About this episode
Today on Art of the Cut, the editors of Spider-Man Brand New Day: Nat Sanders, ACE, Harry Yoon, ACE, and Gina Sansom.
Nat has been on Art of the Cut before Just Mercy, and for Shang-Chi and the Legend of the Ten Rings, He was nominated for an Oscar and an ACE Eddie for editing Moonlight. He’s also edited If Beale Street Could Talk and Short Term 12, among others.
Harry has been on Art of the Cut before for Detroit, Beef, The Best of Enemies, The Fire Inside, Minari, Shang-Chi and the Legend of the Ten Rings, and Thunderbolts. Harry has an ACE Eddie win for Beef, and an ACE Eddie nomination for Minari.
Gina is an Emmy nominee for the TV series Horace and Peter. Her other editing work includes Wonder Man, The Lowdown, and Our Flag Means Death, among others.
Today’s discussion is about how they collaborated to compress the opening montage, the value of audience screenings, and their workflow - starting with previs, through postvis and final vendor VFX.
You can read along with this podcast and see the trailer, clips and exclusive images at the BorisFX blog:
borisfx.com/blog/aotc
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