Planning or willpower fourth Vaad - the plan of the Shmone Esre

0:00So, we are in the middle of this issue, which is called Rotsen, and Seder, and last time we were only on the recorder, on the point that a person has to enjoy, it's not the right word, has to be connected to the process. This was the seal, which was a very tangible seal, how someone makes a cake, and you want to have the process of making a cake, you don't want to have the end product only, because you want the process. I spoke about that, how we are far from that, and we are not used to that, that there is an intrinsic Rotsen, you want to be involved in that process, not only in the end product.

1:09So it was like standing there, and then we had an argument, or not an argument, that is a general thing, that I was sitting on a nerve, which is not so simple, and the nerve was that curiosity, that there was a question, someone asked, it's active curiosity, passive curiosity, and then, okay, I reacted the way I reacted, you know, so I'm not, it's not, I don't mean the word, you can't keep the word. But today, you will see, that in what we will speak today, it's a very clear thing, where is a problem, a problem with curiosity, I don't know whether it is deep problem, or a problem with curiosity, because it's more to it, it's not only you have to involve, be involved in the process, or being connected to the process, it's not only that, there is, there's

2:14a deep thing, there is, in that connection between the Watson and the process, the point is, that the Watson is present in every single step of the process, which a woman or a man makes no difference, you can make a cake too, which makes a cake, when you make a cake, every single step, which you do, is, ah, there will be a cake in the end, every single step, every single one, it's not that you have a process, and you like that, dealing with the figures, and then you like this, and you like that, it's the process I enjoy, no, but it's more than that, not only that you're connected to the process, every single part of the process is dear to produce, in the end, a cake, that or this, and now just imagine,

3:17I want to show you how a man makes a cake, when he is new in the business, in the whole business, you make a cake, and I was in Mexico, and there was someone unbelievable, someone, the Balasabais gave money to some, to some Azo Mitsino, something like this, and there was a lottery, and she won the thing in the lottery, what did she want, it was a thermomix, and then you know what a thermomix is, that's one of the most sophisticated mixes which are there, that's the spits, you know, that is really spits, that is a 2000, more than a thousand dollars, you know, you pay a huge amount, good, so I was there, wow, a thermomix, now just imagine I make a cake with a thermomix, I come with a flower, I need a bargarina, I would put it in, but I have first to try out all the features of the machine, you know,

4:18because I'm very curious, it's a new machine, I have to try out first, you know that, you remember you, when you are a young woman, that you had to try out all the features of the mixer, or what it is, no, no man, no, no, don't do it, don't be curious, now about the mixer, don't be curious, you have to make a uga, you have to make a cake, curiosity is now, you are curious how that mixer works, that's not the point, but when you are a curious nature, that's what you will do, I don't know whether you remember, but you were young, that's exactly what you did, you know, you were very curious, the first time you made a sponge, you had to install it, you were curious whether the water goes in this direction, obviously in that direction, you made the whole hakele of physics, how that works, excuse me, now we have to clean that room, you know, we have to clean it, the whole thing is, you know, to clean the room, no, no, no, first I'm curious how that works, you know, when you make uga, you are curious like this, when you make you are curious how is a taste

5:19of the chocolate, you know, what's in the game, what's the taste of chocolate, that chocolate has to go into the cake, you know, that has not to go into your mouth, no, don't, don't go off the train, and now it's not the train, now be careful, it's not the train, because in a yakish way, A has to go to B, and B has to go to C, and C has to go to D, please don't interrupt the process, it's not because of interrupting, it because of your rotson is no more there, there is no rotson of making a cake anymore, there is now a rotson of trying out the machine, there's nothing to do with the cake, don't go off the topic, there is a topic there, and this topic shows up in every single step of the process, don't go off topic, you see that's much more, that's not only you enjoy the process, or you are

6:19connected to the process, the process has a topic to it, and in every single step of the process, the topic is there, good, so that was a very natural thing, before the whole modern civilization came up, I'm not against anything, I don't want retura, I'm not here, I don't want that, I'm not a rousseau, I don't want we should go back to sit under the tree, things like this, shkriya, I don't want that, that's not my thing, but before all this new world, I was happy that was the most natural thing, because you were in a topic of going to milk the cow, you were in a topic which the topic itself, you had to be in this topic, but today you hook off the whole time, the whole time, let's just

7:20go off, go off, okay, so now it's very clear that this type of curiosity, this type of curiosity is very disruptive, it's very disruptive, no, no, no, no, no, no, no, no, you should be curious in the middle of the process, because in the middle of the process you are in the stage that the topic is there, every single step, and it's going along with you, and you can't hook off that topic, and you shouldn't, okay, so it's not a question of pressure, it's not a question of you have to reach the end, it's not about reaching the end, you can't sing together with that, you can go slowly, but you don't leave the topic, you don't leave the process, because the process itself is always a manifestation of the topic, that's what it is, now, this sounds like okay, so I can't now go, and I will tell my wife, okay,

8:24I want to make the cake, this week in order I should be working on the vaad, I think she will be not happy so much, that will be not a good idea, no, no, I can't do it, so I have to find something, I have to illustrate that, and find something which is more close to the world, I am involved in, you know, and so I want to illustrate that in a place where Seder is part of the thing, and you don't get that, the thing which every single day you do, and it's connected to Seder, is davening, because it says, Seder at Filet, that's right, Teder is a Seder very much, Filet very much is a Seder, a Seder, and the Seder of Filet is not because, first you have to say, always, and then you have to say Teder, and then

9:26you have to say this, and then this, that is the superficial Seder which is there, because one comes after the other, yeah, for sure, one comes after the other, so in the Filet there is even no product in the end, I don't know, perhaps you don't like this, I can't, you know, when you don't for Paloza and your pockets are empty, and by the end of the one I said, you have a thousand dollars in your pocket, then please, you will contact me, I will invest in you, you know, because that's not normally not happening, you know, so you are no, there is not the product in the end which comes out, it's not the cake, but it is a process, and we don't get that, we think the Teder is a huff, and there is no topic which goes along with that, but I can't be, because everywhere there is a Seder, there is a Rodz, I am a Seder, I am a Glehovim, Kyrgynyi, so when there is a Seder of Filet,

10:29there is a Rodz, there is a topic, because without topic there is no Seder, yeah, so when you call that a Seder, that Filet is a Seder, there is a topic which develops, aha, which topic, which topic develops, what goes along, which topic develops, but I mean it develops, not for sure there is a topic there, that I am, I am, I am, I am, I don't know, there's a topic here that I am, I am going to the Baroilope, you know for sure this is a topic, but this topic doesn't develop, this is not a topic, this is the much of you are in, it's not the topic of your action, it's a much of you are in, maybe the Fnir Meller, but there is a topic developing, which one, so I have a proposal, now you have to be careful, my proposal of the topic in Filet, that's the thing which is a personal thing, and I do not want now to give a

11:33word on Filet, and to tell you and work together how to do it, that's not my point, my point is to illustrate that thing, and afterwards we have to contemplate in our own life, we won't do that today, but to contemplate in our own life how can we now translate that to other things we are involved in, but there is a topic there which develops throughout the Schmonezer, and then when you see that, and you do it, suddenly you see that you for sure my head doesn't go away, you for sure, my head is not going away, because when the Filet has no topic which develops, and there is no process, which I am not only connected to the process, I am like involved with that topic in this process, then the only thing which is there that I have to be very, very concentrated in

12:38that Filet, in order not to lose the Kavanaugh, and every single broker has a piece of its own, but they have to keep my head, because I shouldn't lose the concentration, because you have to have Kavanaugh in that Filet, but it's much more natural, Filet is a very natural thing, it's a very natural thing, because it is a topic which goes along that process, which is called Schmonezer, okay, I want to show you that, just my personal thing again, I perhaps shouldn't do that to tell personal things about Filet now, because, but that's the way it goes, I'm Hefka, you know, I have come out, so I tell you the process, so what shall I do, but I had to have something to offer for that, in order you should have it to Alice, so let's see, for me, the topic of Filet is that

13:43how do I deal with the issue that the Beloved, which is in front of me, everything is possible, I'll show you that, everything is possible, everything, he can do whatever, and I don't do it, which normally this governing gets less, when you think he can do whatever he wants, that's right, because when he can do whatever he wants, so please do whatever he wants, I'm going out, I only tell you please, do whatever he wants, I isn't, no, I have to do it, but I'm standing in front of the Beloved, which he can do whatever he wants, and that is the, for me, the beginning of the Schmonezer, I say, Hashem's falsettif toch, that means I can't open my mouth, because it's something very scary, that you are standing in front of the Beloved, which can't do anything, you know, now please open my mouth, and then he says, Uffi, that hole over here,

14:51I should say, the sod, the, the sod, the secret, jagged means secret, I should say the secret of your praise, no, and now, now I can't say anything, because teilo, it says in the pursuit, the hall du mio teilo, the teilo of the Beloved, oilum is that you are staying quiet, because you can't say anything, the du mio being quiet, that is the praise of the Beloved, so now you stand in front of the Schmonezer, and you put away the topic, you see, that's Hashem's falsettif toch, you say the topic, you please open my mouth, and I will say, the thing, which is unexpressable, that's what I say, I'm standing like this, I can't speak, I can't speak, you have it in the Schmonezer or showing your people, there you say something very interesting,

15:55that you say Hashem's falsettif toch, you say, you know what I say, you say, you say, you say this pursuit in one next to the other, before you begin the avoidance of the Kippur, or you say, you say, you say, you say, you say, you say, you say, you say, you say, you say, you say, I say, you say, you say, you said, you say me, I say, I have something a nurse told you, you say, I have something a nurse telling you I am here you are a nurse, I have something a nurse praising you, OK then i will say, okay, you worry about that now, you can't say that you say, Now, now this topic is now developing very naturally, because for sure I have now to say

16:57praise Ashwakh beforehand and not in order to flatter the Beroilom, he should be afterwards pleased that he gives me my demands now. No. I have to praise the Beroilom because otherwise I have no possibility to speak. I have first to say, you know what, I can't speak, but I know that you made a certain way, a specific way out of this unending, unending, bizarre, unending, like that you have all the possibilities in your hands and everything is possible and you could do a world which is ununderstandable, you could make a world, create a world which is upside down, you could create a whatever you want, you can't do, because everything is possible. But you know what?

17:59You made something which is very well defined. I have to say a Shabakh, a praise to Ashwakh, because otherwise I can't speak. I just now I say that I can't speak because basically all the possibilities are possible. Everything, it could be a world which would look like entirely different than our world, that can be for sure and lost it will be such a world and it could be another world entirely, it could be everything, anything, that's a very scary thing, anything could be, anything. But you know what? The British Alolan, you didn't create an anarchistic world, you didn't do that, you created a very ordered world out of this, of this Otsar, how do you say Otsar in English, of this resource or whatever, out of this place where everything is possible,

19:13you created something specific. Okay, like what will I give a one? No, you're okay, no, you're going to have to do it. It's a very natural thing to say that, but the topic is still going on, it's the same topic, you see, it's the very same topic, the topic is that there are endless possibilities, but one of them is realized, one of them. So I say that the first broker, did I say the second which also, I know, I know that the world wants to hear some async which by me, the treasury, that's treasury, I say a lot of times like treasury, but you want to hear some async, that I know, you want to hear some async, I know that. But me personally, to hear some async is the Godless Horde, the importance of you and being, because you can be so important that you will live forever. Believe me, cows won't be there for being

20:20treasuries, you know, a cow doesn't get up for treasuries, only juice or only people will be there by treasuries, no cows. So treasuries, I know that the human being is so important that he will be there forever. Yeah, that's treasuries, I thank Tushas Hashem, I know that the Bruno wants Tushas in the world. That this is coming out of a treasury with endless possibilities, there could be a possibility that the Bruno wants something else entirely, whatever you want, but you know, we want this something specific. And then you enter the next step, you enter the next step, it's still the same thing, you are by this, you're holding by the same topic, it's the same topic going on, that now, because of the oil, he made a specific world out of that endless possibilities in his treasury, in a very specific world, I may ask that from all

21:23these possibilities without them, which I have to be aware of, I have to be aware that it could be in a very different way than what I think, but it could be in a very, very different way, what I think. And it's okay when it's in a different way, but I have the screws that I can ask something specific, the same way you, Reboi de Shuaulam, made the world in a specific way out of endless possibilities, I now am entitled that I may ask, please could you give something specific even though or from a place where everything is possible, but I have to be aware that everything is possible, but that doesn't take away from my feeling, you see now, it's not that, but everything is possible, please do whatever you want, no, it's the same thing he created the world, it is a specific world out of endless possibilities, that's what I began this one as, I began this one as a service force, I can't speak, because it's too big, but you know what, something specific came

22:33out of that, and now I am entitled to ask for something specific, with with that awareness that all the possibilities are there, all of them, it's not only what I want is there, all the possibilities are there, all of them, that is the, that is the, those are the questions, for example, you know, for sure, he could give me a penosa or even a faedo, you know, I had that, a faedo, a faedo means that the burn on one's life, he wants life, that's the, that is the subtopic, that is like out of these endless possibilities I want life now, there are people which are three of them, I had that now, I had that now that someone came to me that his father is already 93, and he has ALS, already 70 years, that's a very rare thing, that in that age you

23:38get such this kind of Makhla, ALS called by the Americas called Lugaric because of the guy, yeah, so, so, he's very bad, I can't move with it, so I told the guy, you know, I think you have to dive in, that he should die, the way that Kamala says, you know, that he could be able to die, you know, he's able to go away because that's his, that's his monster, he can't dive very well, you know, I told him that one day, the next day he passed away, so the guy is doubting very good, you know, he's a very good domino, vice-erase, yeah, so, so, so, by me that's part of a volcano, because the balloon can give life to the person in a way which is without the body, can't be too, you know, it's probably, I got it there, I didn't, but I got it warned that it should be a specific thing, but every will, that you're a balloon, you can't do it in every way, anyway, but I have the screws to ask, that's a good filler, that's a good governing, I am standing in front of the

24:42barollom which can't do anything, and it's unspeakable, this treasure of all the possibilities, it's unspeakable, you can't do, you can't say anything, but you know what, because you made a world which is specific, I have the, I have the possibility that I may ask for something specific, very nice, I tell you, ask for all the things you ask, I told you this one, and that one you have, okay, there are different subtopics here, but the topic goes along with the filler, and now your head is not running away the whole day, the whole time, it's not, no, the head is not running away, because there is a topic going along with these brokers, it's not, I am obligated to say this, and you know, that way, say the art filler, you think say the art filler means that everything in this place, then I ask you, I am a very much sort of digger guy, you know, I'm not, but let's say,

25:44I am very much sort of, then I ask you, where, or where occurs the Sham Hashem first time in the first time, where is the Sham Hashem, where is the first time, oh wow, look at the noise time, where is the second time, where is the second time, where is the second time, where is the third time, where is the first time, oh look at that, it's very much sort of by him, that's say the, in the Yankeesha way, you know, this say there's not a topic which shows up, ah, well you are a couple, perhaps there's a topic which shows up there, they said, I don't know, but this, this is that I know the, the order of the words, and I know which words are coming up, this is not what I am looking for, I don't look for a very well-defined ah, trail which my, my, my train is going on that trail, and for sure, but you have a good trail,

26:52then one, one, one part of the trail is coming off to the other, so you have to be misrudent, because otherwise the train can't go, yeah, no, no, I don't want, no, no, but this, you see, now, it's not, it's not, it's not that he's, oh, you're also on the Hashivist of the filler, you know, I could do that, I could speak with you, I said, I said, I said, I believe, how do you dare, that you are going off this unbelievable, um, possibility that you are speaking in front of the boil, that, that is nearly the same thing, but it's not that the topic is going along, it's wanting to be inspired by that, I don't want to be inspired by anything, it's simply the topic goes on, the topic develops through that schmaness, there is a topic which is developing, so how can I go off track, you know, yeah, I'm in middle of the topic, I'm middle of the

27:56thing, the goon says that when you are governing and you see, that's the Hashem de Goon, but when the people at that time said something, Hashem de Goon, this was reliable, okay, today you say, Hashem, that's for sure not, but at that time it was Hashem de Goon, the Hashem de Goon, they say, when you have a problem with your Kavanaugh in, let's say, for a new, then you can catch back the Kavanaugh in al-Azadiki, more in the Jerusalem. Yeah, no, no, no, I need refua, or I need a Palmasa, so what does it help to me when I have a Kavanaugh in Jerusalem, when I need a Palmasa, I need Palmasa, and you didn't think about a Palmasa when I said Borycholeino, and now the goon says, oh, you didn't have Kavanaugh, so I have Kavanaugh

28:59back in Jerusalem, Ilkho, yeah, yeah, but I have a problem girl, you know, because Jerusalem Ilkho is a little question of money, so what does that help, what is this aids, I lost the Kavanaugh in here, then I can catch it back there, what does it mean, I catch it back, what does I mean, Ilkho, the goon says, no, the Kavanaugh is the topic, you can catch back the topic, the topic which goes along with this whole shwanessa, you lost it, then you can hook back onto this topic, that has to be the plot, otherwise there's no plot, there's no plot at you, but you lost the Kavanaugh here, I can't have it there, I need the Palmasa, I need the Fuhr, so what does it help to me, when I'll have a Kavanaugh in other place, no, it helps, because the topic which goes along with the shwanessa, you can catch back, you can have it back,

30:00you lost it, and you can have it back, you see, that's a good, then you reach, okay, let's say, Moidim, and Simsholim, there is the end of the shwanessa, and there you reach a place where you say, I am very grateful, or I'm very mohide, that I am the end station of all these things which come down from the Beroilom, which has endless possibilities, they come down to me, and I am in a massive of receiving all these things, that's a Hadoor, that I am in a massive, I can't receive that, that's the say, that we are, we are, the Jewish nation is, Oivet, in Beza Migdosh, we are the topic, that's a Moidim, that you are Moidim, we'll see soon, and then the Simsholim is the same thing, it's not asking for something, I am, I have, I got all these tools, Simsholim, supposed to be a

31:04I've got all these tools, that I will be a good clay кибл, I will be a good place that your things will come in there, that's the end of shwanessa, all these different possibilities, which could be there, they come down and they manifest themselves by me. That's how you do it. Now come something which is, again, that's a personal thing. Again, you don't have to double like this. You don't have to double like this, no. I don't want to give a crash course on someone else. I only want you to show and to illustrate how that looks like when a topic goes along, goes along the thing. It's less tangible than making a cake. I do know that, but that is the world I am involved with, what shall I do. So, but there's something like making a cake

32:09even without result. But there's one answer and there's a topic going along with that. And now in the end, that's like hitting, that was hitting me, no. In the beginning, I am beginning to say, Hashem's was at Iftuch of Iagit, till I say, oh, Iagit means so it, the secret. So I say the secret of, oh, the secret of the dealer is unexpressible. I can't. And in the end of the Hashem, after you ask all these questions and the precautions that are out of this endless possibilities in the treasury, something could come down to you and say, Neu de la Hohel une supper de Iosechol. I am not Iagit de Iosechol, I am Mesappel. Mesappel doesn't mean secret. Mesappel means I say it explicitly. Now in the end of Tushmanesra, this thing which in the

33:10beginning was a secret. In the end, it is something you speak out. Because that's the place you are now with. Everything comes down from that place which is unexpressible. Everything comes down. And you are in a place to receive that you will tell, you will say all these things. And that's the end of Tushmanesra. You see, is this topic Hashem's concitif de Hofi, Iagit de Iosechol goes through the Hosemanesra. Till in the end, it turns over into an a supper de Iosechol. I can now express that. Because I dealt with that thing the whole time. That's a Tushmanesra. You see? So that is an illustration how it works. That a topic goes through the whole process. It's much more abstract, when you want. I don't know what abstract means. Abstract,

34:16that's what you say. It's much less tangible than making a cake. I understand. But we are dealing with such things in Judaism. We are governing, we are learning, we are doing all these things. It's only to show you that the topic goes through. Now we have now to contemplate that we have to put in the beginning. The rotsun in the beginning is not only a rotsun to reach the end. But there's a process till you reach the end. The rotsun in the beginning is a topic you put away. And for example you have a rotsun that we will speak next week about such things. With a rotsun of Benodol Haveli, that has to be a topic. You have a topic, Benodol Haveli, which every single action you do is that topic is present there in that action. Every single step, the topic is present.

35:16That is what rotsun and say the means. That the rotsun is present in every single part of the say. That means there is a topic. The rots is like a topic. You can't, it's not only reaching end. That is not present in every single part. Every single part is a topic present. There's something there. So that is the challenge we have now. So I gave this only as an example. I gave this as an example, because the filler, it says, say the, the seedle. It's a say the rots filler. It's a say the, say the always goes together with rotsun. But that means the say the goes together with rotsun. There is a topic we chose up in every single step of the say the you see. So that's what I wanted to explain. Again, please don't take that as a crash course.

36:18You don't, no, you have to find your own, your own topic in filler. I only, because I wanted that you, that I should be able to express, you know. So I had to bring something up, which I, I feel that this could be a to hellis. But it's not that I want you to dive in. That's not, that's not my Indian. Yeah. What's the rotsun this example? The topic in this example that you are dealing with that endless possibilities are becoming some specific thing. You are dealing with that endless possibilities. Very, very, very, very scary. But these endless possibilities, they are entering a specific way. That's a topic. Can explain what to be a topic in other words. Rotsun. But that's a rotsun. I mean, a desire and not just a topic. There's something you

37:22want and not just a topic. But you want an Indian. That's the point you want an Indian. You don't want a thing. Well, you want a thing. You want the end product. We are stuck. You see? I don't know. When you want a thing, when I want a thing, then we are caught with that, that I bear some, I basically only want the end product. And then you can't work it that way. You know, then the whole sader is only, how do you reach that end? Because you have to, okay, you walk up the Kilimanjaro, you have to walk up the Kilimanjaro. For sure, now you are down. So, now there is a certain way to get up that thing, you know, but I want to be on the peak. So, nothing is present on the way. It's only, I am not yet there. I have to do something. When it has to be efficient, so I have to reach that. That's not what I do. I'm not working on

38:24efficiency. I'm not working on having a good goal. I'm not working on that. I'm working on that, that it should, something should accompany you every single step. The rotsun is showing up. I'm a sadder Kirchöyne. Every single step of the sader is expressing a rotsun. There is a rotsun from the Baroilum and every single step is expressing that rotsun. So, the rotsun is like a topic. I don't know how to say it. The rotsun is like an issue. It's like a, yeah, a topic, I don't want to say, I have not the right words, perhaps in English, but the rotsun is like, interest could be interest, don't know. Interest is a emotional thing, very much. It could be. It's something which goes along with that. When you're making a cake, what is going along with you? An agenda. An agenda.

39:35Okay, an agenda, yes. Now, you see all these words have a bad taste, have a bad smell. I have an agenda, means, hey, I have an agenda, you know, I was thinking that this is because we don't work, you know, we are not used to that. Yes, it is like an agenda or a topic, a drive. Again, that's could be. I think that it was in us. When writing a safer, this is very understood, that when you write a safer, that was before the word, I don't know, this past before the word, I don't know what you think, what you can speak. You have a microphone in front of you, I see it even. I came like two minutes before the word, the machine was supposed to say something about a safer, writing a safer, maybe I missed it. No, it could be, yeah, writing a safer, for sure, writing a

40:36safer is that you want to express something, you want to, perhaps that's the point, an agenda, you want to write it, you want to express something, you want to express something. You don't just want to end, yeah, you don't just want to end product, do you want it? Yeah, work on it. You want to express something, perhaps that's the best, you want to express something, throughout the way too. And that was say that feeling, but it was very, very hitting, you know, you say say that feeling, the whole thing is say that, but there has to be a lot in there, that means something is express there, and you see it's not only the cabone. Now the point of feeling is not, is not Rotsunashem, that's the point of Teure,

41:38the point of Teure is Rotsunashem, the point of feeling is Rotsun of us. The Rotsun is ours, we relate to the Barolum, but it's our Rots. No, feelings, feelings comes from us, feelings my thing. Treyr, I deal with his Rots, what does he want when he says, your Yibu, more whatever it is, but it's about me, it's about my Rotsun, and it's about my thing, I don't. Okay, so it was only an example, and again, can we rejoin the meeting? To Khazar was means rejoin, what means rejoin, making it again? We use the room after what's going to go off, to Khazar. For sure, I am going off now, that whatever you want, I'm going off, so, Ciao. Can I ask one thing? Can I ask one thing? By the cake, last week, he said that nothing, it's not about skill and development of skill,

42:45it's just, it's just doing, it's enjoying the process with your Rotsun. So, how my Tfila isn't like that? My Tfila, you're coming with this interest, but the Gile is like developing throughout my essay, so this is without my Gile him, but again, it's just to express, just to express that Hashem's, that's a Tfila, still is just to express, really. I have a schooz, the way he created the world, God will give over Neuro, Kael, Alien, Gamel, Khazad, and Tfila, the way he is dealing and created the world, I am entitled, that I can ask something specific to, that is, I can ask something specific, I deal with that topic, that the world came out of endless possibilities,

43:45I am entitled, that I may also ask something specific. You see that, perhaps I want to have to tell you that, you see, that a lot of people, their governing is getting less, because they say, the broilerum has all the possibilities, and they can do whatever he wants, so why should I doubt it? According to what we speak now, this is the most idiotic argument, no, this is no point, no point is, that is everything possible, but there is something specific coming out of the possibilities, that is the topic of Tfila, that is the agenda, that is what I want to express, that is what I want to express, and I have a schooz, that I now, in my limited life, I may ask for something specific, I, there is endless possibilities, yes, that is the way the broilerum created the world,

44:46that is a schwaq in the beginning, now it is a very, it is a very natural thing to do that, it is a very natural setup, you see that, very natural, there is nothing artificial about Tfila, it is a very natural thing, I simply ask the same way he did it, out of these endless possibilities, I ask, very simple, Ahren, why are you so, look who's so like this, I think it's a very good thing, you have to make like this, that's right, that's what you have to do, yeah, I think it's a very simple thing, it's a very simple, it's a very simple mahalch, but this mahalch is going along with your davidning, that means there is a rotsen or there is a gender or there is all these words which I don't know exactly, yeah, this is going along with your davidning, and then there is one as believe me, that is one as is very natural that you don't

45:48take your head off that, it's a very natural thing that you just don't go, like curiosity, Bach you go off, why should you go off, why should you go off, there is an agenda there, why should you go off, yeah, but when there is only a obligation that you should not think about other things, then your head will go off, okay, so I will now leave the room and then I simply stay in, yeah, whenever you want, you can stay in and I leave the thing, I think that that won't close you when I leave, let's see, Saig is on, they have to go to david, I have to do what I speak about, that's right, Saig is on, call to, good chavis, good chavis, good chavis,