
About this episode
Respighi occupies a strange place in musical history. He is almost never considered to be one of the "greats," though his mastery of orchestral color is never doubted by anyone. Today on this Patreon sponsored episode, we'll look at his Pines of Rome. We'll talk about Respighi's extremely detailed program notes, his Strauss like gifts at portraying real life in his music, and the fact that Respighi, for all his innate conservatism, was actually the first composer to use electronic music in one of his works.
Get every episode summarized
Each time Sticky Notes: The Classical Music Podcast publishes, we email you a written briefing from the transcript — the topics, who appeared, and any specific claims, with the ad reads skipped.
Email me new episodesFree for 3 shows. No card needed.
Hosts & guests
No transcript yet
This episode has not been transcribed. Request it and it moves to the front of the queue.
More episodes
More from Sticky Notes: The Classical Music Podcast

Grieg: Peer Gynt
Sticky Notes: The Classical Music Podcast

Mozart Clarinet Concerto
Sticky Notes: The Classical Music Podcast

Bohuslav Martinu Symphony No. 1
Sticky Notes: The Classical Music Podcast

Scriabin Poem of Ecstasy
Sticky Notes: The Classical Music Podcast