
The Music Is Black: A British Story
About this episode
Jacqueline Springer, a curator at the Victoria and Albert Museum, unveils The Music Is Black: A British Story, a groundbreaking exhibit at V&A East in Stratford, London. This show, opening April 18th, explores 125 years of Black British music history, featuring over 220 objects and highlighting icons like Dame Shirley Bassey and Dave. Springer, with roots in music journalism, broadcasting, and lecturing, curated this exhibit during lockdown, showcasing how British colonialism and migration shaped UK sounds. The exhibit also reveals how iconic bands like The Rolling Stones and The Beatles borrowed from these vibes. Springers extensive research, including conversations with artists families and securing rare items, has created a bold and inspiring exhibit that celebrates Black musics core role in British identity.
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Music News Today | 2 Min News | The Daily News Now! — The Music Is Black: A British Story. Machine-transcribed; use the interactive transcript above to jump the player to any line.
It's April 17th, from chart toppers to breaking drops, this is music news today, powered by AI. Jacqueline Springer landed a dream gig at the Victoria and Albert Museum five years ago as curator for Africa and diaspora performance. Now she's launching, The Music is Black, A British Story, the first big show at V&A East in Stratford, East London's Grime Birthplace. Opening April 18th, it covers 125 years of Black British music history, with over 220 objects like outfits, photos and paintings, spotlighting icons from Dame Shirley Bassie and Steel Pulse to Dave and Georgia Smith. The exhibit traces how British colonialism and migration shaped UK sounds, from Reggae and Lovers Rock to Afro Beats and Blues. It even shows how the Rolling Stones and the Beatles borrowed those vibes. Springer, with her roots in music journalism, broadcasting and lecturing, pulled this together during lockdown, aligning her passions perfectly.
Springer hit the road for years, chatting with families like Charlie Watts' and digging into Birmingham's gunquarter ties to the slave trade. She built trust with artist's wary of big institutions, scoring gems like Joan Armitrading's cord book, Junior Giscom's Breakthrough Glasses, and sales diss that prove commercial hustle. Industry folks are buzzing and is drawing in communities who never thought the V&A would call. Underground scenes shine through community kept treasures, flipping the script on who owns this musical legacy and pulling in young crowds who see, museums at school trips, not joy spots. This show's setting a bold tone for V&A East, proving Black music is core to British identity. It'll run nine months, but spark lasting inspiration, turning visitors into lifelong fans of their own cultural story.
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