Die Grille

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1:59What the faddy? What the faddy? What the faddy? What the faddy? Ah, why do you know? What do you do to me? Do you have a little faddy again? Yes, faddy, dear. Come in. So, the little faddy again has the cream. Then did you give the young Armin a crispy sift? Yes, we, I. And did you not have your faddy? Yes, the faddy, but the faddy. You did not give him the sift? The father said that it is expensive and expensive and he wants the young Chris not to cook.

3:05And so we were the flesh and the faddy. Cost-pans, it's your way, old dumb cop. What do you want from me? Yes, but the young is again sick and my wife says, go old, the faddy will give the sift once again. Well, they will leave now. If you let this new france stick in the hand, it's said in my word. Five questions? Yes, the pair. Hey, get out. Bring me my flesh. Hey, gruele, you do not hear. You are not there again, the faddy, gruele, wait. I will pay you with the stick. Motherfaddy, you will not get anything in your hands. Oh, what? The child must be left with a mother. Oh, but. You understand so much as my brothers. Can you take your cell, not to my men? Motherfaddy. I am waiting.

4:05I want to prepare you the sift. I am not going home anymore. I am not going home anymore. I am not going home anymore. Since you are the son of the old faddy, the fox, this woman is gone. I cannot go further. Didier. Didier. Come on, didier. I have a st... ...who is calling me? What are you looking at in the weather for our today and today?

5:06Oh, look at the gruele. Let me go. I should leave. But you always want to go with me. How do you see yourself? I have a gruele. I want to die. You have a gruele, and you want to die too. Why? I want to kill you, gruele. I don't want to say anything. I want to know. I can't. I can't. I am leaving from my evening bread. You are talking about... I am going to leave from home. Leave from home, is he? He is stupid. I am not stupid, but... Yes, you are from my brother. You are already... ...that you are not going to bake a box of bread. And you are very smart. If you are also a bit too heavy, you are going to get a cold. So... Why are you leaving? I don't say. I know, but...

6:07...because of your cold cold, because of your sauberant laundry, huh? Are you sure? Yes. It is bad for me. Andries is bad for you? Yes, he is bad for me. He wants to kill me. But I don't want it. Which one? I wanted to kill him. But now I don't want to say that. Now I don't want to live anymore. He has knitted the box. Did you see it? No, I didn't. But then he told me. Oh, he did. And you left immediately? That I have to die all of a sudden. That will keep you alive. You are going to get tired of the mule and not to scream. You are so young. I want to tell you something. I am the evil king. What you are missing is hard work, ...a great work and not all day. You have to have it like me at my big mother.

7:07But... You have all the desire to kill the wolf and all your people are high and strong. And you are proud. And you see us up and you call my big mother... The fox. Yes. I know that. And you are the one. You are exactly like that. Not at all. Come on. I will take you to a small hill there. I will always understand if I get a bad one. You can sleep out there and then you go home and please show me. Come on. I have just a few apples. No. I can't with you. Come on. Otherwise, I will have to give you my big mother and then we will both go in. So. You have everything, Martin. Yes. The sky is clear again. And the moon lights you up on the way. I will come home well. But this time you have to follow.

8:08And be sure. Then the young will be healthy. It is as much as a warning. Thank you very much, Mr. Vanille. Good night. Don't forget. No. In the first night in the stream. You are the main thing. The main thing is for you to build a high-pitched focus. But nothing is left. Exorreimus here. And it will help. Hulla. What is there for a beautiful underprivileged? A half-dose. Must have enough children. There is a decent Sunday for the television. The wild thing will always be a good thing. You are only a steck. television. Grele. You hear nothing. Good night, Motherfadé. We all have a world. See there. The beautiful laundry from the Zwilling's Hof.

9:09Why don't you get three crores of high-pitched butter? You are standing for the old Fadé. The hex. Motherfadé, be good and let your wonderful words talk to you. It should not be your charm. You are a little bit with money. You think the old Fadé loves the silver clang. You have enough wealth. Love the money. Money is everything in the world. What if your father was without his money? But from the Zwilling's Hof, I take no money. And if it is not enough, I will go to the country. I will first hear about the Fadé. My sister is the one who is right. The Morgh's time. We are the big fear that she could have done something. I should help you. Now you know what I am to find. So beautiful. Father Barbo, the priest, has given himself a light. His father is a young man. And if he had given it, he would be a great striker. I will give you all. Here. Do you know the train? Yes.

10:09That is the usual train. Oh, if the usual train is, you will try to find yourself. There, behind. In the fish, in the river. I found it on the roof. And the water is before the field swan. Deep, mother Fadé. Good night, Landry. And greet me your father. In the river. That is not possible. But one. So terrible can't they end up here. Landry. The river. You are so serious, my brother. You have done this week at Wands & Albertsons. USDA Choice Tri-Tip Rose untrimmed are 599 per pound. Limit 4 rose with membership were applicable. And medium ripe hassovecados are 99 cents each. With membership were applicable. Plus Kellogg cereals 8.8 to 16.1 ounces, selected varieties, or peppered farm goldfish, 5.98 ounces are 199 each when you buy three.

11:12Limit 3 offers with membership were applicable. Visit vans or Albertsons.com for more deals and ways to save. With the Amet's Gold Card, you can earn 4 times points at U.S. supermarkets. Because the best nights in start with the grocery run that makes it happen. And when meals come with 4 times points, moments around the table add up to even more. Apply today and find out your welcome offer which could be as high as 100,000 points. Learn more at americanexpress.com slash explore-gold terms and points cap apply. I was the most stupid to have you with me. I just wanted to tell you that the idea doesn't exist in the flow. And I wanted to help you again. Not in the flow. You know where the idea is? Where is it?

12:16You know where the idea is? Do you want to tell me? No. Fashon, what are you afraid of? What should I give you? A beautiful lamp from our heart or a moon? You should have everything. Just say it. La Brioche, you are so stupid. You. Do you hear me screaming? Stupid, you are so stupid that you still keep me for a child. And you can still imagine what you are talking about. But Fashon. I thought I forgot the night before the night in the city of Dorschfest. We could have been from Dorf Prije and wanted to cut the way through the river of the river. I, Fashon. Yes, you. Because the night was nearer, you were missing the river and the water came deep and the stream was still on the river. If I hadn't heard your help, what would have happened to Laundry Barbo? Then I would have come to the river and went to the ground. Really? I was holding you with my ring.

13:17And when you were sitting with your nose and feet on the surface, what did you say? Fashon. You said, Krille, you have made me a maid. What should I give you? Yes, you asked me, and you didn't want to do anything to me. I helped you. How could you help a person and wanted to let me pay for it? But you didn't dare to go to the river. I didn't want to ask you anything. You didn't want to give me my ring. Otherwise, I would have a chance for you. And I told you, Laundry, go. I don't know what to do now. I don't know if I should do it every time. If I had one day before I would go to the river and say, Laundry, I like it. I told you, Laundry, I like it. Then I told you, the hand is for you. If it's for me, you can give it to me. Yes, you have the hand. And now? Now it's one year. You went from the river, where you only told me about the horse. You didn't expect to talk about it. You only had a small, careful grill. But I'm not a child anymore.

14:18I know that only you are a right-hander, a man is your word. I didn't know you were right. I know. I see. And I'm happy. Why are you happy? Because I don't like you. And why don't you like me? Because I don't like you. You hear, grill. You hear. Laundry, Barbo. You are so kind about everything. And I don't like your father. Because he has learned to be grateful to you. And after the freedom, it is the gratitude that is bad for a man. I'm sorry, but not myself. You have always seen me and not seen me. That I went from the way. I didn't want to be transported by you. But I want to do it well. You should have the promise you have. The promise. I expect everything that comes from you. You don't have the courage to talk to me only a single word. You are a heartless and bad Laundry.

15:18That's how it is. Good night. Van schau, what do I have to do to you? Please, Laundry. I should... Please, please, please. The rich beautiful twillings, the poor, ugly grill. You are not a glue, Van schau. I do everything I can to do. I will give you my word from that time. Tell me where I find the idea. And then, Forderer, what should I do? So? You don't want to disappoint me. Good. It's a gift. You are ready to do everything you want to do to your Forderer. If it is not against the eternity. Do you think so? I will give you my word from that time. And I will keep it better. Good. Go over the bridge, the steek, up to ten steps up to the earth, the bay of the bay. It will cover your little hill. You will find it there, your brother.

16:19Grille, you, Grille, if you don't have anything to do to me now. And if I find the idea there... I will be grateful to you for your time. And you should see that Laundry is still a bad heart. Go on. There he goes. The wind is blowing. Fire and thankful, how his whole snot. But I have the bush in my hand. Laundry, you don't come out to me. And tomorrow, it will be another party. There is dance and freedom. And also the grilla will dance. Yes, I will dance all the time. I want freedom and happiness. Like the others too. The night breaks in. The moon is already in the horizon. There my shadow on the field wall. He dances like me. Like this and like this.

17:19Come here, black bush in the mountains. Come my shadow, the risk is growing higher. You should be my teacher. And so, and so, and again. I have a funny little gill. You are also quite heavy and small. I have a little bird in the moon. The moon is in the sun. The grilla is in the dark. I have a funny little gill. Come on, come on. Yes, big mother, I come. Good night, men. Good night, Laundry. Think of your word. Tomorrow, at the center of Germany.

18:26I'm standing there like this for a long time, like you. The girls from the beach will also come. The weather is getting cold. And they will all come to the center of Germany. We will both come to a dance. But they will hear how they all are funny. You will dance too, and freedom. You will only dance with the mapland. And I want to go to the house. You stay. What should the other boys think? You see that, they all come from the beach. And the beautiful mapland is already there. How is the German? How is it? How is it all? Or are you also the twins in Barbo? Good day, Laundry. Good day, mapland. And the beautiful lady. Good day, lady. Do you have any dancers? I don't dance. I don't hear you, mapland. And you, Laundry? What did you do yesterday evening, not to dance? I don't know. But the girls.

19:27Now I'm coming to the beautiful ones. How was the girls? They were beautiful. Now I'm going to dance. Yes, you're going to dance. Yes, you're going to dance. Cool, these lovely girls. Yamadlo, come quickly. Laundry Barbo. I'm not Laundry Barbo. You're going to dance tonight, you'll have to talk to them. You should have a nice day. We're going to dance three times together. And after the festival three. And after the Awe Maria, the Awe Maria. The Awe Maria is going to dance together. The Werner will not dance with you without my permission. Yes, that's how it is. But, Fonsho, I... Do you know that I spoke to Laundry? He's been waiting for the whole festival for me. Laundry is talking to me about my parents. He gave me a year ago and only gave me a new one. It only comes to me now, to stop Laundry Barbo from being here. I...

20:27I gave you my word, Fonsho. And you've got the right to drive me away. If I didn't know, you could... You gave the ring the word, Laundry Barbo. That's something else. Then you have to keep it. I won't be in the way with you. I want the nice ring not to take the only dancer you have. I'll stay far too far. And one is too much, it's worth the other. And dancing can all of you. Marlon, I don't know if you can dance alone. Come on, girl. You can dance. Yes, I can. And how? The guy should pay me the Laundry. Marlon, since the Laundry is not bad, he's unshouldn't let the gorilla have him. Give me the dance. You'll get the ring, if you want to. You'll get the ring, Panilla. Thank you, Dike. I can't do this with no one.

21:32I'm done. I'm done. I'm done. I'm done. I'm done. With the Amit's Gold Card, you can earn four times points at US Supermarkets, because the best nights in start with the grocery run that makes it happen. And when meals come with four times points, moments around the table add up to even more. Apply today and find out your welcome offer, which could be as high as 100,000 points. Learn more at americanexpress.com slash Explore-Gold, terms and points to apply. McDonald's is putting value back on the menu. Whether you're craving a big Mac, McNuggets are sausage egg and cheese, McGrittles make it a meal and save. Your favorite is now your wallet's favorite, too. Extra value meals are back. Get a big something, Extra. With a big Mac or 10 piece McNuggets, fries and a medium Coke all for just $9.

22:32Limited time only, promotion pricing may be lower than meal pricing. Ba da ba ba ba. Hey. Why should I keep it from now on? I came to apologize. Did you know your dancers left the same place where we stood as the music teacher? But the little thing dances like a feather. And she has very right eye, the grill. If she was not so shyly, what? What's the deal? What's the deal? She should show it. Get out of here. Get out of here. You see? Don't run. You won't get me to swing. You're right. Yes, you should show it. What did you do with the grill? What should it be? In the capsule, the man from the mine, he's got a rifle scale. That's not true. She should show it. Yes, with a rifle scale. Get out of here with the hex. That's not true. If I'm not jealous, I'll kill myself too. Oh, oh, oh. You're a wonderful people. My big brother, he's called a fox. Because he understands more in his old head than in the whole village.

23:32But you should see it. Yes, you should. What if my big brother had a healing cure and the neck has been hanged? I'll do it. Let's see what's in here. Let's see. Let's see. Let's see. I don't like it. Andri, let's see. I don't think it's here. It's here. You're a young woman who has been married to the most expensive motor. You? I don't know. You? Oh, my dear. Give me back, Landry. Did you hear that? My hex has been married. I'll sleep with it and I'll stand up with it. That's my whole range. I've shown you, not because I'm afraid of you. No, I've been free to have my big brother who has been married to me in God's will. I've shown you, not because I'm afraid of you. And because you know, you're afraid of me, you think you're bad. You're so stupid and stupid.

24:33I'm afraid of you in the background, my heart. What's going on? I'm afraid of you. I'm afraid of you from the tank plant. I'm afraid of you. No one can give you the hand. That's me, Landry. Rue! Landry, you only said the truth. You're so wrong that you're a mere meter-quilt. And the others should be ashamed that you're a such a coward. That's it. You're my dancer for Santa and Dorsch. And if you don't mind, I'll kill you. Come on, Landry. We have six more dancers. Landry, what? You take your glasses on. And I've already given you more today than I wanted to. No, I'll give you your word back. You shouldn't dance with me. You want your heart and you'll get lucky. Stay, Vanshaw. I don't want to go back. You really have solved it.

25:34We're twins. Vanshaw! Vanshaw. Vanshaw. Hmm, again tomorrow. The sun is red and the moon will come soon. I have to go to the beach again. But it brings money. The cranks are building the money out of it. It's a bit useless to be stupid. Big brother! God, God, don't scare me. Vanshaw, come back to your home. I don't have a red until I leave the dance. What do you want to do? The sand, the mud, the wood and you are a school.

26:34Why do you give you the clue? Because I have to earn money. I have never seen the money from you. But I know, that you're not afraid of it. Why do you keep me walking around like this? I didn't look for the most beautiful clothes you've ever worn. But you've all made me look like this. What do I understand? I don't want to wear them. I want to look like the other girls. But if I knew how to look like them. With these red and red shoes. I had to wear them in the laundry. The shan would have to dance with me. What? The laundry barbo. The wood and the wheeling. He had to dance with the wheeling. Are you a nerd or a fool? I don't like it, you know that. The funny brother from the wheeling so easily with the old lady's old lady. That's not true. Tell me, what do you have with him? You're in love with the bush. I love it! No, don't do that. You're not going to let me out. I'll help you. Let your dog calm down.

27:35You don't want to let me out. You're going to let me out. I don't want to let you out. You don't want to let me out. You don't want to let me out. I want to go on. You should. I don't have you as a doctor. Then I'll take you to the hospital. Don't let me go to the hospital. It's enough. Your dog has died of a disease. I'm asking you to take a pill. It's better to heal than to heal you. My little brother. Oh, big brother. Yes, so. Now I have to go on. I want to go to the beach. Later on, the white way is there. I'm just going to sleep. And I'll get you a little better. You hear that nothing will come. The beautiful little one. The beautiful little one. I don't want to let you out. The beautiful little one.

28:35Get away with it. You shouldn't have been afraid of the blue yoke. And the blue yoke with the stupid little one. You have hurt me. I'll get you all in the end. You're going to go away. You're going to go away. You can take my heart with you. Why? I'm the late girl. Nobody loves me. You're going to take my heart with you. You can take my heart with you. I'll get you all in the end.

29:38Morning. Morning. Morning. Morning. It's me again. Morning. Morning. Morning. But why do you know? I don't know. The thick trees over the windows. What's your secret? Did you follow the forest for years? No, I have not seen any more. I know that you have been so ill in this thing like me. Oh, my dear. I always only knew you. I have never seen you. I have never seen you. I have never seen you. I have never seen you. I always only heard you from sports and lackeys. I thought you couldn't even walk. You thought it was like the other, not from stone. And that's why you always treated me with feet.

30:38From shame. If you were in the village, you would have been so Marquis himself. I didn't know how he would treat me. I didn't. You were forced to go to the dance to me, but I had never done it to you. No. It was a bad thing that I didn't play with you. It hurts me very much. Landry, I don't know that you have the matlongs. And that you do it so happily. Oh, what? I am not happy about it. And now it's not from the matlongs, but from you. What do you do yourself? Because nobody likes me. And why do I don't like you? Because you want to be a human being. And how you walk around. Don't tell your people. And always do things that bring you to a bad room. What for things? What are you doing in the evening's forest? When I was the one from the hill and the moon was on the ground. In the evening's forest?

31:39You have no idea about it? Landry, I danced with my shadow in the moon, big on the fields. And why should I dance? I also talk to him. Because why should I talk to him? I have nobody. And I am so happy to be on the sand on the city. I thought it was not right to do something. A little grill. You are a strange thing. I don't know if you are good or bad. I don't know myself. I lost 7 years of my mother. All in the village said it was bad. She went to the regiment doctor.

32:47You are welcome for which could be as high as 100,000 points. Learn more at americanexpress.com slash Explore-Gold. Terms and points cap apply. What are these dates? I don't understand that at all. I only knew that my mother loved me very much. I never liked her so much. My father was a strange man who did nothing to me. Because of her. You see? Now I am at the big mother. The alleys hold a box. I never liked anyone else. You are never going to be in the country.

33:47No, no, no, no. Because I never liked anyone else. You are right, Landry. You are not good with training. I want to be there. I am not just happy to be there. I am the heavenly grill. I have to stay alone. You are not heavenly. Now you are not even as beautiful as the Madlock. Landry, you are great. No, no, no. The idea has told today that you have a few beautiful eyes. Yes, and that is true. I am a lion, which I have eyes for. And if I really want to be a lion, I would like to fall in love with one. The others could not be my way for the night. Yes. They are not so much worth of other than dancing. So is the Madlock, but you do not. The Madlock is very important to me. And she is right. But I will be good again. Leave the Madlock.

34:49She is not my favorite anymore. I wanted to be your first love with me. I am sorry. I think we are good friends. We can not be friends at all. I have been very scared. I have been dancing after the dance. Without any reason. Without giving a taste. How is it that you need it at a different place? I did not think about it, Landry. But I am wrong. You have chosen me the most. And now I want to get my right. Your right, Landry. Because of the dance place, people in the whole day, people in front of you. You do not want to. Now the father of the coaster, who is alone, I do not want to. Come on. No, no, no. Landry, you just want to kiss me, because it is dark now. And you are not my face anymore.

35:49Tomorrow you will be the shame, the ugly grills you have. And I would be again, boss, if no. I do not want. Tomorrow you will kiss the beautiful Madlock and you will tell yourself, that the little grills have more than the clown, Landry, from Zwillingshof. Here is my hand. I am going to go to Landry. Good night. Vanshet, I say that I am not going to go to Landry. What do you believe me? Do you want to go to Landry? A funny family, Rufmil. Vanshet, you do not think I am going to do it. But, Landry, I am not going to do it. Vanshet. Stay. I hear voices. The girls from the beach go home. Hurry, Landry, go if you want to reach the castle before them. Or stay here. If you have the courage to die in the whole area, to help the poor, to the grills. Vanshet. Vanshet. We have not talked the last word.

36:50Now I have to go. Good night. Yes, it is running. It is so big, it is the fear. To be my shadow. Landry, run always. Tomorrow you should go to Landry. But the grills, your life is not. I do not want to go. Maybe I will meet you at the village. I have seen you for three days. You should be here in the bridge and talk to me. I have to sit in the head right. You have betrayed yourself. If you do not forgive me, I would have killed you. I had the little foxes. Now you have to...

37:51It really comes. You are the worst. With the madlorn. No, you should be happy to hear me. I want to hear how she starts to get madlorn again. Let me be happy, Grille. I have to be angry. You are my three days old. You tell me again and again. But I don't believe you. I have not taken the language to the village. I have taken the language to the village. I want to be a schoolboy. And he has to be angry. He is an honest man. You should be proud of his love. I am proud of Madloka. I should be proud of Landry's love. He is a great dancer. You are very lucky. Landry never has a love story with you. He could not say that. I have no love story with him. The only young man is who I love. But he does not have the courage to say it. He does not have the courage to say it. Yes, he loves you. If you see him, he will let me in peace with your long-term Landry. He is the first and the last one who found you. Who could find you a friend?

38:51You can take him to you without knowing. Me? No, no. Good day, Madlorn. Finally I find you. Your father sends me here. You should come home soon. Hi, he is from Schoen. Good day. Do you come to Prisha too? I haven't seen you for a long time. What are you doing here? She wants to kiss me with you. Kisses? Are we free now? No, I don't think so. Your orders are on the sand, Anders. You have your own kitchen. You are your mother, Madlorn. I have a very good kitchen. I still remember exactly. I have no choice but to talk to you. Yes, you said it, but you said it. And you were too far away. I really gave you a promise. But Landry? Tell me, but only in the world, how do you come to this thing? Do you think you can get away with it? Yes, you can. I said it in the court. But Landry, I thought so. That I felt the nice Madlorn. Every bush looks like a nice medium. That's why you don't need to think about love or hatred. There is the right, Landry. And everyone has to know that we are going to a past.

39:51I don't mind a joke, Bush. The past is better than the grilly. Just pass on Landry. That your love is not a thing of a beast through the window of the window. The way it goes is now in the family. And a second shot like this. Do you think you are in a very cold cold? No, you are lying. And you are so lucky. My grilly. That would be a woman for me. Landry, how could you say that? You don't forget that. That's not what you should have. I heard everything you have spoken here. And I had to kill this nether with her. I was Landry. Are you from the scene? The nice Madlorn? What Madlorn? You are ten times nicer than the Madlorn. I? Landry, how could you? I have to tell you, Franchon. Everything doesn't help. I'm doing it like I want to. Since the evening, at the end, I think only you. Landry, you don't have to talk about that. I know now.

40:51As a woman, you have to be. Who you can love for all the time. Love for all? Yes? And you have a heart and soul for all eternity. You want to give it to me. Franchet. No. No. No. What's this? You are the one who is still here. What are you doing? I don't know. I have never found something like that. It was... It was as if I wanted to die. Let me go, Landry. But what did I do to you? You didn't tell me. Not even in the game. There are some things. But Franchon, I just told you what it was. I loved you everywhere. What made me alone, Landry? I can't let you alone. Landry. Landry. Now no more. Franchon. Landry. The father is coming. Yes, I see. And father Kaya. The city is father Barbo. The Madlone has the right. I see what I don't want to see. My son is here with a girl around.

41:52That everyone else is going to be a king. Father. I have here with Franchon in all honesty a serious conversation. And I haven't driven around. Can you tell us what you have done with the grill? If you are too far away, I will tell you. I want to hear, Landry. I give you my daughter. Your daughter? Do you have me or I? Your father has her for you. And my daughter will take my daughter. And you? Father? Yes, I don't have a question. I don't know if you are the longest in the eyes. So I thought it was time to say, if you want to make a brother, we are actually born. The Madlone comes from a woman, and you are also a lot more than me. That is a very important part of the hierarchy for both parts. Because you are a thug. So is the thing done, and so is the right.

42:53No, father, so I can't be right. Because I am the Madlone again, and you know I don't do anything to you. We don't talk so much. You are the last one in your father. You are the one who killed me, as you have killed me, on the world. No, I am not. I am the only father of the world. We should talk more, and first ask your question. What did the Greek say? We came. I think, exactly the same as my father, my mother said, as he was about you. What? What did you say? I said, that I would be the most brave and most powerful in the world. And that I would be able to take you to your dream.

43:57With my dream, you said, so much more than you have taken the blood of the Greeks, left it to you. With my dream. Good. I don't say that. You don't believe in the evil, that I want a child of a rich man, a rich woman, and a child of a woman, that I will be a child of a woman. I am not a father, Babu. If I go to a bad old lady, I have never, and no one has ever taken a search of the wisdom. But I'll give you the right. I am the arm, and I don't fit in the woman's head. It's not my fault to bring me to your family. You are the father of the earth, but when you let me go, I will never be a man who is not for me.

44:58If you are so less understanding, I can't do anything for you. I am in a fight, if I tell you now, I am not for you. You now know that it will come to you. You will do it for every school. Fancho, that can't be your duty. Love you. Fancho. Landry, you come with us. Where? To the hell with the medley. There is the traitor who is a real evil. The medley I do not take. Fancho. You have packed your things. Where do you want them? Big mother, let me take the train to the city. What? The mother has promised to me

45:58that she would give me a good spot for me. I will give you a good spot for me. I will give you a good spot for me. What do you think, Grille? Is that your promise to stay here? Big mother, you are ashamed of yourself, if I say, I have to go to the country from the way. The country? What is there to do with this? He has told me to marry his father. He wanted to marry me. Marriage? That has told him to marry his father. He said that he would marry him in the market. And what did he say to the high-school barbo? That he would never let his daughter be his house. Yes, I think so. It should not be. The child would never be a child in the village. But Laundry will not let me go to the village.

46:58He just put himself in his head. He is a terrible fool. I am not the son of the Wolf. If I am only with him. With him? With John Barbo, nothing more. You are a brave child. You have rights. You have to go. And so is my Grille. You are everywhere. The old enemies are all alone. But it is so sad that the old barbo, even if he had the Laundry, will already be able to manage it. Do you know? It is a bitter way if you take a den that you have the fruit of life. I can't stand it. He has earned it. Big mother. You are really so beautiful. I know what I know. Go now. And I will call my child.

47:59You will be in the city in the evening. Yes, Big Mother. And that I do not have any more to say. You hear? I am very calm, Big Mother. I do not have any. If I want to go away. God looks that she is so fast. Mother Ferdinand, on a wall. Who? All good guys. The jambarbo, with the wonderful life. With the wonderful life as you see. And look for you. I thought we would not come together. I told you to wait there. Where is another one? I am sorry. Let the old story be heard on a magnificent word. I come to a peaceful view. A peaceful view. You are wearing the straw in the cloth. Do you come to be brave? Do you want to see the greenery? Do you want to see the greenery?

48:59The little girl. The flower is hanging there. She is going to get it. I wanted to know that she did not get it. So she is going to hear. It is been a long time since we were good friends. I think we were not. My wife was not. But I know you. You are a daughter of a daughter. Then you know me as you like. Jambarbo. You know that my son Landry is going to be in the end. I know. You made her so angry. She wants to have a wife. You think that I will give her back. I think that I was also young. And that your younger brother Marcel and I lived together. That I was so angry that he was like before today. And that he was also flying there. He was angry to dance. He is a little girl who I should have been more angry with. Marcel was good, but a weak head.

50:01And that father was dead, all his own hands. The poor boy gave you the will and gave me the will. I took the father of the one who was not too angry. Your brother was dead. And you? You are going to be a slave. That's 40 years ago, Jambarbo. But I never had a person like Marcel. That's how I would forget you. Let's be good with the past. What I did there was what I can tell you. That's good. But now you will experience how bitter heart is. You have to know. It's stuck in our blood. That no one can let us out of it. And that's why I made the heart attack you. To please me?

51:01To please me? I have to be over. If you give me 1000 women, I will send you the mill. Too little. 2000. The hope goes on you. But it's too little. 3000. 10,000. I will make you laugh. I will make you laugh. If you give me a house and a house, I will send you the mill. I would never have enough for my own selfish life. You made me so happy. And now I want to stay. Until my end. For life we are two-wheeled. John Barbos. Father Barbos. What? You are here, Grille? I heard everything. What you have told me with the big mother. Our best. You are as happy as the unfulfilled old. And you will be in my castle.

52:01Please don't let me go to Father Barbos. You will get to the sun. I could not buy a man in the world. I took a place in the city and went. From the castle? Is that a serious matter? Yes, Father Barbos. You are as happy as I thought. I believe Geik has the right to do it. That has nothing to do with me. I am a child of a child. Only... ...waiting for the landry. At the time. Maybe you will not see it. A few weeks later we will forget about it. And you, Father Barbos. Shouldn't it be so bad to think about us? Maybe you will go, Father Barbos. You will go. Yes.

53:06Father Barbos. Oh God! Landry! Are you going? You can not leave me. I have to go to the city, Landry. I believe it is the best for us. You can not take me to the moon. Where do you need to go? Do you know how you look at my memories? You do not understand anything about love, Father Barbos. Landry, if I do not understand anything about love, I know that you are my mother. The only person who has a heart for me. But I have to go. And if I am a time of my past, then you will not think about me anymore. I will always think about you, Father Barbos. And I will go to the ground. Landry.

54:19Give me a word that you do not leave me in the city. And I will pray to God and the healing of the young woman. That I wait for you here for a year. And that I do not have any friends to him. And if you do not have a word? I hold my word, Landry. The church has not yet been locked in people. Oh, look. I promise you everything if you give me a hand. You should have it. It is the only thought of my mother. Here. I am here, my mother, young woman. It is the best of my life. It will protect me and you. Adieu Landry. Oh, God. Over a year.

55:21Over a year. Over a year.

56:22Father, if we do not find a replacement, Landry must give it to the soldiers. I am sorry, the old man wanted to pay for it. He comes back today. He does not need a replacement for me. I am alone. I do nothing to live from. So, you do nothing to live from. Look at me. A year ago you had a good feeling and I hardly got the grill back. There is a fire in the sun against the father. I do not get the fire back. That has proven to you. The old man is dead and the grill is back. The one who goes to the other side. I did not talk to you. Father, you do not want to talk to him. It was. What do you understand, Dutor von Dieter? Father, I wanted to talk to you. The evening for the evening was before the house. She let me in. She is too proud.

57:23She forgot me. And today, on the Friday, the old man's birthday, she did not see me. When she was 21, she thought, I know now that I have lost her. And I am standing in the commission. You cannot stop me from that. If I am the first, you will come to the hall. And I am the first. Father, you let the laundry pull. Why not? Should I let me swing in the strong kitchen? Who thinks that? Come in. Good evening, Father Babo. Good evening, Father. The grill. In my house. Let's go. Father, let's go. I'm leaving.

58:25Do you know the laundry? Then you have to pay for the soldiers. No, I want to talk to you. I'm going to have a ride. So? And what do you want to order me to drive? I need a train and I am not yet ready. And the driver might be able to take you to the train. How do you get to this point? I have trust you. And the driver might ask you to do it yourself. You could not stop him. And the grill will not be on the edge of the line. I have not lost anything against you. Then the grill will not be big. Big or small? Yes, there is nothing to be afraid of. And I want you to ask me to pay the bill if I should be ready. What? You don't want to stay here anymore? I don't think I can stay here. Father Babo, it will be so bad to ask people who don't want to ask the Germans.

59:28I don't think I can do it. No, no, it's not that bad. You were a wild-headed, but bad thing. I never held anything for you. For a taxi driver Babo? Are you sure? I believe I will be the first to get you. So I will take you to a place and I believe the people. Yes, father Babo, I believe you are sure. So grill, stay in God's name in the old house. It is always a home. No, that's not possible. I can't live there as a young man. Yes, then you have to take my husband. Yes, I would like to take my husband, but with the next one it is not done. I don't do it at all. That's what we are going to find. Well, I take the fortune. Thank you very much. You have already known your father. Yes, and you have come to visit him.

1:00:29No, he has come. I have to say something. I already told my young man about it. But his father doesn't want me. So? Yes, why don't I want him? Yes, that's what he has to know. I am in love with him. Yes, you are in love with him, but you always have your own house. Yes, then I am in love with him. No, I can't find him. You have changed in the city. Yes, then I don't know why you don't want to go to your son. Yes, I don't understand. You have to accept him. Who knows? Try it. Accept? I? Yes. That would not be seen by him. Who wants to have me? He has to accept me. You are a fool. Faso! What about my father? My father doesn't want to do anything about you.

1:01:30But you, you are a fool. Please, tell me. If you answer, I will be out of here. Faso! What is with the father? I... I think I have made it. Faso! I have made it for you. Here. Here is your father back. The Middle East. I heard you wanted to be under the soldiers. I was for two years, Faso. You didn't want to talk to me. But... But if we are high-raten, I don't need to be under the soldiers. And you? Do you want to save me? Yes. Now I want to be under the soldiers. I have waited on this day. I love you.

1:02:32Faso! My grill. Andri, your father has become my father and me. I have earned. I have earned. Yes, from the big mother. She has always saved me. She has been waiting for me. It is twenty thousand. Twenty thousand? Yes. But we know that the money alone doesn't make it happy. Yes, that's right. And I know that the grill, is not a coincidence. We will see each other in our hearts.

1:04:09We have brought the grill of Charlotte Birchfeiffer to a Romanian-speaking village. It is said that the grill is called Thomas Salveg. Anna Fadeh, her big mother, Ida Ere. Landri Babu, Klaus Jürgen Wussow. Didier Hans Clarine. Jean Babu, her father, Vili Rössner. In other roles, Ernst Walter Metulski, Marianne Wischmann, Erwin Farber and many others. Working, Hartmann Gertz. Composition, Rheimund Rosenberger. Regie Heinz Günter Stamm. Production, Bayrischer Rundfunkel. Jean Bauer, her big mother, was a great artist. Production, Bayrischer Rundfunkel.