
historyApr 19, 20251:35:08pending
How Cooper and Whistler Shaped American Identity
About this episode
Have you read any works from James Fenimore Cooper? Or have you seen one of James McNeill Whistler's paintings? These two men, born in early America, captured the "Age of Revolution" spirit in their work and helped shape the landscape of literature and art in the 19th century.
This is the fourth in a series of 13 presentations that explores Hermetic American history by focusing on a diverse group of hermetic figures spanning architecture, poetry, drama, religion, esoteric philosophy, and occultism. These presentations were delivered by Roger Weir in the spring of 1982 in Los Angeles, California.
Episode transcript - https://sharedpresencefoundation.org/transcripts/117
Discover more content related to this series
https://sharedpresencefoundation.org/presentations/hermetic-america-1982
Discover more presentations by Roger Weir
https://sharedpresencefoundation.org/presentations
Learn more about the Shared Presence Foundation
https://sharedpresencefoundation.org
Check out our YouTube channel
Image credit: Detail from “Scene from James Fenimore Cooper’s ’The Last of the Mohicans’” by Thomas Cole (1827).
This is the fourth in a series of 13 presentations that explores Hermetic American history by focusing on a diverse group of hermetic figures spanning architecture, poetry, drama, religion, esoteric philosophy, and occultism. These presentations were delivered by Roger Weir in the spring of 1982 in Los Angeles, California.
Episode transcript - https://sharedpresencefoundation.org/transcripts/117
Discover more content related to this series
https://sharedpresencefoundation.org/presentations/hermetic-america-1982
Discover more presentations by Roger Weir
https://sharedpresencefoundation.org/presentations
Learn more about the Shared Presence Foundation
https://sharedpresencefoundation.org
Check out our YouTube channel
Image credit: Detail from “Scene from James Fenimore Cooper’s ’The Last of the Mohicans’” by Thomas Cole (1827).
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