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Meryl Streep's Iconic Miranda Priestly Look at Devil Wears Prada Premiere

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Meryl Streep stuns on the red carpet for Devil Wears Prada sequel, channeling Miranda Priestlys iconic style with a Givenchy cape gown, red leather accessories, and David Yurman jewelry. Fans and fashion heads appreciate the nod to the original films signature coats and red pump poster. The sequel hits theaters on May 1st.

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Meryl Streep's Iconic Miranda Priestly Look at Devil Wears Prada Premiere

Entertainment & Celebrity News Today | 2 Min News | The Daily News Now!

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Entertainment & Celebrity News Today | 2 Min News | The Daily News Now!Meryl Streep's Iconic Miranda Priestly Look at Devil Wears Prada Premiere. Machine-transcribed; use the interactive transcript above to jump the player to any line.

It's April 21st. This is entertainment in celebrity news, AI-powered stories from the world of fame. I'm Cory with the story. Meryl Streep, straight-bossed up on the red carpet for the Devilwares Prada, two world premiere in New York City. She channeled her iconic Miranda Presley vibe with a full-on red cape gown from Gavanshi's Fall Winter, 2026 collection. The cape was the entire outfit, making her look unstoppable. Style by Michaela Erlanger, Streep layered in a matching red leather scarf around her neck. Black leather opera gloves for that dramatic edge, black, leather heels, and oversized sunglasses. She topped it off with David Yurman-Joury, nailing the high-fashion power move. Fans and fashion heads are loving how it echoes Presley's signature coats from the original film, like those fur pieces tossed on desks. It's a clever nod to the movie's famous red-pump poster too. Even Anne Hathaway joined in, showing up

in her own red Louis Vuitton dress. This homage fits the cast whole season of throwbacks to the classic. Streep's look proves she's still the queen of that icy, elegant style Miranda made legendary. Devilwares Prada, two drops in theaters across the United States on May 1st. So get ready for more of that cutthroat fashion world.

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