Grad School Was My Version Of YOLO: Adriane Dalton

Adriane Dalton is an artist, writer, and educator based in Richmond, Virginia. She is the Editor of Metalsmith and Metalsmith Tech magazines, and the annual Jewelry and Metals Survey (JaMS) published by the Society of North American Goldsmiths (SNAG). She received her MA in History of Decorative Arts and Design (now the History of Design and Curatorial Studies) from Parsons The New School for Design in partnership with the Cooper Hewitt, Smithsonian Design Museum, and her BFA in Craft & Material Studies from The University of the Arts in Philadelphia.

She was formerly the Assistant Curator and Exhibitions Manager at the Nora Eccles Harrison Museum of Art (NEHMA) in Logan, Utah where she co-curated ARTsySTEM: The Changing Climate of the Arts and Sciences and taught History of American Studio Craft, among many other curatorial and educational projects. She is a past contributor to Art Jewelry Forum and the Cooper Hewitt, Smithsonian Design Museum Object of the Day blog.

Over the past fifteen years, her studio practice has evolved from traditional metalsmithing and enameling techniques to incorporate alternative and recycled materials. Lately, she is using disused and discarded materials to engage with intersections of labor, class, gender, and consumption. She brings her appreciation for creative reuse into her role as lead instructor for Teen Stylin’—a twelve-week wearable arts program at the Virginia Museum of Fine Arts. She also teaches recycled materials jewelry and enameling at the Visual Arts Center of Richmond, and is a past Program Leader at ART 180, a non-profit providing art-related programming for young people in Richmond.

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In celebration of its 40th year of publication, Metalsmith magazine invites new and aspiring writers to submit proposals to the New Voices Writing Contest. Do you have a research topic that feels congruent with the varieties of content featured in Metalsmith? Are you interested in broadening the discourse within the fields of jewelry, metalworking, adornment, design, and craft? Do you have a fresh perspective, unique voice, or a radical idea? We want to hear about it!

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