
Joe Perry's Favorite Guitar Albums
About this episode
Joe Perry from Aerosmith shares his top guitar albums that influenced his style, including the Yardbirds Little Games, Led Zeppelins first four records, Jeff Becks Truth and Beck-Ola, and John Mayalls Blues Breakers with Eric Clapton. He praises Jimmy Pages production skills and global vision, highlighting Led Zeppelins debut album and their impact on rock music. Perry also discusses Aerosmiths cover of Train Kept A-Rollin and their collaborations with Page and Beck.
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Entertainment & Celebrity News Today | 2 Min News | The Daily News Now! — Joe Perry's Favorite Guitar Albums. Machine-transcribed; use the interactive transcript above to jump the player to any line.
It's May 3rd. This is Entertainment and Celebrity News today, your AI-powered source for all things entertainment. Joe Perry from Aerosmith, just named his all-time favorite guitar albums that shaped his style. He shouted out the yard birds' little games from 1967, the first four-led Zeppelin records, Jeff Beck's Truth in 1968, and Beckola in 1969, plus John Mayalls Bluesbreakers with Eric Clapton from 1966, the Bino album. He says those first four Zeppelin albums stay with him everywhere. Their early Beck stuff feels outlandish and experimental, and he's bought the blues. Breakers at least 20 times, so he never loses it. All of them keep inspiring him non-stop. Perry ranks the old yard birds crew. Clapton, Beck, and Jimmy Page, with Page on top, thanks to Led Zeppelin's hard-wrought blueprint. Page wasn't just a killer player. He produced like a boss, wrote hits, and had this huge global vision that changed everything.
That vision kicked off with Zeppelin's debut, born from Page spotting a gap in America during yard birds' tours. He spotlighted drummer Bonzo Bonham, and set production standards for rock. Perry calls One Track Pivotal, trained kept A. Rollin, Aerosmith's cover on their 1974 Get Your Wings album, the exact first song, The. Aerosmith's Zepp Guys jammed in 1968 rehearsals. Aerosmith rocked it live with Page at the Monsters of Rock in Donington in 1990, and Beck joined them back in the 70s. Perry was straight up intimidated by Beck's genius, calling him Mozart level for pushing edges into jazz, ditching any familiar licks, and pulling, pure tone from his hands. Coming back on a Les Paul, made Perry grab his own 1968 goal top.
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