
Sturm's Miss Julie: A Modern Fringe Take
About this episode
Sturm Theatre Companys Miss Julie: A Modern Twist on Strindbergs Classic
Sturm Theatre Company presents a condensed, contemporary adaptation of August Strindbergs Miss Julie at the Adelaide Fringe Festival. James Harvy, the companys founder, takes on multiple roles as writer, director, and lead actor portraying John. This one-hour version aims to bring the characters closer and update the language for modern audiences.
The adaptation features a younger, more innocent Miss Julie, a stronger Christine, and a surprising ending that challenges traditional power dynamics. The performances are commendable, with Ruby Patrich delivering a confident Miss Julie and Sarah Jeavons adding humor and strength to Christine. However, the chemistry between Harvys John and Patrichs Julie feels lacking at times.
The intimate Theatre Two setting complements the simple period set and costumes, but the lighting occasionally overpowers the action, and some scenes are too soft for the back rows. The pacing stretches the show beyond eighty minutes, slowing the tension.
Despite these minor flaws, this adaptation serves as a great introduction to the tragic tale for newcomers. With some refinement in dialogue and pacing, it could be even more impactful.
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Adelaide News Today | 2 Min News | The Daily News Now! — Sturm's Miss Julie: A Modern Fringe Take. Machine-transcribed; use the interactive transcript above to jump the player to any line.
I'm Cory with the story, bringing you the latest from Adelaide News today. Sturm Theatre Company is bringing a fresh, short and take on August Strenberg's classic play, Ms. Julie, to the Adelaide Fringe Festival. James Harvey, the company's founder, wears many hats as writer, director, and lead actor, playing the servant John. This one-hour version aims to pull the three main characters closer together and update the language for modern viewers. The adaptation tweaks the story to fit today's world, casting Ms. Julie much younger with more innocence than usual. The cook Christine gets extra agency in her viewpoint, and the ending shifts dramatically, flipping the power dynamics in a way that might surprise, fans of the original. These changes not to post me two conversations around class and desire, though not all choices land perfectly. Performers shine in the intimate roles. Ruby Patrice nails Ms. Julie's privilege swagger, flipping between commands and begging. Sarah Jeevon's as grounded humor and strength as Christine, especially in her bond with John.
Harvey captures John's drive to rise above his station, but the spark between him and Julie feels off at times. The small theatre two space as star theaters suits the simple period set, and costumes just write. Lighting tries for bold metaphors but comes on too strong, and some scenes whisper too softly for back row ears. Pacing stretches the show past 80 minutes, slowing the tension. Overall, it's a solid French entry point for newcomers to this tragic tale of intrigue and power. A bit more tightening on dialogue and flow could make it even sharper. The Daily News Now is powered by our sponsor, Link in the description. Your pillow just got smarter. It plays your podcasts and music. S-O-L-I, solelypillow.com.
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