
About this episode
It's a hard job to explain but seems to be a very easy title to get. The mysterious film producer credit used to go to just a couple people who were integral in a movie's pre- and post-production, but after the consequential Best Picture win for 1998's Shakespeare in Love, the credit of film producer became a title given to people in lieu of other forms of compensation, regardless of how much actual work they contributed to the film. This year marks the PGA's Code of Credits 25th anniversary, created in part due to Shakespeare in Love's unprecedented number of producers. While some "underserving" people may still be credited, the PGA Mark only goes to those who fit their arbitration criteria. On FilmWeek, we delve into the allusive title of "film producer" and how the credit has changed over the years with Deadline senior TV and labor reporter Katie Campione. She's the author of the piece "How ‘Shakespeare In Love’s Best Picture Win Inspired The PGA’s 25-Year Effort To Answer One Question: Who Is A Producer?"
Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency
Get every episode summarized
Each time FilmWeek publishes, we email you a written briefing from the transcript — the topics, who appeared, and any specific claims, with the ad reads skipped.
Email me new episodesFree for 3 shows. No card needed.
No transcript yet
This episode has not been transcribed. Request it and it moves to the front of the queue.
More episodes
More from FilmWeek

FilmWeek: ‘Mother Mary,’ ‘Steal This Story, Please!,’ ‘Lorne,’ and more!
FilmWeek

Feature: A new book tells the story behind Hitler’s efforts to infiltrate Hollyw...
FilmWeek

FilmWeek: ‘You, Me, & Tuscany,’ ‘Exit 8,’ ‘The Christophers,’ and more!
FilmWeek

FilmWeek: ‘The Drama,’ ‘The Super Mario Galaxy Movie,’ ‘Palestine ‘36,’ and more...
FilmWeek