Die Maschine

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1:02In this game... In this game... And we take the attempt to simulate a computer that the task was made to analyze a certain weight, systematically to analyze and climb. To this wall, we're going to talk about first a sum of programs. The way you can see the weight of several sides is to make different aspects. And all the things that belong to the language in the operations that lead to the weight that are in a new light. And second, about a group of speakers that are programming with... Ah, the reliable weight. And about the author of the weight of the weight of the sum. C, a word-shape of German language. D, several alphabets that are set to be a phonological solution that they are to be called a phonological solution. That means a gramatical... And... A powerful choice of weight from the world literature.

2:03Ferner, the machine is focused on a logical identity. The control. It's a certain episode that is from the program-fixed operations and is about to test its consequences. The control has absolutely advantage in front of its speakers and can share it with you, and can also share the words before moving back to the speakers. Next, we'll recap and continue. The program with the necessary instructions that lead to the correct development of various operations and operations is in five protocols. Which of the five fundamental logical categories that the machine is after the invitation to analyze the weight. Protocol-0, basicity, is the basic state nature. It is analyzed and systematized by the fundamental language of the law. Protocol-1, in the general operation, is the basic linguistic nature. It is based on the previous weight material of the law. Protocol-2, in addition to the basic semantic nature,

3:03changes the law from outside to outside to a limit and modifications. Protocol-3 is the basic critical nature. It is about the possible relationship and relationship between the law and its author. Protocol-4, finally, the citate explosion is the basic poetic nature. It confronts the next weight with the weight of the world literature to end up with the weight of the law from outside to a limit, which you can call the weight of the law. The notice of the speaker can be heard as it is clear that this game not only describes the work of a machine but also, if it is forbidden and subtly, the inner mechanism must be shown in the poem. Are you ready to play? Ready to play. Here, Errato, please step on your question directly and please put the preferred weight in the reading and press the button A and D.

4:16The title of the poem Wanderer's Night Leads and knows the author of the poem 1749-1832 The German word of the poem is about all the gifts is a word in all the gifts you feel it, you hardly get a bite the birds are swallowing in the forest you only get a bite you are red Protocol-3-0 terms separated by the information of the deterministicArt 075 040, structure of the ring AB, AB, CD, DC

5:1605, number of letters 111 051, number of letters without need 052, number of letters without need 053, number of letters without need 054, frequency of letters 055, light programmatic index 056, distribution of the sentence 2, distribution of points 1, 0.2 0.07, syntactic distribution preposition in addition to the adjective of all the sub-status Gipfelru, Wipfelhauch-Fögel-Einwald Werben, sein Spirenschweigenwartenruhnen Pronomen, Dudu, Adverbien Kaumnobalder auch Artikel 1D Stop Protokoll number 1 Innerer operation 1st group 1 1, deformation of rhythmic ballings without changing the words and the principles 1 1 1 Resitation word for word

6:36Just wait The resolution is 4 Then A bit too much The resolution is 6 One, two groups. One, two. Change the task. One, two, one.

7:37Change. You too, Ruhrist. Just wait. Because of the wrong fill, the also a kaum. You're a pyrex. All in the wip, all in the row is a pyrex. All over. Stop. One, two, two. The light on the splitter is read from above to the bottom. The wip is in the pyrex, all the wip. Ruhrist. All in the row, all in the row, only you, the twig, the twig, the twig, the twig, the twig. Stop. One, two, three. The twig is read from above to the bottom. That means change the task. Ruhrist, you too, come a twig, the twig, you're the twig. In all the twig, all the twig, only the twig, the twig, the twig, in the twig. Stop. One, two, four. Al irritating难. One, two, four. Double table. The only wall of the dicism is at a preformer point.

8:38One, four, seven, two, 17. Three, four, five, four, 16, five, four, seven, four, ten. Six, four, 19. Being seven, four, 11. watched for six and nine. Be households, 20. Be households 14. 13. 22, 17, 24, 18, 21, 21, 23, 19, 22, 19, 22, 15, 23, 22, 8, 24, 23. 12, 24, 2, answered. Wait for a moment. One is there. Wives over there. Balls over there. All the cows. The king is all the cows. In the worst forest. Swains also in. Stop. Protocol number one, third group. One, three alliatoric new steps. The programming of the vocational, consonants and syntactic lines is possible to reconstruct the story.

9:41A-E-E-O-U. Always three and a half times. Stop. Back to the story. It's over. Over. Over, over. Above all. Above all. Above all. Above all in the world. Stop. Back to the PRIOR. Above all, above all. Stop. Stop. 6, 7, 21, 21, 21... Duh antibody-ident כלantasy-yet-tunodosus-daybil- wol beyereless followed Legons on the microphone. Stop, backwards to the orange tradition. Let's keep it in mind. Chinese j何donahry are leading their wallet babies to aination. Let's go. We cannot lose my balance. Stop. Start. One in. A-E-E-E-E-N-I-R-E-S-T Together! Above all, Gipfel is A! Stop! Next to the wrong side! Next! Back! R-R-R-R-R-R-R-R-R-R-R-R-R-R-R-R! Above all, Gipfel is Ruhu! Ruhu is the first bird's nest! Stop! Next to the wrong side! A-E-E-E-E-N-I-N-N-R-N-N-I-N- I-N All dü-oly Together Above all Gipfel the Ruhu debut is In All Gipg聊

10:42The Passerby Good luck! Bธ Rabb Mainly Bธ I-D-T-D-T-D- прямо Bark Bheruvador B嫌 Spurin, spurin, spüren. See you, S.I.E.R. Do-do-do. You're a spurist. Stop! Stop! Spuristoo, spuristoo, don't you? Stop! Back to the Speicher 1. Spuristoo, no. Together, fassum. Above all, Gipfelstro. In all whippel, spuristoo. Come, come. Come, come, one. B.Zybdyf. Ha, ha, ha, ha, ha, ha. Stop! Back to the Speicher 1. How, how, how, how, how? Spuristoo, how, my house. In all whippel, spuristoo, how, my house. Together, fassum. Above all, Gipfelstro. In all whippel, spuristoo. Come, come, one. How, d-du-du. D-du-du. Diep, diep. Stop, weiter.

11:42Diep, diep, diep. Fögel, diefögel. Stop! Further to Speicher 2. Diefögel rein. Stop! Weiter zu Speicher 3. Fögel rein. I.... Stop! Back to the Speicher 2. Over. Retreat! Stupid. Two wively- oluyor, swim in the werbe, twark in the back and swank in the hay. They, fögel rein, swig in the terremoopter, swig in the sea, sweep them away like, look PERFORMEN HAT Kennen Sheim Cermando Ferry Hobra Fyou Ori Flat Fvery Fancy It is up. Bergen, wait up, there you are. Also. Over all gibtbeln is уже in Aירuela, means the famous

12:43presence of a huge duck. The protocol number one next group, one fourth, repetition, one fourth, cadaplo longer. Over all gibtbeln recording, King of Birth, King of Birth, all of Witfeln-Whyer没有 getanes tief Handhang in Merch later. and how how Barrett you are Ad сейчас Barrett you are Adquinho Barด You

13:59You only have to dance in the ball. Stop. 1, 5, 2. Look, the last week of the show is going to be a lot of trouble. Above all, it is in all the spirit, hardly one, you only have to dance in the ball. Stop. 1, 5, 3. Redundance, jump to the room. Jump, row, jump, you too, wild, wild, also. Stop. 1, 5, 4. Medialization, release of the first and last word of one of the various verses. All. All. One. Swing in the sky. Only you. Stop. Protocol number one sixth group. One sixth. Form changes. One sixth, one, nine. Not above all the gibbels, not above all the wippels, you are a witch.

15:00The birds do not swivel in the forest, only the birds do not walk. Stop. One, six, two. Question and answer. What is above all the gibbels? Row. How do you spure a witch in all the wippels? Come, where do the birds go? In the forest. When is the only one? In the forest. Who is also the king? You. You. Stop. Protocol number one seventh group. One seventh. Permutation. One seventh, one. Permutation with three words. Swing, gibbels, forest. Swing, gibbels in the forest. Gibbels, forest in the forest. Wild gibbels in the forest. Swing, forest in the gibbels. Gibbels, swing, forest, forest in the gibbels. Stop. One, seven, two. Commutation with four words. After licked heart. Roe, Wald. Fögelein. Swing. As a rug in the forest the dogs My swines. As a rug in the hiube windrolling. As a rug in the hiube windrolling.

16:02As a rug in the Hiube windrolling. What aój thinking a rug in the hiube windrolling. Rodrig? It's tied and sung. What a rug in the hiube windrolling. Kenagur? ssen zweuderm regiait, schwaegend Write the stuff in your chest. Stolen by seven words in the month of liberty. Stop. End of this protocol number one. Please open it. Stop. Stop. Stop. Stop. Stop. Stop. Stop. Stop. Stop. Stop. Stop. Stop. Stop. Stop. Stop. Stop. Protocol number two. Other operations. Whether the word of the word after the previous rules is changed or whether the word of the word of the word is used in the word of the word is used in the word of the word of the word.

17:07First group, two, one. Way to enter the word. Come on. Second group, one. Second group, one. Third group. Touch. Touch. Touch. Touch. Touch. Touching all of us. Purifying the word once. Purifying the word once again. Purifying the word once again. Purifying the word once again. Purifying the word once again. over all the clips of its time, in all the flippings you are curious about, a cow, who is the king of the tower? Stop! Protocol number two, second group, two, two are changes through the bookstab, two, two, one, prosthesis, a picture of a new laud, a new seal at the beginning of the week. In case of the gifffle, Mr. Fro, in the lullabies, the spurious pardus comes his e-hauch.

18:10The swelchleins, the owald, the black snore, owald, the truest edu gauch. Stop! Two, two, two, one, prosthesis, a picture of the laud in the word middle. The old gifffle is the dream, the old wirthle, the spurious dau, the casum-eitman-halo. These swelchleins are difficult in this war, the new ballad, Roles zu Abo. Stop! Two, two, three, Paragram. The bookstab, in a word, is a heart-like sense. But the gifffle of the starry sky, the spurious pardus, the spurious dau, the spurious pardus, owald, the truest edu gauch. Stop! Two, two, four, a javanic, every silbering is with the laud, the oddly novice.

19:21Three in three, two, three, Iso mordfospun, two, three, one, Iso vocalismus. applying Old Buddhism and juices of protein because things today are connected together they bring, they change, they expose, they destroy, they destroy legs. According to anTV agenda, it asks that you are reborn as a vegan, favorite values of a few years. In a world where we seek to obtain an cultivstart of absolutely the wealth Wait for the dawn, you too. Stop. Two, three, two. Iso-consonantismus. Change of substantive approach from your consonants. Above all, there are... Perfume. It's a cross. In all the perfume. Perfume. You're a cross. The perfume. You're a cross. In the forest. Stop. Back. Above all, there are perfume. In all the perfume.

20:22You're a cross. The perfume. Back. The perfume. You're a cross. You're a cross. Stop. Two, three, three. Iso-consonantismus. Change of substantive approach to more motifs. Above all, there are... It's clear. In all the perfume. You're a cross. You're a cross. In all the perfume. You're a cross. In the perfume. You're a cross. Stop. Stop. Two, three, four. It's plus one. The substantive approach from your consonants. The substantive approach is through the entire vowel sense of substantive approach. Two, three, four. One. In the same kind of way. The selection follows to late Dutch wilting in German. Under all the인 glitter occurs the calling of the word. In all things vermBLUE in your veins a cloud. The ugly finden mold die in horsepower of your forms in connection to your torment. The sigrige inbourg is the false melody of your possesses to the claims ofure...

21:23...wants to shaved or dels st Lewis. In a,... In a répure- Block the selection of people following along, the extension of documents ofugerads would exist. Only Goldmark politician and pl vierdred de~~ Stopp, please! In a rapeseed to Valarky, the number of dissu球ing ones will be only Goldencraft Ruinth ear. Stop! In avaигр tidión sl 수도ud, which is the start of this literature every and every war. In a voice in the clutches In all science you are not a housewife. The complete names of the Swiss band-challender are worth only a ball. You are also a rose. Stop. Two, three, five. V plus in. The values will be the end of the work that the word book is in. Two, three, five, one. End, and the same, three. The selection follows after long-term word book Germany. Above all there are a wide range of words. In all books you are not a housewife. The little bird in the forest is worth only a ball.

22:26You are also a rose. Stop. Two, three, five, two. End, and the same, twelve. The selection follows after long-term word book. Above all there are a wide range of words. In all books you are not a housewife. The little bird in the forest is only a walk away. You are also a rose. Stop. Protocolon number two, fourth group. Two, four. Contamination of the semantic field. The poem is still being repeated in different languages. The first type, two, four, one, about the sentence. The mountain of the mountains is singing in the wind. The valley of the valley is full of fresh clouds. The little bird in the forest is not a rose. The little bird in the forest is not a rose. Surprised on the sea the mountain… also with oftconduct,

23:26out of control you too, the birds ne'er rower through conversation. On the lovely просто edge of the birds of another tree… The sea, with a bare hands, expressing Camera like a깊s steer out of the rain. Wait, you all be resting soon to like these. Stop! 2nd type. 2.4.2. Pro-verbialization. 2.4.2.1. Gipfel. Who else is a Gipfel? It's called Felt selbst. It's called Gipfel. It's not a small Gipfel. Big tools. 2.4.2.2.2. Roo. Roo for everyone. Roo is possible. Better with Roo. 2.4.2.3. Wipfel. Wipfel has short legs. And a Wipfel is still a way. Wipfel makes people. 2.4.2.4.2.2.2.2. The big, wide world. If the brain is not even, it's not going to be a problem. Free, high-pitched. 2.4.2.5. Fogel. In this bird, a clover is always stuck.

24:26No bird without a tree. The bird is the most beautiful bird in the world. Stop back. The bird is the most beautiful bird in the world. 2.4.2.6.2.2.2. At night, all the world is grey. The world is as important as canons. All the world is filled with rooms. Stop. 3.3.3.3. After Lüiskau, the solution of the topic in 10 logical sentences to solve a single key problem. 1. The only animals in this world are the birds. 2. Every animal that is in the world is a wanderer. 3. If you are a animal, it always goes on the way. 4. No animal is swung. It is because it is lost through the night. 5. All birds love swung. 6. The fish are not wander. 7. No animal will ever stop from the outside of this world. 8. Only animals who swung live the peace.

25:279. You will not stop the animals that do not stop. 10. All animals that are in the night are happy to sleep. Stop. Falling? Meet the Red Bull Dragonberry Emergizer. It is one of the many new drinks out now. Who knew ice cold drinks could be so? Fire. Try them all only on my thumbs. All animals that are in the night are happy to sleep. All animals that are in the night are happy to sleep. All animals that are in the night are happy to sleep are wanderer. All animals that are in the night are happy to sleep are wanderer. The fish are not wanderer. They do not pass through the night. No animal, the side of the ship do not pass through the night. The fish do not pass through the night. All animals that are in the night are happy to sleep are wanderer. All birds live the peace. The fishes are no birds. The only animals that walk the birds. No animal would stop from the outside of this world. The fish will never stop from the outside.

26:27The animals that do not stop from the outside of this world areродer. When you leave the animals, you go out on the way. You are standing from the field on the field. Stop. The final result. Stop! 4th type. 2,4,4. The new group of the bookstores is changing through the new group of the bookstores. 2,4,4,1. For the first reading, there is the poem again. The second one is from some media. 2,4,9. Allene Bifff Namen her name. Another poem her name. Another poem her name. No, another poem her name. again. Another poem her name. Stop. Here we have numbers of two 5. 1st worst type. Tag 1 developing through analogyoring.

27:28Every word is painted by a very similar word. Tag 251. bonus loud author Sleepy passion pan roof and sleeping mode Daarom Idiot ember Tag Dad itus at last neon 1st, 2, 5, 5, final! Quick design. Being used to have headphones… Another thing. A flash! I can hear it and the shaman is in the show. I'm not a shaman, I'm a shaman, I'm a shaman.

28:28Wait, you're all red. Stop. Second type, two, five, two, with the metaphoric expression. Every time the poem should be a more poetic expression. Speicher eins. Über einen Gippel istro in allen Wippel spüres du Kram einen Haus. Stop. Frage annulieren. Frage annulieren. Frage annulieren. Frage annulieren. Drittertüb. Zweifünf drei. Enzykropäische Aufwächerung. Zweifünf drei eins Gippel. Höhe in Metern über dem Meerespiegel. Mount Everest 8882. Schenchangga 86003. Godwin Außen 850091. Lodze 85001. Makalo 840043. Joujo 840049.

29:29Daulagiri 8166. Utan 8126. Nangeparrabat 8000 1115. Stop. Zweifünf drei zwei. Wilde Fläche in Millionen Hektar. UDSR 11131. Widamerika 9500. Afrika 753. Nautamerika 733. Asian 520. Europa 141. Pacificybeet 96. Central America 74. Stop. Zweifünf drei drei. Procentual Antel. Waldis in the whole world. Brasilien 61%. Tenland 52%. Schweden 52%. Kanada 37%. Danech des Staaten 33%. Deutschland 27%. Chekoslovakai 26%. Argentinian 25%. Europäisches Russland 20%. Frankreich 20%. Welkin 17%. Indian 16%. Holland 6%. England 5%. Italy 13.5%. Stop. Zweifünf drei vier. Fögel. Schwimfögel. Ganz schwann pelikan. Enter Pingwin kameran. Stelzenläufer. Flamingo Strandtreiter Brachvogel Ibsreia Kibitz. Laufögel.

30:29Strausnando Emocaswakibi Dronte. Hühnerfögel. Bohn Perluunre Puntrutanfaseanpute. Tauben. Turteltabe wildtabe, feldtabe, lachtabe, wringeltaube, kroonentabe. Kletterfögel. Specht grünspecht. Ara, kukuk, papa, geikakadu. Spelling Eispogel Schweibel, lärche, arme, saurabe. Robfögel, Adler Kondo, falke, geier, buzat eule. Stop. Endesprotokolls Nummer 2. Bitte aufnehmen. Aufgenommen. Aufgenommen. Aufgenommen. Wachten. Protokoll Nummer 3. Biographische Elemente. Götes. Gebotgötes. Schulzeitgötes. Taufegötes. Kindheitgötes. Ehrgötes. Kindagötes. Die Beschaffengötes. Reisengötes. Politische Einflussgötes. Geschmeckergötes. Häusergötes. Danzegötes. Let's go. Stop. Tottgötes. Beerdigunggötes. Nachweltgötes. Urteileübergötes. Stop.

31:29Urteileübergötes. Milosch. Der Vater so viele Tottaschönheiten ist nie verstanden worden. Weder in Deutschland noch anderswo. Eckermann, den Heinrich Heinle den Pudelnante, hat uns die schlimmste Karikatur von dem Meister hinterlassen. Das wurde einem dummen Schüler idealisierte Portray. Klodelle. Ein großer feierlicher Esel dieser Götte. Bertram. Ein berthmassief des Geistes. Schlichte Groll. Er wurde früh in seiner Kunst ein Mann. In allen übrigen Verhältnissen, aber blieb er beständig an Kind. Netscher. Der letzte Deutsche, für den ich Respekt empfinde. Napoleon. Schöpemauer. Götte ist bis an sein Ende klar Geisteskräftig und Geistes tätig geblieben. Schattopri. Ein Mann, wenn ich bewundere, bin ich aber gar nicht mag. Kresner. Götte hat großes Talent. Stop. Götte und Arschitektur. Götte und Arschistoteles. Götte und Becken. Götte und Biranje. Götte und das Bier. Götte und Beiren. Götte und Pusa. Götte und die Demokratie.

32:29Götte und das Portismus. Götte und die Deutschen. Götte und die Läh. Götte und die Erinnerung. Götte und Die Erziehung. Götte und FaANS. Götte und die Franzosen. Götte, die Frauen. Götte und die Freiheit. Götte und die Geologie. Götte und Frau. Götte Gebäume. Götte und St. À par. Götte und Italien. Götte und Kai. 喉icit. Götte und Hels. Ja. Götte und Hundreds. Götte und pizza. Götte und T Dontée. my voice creates contrast between recently and Ugly Am I Man? God document Good 이낌실라! Stop fathered.

33:31Good 이낌실라 Good 이낌실dır reflected on the stars Good 이난 clarity Good 이난 allergies Good 이난κε mafia Good 이난 alley Good 이난 다 buena Good 이난 Paige Good Yrio Good 이난 Paige Good 이난 all timidly Good 이난 Esta The best stop. Think good. Should and want to, but without to be able to. Should and can, to want to. Want to, but without to be. Classic health. Romanticness. Free will be, in the thinking and in the darkness. The Buddha's will, only feels the faith. The man is not born and free to be. It is the first man so long a step. The danger is also that the priest, too, only with a little other words. The church has a good mark. The great friend is all theory and the great life of the Holy God. We know the devil and the art of the law, he also has religion. Because what you are black, but white, you can wear a dress at home.

34:32Usually the man when he hears words. The danger is that the priest is out. Stop for a short time. With waiting, let's meet, with waiting for a system. Oh God, the art is long and short, our life. The man is almost like a jamb. Because not all the bloods are in the dream. If you have to be very careful, there is still a reason. I am a man, I am a man, I am a man. A good man, in his dark drama, is the right way of the world. Oh, I am the three-way prayer. In the hidden show, master of the first. The spirit of the spirit is not there for the people. That is the way the priest is. If you have a lot of time, you can jump in a bit. You can only jump in a bit. If you always strive, you can get rid of it. Stop! End of the protocol number three. Please take it off. Stop! Stop! Protocol number four. City explosion. Alliatorial search through free associations.

35:32The forest is black and white. And from the white stone, the white fog is wonderful. Claudius. I am a man, I can't stand anymore. It is up to me and shocked. As the wind blows all over the world, the wind blows my word. All the people who were in my crown, had a bloodline. Every evening I was bleeding. My word is strong because of its grace. Nelly, say it. Your own tomb is red and white. The angels are also in the cave. Held a lean. Nothing from the dark. Nor does Hellgokne. Only if Light cried the commoner in all footsteps can stand at the window in the lake of the Kaskaden. A red的.

36:32Stured murder. Tides like the depression cause the raiding into Netherland. Vote the Lord. The name would be inic STEFE POS mejor effectively. at half past three single bird onto a silent sky. Half three three three single bird onto a silent sky. Prepounded by the single term of Corsions Melodile. Amelie Dickinson. Da hör ich des rings und Atmet kaum. Kein Vogelsinkt. Nietche.

37:32Up into the silence, the green silence with a white earthenite. Hochdrom im Schweigen, das grüne Schweigen mit einer weißen Erde darin. Kanz. Es ist ein Vogel im Wald. Wenn er sinkt, musst du stiller stehen und wirst rot. Es ist eine Uhr, die nicht schlägt. Es ist ein Schneeloch mit einem Nest weißer Tiere. Es ist eine Kathedrale, die versingt. Und ein See der Überläuft. Es ist ein kleiner Wagen verlassen im Buchenholz. Die Welt wird traum. Der Traum wird welt. Und der Wächtig dem Schleier ist der Schein erloschen. Du entfernt dich, das Schweigen wird in deinem Mund zu jener Straße in dir deine Schritte ersterben.

38:36Der Kau einmal ein russer Roter Beer. Der wirst nichts von den Päugen hier. Das ist auch der, die ganz sehr. Doch er hat mich von gestern und geht mich auf jeden Pier. Und er fragt sich die Pölle einmal. Da steht in die Pölle eigentlich nicht mehr. Über allen wird von uns unruh. In allen wird von uns spür, was du jetzt einen Pauk. Brecht. Mein Magen ist wohl eines Erzmeres entwölkte sich fern. Was ist er denn als im ihr meinen Gipfel? Das lieb mir noch zurück als mein Letzt. Ich webe dich klar mit der Nacht. Wenn du dich in deinem Mund zu jener Straße in dir deine Schritte ersterben. Wenn du dich in deinem Mund zu jener Straße in dir deine Schritte ersterben. Ich will dir die Pölle einmal einmal ein. Der Wächtig dem Schleier. Nicht weil wir denken wollen empfinden sind wir. Nicht weil wir denken wollen empfinden wir. Wir sind weil wir sind. Wir empfinden denken und wollen weil außer uns noch etwas anderes ist.

39:37Schiller. Weit hochherrlich der Blick rings ins Leben hinein. Von Gebirk zu Gebirk schwäbert der ewige Geist. Ehebigen Lebensende voll. Gute. Und dem Brandegleich der Häuser verzerrt. Schlägt empur, achtlos und schonet dem Raum nicht. Und die Pfade bedeckt weit, gährend ein dampfend Gewölk. Die unbeholfene Wildnis. Held ein Bien. Los Pettalos der tiempo kein in mensamente. Unermesslich sinken die Blüten blätterter Zeit. Como wagos para guas parecidos al cielo. Wie flüchtige Schirme hinab, die dem Himmelgleichen. Una confusa ueja sind so niruni pacharos. Eine verworrende Spur ohne Klang, ohne Vögel. Und des van des Niemiento de perfumes iratas. Ein Verhauchern von Düften und Rassen. Niru da. Wald awe sind wir gesang. Wald awe sind wir gesang.

40:39Wald awe sind wir gesang. Held ein Bien. Kuraki yori. Kuraki mikkinizo. Irino weki. Haru kaniterasse. Yamano Hanotski. Out of the dark. Into a dark path, ein armaste Ente. Shine on me from a far fringe. Moon of the mountain. Orde la nuit. Dans un sentier sombre je dois pénétrer. Éclaire moi de ton lointin. Lune. Sur la grette de la montagne. Aus dem dunkel, auf den dunkelen Pfad, muß ich jetzt treten. Leucht mir von ferm. Moon des gebirks. Izumishikibu. Kuraki yori. Kuraki mikkinizo. Kuraki yori. Kuraki mikkinizo. Kuraki. Out of the dark, off the land, yori, off dennew dunkel.

41:39Kuraki. Dans un dunkelen kimi. Into a sentier fad. Kinizopath. Isson bros ich irino. Einmal schon jetzt weki. Namaste du abtreten. Haru. Ente benitre. Leucht kaniter. Shine. Eclaire moi de ton van. Yamano from a long time. Hanotslu, Lune. Moon des gebirks. Der dichter aber gleicht dem Herrscher, ob der Wolke. Er lacht dem Bogensstrang der Haus dem Sturm des Wänen. Jedoch hin ab verband zu niedrig frech im Volke, sein Riesen fitig im Verwert, im Schritt zu gehen. Is there a silence, screaming? Over your tongues, screaming. Screaming your words, zones, screaming. That's the wachten niederschreit. Crying in the wideness. Brollen in der wüste schreit. Tell me, is there? Sagt mir, ob es so ist. Oh, dark word lost in the blue falling night. Rotter Vogel verloren in der blau fallen den Nacht. And the red hammer of my blood.

42:39On der rotte Hammer meines Blutus. White. Als nun Zara Tustra so den Bergkindernstieg, thought he was the most lonely wanderer of the youth. And how many mountains and rivers and ships he had already been sent. Nietzsche. Then he was told to read the whole story of the Wesen. No, Valis. The end of the conversation of the lion, of his nowadays conversations and dialects, he knows no things. There are unpersonnal verbs, which are so-called prefix-adverbial-art, no, they are correct. For example, there is no word for mouth. But there is a verb that in the Latin Lunare, or in our mouth would be loud,

43:41the mouth of the river, means blood, and in the south hemisphere, in the northern hemisphere, the Ursprüngliche does not mean the verb, but the anxious adjective. The substance is the depth of the adjective. It does not mean mouth, but it means blood,

44:43or the red sky, or even a different set. In the case of the adjective, many of the adjectives are really opposite. In the literature, the hemisphere, are ideal opposite in the field. They are in the eye-catching or any poetic or eternity, which is solved. Sometimes the flowers are the same time for them. There are opposite positions, which are two together, from which one is visible, the other is audible. The color of the sun on the first and the color of the river, on the one hand, is bitter and外nful. In the absence of any shade,

45:44in the gu Marceloperior, the most likely하하. At the glorious�� in Great 1978, a discolored��promptious gift aff rear quasi предот слож centipede The sun is shining in the night. Athypogris. The light is shining back. Where you are not, the light of the happiness. Geppishmit. Cold is the evening. Claudius. A bright dream with powerful artwork. When the leaves are loud, the swans can be seen. I already know. In the night the lake is a lamp on the quiet water. Where the green nether is a nether blitz. Pichet. Oh, wake me up, the wreath of life. The quail full of old wreath. Where some half of the noise has been heard. Half of the air with the sun.

46:45Half of the turban and black in the forest. Half of the red, half of the thousand other dark-wrapped people. Tell me what the meaning of the human. Where is the coming, where is it going? Who lives above the golden stars? The clouds of the sun rise, the wind of the flowers fly. The stars blink, the same dark and cold. And your nose is waiting for answers. No. Above all, there is a fire. And I do not know if I am a rock, a storm or a big sand. I hope that we will be a rock in the city. In all the words, the answers do not lie. I forget the question. My head is so empty as a heart, where I just played. A dream. No, why not the poetry to lose me? The birds of a white forest. I do not know who speaks and I do not know who is waiting.

47:45The sound of the endless light is to end. The wind of the blue forest. I am the clouds of the sun rise, the same dark and cold. I hope that we will be a rock in the city. I hope that we will be a rock in the city. There is a path that we must take every day. I already knew it. I am the one who is going to the beach to visit the beach. That is the road which someday we all travel. I had heard before that you never expected to take it so soon myself. This is a path that we must take every day. That is what I heard. But never believed to take it so soon. Narahisa.

48:49From the twilight in the distance, through the twilight, we are always in the dark for each light to shine. Above all red is red. In all red is red you come a red. The red is red in red. Red is only red. Soon you will also be red. Thank you. Silence. Silence. Silence. Silence. Silence. Silence. Silence. Silence. Silence. Silence. Rue.

49:50Rue. Quad. Stille. Rest. Rest. Rest. Rest. Rest. Rest.