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Higher Thought — Our Real Belief - Neville Goddard. Machine-transcribed; use the interactive transcript above to jump the player to any line.
Tonight, the subject is our real belief and I really want this series to be the most productive to be a better head. And by what I mean, I want every one present to really have a girl, a noble girl and realize it. Realize it before we close in vain. May I tell you you can realize it? I mean that seriously. So what do I mean by our real beliefs? Our real beliefs are what we live by. Real beliefs are knowing all God. But a man really believes, it's just as though he knows it. It's turned about to knowing. Tonight, when you believe, I call it faith, I call it beliefs,
it is not complete to look at an experience. One must experience it and don't know it. Now you will hear the same thing tonight. Everyone present will hear exactly the same thing. But no two will hear in the same depth. Some will hear it on the surface, others will hear it below the surface, others will hear it down in the very depths of their being. It's where you hear it. As we are told, the world came to them as it did to us, but it did not profit them because it was not mixed with faith in those who heard it. They heard it and rejected it, but they heard it. It came in and went out. They did not receive acceptance for those who heard it and so they instantly rejected it.
Tonight, I hope you will not reject, but I am here to tell you, but perhaps you are sure, you are free. You will accept it and reject it. But I tell you, if I get through life and you apply it, because you are the apparent power, I can tell you that it doesn't operate itself. If this is what I remember, I ask you to think of a friend, just think of a friend, and now he will interview you something lovely, something lovely, a lot himself, about a mutual friend, or about you. Just hear it. Do you believe that that actually took place? You may say, well, I imagined it, that it didn't really take place. I will say that the day will come and I hope, now, that when you imagine the state, before you have external confirmation of that state,
to you it is as though you heard it externally. You know it, that this internal act is equal to the external confirmation of that act. You go to that point, because the difference between God and man is not just early in terms of this imaginative power. If I were down, speak of the power that is God, as you are telling in spiritual, it is revealed constantly as power, sure power, third chapter, fifth and sixth verses of the book of Exodus, sure power, most of the times in the presence of power, but it is created power, and the distance between God and man is measured by simply power. On this level, if I'm in the service of my being, only this is real, my sense is allowed, but when I go deeper into my own being,
it will be ever too much, the core of my being, who is God, when my imaginative act becomes externalized, quickly externalized, and I go deeper and deeper. On the surface, it seems to take that interval of time. If I believe, if I don't believe, it never comes into some external time at all, never. Get on living in a world, not understanding it, not knowing that, it's failed out. So reading the story that I read with you, is trying to ask you, but plead with you, to buy your religion wholesale. Go to the name of God, go to the first, don't buy it retail, the sun man in between, no one in between you and the first, you go right into the death, and buy your religion wholesale. Buy going to the service, which is your own wonderful
human imagination, your own I amness. That's God. The story that tells you last, Tuesday, a one whose name was Eddie. Eddie had the identity and experience of the world recorded in the book of Exodus. When he heard it, do not compare. Read the words, the words are, do not come here. Read it in the book of Exodus. 436 verses of the third chapter of Exodus. The very servant of Moses, do not come here. And being Moses, he is faced, nothing shame, but in fear. He was afraid to look at God. So Eddie saw the symbol of God, and he ran. He was cared to. The identical story. What is the revelation of God's name? I am.
He personally am. No one in sight. They will repeat themselves, no, they have come from above. You look back thinking about some machine, maybe some helicopter, with a previous system. He is broadcasting the name I am. There was not a thing in sight. And then before it, it's done come out here. Being curious, he did go up there to the hill to confront a rattlesnake. Perhaps he was not quite a spring. He was simply a four foot long snake, or stretched out, the symbol of the creative power of God. But it's clear to him. It's a curious man. The main act you see is what he is himself. And he's solely responsible for everything that is taking place in his well, solely responsible. His charisma is too much. Until he goes deeper,
and deeper, and hears the same word of truth, but hears it in death. And then he assumes full responsibility for all of it is taking place within him. So tonight, let me share with you a few stories. Seven years ago, a lady, she's out here tonight, she's out on a new job, and is taken away for a while. But when she heard it, that a nice, increased reality. She said to herself, what about it? So I would like to go to Egypt. She had no money. She's never been a lady of millions. I was working, small sums of money, could never accumulate what I would take to make the trip. And so the usual story, she told her dream. She didn't keep it to herself. She told it. Nothing wrong with it. If you really believe it, you can tell it. As you're telling a scripted girl, telling your man, that's so
young, show the world. But that's, if you don't tell man before, you may believe you after the event. He may question your honesty, but if you're telling before the event, then he is assured, because actually you have a witness to the fact you did tell him before the event. So that is also in scripture. And now I will tell you before it takes place, that when it does take place, you may believe. But that is courage in the depth of the cell, where one knows the emotional act is effect at the very moment. But at the end, they're not yet seen for the other man. But not everyone has that courage and that faith in the imaginary act. So she told it. And that's the apprains criticize them. It is stupid to go over that man, you waste your money. It's not religion. What is it? He is telling you that an assumption that a person is persisted in will harm, in effect. But that's stupid. It doesn't make sense. To solve a full judgment must
conform to the external fact, to which it relates. So if I say, well, isn't it lovely down? And there was no girl to bear witness to my judgment. My judgment is false. So that's what they gathered from that seat of them that I am teaching. And so the herding is insane. It's stupid. Well, the youth went on. It's been seven years now. And this is what happened this past week. She got a job. She's a nurse and the job moves around. She goes from home to home, where the need is there. And so she found herself in the environment of a neighborhood of a friend she had not seen or contacted in a year. She had externeed a card and a Christmas greeting with a little note on the card. But no telephone card. I know of a contact. Find yourself in the neighborhood. She called herself. They just framed her. She said, Oh, you can have it. You can have it.
She said, All right, all right. I'll take it. What is it? And then this is a story. There was a party, a pre-lumping party of the material, a film. Some naughty girl, like a Catholic society, the Joseph and Mary society. They were dear prizes. The major prize of the 30-day trip, first class, or expensive space, stopping along the way at the Hilton Hotel in the Northeast. And Egypt is part of the set-up. The lady and her family had spent seven months last year abroad. And I had no desire this year to go abroad again. In fact, they've already arranged to go to New York City for the work in Spire, which opens in April. So I took a brother's house, served him there. Just take it. Just do or take it. Only I accept to go into it. Not a good or a family.
So that was what her same fate of her she would give up. Jans are all right, I'll take it. And don't call me after family, the story. Do may it soon, maybe, seven years. She's still not took it. If she wants it, to the nories where Egypt is included. And she goes to her class or expenses pay, but everything pays. Because she believed, moving and being to go for a faith waiver, maybe she just applied it by saying, maybe I don't want it. I own some strange way to explain it away. But it's still, in its own good time, came to the surface. I ask you not to throw your dreams away. And feel that below a realisation in this strange, grabbed world of external facts. Every dream can come through if I can get through to you. But your imagination is gone. And that your imagination
acts when you think of a frame telling on the conversation. That is Jesus Christ in action. Examine your fear. To see whether you are holding to your faith. Test yourself. Do you like to realise that Jesus Christ is in you? If he is in you, then who is he? He is your own imagining. God is your imagination. God's inaction is imagining. And God's inaction is Christ. Christ, as defined in Scripture, is the power of the wisdom of God. So I tell you everyone can realise if you really believe in Jesus Christ. One believe in saying they believe in Jesus Christ and cross themselves if a day peace of wood or a peace of marble or a place or something other than a living God. And the very being, kneeling before the external icon,
here is the king of Greece has just died. And they brought that they considered a holy icon for the man who was died. In the eyes of God, a king is just like a sick. They do not differ once the man is not greater than is not for another. Do you think that they have heard the word of God and believe so he is dying to bring a holy icon? He didn't work just so little icon and so he makes his face like any other person in the world. I hope that every man will find the real Jesus Christ. The real Jesus Christ is your own beautiful human imagining. God in action. The real God is your own wonderful lovely imagination. He said, I am that God. Now let me share with you which was given to me this past week by a gentleman who was here tonight. He's written the last joyous stories.
I hope he's dead up because they're exciting. I shared him with girls who came home since I received his letters. I would share them with you tonight. He's a writer. He writes for TV. He started three years ago on this show that has been running for three years and he writes every year of the script. Is it when I started? My price was $2500 a script. I in two years my agent got it up to $3,000 a script. Then a year ago he asked Christmas my mother came west, came from the east to visit us. And I tell her when I received her script, $3,000 a script. And he said, well, I was assumed that you got $3500 a script. She was not all impressed with $3,000.
And then he tried to explain to her that as far as he knew there was no writer in the field, Surler writer, who got more than he did. He was getting $3,000 a script. She was not impressed. Didn't disturb her at all. She still said that as far as she was concerned, it was worth $3500 a script. Well, two months later, the agent was called by the studio for a contract. A renewal of contracts for the next year of writing. Before that he would go over to the studio, he would have to discuss it with the writer. And so he explained to the writer, he didn't think that she had asked for more. They moved up from $2500 a script to $3,000 a script. And you shouldn't price yourself out of the business. I asked him for more. And so the writer agreed. It was a nice translation between himself and the producer and the writer and get out of the business.
So it was agreed. The very next day for this agreement, I told him it was held to discuss stories, a story conference. And so the producer said to the writer, have you come to an agreement with the contract for the next year? And he said, yes, I'm going to sign. He said, have you asked for more money? He said no. Did you ask for more? Each of your orders contain you about the purchase. It isn't big enough. I know you're telling me to ask for more. Did you ask for more money? Again, he said, I don't want to price myself out of the business. He said, you tell your agent to ask for more. So when he went back, he called his agent. And when he told the agent to ask for more money, the agent said, he had too many cocktails for lunch. So he said, no, I would give you the source. I need to tell him what had been told him. It's very rare, the conference. So the agent now has done with this information that
the very producer had recommended and increased. So he called up the business office of the studio and asked for more. And there's some people who they're top, they're screened. And then very generous even so we'll forget it, as though you didn't even ask for it, so that the nice relationship between the producer and the writer can go on and it has for the best three years. But the agent knowing the source was out of net. And so when he came out of that, he came up with a contract for $3500. That's correct. So the writer in his company, now no, nearly assumed that I was getting $3500 of script. And so how some shouldn't be behind the backs of all of us produce with everyone on their fruit. So they said, I called it up and I tell them what I was getting the script now. And then she started a seriously study,
your books. And he said, a problem of great Britain has been with us for 25 years. I'm not just stressing for them, which I will tell you about at some future date. The writer, you last thought it was completely swept over for life. And our confession is in order. When I first assumed I couldn't understand you. And then I began to be afraid that I was going mad because I couldn't understand you. Then he said, I will explain that later. So I am raising eagerly for that explanation. But we are talking about John. He has a devil. He is married, finally listened to him. You have your Bibles. That's the 10th chapter, the 20th verse
of the book of John. That is the chapter where he says, are you my father or one? You've just gotten through in the previous chapter by saying, I know my father. My father is he whom you call a god. But I know my father and you know not your god. And for this, we're stoned him. Stoned him with a little fact of life. That's the stone of scripture. When you throw the facts at a man, when the man goes to assume that reason denies, what his senses denies, then you will remember one with his death. You throw the stones or the facts of life at him to deny the reality of what he is claiming by the mere imaginary act. And so he has just gotten through, making these bold assertions about my father or one. And my father is he whom you call a god. But I know my father and you know not your god. And so this story is that I didn't understand
you. And then I began to fail a span of madness because I could understand you. So this is, it takes you into an entire different world for a reason on this surface over the mind. It doesn't really prevail. But you really believe in the reality what you believe you are doing. And then it comes to the surface. If you don't tell it before and you tell it afterwards, there's no question you're honesty. If you take them into your confidence and tell it before, you cannot be in our space for a baritone business. If you don't, they will kill you and throw the stones at you. And every time they meet you, the third of all, is it? You're supposed to have a certain harm, a certain job, a certain kind of money. Where is it? And so they are always trying to stone that you or the facts of life. Now here is something and you listen to it carefully. It's a long pattern. And he is building out certain points that might have escaped you. But we advise you
to find out all the little facts. It's about the greatest secret of the world, the secret of imagining. For as far as I say, the secret of imagining is the greatest of all problems to the solution of which I should aspire. I should preempower. So preem wisdom. I should preem delight why in the solution of this power or problem. This is the mystery. And he has found some way from it. So if I can recall it a long time ago, I've written four pages, but I will give you some of the highlights of it. So when I left, my producer three years ago, he was a very subdued and reserved son of a gentleman. Reserved, he said, it would be the right word to use to describe it, very reserved. So unlike the prototype enthusiast with whom my family worked, he was very reserved. In fact, I mean, he wouldn't express the surprise even
anyway. In fact, his greatest praise was the world in good. So he was throwing his clip and he would accept the clip. And his house praise was good. Well, all of that, I'm going to change this. So I lay on the bed and I haven't seen it to me. Great. Just great. But I haven't stolen the clip. I have just given him a clip and he pronounced the clip good. I am now doing this about the next clip and I have heard it interestingly. I let go of it in my years that I was at work. So I have been able to pronounce the new clip as great. Just great. And while I am wearing the phone rings, I haven't found the clip before I was ringing as the producer. And he's telling me that the script that he
had probably pronounced good, that's great. Just great. And so he threw me a curve. Because that's not what I was expecting. It was about the new clip which I hadn't even started. So not only he threw me a curve, but someone had their lines crossed. So right there, I kept now working on new lines for him to use. And I changed it from great, just great to terrific. And so here I am. I only heard one word. It is terrific. Well, I still live in this clip and I think exactly the way he used it, when he said to me, it's terrific. And the same enthusiasm that matched my imagination. Now I said to myself, two months later, I presented it within two months. It was the great, just great opportunity. He didn't go back to putting him more. So I said, now I'm going to
experiment again. So this time I'm going to make him say, absolutely sensational. So if he seems to absolutely sensational to me, what the hell if you're praising yourself or not get the best? So I'm doing it myself anyway. So why do we want to do it? I'm doing the whole thing because he's only coming in. So I said absolutely sensational. So as soon as the clip took the clip into him, and he pronounced it good. He said, I always tell I read the chair. It was not the road that I had written for him. And he said, you know what I have to think, I'm living. You know what that means in the theatrical world. And the other way to play, I'm so active in the scene of the road in the opera, and he changes his clip and he adlists, or maybe he forgets his lines. And if he's smart enough, he can throw a few words in and he
I'd lose. No matter how smart he falls he is. He doesn't start a big part. The other piece of he doesn't, rather than any actor, what should be there at that moment? And so he said, in his rather, you know how I feel, he ain't able to be. So that's what I do. So it has to be cut. So he didn't let me stop to cut a certain bad person of it. I took this cut home, did all the cutting, and then molded to him, and I molded as a testament child. I didn't even read what he had said. But the very next story, he calls, and he says to me on the wire, it's absolutely sensational. Now, this is the third I want you to worry, to attention to. He said, you know, my experience with the producer, disturbing, greatly disturbing,
to hear or to occasionally think about this, isn't so bad. By that he makes you hear that all that you behold, though it appears without, it is within in your imagination, of which this world of mortality is better shadow. Well, to hear that, and to occasionally think about it isn't too bad. But, when it's deep sea, and takes hold of you, and goes deeper, and you realize that it's true, that that producer, who is so important in the production of this real series, who is spending his fortunes, he has a spender, he allows it, he knows what he's doing, he's been successful for the very three years. And yet he had to ask the other word,
that the writer is writing for him. And when he met him, he was so reserved, he never used any superlatives, and could never be himself to praise a thing beyond the word good. And he raised him from good, to great, just great, to a real life. So look, this is sensational. That's the norm of the accomplishment, in anyone's vocabulary, when he began as a most reserved partake. So, with the individual, as you know, see what he did with a man, you know he's just fascinating. He's just fascinating. For the simple reason, I have to remake my world only as I remake myself. I only like to remake myself, could I in any way remake the world, and not learn to talk him, but I found a solution. I will not now think of myself extra years into the future. I am printing a portrait of myself. I'm proud to not print it
by once for the brush. And so I am thinking it easily. I start with little things in my life, the little things, and I change them to make them concern to the portrait of the being, I am printing of myself. I start with a simple thing. We have a cat, or we have a cat, and it simply cleared up the entire route. All the routes were simply pieces of stuff, or turn out. And so we delayed buying new routes. We were so keen, we were hoping that she would die, after she was 15 years old, and she soon returned into oblivion to herself. Because she stood as very happy, and she didn't die, we backed the new route. And rather than she sat over her again, she took her up the route. And for two days, I said something must be done in my imagination. I approved it, let the producer,
so I went away in my imagination and followed this cat in the backyard, turned up and met, that we heard in the backyard, on the third day, she was asking that backyard, calling the mess, until the day she died, she never once tore up her route. Her is a disruptive power in the world, served in the imagination of bad. If someone heard that story and didn't believe it, they could decide how to cat in their house, and they would say, they were just coincident in his case. It won't work here, so I'm not even with the fire. That burden on madness, and no one wants to be mad. In fact, to say that you are once put away is that leprosy, they don't want that, that you are once committed to some asylum, to go to hospital because you have pain, and you need an operation to do it, because everyone has them. But not everyone is put away for some
mental, I would say, side issue. And so in his case, the other person would have heard it, and who would believe that in their own hand it you could make the drug, or the cats, or the birds, or anything else, conform to an imaginable act. But having done this, now he sees the power within him. He's not going to go out, he knows he's done it, he has time to prove that he's done it, and from now on he says he's going to actually be put to what he has found within himself, he's done Christ. The world is coming, he will actually stand in the presence of infinite love. But before he was standing in the presence of infinite love, he presents himself first as infinite might. And throughout the Bible, you can't find any places to deny it, it is might. It's power and authority. From beginning to end, when he presents himself, it's sure might shift power. Until one day, he's man to see that this power on this level,
and in many levels below, he's going himself into infinite love, and his man, and it's the thing that you're moving towards, and it's God the Father. So here it is, in his own case, it's clear, or rather it's the person to think that such power was in man. And yet, it's not at the place, it's only in man because the power of which we speak, the greatest power in the world, really the only power is your own wonderful human imagination. Now the lady who stood the idol first, Jan. Jan said at this person, Jabba first, this little boy came home from school, and the high winds he'd been having took the area down and flat, that it's turned the ground, she said, and so he followed the TV, and there was no TV. He called it and followed it, and there was no TV. The little boy came home and said, oh Lord, he's going to be served the property because he's back to school and he wants to see the TV. He turned the ground,
he saw the aerial flattened, then he put his two hands on the top of the machine, and just put them there, and she said to him, you know, there's going to be no picture. Oh, so yes, there will be. That is it, and she said, what does it? It's my imagination. I just imagined it, in the way. He came back, got inside of the picture with Jan, and he found this beautiful picture. Now, Jan couldn't do it, and yes, she knows this principle, but she's an adult now. We become adulterated as we grow in this world. The little child could actually do with it, that child, with all his imagination, and Jan told me about the telephone because she's working, she can't come here now. The little boy already put his hand on it, and swear that fear would come at this show, and the picture came to Jan's amazement, but not to the boy. He said, I don't look at it, and Jan said,
they'd be with it, the one who has the thing now to go to Egypt. Now, to come back to the settlement story, should I start at our first record-change show, and so I went over to my electronic dealer, and I told him that I would like one. He took the rest in the country, and there will be probably a few weeks before they get there, but we have 11, and I don't serve that, which you like to order one. He said, yes, I like to order one, so we have one. So, at the end of the month, he receives the bill of $375, that was $375, and he hadn't received the instruments, so he called out the office, and the manager says that the girl mistook the product for a sale. And so, he had bad news for you, so the girl, he would not be here for three or four months. They corrected their mistake, it was not a bill, it was in theatre, they had this interview. He's going to say to himself, I will now look around the house, and spend three days
instead of writing to see where he's going to put the outlet for this machine, and when he decided, or where he'd put it, he called the electricians and had them burrow her through the road, to put in the caravan service, changing. Now, he said, I will need a stand for it, so he went out looking for a stand, went to all the places, and one said, what kind of machine have you? Because you don't like these stands. So, he told the name to the machine, the man said, if you have one, it's a miracle because they're on and near the country, and they'll be here for three or three months. Which was only confirmation of what the agency said. He said, I can't find them, I have the stand, I will design one. So, he designed this stand, and how it made. When the stand came, and he placed over, he intended to put in the machine, he said to himself, I will now see the machine there, but he did. Now, he said, no, the machine is running for the part of it. So, he said, I'm going to rub it, check it out,
and put the check out to the electronic firm for his $370,000 in full for his machine. Two days after this, they called him to say, we have your record changer. You wondered why, you were 12-elementalists, the man only received full initiation of a record. On this train, he wrote with an adversarial graph, it could be that I sent my track in advance, because I put it up to me, before me in my imagination. It could be that, and the other hand, I'm not asking questions. Why he gave me the first one in? I'm glad he just made them clear, to number one. Hello, I have the machine, and now my next problem is this. It's a very delicate, complicated, shy, tricky thing. And so, I am now trying to imagine myself smart enough to operate it. So, that is the story of using your imagination. As I think, you have to go
to show, we understand that by faith the world is framed by the world of God. But, you know, who God is now, you're on the bottom of the earth, I am this, that's God. He is framing this world, that it takes faith. To hear it, without faith, it won't work. To hear it next, but faith it will work. If you sit down as he did, he said, I learned a bit. You can sit right here. I'm trying on this, you know, mental conversation from previousies, our fulfilled desire. For a thinking follows the tracks laid down in one's own inner conversations. You can follow the need to the conversation. I'm seated, but it's not an argument. It's simply from wishes to do. The balance of the nature that wish. You follow on the inside. Some of that are at the foot here. They can see better, they can hear. But I find hearing so very, very easy. And I am not a musician, so you don't have to be musically inclined to be the hear.
I appreciate music that I don't play. Now that I understand music in the two songs of the I can be appreciated. Your eye can hear it beautifully. A man's voice that you speak for one second. Let me get the tone. Then put up on that tone anywhere I want to hear. And I hear it as though he were here. Now, how long it takes for that I have heard him say, to come to pass, I don't know. As you tell, you can, in that story of the book of Apocalypse. The vision has its own approaching hour. It warps. It grows lower. If it grows, it will wait for it to sure. And it will not be late. So, one seed grows overnight. Another seed takes a month, another seed takes a year. As in birth, a child comes to this world, nine months. But a chicken comes out in 21 weeks. And so, everything has a different
interval of time between consumption and growth in this world. So, what determines the nature of the interval I don't know? What happens? There will be sure, and it will not for its own sake be late. Not for its own sake, it will be late. So, the child comes over nine months, until it is late for a child. And for chicken comes out in 21 days, it is not late, or really for a chicken. Just thinking of the time between that moment where it was fertilized and properly nourished it, and then the moment of breaking the shell and hatching. So, here in our case, I'll try it. And you'll be there in the next few months, and only here for three months, not yet three months. And you'll be able to try the most fantastic stories in the world, because you'll put aside from anything more behind the 8th world, you'll be a conservative gentleman who would never pre-end, well, a wireless dream, grow outside, and explain something that's really
absolutely sensational. It's against this nature. I think it's good, that's good enough. You'll be well paid for it. You've got twenty-five hundred, didn't you? That's three thousand for a script, and there'll be three weeks you're bringing one in, because it's the half hour. So, it runs weekly. So, every three weeks you're getting a check for three thousand, now you're getting thirty-five hundred. And so, and yet the man I'm quite sure, like all the writers, he is not contacted to write only, and only for that, if he has time or thought of writing these scripts, the other of that for his talent as a writer. He's not confined to that. And therefore, the man who is not given to exploding, he really explored and raised in mercy, to great, just great, to rip it and then the final explosion. And he said, this is better, it's so well, it's an appendicit relationship between us. So, I ask you to do the same thing. I don't care what it is in this world,
no curant, conceiver seen in trying the fulfillment of that dream. I'm going to really carry on these mental conversations from the premise of the fulfilled desire. If you can see at the same time that you're like a TV set, well, I certainly don't think that. But if you can read your visualized, and not very can visualize, you will find the audio very, very simple. But when you begin to visualize, and I tell you the most fitting thing in the world, to be able to actually see, just like this, to be in a dream awake. It's like being in a dream, in the awake. And so when you book it and return to this devil, for it hasn't taken place, you have no fears, you have no doubts, the heart will collapse, you know, you saw it. You're still seeing it in your mind, but you actually saw it. I knew you heard it, and so it must come to pass. You saw it and you heard it. And so you read someone who's passing through
sheer hell, and they ask of you anything through your world, seeing them out, and here I don't tell you that they have what they're thought, just as they'll be having. And then let about, don't raise a finger to make itself, don't get in the fire and call us, praying to ask, but praying to in the sea, to help you out. Don't do a thing, listen to believe in the reality of your imaginable act. Because if you go to the end and you can't consume yourself with the means to that end, then it would deny the end, but any means that you would even entertain you to owe the bread of it, because you went beyond the pregnancy right into birth. And so you saw it, and you heard it, and they'll leave it around. And then it will work. And then you will find God, and when you come to the final, then I will say the last stretch, the final stretch, when you're going home now, really going home, leaving behind you this world that's aged all
together. They will come one half of the heaven from the fantastic mystic experiences where every thing said of Jesus Christ, you would experience. And you will never be on out of who Jesus Christ really is. And he truly is supernaturally born, born out of his covenant, how he discovers the fall of it of God, and how he ascends into heaven, and everything said of him happens to you. And so you know how through the stories, how all together, fantasticly wonderful, strategic, ring-run experiences. And so I ask you to enjoy with the intestine this greatest of the world's history. Put it to the test. Start with something simple. The average person who had a destructive animal like the cat wouldn't consider that a simple problem. And yet in 48 hours,
it was resolved. But when he made, when the man told him, he used the words, he expressed himself when he said to me, terrific. He expressed it with the enthusiasm that matched my imagining. The world is a response. It's an echo. And the whole vast world is an echo. And so in this case, when he said terrific, you can see what the writers imagined to act was. He actually caught a move that was really terrible. So when the word terrific came through, he wasn't simply writing it terrific. He exploded with terrific to equal the imaginary state of the man who made him say terrific. So clatch it and feel it. Unuse your imagination as a great act to work. He has to put himself into the pot and plate. And to the degree that he feels it, he gets beyond the footlights. If he doesn't identify himself with a character that he's
trying to depict, he never gets over. He has to become the character. And so this one became the character of hearing the actor whose lines he wrote. And the actor was given a line to say, you said terrific. And I'll let him clear it because you've got the sword and directing it. After that, any little terrific, I want you to really do it. And so I will now give you the move that I want you to adopt. And so we give them. And the word comes exactly to match his imaginal act. And his user words, to me, fascinates me because not everyone understands the best way of language. When he said, he threw me a curve. I've been entirely deformed. He wasn't unexpected. That was the script that you already said and prolongs good. I don't want that. I want to perform this new statement. And so that it is really great. Great. Just great. I have even started the new script. I use my words, but you sort of predated it.
When you went back in time and called it, the other script. And then the main comes back and actually calls it. But after you changed the word from that to terrific. That's really discovering how you use your imagination. But if you don't and you think well as just on this level, you will never get off. Well, that's everyone here to be able to believe it. And try it. If I say it from you this night, if you're here for the first time and I've taken a chicken, you're believed in a personal God outside of yourself. I don't apologize because I know it is true what I've done to you. I'm not theorizing. I'm speaking from experience. And so when I take this back for advantage is that I don't know the reality that is gone. I wouldn't hear what the whole world would say about it. But you told me that food is still before you. I used to depole him. And you look into the face of man. I say, yes, I did.
And it is man. I am, it's put it. But it needs man. It's perfect for to really express anything that is well so that soon is the fall of man. So when you see I am, he's firm, the firm is man. It's like a little girl who told her grandmother, you know what? I wrote it last night in my dream right up to the sun. And you know what? He has a face. And you know what? He has hands. And he has feet. And you know what? The ocean, the ocean, talked to the sun. And you know what? The sun came down to the earth. And you know what? He has legs. And he can roll. And he walked right underneath and kissed me on the cheek. And it was hot. Now, isn't that a silly, silly dream then all? But it's true.
There is nothing but God and God is man. And certainly for that, when you see the sun, do you see a big, wrong guinea? He said, no. A host of angels trying, holy, holy, holy. He drew my man. There's nothing but man because man and God are one. God is man. So I asked you the truth, but I'd give you this night to get home. And you'd fly. It cost you nothing. Only the effort. And the little time that you will string in doing it. But we're very blind when you do it, believe it. Because the world's, the world's, we're going to be in just as it was to us. But it did not profit them because you did not receive it with faith. And those who heard it. And so will you do it tonight, do it.
Knowing that in itself is the creative act, that imaginal act. And be faithful to it. Now faith does not give substance to that imaginal act, that unseen reality. Some is loyalty to unseen reality. You simply are loyal to it. You made a pledge. All right, now you're loyal to the unseen reality.
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