quedarme carba a no de quedarme si la guitarra de hecho cuando se cruzó la guitarra en tu camino decidiste ir con ella palante de hasta el estudio y no te ha ido mal si ahora mismo claro me dedico a esto digo y si arcundía por lo que sea por las circunstancias que se nos pudiera dedicar la guitarra quería con mi vida es una pregunta que me hago bastante interesante no vas a tener que hacerte la idea pero bueno antes de toca la de de de de de de de de de de guitarrista por si no quería hacer bombera entonces si era la única vocación que tenía o bombera o sea ahora incendi

58:47escenarios y antes quería pagarlos ahora es verdad que también de que me sifan atica de los sopranos estriper también me llama la por qué la barra la barra esta también de la barra pero la gusta estriper de los sopranos de borta por ahí sabe mi casa sabes cómo le van a lo tuya está como un silvo bombera guitarrista o estriper o sea la salida hay un rarra la verdad hay escenario y va a rarra y pero sin que nadie toque a siempre hace un poco los cojones más que otra cosa es que toque puedo que le meto un jab si porque tú es siempre muy de tocar los cojones porque fíjate racista es la línea de la concesión donde es lo que se lleva más el flamenco tu padre punk tu madre profe de piano clásico pero a la primera por el metal y después por el rakabil y ahora me pone en metal aquí y la taza explotas y una conexión con la taza ya que no explotaría yo sino la taza buscar un metallica por ahí que le gustaba por favor no no esa que lo tuyo he sido claramente de sobete a ver que yo como digo yo tocó rock and roll pero bueno para mí el rock and roll siempre ha sido punk no era el punk de los años 50 no cuando tu escucha alitel rillaro no me diga tu un tionegro guay tocando rock and roll no luego cuando

59:50llega un tío como banquer gil por ejemplo no que se pone a cantar que se está reventando a la garganta es que tu que cojone los clasos los espí los ramones no esto es más para mi gusto esto más duro no claro entonces yo no tocó punk pero la astitumía siempre ha sido llevada contigo con los cone porque para mí eso es el rock and roll o sea hasta mi nombre lo dice la perra blanco es la gente no tiene que ser la perra blanca callaco y blanco me ha peído no me toque porque porque porque tiene que haber concordancia para que tú te está cuesta es mejor 60 más cómodos a noche no aquí tiene que haber una descordancia con todo que la perra te lo puso una colega no es si era me mandó un sms cuando no había guasa que era super gracio y tal preguntándome si salía por la noche y me puso la perra blanco esta noche sale o sea quedan su casa tal o sea esa fue la primera vez que vi el nombre de la perra blanco y no tenía nombre ese momento y me gustó mucho de hoy a suena curioso y bueno pues ahí se quedó el nombre el rock and roll como te llegó o sea tú que escuchaste que al perkins por ahí el rock and roll me llegó por por pura investigación ya te como tú ha comentado antes yo tocaba pues eso pues

1:00:52heavy metal y tal y luego pues empecé a por investigación un poco a decir yo soy muy curioso se me gusta investigar todo no por eso que tengo ese pantano interior tan profundo y titoria preguntándome que esta te penta más entonces fue fue un poco por investigación a ver a quien escuchaba esta quien escuchaba esta fue una época bastante fuerte que me gusta mucho la música los de centa no e flipamos yo con Jimmy Hendrick con Jim Morrison no de su humor es un impresión de mi hijo lo aquí no tiene nada que ver con lo que hago no pero y hasta que hasta que te por ejemplo investiga el que usó a bar de los sesenta y pues llegado a los años 50 a los años 40 y y pues sigo la verdad que ahora como digo yo voy a tirar patrata en patrata que ahora es cuando empieza a coger rebote patrata y si tiras otra vez un poco palante no por decirlo para un de los 70 no paso pero bueno ahí estoy de hecho ese ir hacia adelante se nota en canciones como esta este reigning love ayo yendo por

1:02:00en tema que la salió con un poco de aire a y mi buen jable no sé si es que no te falta el moño que la bicho con el moño y también yendo hacia adelante pues se ha topado con el sol blues en este porque las perras no solo perrean y a huyan también se pueden poner tierna porque intento que no pero me ven cuando no me van a que le vamos a que esto esto está muy muy raro porque es que está aquí yo no sé el río el río caro río pues se playa ya vuelo después de una gotera claro esto es claro esto de el agua el agua a veces hay una gota a veces hay una tormenta y cuando tú te encuentras que te sale una canción así pues te les ha llevado hombre yo lo saco todo porque para que me ponen limitaciones otra cosa que después

1:03:01pueda cantarla pero está en principio pude cantar la verdad este tiene todo el sonido a niejo este que es muy característico de Jimmy Souton productor de este disco productor también lo hemos dicho antes de Jay de MacPherson como ha sido trabajar con esos aparatos de los años 50 con toda esa tecnología analógica que él tiene para conseguir precisamente esa rugosidad que tiene el disco pues mira este disco un concreto no se ha grabado en tan con ese rollo no se graban chica porque no este disco se grababa parte en chicago pero principalmente se grababa valencia se acabo en chicago pero es verdad que yo precisamente con este disco quería romper un poco los los morde no el rollo de si venga toca música de los años 50 60 tenemos que grabar con la equipación del entonces yo quería por eso precisamente empezamos a trabajar con Jimmy porque yo quería seguir tocando lo que hago no que es rock and roll con ese sonido a niejo pero no querían casi ya lo en un público es determinado eso no entonces yo quería grabarlo con

1:04:05una equipación lo más moderna posible con una producción más moderna calavista está en este tema por ejemplo no entonces es fue lo que bueno hemos grabado con otro con otro rollo no tenemos tenido ni equipación antigua ni nada de yo lo he grababa con una guitarra que es de lo tier de valencia con bule cul con Vicente de aquel con el rato es exactamente ni guitarra antigua ni leches ni nada de hecho yo tengo dentro pero vamos ya está lo único esa es tu manera de mantener al final joven a un viejo de 75 años como el rock and roll exactamente sí porque que sino yo con esto quiero llegar quiero otras pasas fronteras de alguna manera no porque es una pena que esto se quede en un circuito cerrado porque hoy yo soy una persona bastante si gente conmigo misma y con lo que hago no entonces si yo me voy a quedar toda la vida encerran esto yo lo siento pero yo me meto a bomboiro o a stripper yo necesito partilos morde y sabe lo que te digo llega más y llega más evidentemente con con mucho respeto con mucho cariño pero expandí esto que yo hago a la máxima gente posible y en casi llarme en una cosa rancia con todo mi respeto hace lo que hago no me va a llevar a ningún lado hoy

1:05:09si acerca gente joven tú crees cada vez más este género si la verdad es que da alguna manera evidentemente de que empezamos por ellos hasta ahora cuando empezamos el proyecto era meramente gente mayor y ahora pues sí que verdad que ya poquita poco vamos pillando gente que pues más de mi edad 30 y algo tal también le llamamos yo la atención a los niños una cosa que no tengo físico no hemos instrumentado y a veces que me siento como Mickey Mouse sabe en plan de ahí para la Disney World y va a mi mi FIFA no porque también supongo que me ven un poco también a nivel la mujer un poco referente femenino también que es una persona que hace falta de man super necesaria ya sea yo sea otra pero que hay alguien no que estoy marcando hay ciertos patrones que por de gracia nunca necesito y hace fratequea ya pues esos personajes para dar ejemplo de que se pueden hacer las cosas de una mujer puede ser la líder de un proyecto te puede ser guitarrista solito y que una mujer puede tocar guitarra como un hombre porque se me le han dicho y mejor ahora que me corto al pelo algún comentario que me llamó la atención en algún en facebook que hay mucho piezo no porque ni esperas la gente un poco más moderna pero feidos de sí que cada cada carcamal e guiri no y dice oye pero esto es un tí una tía porque toca la guitarra como un hombre

1:06:12a su gracia señor no pero oye me siento a la gaga pues digo mira su cabeza una lago exactamente no pero mira que cada uno pino lo que quiera pero yo te lo estoy metiendo a la por el cine a tía y toco como un hombre te la estás comiendo pero con papas colegas bueno pues me tengo la con papas doblada con gente la guitarra esa con la que duermes que es muy bonita por favor es preciosa es preciosa tiene un color rosa palo bueno no se muy bien definido pero es preciosa y es precioso lo podéis ver en el vídeo lo podéis ver en el youtube lo podéis ver en el twitch y es precioso ver la en directo es precioso que haya una mujer liderando un proyecto como este precioso que esté traiendo no sólo a viejo sino también a jóvenes hacia el rock and roll y es precioso que esté hoy en carne clube a presentando lovers and fears

1:07:22number one full for you when it was as the other night when we met at a park that's true and now my knees that are knocking on my stockings that are dropping for you and full and full and number one full for you and full and full and number one full for you and full for you When you just listen to my God when I knew that my heart was wrong, now is the real

1:08:29stage, feeling when you know what is true or alone, I'm a fool, I'm a fool, I'm a number one fool for you is a more fool for you the number one number one without doubt the number one fool, well we are in the year of the dog of the sun and I hope it is also the year of the dog, white, you do not wait for the lover, his personality, if he calls this topic,

1:09:31the 27th of February, the 8th of March, the 6th of March, the 8th of August, the 7th in the world of Valencia, the 13th in the star of the weekend, the 20th in the city of Murcia and the 21st in the cost of that village, thank you very much, thank you very much to you for inviting me here, thank you very much, but I know that now the You can't do as much as you do. We need you to give us a bit of love and support for the show because if you do that, you won't be able to lift the ball. And what we say is true, isn't it? It's not easy to put in orbit every day this kind of piratas in the air. No, no, no. So if you think you deserve to do what you do

1:10:31and you can be a human, don't cut it, don't limit it, listen to it, support it and share it with us. Speaking in a chat, which makes us a super-sonic reference in carnagle.es. That's what I was going to talk about money, but it's not fair, isn't it? Less love and more reference. What is that? This morning. Cheers and audience. What's up, radio? Jose, come with me. I love it. Less love and more reference.