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SheffieldLive! Latest Podcasts — The Back Room 26-03-2026 at 18:00. Machine-transcribed; use the interactive transcript above to jump the player to any line.
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Get your campaign on Sheffield Live. To find out more about advertising on Sheffield Live, write to advertising at Sheffieldlive.org or call o114-281-4082. The Backroom with DJ Paddy playing the best new indie, alternative, electronic, rock
and music. You may say you're scared to leave me, but it hurts too much to stay. There's something in your words that gives you away. Just for all you want to know where, but I'm going all the way. Just for all you want to know where, but I'm going all the way. Good evening, Sheffield Live, 19.0FM. This is the Backroom.
I abandon your music every Thursday night, 6 or 7 in the alternative, electronic, rock and a punk kicking off there with new for embrace, wrote to nowhere, looking forward to their new album, The Avalanche Out in June. Got a packed show for you tonight, got music news, the local national gig guide, new album releases, and I caught up with Medjor from Portugal, he was in Portugal and to chat about the Man of Two Worlds, new album, new tour, this guy's been in music for over 70 years and he had his 70th birthday of the Royal Albert Hall as well, so amazing, it was great to chat to him. I'm going to be playing that in a little bit and playing a couple of tracks from him. This is The Veils, this is Lungs.
You're not like anyone I've seen, and if I don't know you in my days maybe, then I'll see you in my dreams. Oh, there must be somewhere we can go, somewhere my heart will not succumb, I wanna hear in my voice. I wanna feel in my lungs, I'm breaking out this city, sick of staring down these walls. I was busy waiting on an angel, but an angel never called, so now I offer up my questions
to the architects of fate, and if the ending does come early, out in me and no come late, I'm going to be playing that in my dreams, I'm breaking out this city, sick of staring down these walls. Oh, there must be somewhere we can go, somewhere my heart will not succumb, I wanna hear in my voice. Oh, there must be somewhere we can go, somewhere my heart will not succumb, I wanna hear in my lungs,
there must be somewhere we can go, somewhere my heart will not succumb, I wanna hear in my voice, I wanna feel in my lungs, there must be somewhere we can go, somewhere my heart will not succumb, I wanna hear in my lungs, I wanna feel in my lungs, I wanna feel in my lungs, I'll feel in my lungs, I'll feel in my lungs. The Back Room with DJ Paddy, playing the best new indie, alternative, electronic, rock and punk.
Hello, this is my eldest from the Arts and Monkeys, and you're listening to Sheffield Live. Hey, this is Chris and Lesson Jake, and you are listening to Sheffield Live. Yes, new music on the back room. Future sounds. Oh, I'm too sweet. Oh, wrecked house about that. Like no one's watching you
A moment alone, a dream, a laugh, a kiss, a cry, our rights, our roles, a moment alone A dream, a laugh, a moment alone A dream, a laugh, just fail there I will be coming over
I will be coming over I will be coming over I will be coming over I will be coming over I will be coming over I will be coming over I will be coming over
For you I'm all that I dream All I have is a crack I rise, I rise, I'm coming over I dream, I rise, I'm coming over I dream, I rise, I stay there I will be coming over
I'm all that I dream All I have is a crack I rise, I rise, I'm coming over I dream, I rise, I'm coming over I dream, I rise, I stay there That's fun with a tempo trap And what if you fly, sweet disposition? I will be coming over I will be coming over You listen, Chef Alive, 93.2 FM This is the back room, and let's talk about my guests today These are no introductions, but I will do some introductions
This is a mid-year, 50 years in the business Over 50 years in the business Slick, he was in Slick 1972 to 1977 Went to Rich Kids in 1977 Visage 78 to 79, Ultivox 79 to 86 And then he's been solo Last time he was on the show, he's been on the show a couple of times Promoting this catalogue of hits He is back with the Man of Two Worlds The album, first record in 12 years We'll be out on May 8th, start his tour May 8th, Sheffield City Hall on May 18th And I managed to catch up with him about all this But I'm going to play a track from the new album This is mid-year, this is just words
In the past with all the hurt they've prayed Saved a whole new ring They don't need a thing Just words and words are nothing more Stream your lifeless role Like they've done before No words to justify forgiveness No words to clean and cleanse your soul What goes around
Comes around your window In your eyes with all the hurt they've prayed Saved a whole new ring They don't need a thing Just words and words are nothing more Stream your lifeless role Like they've done before No words from words to you
All the hurt they've prayed Saved a whole new ring Saved a whole new ring They don't need a thing Just words and words are nothing more Stream your lifeless role Like they've done before Stream your lifeless role Like they've done before Stream your lifeless role
Like they've done before So welcome mid-year to the back room on Sheffield Live Lovely to have you back on the show We've spoken a couple of times before And you know very exciting about Talk about your new tour A new album Man of two worlds And this is going to be your new person in material in 12 years I think I know it's sad isn't it? There are many reasons for it Self-doubt is one of them Writing new things that tend to sound a bit like something you wrote 40 years ago It's another Because once you've written a bunch of songs It's very difficult to move on from it And you make something You spend a lot of time doing it And then the realization kicks in Well it sounds a bit like what you did So you stop it and then you start again
And all of that Then the disasters we had Covid and lockdown and all of that So yeah it's a long time coming And I'm sure people listen to the record And say well I don't hear 12 years in there But that's as long as it takes And it's got something to do with doing it on your own I do all these recordings And on my own I've got no engineer I've got no engineer I engineer it either So I've got nobody to bounce things off I don't have a Keyboard player sitting next to me who says That's not very good Let's try this The only way you can The only way you can gauge Whether you're doing anything that's worthy or not Is to walk away from it So during lockdown When I walked away from the song I was currently working on To give me a breather away from it
And then when I go back to it I can tell instantly Whether it's any good or not Rather than doing nothing I started working on an album of instrumental music So the new album is now The two albums that I ended up making The album of songs And album of instrumental So that kept me sane And because instrumental You've had instrumental on albums throughout the years Haven't you? Yeah Absolutely And it's quite This kind of cinematic part to it I suppose And I'm just thinking like how What's it going to look on the live stage How's that going to come across And what's going to be included in that Right Well not a lot of the album is going to be included on the tour I came up with the concept of the tour first Excuse me In order to play some of the instrumental stuff That are already written I wanted to show more of that on a set
And I thought the best way of doing that To keep an audience engaged Is to play an instrumental piece And then that will segue into a song In order An album, try to be loved Or whatever And do a section of songs And then segue that into another instrumental piece So I'm probably going to end up And this is all in my head right now I haven't rehearsed it yet So technically it's a difficult thing to do But emotionally This is what I'd like to do So the first half of the show Will have no gaps I'll be taking an audience on a journey So that was the concept for the For the show Then I came up with the idea of Putting the two albums that I've been working on Together and really think them as one album Which again Works with a title A man of two worlds It shows the two different worlds that you inhabit The songs And the instrumental stuff
And they're very different animals They're very different things to Creating a piece of music That has to stand up in its own Two feet without any lyrics Telling of the story Without a big sing-along chorus Or without all of that stuff Much It's a very different approach To writing a song Where the lyrics can help tell the story Of course And lift people when they need to be lifted Or bring them down when they need to be brought down So yeah All kind of ties together So yes, the idea of doing the instrumental stuff live I've got the concept for that But I won't be featuring a whole pile of stuff From the new album Because it's only released the first day of the tour Anybody time to recognise any of the tunes It's on the opening night It's on the 8th of May When you start tour And it's quite a big tour Actually Which is getting bigger How do you find tour images these days?
Because I know You can still tour all over the world And things like that And we talked about different tours Over the times that you've done And yeah What's that still like And getting down on stage And doing kind of long tours You know it's different these days You know When we go out No and it's not flash And it's not big But for me it is We travel in a tour bus So around the UK The entire crew The bands, me You know I'm not in a separate vehicle I don't get londered up I don't get star treatment I'm in with everybody else And we travel overnight from venue to venue And a tour bus And stuff in it And I love that Because it's like your permanent dressing room You've always got somewhere to go And make a cup of coffee
And you know lie down and read your book Or do whatever you want to do And that to me So that to me makes things An awful lot easier when it comes to touring The idea of you know driving Because prior to doing that I used to drive myself from place to place Or drive myself round on tour And that eliminates the idea of You know four or five hours every day Driving from city to city Because someone's doing that overnight for you So you wake up in all of a sudden You're in your own share field You're great You know You're in your own share field You're great Fantastic. I've got an awful wonder Around the town for a bit And that makes things much much easier And technically things are Way superior now The sound, the equipment we use on stage To generate the sound we want The lighting, the You know the LED screens The content, you know all of that stuff It can be a much more
A massive thing with an audience You know if you're going to play a quiet Instrumental piece for five minutes There's either visuals on there That will enhance that Sensation, that cinematic Filmic sensation He's close your eyes And just listen to this high-fi sound coming out You know And you've got lovely venues that you play Haven't you? I mean there's some really Lovely venues which will kind of Bring that to life You have to have nice venues To get the sound that I'm talking about You know, you play on a vacuum As you know empty, you know, barn And it's going to sound like that Irrespective of what you're doing on stage You know And yeah, I mean you're Say you're back in share field actually We played here a couple of years ago I think back back at the city hall What was your, do you have a Connection with share field in any way Some of that you've been kind of enjoying playing Over the years You know getting my first synthesizer in 1978
It seemed everybody in share field Have already had one You know, you know You had human league You know, all this stuff You know, ABC going on And 17 So you know, all this stuff This vibrancy happening And of course my big, my big, big blind Gregory He keeps telling me about the There a rehearsal space that used to have up there It used to hang out together They all had a room and you know It just sounded really, really vibrant And of course, you know, in Glasgow That time that didn't exist You know, even in London that didn't exist But the time I'd moved to London It was all about sucking your cheeks in And ignoring any other artist It was all about how important to my But in share field it seemed to be this This collective going on Way before it was a cool thing to do, you know A cool thing to do, you know A trendy thing to do So, you know I think when I was still trying to figure out my synthesizer
You know You know Human league were rating And recording being boiled That's it, you know We're ahead of the time Yeah, there was a kind of real There was a realness to it, I think And that kind of industrial Steel time as well, which was Oh, I think It was wrong, but also real time Real people as well, you know Yeah, real characters Yeah, how'd you look back in there Obviously you've had, you know, 50 years in music Which, how'd you look back on these times And yeah I go When I'm back in Glasgow My old stomping ground And I've got an afternoon off or something I'll go back to where I was born And on the streets I used to walk around as a kid You know, still with my long shorts on, you know, dreaming of owning a guitar And reminded myself that I got what I wanted
I got what I dreamed of And I was one of the lucky ones So, and it's not just an nostalgia thing, it's your reminder It's like a slap in the wrist when you start to get above your station You know, you start to get a bit corky or whatever You go back there and think, okay All right, okay This could have gone horribly wrong This could have gone the other way I could have been working in a factory for the last 40 years And stayed I got to wake up every morning And sit down and twiddle knobs and play me guitar Yeah So it's great And that's just carried on kind of throughout the years And obviously you were, you know, many bands like Slick and Visage And Rich Kids and Ultibox And so much time kind of With your own solo stuff as well And of course, you know, Band-Aid and Library It's such a vast array of things that you've done And I'm still doing And even I think that you're 70th birthday You played the ball out of a hole, didn't you? Just to kind of walk that out of my party
Yeah, the ultimate party The Albert Hall Yeah, I've been, as I said, I've been unbelievably, unbelievably lucky And I've never had a plan I don't know what I'll do over the next couple of years I don't know what I'll do over the next couple of years It will come to me It will land fold before me Like it always has Because I couldn't have sat down, you know, 50 years ago And written This is what I'm going to do So in six months, I'll do this And then in two years, I'll do that And then we'll do Band-Aid And then we'll do like, none of that stuff was on the cards It's just come to me It happened, yeah, it happened But, you know, and I think, you know, you can see that You know, you distill that pure love of it, pure love of music The music you make And I've heard the kind of new single, Just Words I love it, it's wonderful It's really nice to hear that Are you still involved in the kind of Let's rock stuff
And like with the other bands Because I know you were doing kind of 80s You still doing that kind of stuff as well I haven't done any, I didn't do any last year And I've not done any this year But probably next year You know what, I dug my heels in against it many, many years ago And they kept when they started out those things And I just thought, no, that's really not quite right Then you do one, then you find that You know, you're not only hanging about backstage With all your friends But the audience, I absolutely love it Because it's kind of painless for an audience You know, you sit there and you think, well, I'm not going to like this And they come on and play five massive tunes And they go, this is great And then the next one comes on and you think, well, I'm not going to like this And they come on and do the same thing So there's something on stage And any of those events that you're going to like You know, there's something that's going to resonate And you think, and you see the audience Oh, forgot about that one You know, it's like, because they're like Everyone thinks only ever did Vienna
I don't know, and then they hear all the others And they go, oh god, they did that as well You know Yeah, exactly, here fate to grey And if I was, and you know, dancing with tears And all that kind of stuff, they must go, wow Okay, yeah, no, yeah I understand So after this tour of it I mean, it's going on to the end of the year Do you have any kind of plans further to that? I mean, you obviously be very busy With the album and things And getting that out of them, playing them That's going to be An enjoyable part of the year Doing this stuff and, you know, promoting the album and stuff Like that is great, because you know No matter who it is or what you create You want people to hear it That's the whole point is You make something that you want And not, you want someone to hear So the tour goes right on until The beginning of next year So going to Germany and some of Europe and things So that's the plan for now Right now there's just nothing else on the cards
And she said I don't, I've never planned anything You know, it will land Something the phone will ring Or the, you know, an email will come and say How do you fancy doing And you go, whoa, okay, fantastic And you just follow your own funny little meandering path What a lovely way to live life, I think Yeah, it's great, isn't it? I think that's the best way Not to plan anything Of course there is always the chance that the phone will never ring again Yeah, but I think it is a gamble bridge But I can't imagine that would happen Always a pleasure to talk to you So yeah, a man of two worlds The album is out on the 8th of May The tour starts on the 8th of May You're coming to Sheffield City Hall On the 8th of May Looking forward to that Love it to talk to you And you, thanks very much Thanks a lot, cheers Music
Music Music Music Music Music Music Music Music Music Music And so through The voice reaching out on the piercing crowd And it stays with you until
The feeling is gonna be you and I And it's nothing to me It stays nothing to me Love me more The music is weaving The pounding notes put it down to a stage The rhythm is calling For the moment the night does the day like the news
A cool empty silence The warmth of your hand and a cold grey sky It fades to the distance The image is gonna be you and I And it's nothing to me This means nothing to me Love me more
Love me more Love me more Love me more This means nothing to me
This means nothing to me Love me more Love me more The back room with DJ Paddy playing the best new indie alternative Electronic Rock and Punk I wanna hear a beat that's gonna make me sound good I wanna hear a beat that's gonna make me look good That's what I hear a beat that makes me sound and look good I feel good
I wanna cheer to make me look good It looks so much better than I normally would Like I don't give no And I own three shots of gasoline And I smoke like a chimney And I breathe in some fumes I know I can probably kill me And if you miss understood I wanna feel like I could sell our stadium show A drink expensive whiskey and a casino Blowing money that I don't own And a place I'll never go Like I'm the star of a brand new And it's easy to show Make me look good baby Show me at my best I don't need no crazy Special effects Special effects I want you to get in the zone
Find the angle that will bring out my cheap bones All natural, no problem at all But I look ripped when the lights come below I promise I'll never know That it's all for sure And you look good baby Show me at my best I don't need no crazy Special effects Lights Camera Action Let's do it Right, right Hold on and spray I'm in shock Make sure that I look hot How you think I need to stop Cause I'm hot Waits out on top I look famous I look glamorous I look freaky And she Blow with the big screen It's calling me Put your camera in the screen Let me look good baby Show me at my best
I don't need no crazy Special effects Let me look good baby I know that I'm at my best I don't need no crazy Special effects That's news from Tommy Smith That is called SFX And he's going to be playing How I'm going to be telling Sheffield On April the third big tour for him He's doing really well Love his stuff Thanks to Mitch Thanks to Mitch Thanks to Mitch Let's do some music news for you Music news So the killers are giving up to deliver one of the most high profile performances yet Headline in this year's you wave for Champions League final kickoff show Presenting my Pepsi known for crafting some of those enjoying anthems in modern rock The brand and flowers and coal bring them explosive live energy to the Puskas are being in Budapest on May the 30th Treating fans were set packed with career to fighting hits obviously clean the global football favor Mr Brightside to develop the news the band teamed up with footballs icon David Beckham for cinematic short film title of the race begins
The playful promo follows Brandon Davis they bolt towards Budapest of just spot in the kickoff show announcement on TV Lily Allen Ludovico Inaudy Max Richter and Sam Fender set to be honored at a 2026 O2 silver clef awards organized by music therapy charity nor different robins this year's event will take place for the first time A London's Royal Albert Hall on the evening of July the night 2026 the world's will mark its 50th anniversary the iconic venue and Main the charities biggest annual fundraiser and one of the industries longest running hours honest for artistic achievement achievement. Lily will be the icon award sponsored by Barclays, recognising more than two decades of cultural impacts and reputation as one of the UK's most distinctive voices and Sam will be under the best live act towards supported by the Uber Eats musical. The Norseals musician has become one of Britain's defining rock artists and in multiple awards and top in the charts, while building a reputation of a power emotional charge like performances. That's the music news.
This is new from Der Binski, this is called Ziggy Burns. A varied habit becomes your demise. Once more fusing me, to your mind, I'm a nut, I'm a worm, I'm a cigarette burn, I'm a pincrick, give me 10 stories. I see your reach and fall short of the line. I can help if you feel the divide, give me all of your pain. Now you've built up to now all of your pain and a story somehow. So sing it and feel it.
I'm flying off now I'm dreaming all night long. I can't get over it. An old behavior, a new way to think. Dying nails holding onto the sink, I'm a fake, I'm a rock, I'm a rally car. I'm a car crash, give me some disease. Ask a favor, but I you don't deserve. Still as all I believe, every word, I'm a fool, want to lose. I'm the cognizant, I have scum, I'm a mess. I can taste my breath. So sing it and feel it. I'm flying off now I'm dreaming all night long. I can't get over it. No, I can't get over it. No, I can't get over it.
Sex, you must go carry it away. Let me off tomorrow's the day. It is around all my way. Pardon me so I should just stand. Now I'm so calling a fool around you. It's not you, without you. You'll never make it, you'll never be free. When you fail, you can still come on me. Yeah, right, nice try, but I'll say goodbye. I can win, I can strive. No, I can't get over it. No, I can't get over it. No, I can't get over it. They're called Da Bensky. I'm loving that. Okay, this band they are called The Sun Charms. They've got a new album out,
third album called Darkening Sky. It's on the album. This is called A Thousand Years. I will fail to prove it. So you stand and still try to believe me.
I will deny it. You'll never get over it. No, I can't get over it. You'll never make it, you'll never be free. When you fail to prove it. You'll never be free. I will deny it. No, I can't get over it. I'll deny it. You'll never make it, you'll never be free. How do you know? How do you know? I'm not sure how the night did end up just drifting That's why friends wasn't dead yet A lost real man's a waste of your chance
I'm not sure how the night did end up just drifting That's why friends wasn't dead yet A lost real man's a waste of your chance I'm not sure how the night did end up just drifting That's why friends wasn't dead yet A lost real man's a waste of your chance I'm not sure how the night did end up just drifting I'm not sure how the night did end up just drifting I'm not sure how the night did end up just drifting
You lose your chefil live right 3.2 FM This is a backroom, let me tell you about some gigs So this week in Sheffield tonight you can check out Pastel City Matilda I'm Sharky at Cafe Number 9 Tomorrow Call Super is Electric Studios Bashed at the Hallemshire Hotel Dirtworms at Harlequin Inn And then on Saturday unknown mortal orchestra at the found You got 4am crew down at Electric Studios Howling Bells at the Hallemshire Hotel And then on Sunday John Wilkes at the Grace Stones AFK From Hamburg Germany there at the Log Hall And then on Tuesday school days go hard as nails And you would be to the Washington and then on Wednesday You've got Aura Coggan and Slugbilg at Sinner Matilda And Denburn at Corporation Placebo Going out on tour 30th anniversary Not to go most point arena 28th in November kick off there
Going on the Glasgow then on to Manchester Co-op Live On the 4th of December London finishing Cardiff on the 7th Those tickets go on cell tomorrow At 10 Jungle Leeds Arena 21st and November And then Cardiff on the 22nd Manchester Co-op Live on the 27th in November Glasgow on the 28th those tickets go on cell tomorrow At 10 and Red Rum Club have announced Not on the Rock City on the 9th of October And then the Halles Island on the 12th Leeds Canada on the 15th and then Birmingham in the 16th And again those tickets go on cell tomorrow At 10 Okay, it's great to have these guys back It's been many years They had an amazing couple of albums They are Delphic They are back with this This is called Between Forms
So
So So
So So please they make a music again, Delphic And Between Forms Thanks a listen tonight Thanks a mid jaw pleasure to have him on And for his new album
And a man of two worlds And you can catch him in Sheffield on May the 18th At the City Hall Some albums out tomorrow Balancing Act who you've come as part two And Courtney Barnett, Creature of Habit That's out And I'm going to play out with this band Who's also new album is out tomorrow They're called pet needs The album is called Elbow is out This is capitalism I'm going to play this out This is tour ward I'll see you next week Have a great evening The choice I create To sacrifice the ability in exchange For awkward adventures Let us the lecture
But we play writing for your crop Or the glint in our payments We're waiting Not sure where the wind will next take us I want to pretend that this does a matter of scale too And it's his ageable hold I want to pretend I've got it together And worry that people prefer our old albums I've been coming to a ward This is another trip Like an old parent's chain is made I've been coming to lose grip I've been coming to a ward This is another trip Like an old parent's chain is made I've been coming to lose grip Now let's not waste any time To a precision The fiction of living This vision We've laid over visions Of life It's an awfully expensive
Let's not waste a bit Jellyfish we think It's more to revert And so on It's a mystery We're dangerous The only way to get through this I've been coming to a ward This is another trip Like an old parent's chain is made I've been coming to lose grip I've been coming to a ward This is another trip Like an old parent's chain is made I've begun to Lalalalalalala Lala-llalala Lose grip Lalalalalalala Lalalalalala Lose La la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la
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