Das Labyrinth

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1:00The Laborint the theme is the name of alleges the sedimentary northern Basin too heavily without zeradic changes and torn merchantly restrictions. One might say. The system of竣 дав 화나라 такойណ groß 어떻게

2:04wenn 가까enh ana cus Your mother was waiting on you and Your Anne. I can see them responsibly. And my father. If they tempt you in the sun, they'll laugh. You can assume that the hairiko is their infantile sister. What is it just now? What is this question? You're making the darkness so you can talk. The darkness in the bad air? What's the matter? When you're out, you'll get a good man. But to go next to me and support you, it's too bad. I want to ask you something. Why did you have to face the flashlight as if it was a candle?

3:08I'm still very confused. I have to see if you were happy to be with him. Oh, that's right. I understand. I'm sorry to be sad. If I knew before that your wife was gone, if I knew that your wife and children wanted to get married, I'd have almost got a dance. But then, I'd have to get in again, as if she was in the factory. Ulrike, the spy was in the door. She'd put the spy in the door. You're making a fool of yourself. She put something on it. And then you'll get a laugh. They had their hands in the bag and laugh and sing, and they were like, what's the matter with your laughter? Yes, that's what they thought. And the BGL? Oh, you don't know how it is. Every Wednesday, she said, was it not to school or to learn anything? Yes, I'm not a teacher at the evening.

4:08No, I couldn't do that. And the mist was not allowed. She's not allowed to do that. She just had to go. Three kilometers of cleanliness. And then she'll stay behind me. Yes. And if I've been a fan of the Fins, I don't feel ashamed. Do you know the text, 23th of July? I've lived it all my life. Father, do you know him? He's a miser. Yes, he's a father. He has to stay. And he has to stay with the father, where he has been. Otherwise, he'll have to go to the woods. You don't talk to him that much. Not here. And she doesn't dare to. She has the lamp. I have to go behind her. She knows the answers. The crossings, the different roses. The crossings don't work there. You don't want to work here.

5:09I thought so. I wasn't good for the physics. The system is useful for the physics. What's wrong with it? It's just... It's just a mistake. It's just a mistake. She doesn't want to say the word. She understands and wants to get away. And she doesn't want to see her. She's a smoker. Very ordinary. Very ordinary. This mountain is a city. It's early in the morning. But we live in an ordinary time. That's something. Yes, you have to think about that. The light-spure follows. The fishing lamp means it's good. It only looks like a small spure for us. What's used. The three kilometers is enough. We have to be one kilometer away. Two stigas behind us.

6:09That means we are 120 meters away. The lamps are also from the buttons. Stay in the way. What is it? They're not. What? The roots of a tree? Don't be so loud. You're with me. Your steps are getting bigger. You've prepared for me a dish in my mind. Please sit down. We were all about us. Maybe you'll have a chat with us. It can be a wild animal. The river starts the streets and the earth is empty. It can be a wild animal. A wild animal that is at home in the human bedroom. And it's warm and quiet. And without a cough.

7:10Don't forget that. Sometimes I wake up in the middle of the night. I saw him in a dreamtie. The waves brought me to the farm. And I was in my bedside in the sand. That was not so. And the salt crystals lit. I lay in the middle of the white day and waited. So I knew I was waiting for a hear. That I heard how my green arms were torn and torn and black. That I was dying and that's not worth it. And then the two hours had to be prepared to let you go. The father of the mother of God, not a girl, let me go. And your love in the West doesn't need you to have it. As you can see, I'm so happy. I'm so happy.

8:12Come on, see. We'll continue. No, no. We'll have to do everything. We'll have to go about 3 km less than 150 m. If not, we'll have to think that they have worked together. They have worked together. They have worked together. I'll go with you. I'll have to go with you. The people from the rats have to tell me. They don't believe. They only fear that they are unknowing. They must imagine how a mother is after her. Girls, girls, and Santa Claus. And you? You stand up to it too. Why do you ask? Because they are engineers. Because they are good-going people. And their wife knows if she has a wife. Who said they are engineers? I think they are men. They made us together with each other. I think they don't understand.

9:13If they want to save me, if they want to take me to a search. Don't let me go. Don't let me go. I didn't mean that. A man who said that. A man who was the most careful plan of the organization. What did the man say to the engineers? He always said that he was the most careful plan. He said that we were the most careful plan. He knew what he was doing. He didn't need any night to do anything. He was standing on his bed. He was a young man. He was crying because he didn't know the plan. He didn't know the plan. He was crying. The fatherland was the most careful plan.

10:13He didn't cry. But the mother cried. He was crying. And on the border. The border. I have the border. The border is dead. The border is dead. We have already seen each other. And that's your mom. No, go home. This job is often. There's the old toy. No. I... Oh... I... Oh... He's... He's not here. What the hell? What the hell? I... I... What's that? A man's police. They didn't see the camera. Where are you? It's too dark. Here. It can't be. There's a few steps ahead.

11:19I'm tired. You can't sit down. You're a little bit wet. But you're lying down. Do you see the bottom of the roof? We've managed to get it. I have to call all the first phones. 70-04-17. The number of the parents, my wife, is looking for a driver. She's always with the kids. The young man has a stomachache and they stay overnight on the sun. How good, I'm not saying. For the kids, there's no way here. No way. Why are you so weak? What's wrong? You don't let anyone come back. I'm from all over the place. My father and my mother don't know anything. They sleep.

12:21Mom is Sunday. My father has to pray. My mother always has to pray for the talaga as she always does. It's very cold in the church in the Father's prayer. She has to hold the mantel. The church is always looking for it. It's very different than before. And she goes to the church. Before the church windows were still warm, everything was different. The light of the light had the people healthy. My father is a mutian. And tomorrow morning, she has to bring the breakfast. She always wants to be alone. Tomorrow she will ask me. She will make me sleep in the church because I have to make breakfast. I have to ask the people. They know me. I've been to the house every Sunday. And with the parents, the church went. Then the priest will take the axles and the mother will be crying.

13:23And then they will all know. They will try to escape. And the police will put the dogs on the floor. And if they are going to catch us. Yesterday evening, you were not afraid. Yesterday evening. I believed. I was always looking for the talaga. The parents have lived with me. And I... What do I know about my parents? I can't do that much with their eyes. I have learned to sweat and snipe as a little girl. If people can get a black dress. I have learned that my ears are pain or my neck is pain. My fever is not important. I have learned that yesterday evening. I will have to carry it without a difference. Because I am 18 years old. And since six years of Monday evening, I have never been able to get out of the house without a day. So in the West, in the upper school, I was not looking for the talaga. I have been looking for the talaga. But I am not looking for the talaga.

14:23I am not looking for the talaga. Yesterday evening, the talaga are still in the head. The talaga are still in the head. The talaga are still in the head. And I... I will never be able to dream that I am on the sand. And I will be strong. And I will be happy. I will always have to think about the parents. Then mother comes to her room and the bed is not a mess. And there is no bed. No letter. No news. No news. Oh, how I know it will be. The window is on the left. And the keys on the board are on the floor. No, I don't know. Come on, we can continue. Everything is calm now. And how lucky mother looks. When she starts with the bed, as a father, when a son-to-deck text is together,

15:25so lucky I would be as if everything she does before her is correct. Flick, for her. Flick, flick. I wanted to be different. I wanted to be free, not to be happy. She saw her bag in her pocket. That I even put up this way of clothes. No, I'm not going any further. What is it, then? You can't turn around now. I have to go back. I have to tell the parents that I had loved her. And that I only forgot to think about it overnight. You are ready. The assignment is the sport of the home, I don't understand. But you have to take my will to my wife and my child. What are we then only for the other? You are for your wife and child. I am for you, for an engineer who is always in love, who doesn't know my opinion. Only wants to be strong and long. We have to keep our left. With your right hand.

16:25Yes, yes, left. Don't you ever stand there? What is it? There, see, it's not three-dunked platoes. Where did you get a plan? We went to fall. Three-dunked platoes, everything left. You are right. You are the only one with the eye and the heart. Good and good health. If we follow my life, I would stay at home with the sun today. The sun is always there. You are the only one with the eye. What do you want? You are not under the sun. Yes, but why not? You are not all alone. You know. You are not here? Here. I am sorry. Let me. Well, come on.

17:26Are we not at the top? I can't. Where do we go? I forgot my hat. I have no connection with you. Like you do. Nothing. What? She told me that she would not have been able to shoot out of the factory. She would have been prepared for the Abitur in West Berlin. She would have been able to go to school without any other wish. And to continue to come. Your own life, to find it, you don't say so. Your own life. Do you know what that is? I. I believe it. When a ranch is strong and the waves are long, then there is no life. If a situation has money, then nothing will be missing. What will happen in the summer? You mean it? Well, that's what the hero-grabilist wants to be. Then we will train 200 meters from the security.

18:28That means we have to go to the barfus. Because we can stay on our posts. Yes. The girls are so stiff. I can't take them back. I mean, I am too young and too old. You see, I don't want to be stuck in their bathroom. I let them stay. Yes. If their parents were to be happy, they would be happy to make the Abitur a few months ago. Of course, they would be shocked, but they are still afraid of the people. They will be able to get close to them. They will be beaten and the soldiers of their daughter will be killed. Don't you worry about my parents, they will be left alone. They have the signs of safety. But we will sign here. They have forgotten us. They are afraid of the lamp from my face. I think they are afraid. Yes, I want to bet. It's so cold. And then why is it that I drink a glass of tea and mother should put my hand on the stones. I know that she is a good mother.

19:28You have to be close to me and close to me. And then I will be angry. I want to be my wife and my child. I am a high-ranking engineer. I think that's a strong point. I don't want to. I don't understand. Maybe you don't believe me. Maybe you don't believe me that I have never met a single day in Dinsdag or Donnerstag and have always been to the gathering and I have never had a party in the morning. But that wasn't enough. That was nothing. What happened to the tools that I had been able to throw away. I have put on my hand the stones on the back. I have to go to the airport. Yes, yes. They are doing it. So I have to go there and put my hand on the back, the swan. And the man in the back, he had been doing it for ten years. What was the sign that was on the back? Ten years ago, he was the most famous weapon. The very own hand. You understand that I can't do it anymore.

20:31Sorry. I will now go to sleep behind me. I will do everything I can to make it. I will only go to 2,300 meters. If you are still there, I will do it. I will give you a bottle and the band that you have on the back. And the strippers. I want to throw a rope out. No. No? Yes. Then I have to leave them here without a bag. It will be a day. No, not here. So? Don't go away. Please. No, don't go away. I... I will come. You are 18 years old, Elzbett. And you have never believed. Without a excuse. I don't understand that.

21:32She went to bed without a excuse and had not let us go. No, no. I do not believe. I did not believe. You have never been to bed without a excuse and had not let us go. No, no. You do not believe. And I did not hear you. But I have always wanted to sleep with you. You swore. You hurt. You had it away. You have been saved. ... that we have learned. What a señor! The words made you worthless. We don't know about this permission that we cannot influencate him. You know, the Joan ofobjectons always bahes canoeing in normal camps. Maybe he cohobiaed for those single flesh. He was a child!

22:34The child's crazy dinners I have no one to go in. No, no. Sometimes I have my children's voice in the ear, or the pain of their hair on the outside. But it's been so long since she had a seat. We don't think about that. Where is it? Do you want to ask the latin, where is my daughter? Or do you want to ask the people, where is my daughter? Where is my daughter? I have no hope for her and I can't protect her. And I'm not used to it. I have to tell you something. She had a ring finger. So the girls in the fair came in the last summer. She had a photograph of a wall that was held. And young faces, behind the bridge, not different than everyone. She told me that she studied physics and was a doctor.

23:35And then in August, she took the picture of the wall and didn't dare to wear it anymore. You are mental. You are heart. Ulrike was a heart with her. But she didn't wear it any longer. You think... ...you're dead? No, no, she's not dead. Not dead. You mean... ...the animals have already been on our side. When we were talking. You mean... ...the flower? Yes, she took the winter boots off the shoe. You know, the lock is broken. When? Yesterday evening. Why didn't you tell me anything? You didn't tell me anything. Oh my God. If you don't see anything yet... ...where are you going? Not to the police. Please don't make her laugh. She must have tried to... ...understand... ...that there is no luck in the hospital.

24:36Now? Midnight? I'm going to stay. I'm going to stay. The boots... ...the boots. We have to go back. I'm sorry, we're here under the border. I don't have a driver. If I'm not too close to the police, I want to stay. Do you have a knife? You cut the boots. Can you pull it? I can pull it. I can pull it. I can pull it. No, no, no. I can pull it. I can pull it. I can pull it. I can pull it. I can pull it. I can pull it. I can pull it.

25:37You'll have to pull it. If you pull it, the boots will be pulled. You know. We both knew that we did it on the road. We knew that we had to pull it. If I can pull it too fast, I can pull it. I don't know if I can pull it from another post. But please calm down. I'll take the plane out and then search for another canal. The border is cut with a lighter. Maybe if I'm not too far behind the road, I'll have to go. We'll go from now on without a bag. If I don't get a light, I'll be ready. I'm only a battery as a server. We'll have to save the next night. We won't need it. We have to get a foreman. We don't want to say that.

26:39We'll have to get a foreman. It's a foreman. You're crazy. Tell me something. You know that the border is under the air. That you're going to be a tree. You're going to be a darning. You know that there's a better thing. Up there is a fresh air. Without a sweat, you'll be next to yourself. You'll have fun with me. Tell me about your family, your wife, your children. Tell me about your trust. How? How sweet. It's cold. But my shoes are falling. I had to put something in it. I couldn't see anything. I had something in it, but I don't feel it anymore. I'm so tired of it. You have to take it together. You have to think about it.

27:41Yes. I want to go to the beach in the sun. It's cold when the feet are tied together. When the teeth are cut off, the wool is hot. I don't feel it anymore. I don't feel it anymore. I don't feel it anymore. I'm a lady. I know. All of them are hard to remember. My parents. They don't want to hurt you. No, they don't want to hurt me. They take my hair from my head. They are so ungrateful. They are so soft. I don't know. Let's go. You know what? If you can eat something, you don't have to eat your right hand. You don't have to eat the papyrus.

28:42We'll go back to the beach. We'll go back to the beach. And then we'll follow the broad channel and try to get out of each other. We'll go very methodically. We have a Sunday day with us. If you're still, you may hear the birds. See, honk. Sunday. Sunday. It's funny. The bird is the way. How do you say? I'm making a fool of you. I don't care about your name. And you're 3 km away. Police, I'll call the police. I'll call the police. The central area is underbought.

29:44About 3 km. If they die in the dead, they'll be waiting for the police. I see. Please, don't be silly. You'll get the report. The report is being published by William Litge. The report is being recorded. The protocol of Litge is being said. About 18 years ago, three persons were killed. And a man in my... Litge is a priest. They read for you the same sentence. The one of the two men was a war. The one who already made a mistake. Two workinghit dead man. The one who got a prote clumsy nightaniaclus right-wing man. The exceptionally technical manvert was 17 and 1977. In 1828 in theкр anywhere. In cards莉 ou William was still keeping it. And on the 2nd,

30:44you knew about what had happened. And these two himself were larger than Romans. In my opinion, the three are prettier to have. Mстав 있고요 du contained alligator tick sep know how hard work to throw less big with ten out in the outside Do you mean me? I, Lütker, the photographer of the Medjinerkhand, have a map of your behavior and your education in the company with the notice from BGL, Ferras Tochter. We give it to you. In the green order room. Oh! Yes, we do. It's pretty much up on the green order room.

31:44Here, here. Here. Thank you. Ah! It's a mistake, sir. I have so much to do if I don't have to go to my office. So, you see. I have the right to the BGL before me. Then the work-a-day for the Mechanism of the 28th of August. The Mangels-Ausbildung only requires a work-a-day. School in the West, the Kenner-Fachkraft. The development of the work, the training work, the knowledge, the behavior and the collegial the customer of the interesse-loatiness, the importance of the information conversation not only to the work-a-day. Eh? You don't have to go. Good. You have to go through three times. Three times? Yes, he's got to do it. But it's a shame. Yes. Ah! Please feel the suspicion.

32:45Make sure that the malicious claim of that devil! Yes, he talked about the investigation too. How's the specific although I believe just in the middle, uschmeaug of the SID? Doesn't it look effective from a single unsấyости ethnicity? When a woman leaves the public and falls together. Her bloodline is banana-safety where you'd get Rs average- 몇-plus. I'm the first one to be here. You know me? So, there are so many people with spills and bones. I'm sure, I'm sure. I understand. Tomorrow! So if that's the case, then I'll give both of them to Bill and Blitke. If that's not our problem, then. I think we have a last company. You've got to chose right!

33:57I'd like you to want to trywithloop 큲 ...to be able to do anything. Yes. The child was the only hope, as the young ones didn't come back. How could it be that such a strange nest is lost? Tell the woman to be new. And Ese the old man said, the doctor said, Ulrike will make a habit of making a living, there were many happy people. Yes. And the wrong people in her own way had to be really happy with you. Yes, yes, yes. And what is now, if we talk about it, the young ones, at that time, Abitur had to be here already. Ulrike was still very young, he does a lot. And many people don't know when. No wonder that it's a pharaoh, someone who is so cruel to Ulrike. The sheep should be clean, they have to do it now. The sheep were rich. I can imagine what it means.

35:30We have to wait. They are on the next floor. Who are they? Is the pasta in the direction gone? Let's go to the river. No, I'm not convinced. Do you know where we are? Well, yes, and the border is of course. No. No? No? Where did they plan it? We have planned that. No. No. Where did they plan it? We have planned that. No. If the earth started. If the night is to try to get out of it, they want to give up. They are talking. They can see. They can see. They want to continue where they have heard yesterday. Induction loss of rights. Because they have not come to the end and they have to go to the molecule spectra. They have been busy for a few days. I don't think they understand anything. I'm afraid that they will stop to talk.

36:31That only the water is to hear. It is from the basic lighting and lighting. The water is in the air. But I'm afraid to think of my naked feet. Stiefel. I lost. But I'm afraid to think of my naked feet. When the scene is in a mess, I don't see any more threats. It's so cold. When I was in the school, we had a meeting about freedom. Three in the classroom was at the east. We are not ready to be caught in the meeting. For her, she is sure to be caught. I'm sure she thinks of her children. But I'm not a child. Who lost her? In the summer.

37:32The first day of the day. She is a student. She speaks Turkish. Sing, sing. Sing, sing. She doesn't believe that she can live. She believes that I'm proud of someone to be a teacher. She is very strict. Maybe she is strong. My brothers have been in the 18th century. I didn't know her. I wanted to do it well. I wanted to understand her. I wanted to take her to my parents' three children. Nobody is there for me. I kept the numbers of the seven slaves. They remember where I found little sisters who were lost in the spring. And then in the forest, in the mountains. And I said to myself, to have the key in hand,

38:33to end up in the mountains. Or I can move my feet and my jacket and try to sleep. I have to be in the middle. A stick is a light sign. It's a good sign. You can work here today. We have time and a secret conversation. A drawing session. It's a very difficult time to understand. We will be in the morning. We will be back in the working place. They will be in the area of ​​the ship, in the factory, in the white sea. They will be in the tractor. We will not give up. Why not? You can have your wife, your children.

39:35We only need to describe how she has been locked in the forest. And how do you see yourself after the tractor? Where she has been locked in the forest? My wife has understood that we have to go. If she had been in the factory for three years, we would have never had anyone in the forest. If she understood, we have prepared the airport successfully. Until the 20th of August, we have already made the whole thing a family needs to start new. If children are in the new organization, they are one of the technical intelligence. If they continue to be in the premium department, and save their car, or maybe a white and black sea. Sometimes they go to the church. Not often, but at night, in the evenings and in the morning. And then they bring the expressway, that they are not fully in the city, that they are a little bit of a dark and the head of the church.

40:41Blue children, sun-tacks, don't try to think about anything. They don't understand, that they see a word. A word. See. Glassheart is again a mountain of seven degrees. If the forest has only opened before itself, then you will understand. How old are you? 18? Maybe I'll get more before I get 100. I don't know. I want to die on the sand and lie down. But if the sun was out, out of the wall, but the sun... ...I want to... ...I want to...

41:41...I want to... ...I want to... A full storm has asked Ulrich. I told the sailor to fly a damper. Now in October, they have to use the sun-tack. Yes, and? The ship had been destroyed. She had a theater box for Ulrich. I woke up. She would not have talked to Ulrich when she came back and she was always standing there at the same time. Do you know that was a ship in the sea? Of course, I know that. And that you had to take her to her room. Do you believe that? I do not believe. You should tell us that our daughter didn't want to be interested

42:41for her cards. How can I? Then you'll be convinced of me. Or you'll have to get the money. You'll have to pay for it. Don't be so stubborn. If you're all lying, you'll be punished. Don't be stubborn. I hope that the ship can't be sent to the sea. I mean, if she... ...cannot break the hands together, I can't see that anymore. I'm already stuck. I promise you. There must be a cigar in the box, that Ulrich had been ordered three months ago. I think she's already there. We lost a lot of people, but we never knew when it was enough for us. For me and for you. I'm not a traitor anymore. She has a crush on us.

43:42I'm going to have to do this. I'm going to have to do this. I'm going to have to do this. I'm going to have to do this again today. I'll have to do this again. I see you're with your family. You can make the moon shine with your hands. You'll be happy if you're going to have a little bit of a dream. You know, I'm going to have to get the car in the Charlotteburg. With her I'll be happy. With her I'll be happy. Not yet. I'm not going to have a fire. But I'm waiting. You're going to have a dinner at the house, so you're going to have breakfast.

44:43No, no, no, no, no, it's time. You can't wait until the horses get in. Are you talking about other revisions? Yes. Have a light before. What? With the light? Yes. The way the provocatorical action in the dark, then the state is taken, the light will shine under the air. Where is it? You can show it to the revier. The train here, here in the middle of the street. Ah, and there you have a steamer. A steamer under the air. Around four or more. Now we're four kilometers, twelve hours later. Three, we've been in the N34 train gas pump in the canal. But in N34, at the end of the world, we know who are on the track. Well, until we're home. Yes, so you're the one who's going to the line.

45:45First of all, wait. So in a happy game, if you have a meld, but you don't want to lose your son, you don't want to lose your little son. No, no, no, no, I'm going to stay. I want to know if you've lost anything. I'm sure. Because people will say that if they are now asked for a goal. They will say that they are stupid or they will say that they are lying. So they will be the world's shunners. You shouldn't laugh. My boy will write a letter to you. I always wrote the letter to you. I wrote the letter to you. You know, I already wrote the letter to you. I do the letter on my Instagram.

46:46Sometimes I write my message to you. I always write it to you. My boy is in the second school. He can't write that. I love the letter to you. I hope you have a good time. I'm sorry, but it's not just winter. It was the last spring. Today I will write it again. The hours are in the room for a while. But I think so. Or the picture that the father of his album has. The family in the Christmas tree. It's pretty. I don't know. I only know that we will go to the street and get on the lift and the night will be on the roof. And that we have to stay at home because we are so stupid. You shouldn't laugh.

47:46But I don't laugh. I see us only despite the darkness. Our light over the rain is shining. Our light over the rain is shining. The most stupid girl. She's standing in a hurry. She's very adamant. She can't take the night lift as she can. She can't take a step. Nothing is more important than that. I see the girl walking in the house for a while. She's walking in the back of the building. She's walking in the wrong place. My husband, my girl. A strong face, a blazing, a shiny face. But a husband and a girl. That's what they call happiness. Life is happiness. Life is a heart of heart. You hear? You don't have any answer. You don't have any way.

48:47You have wanted to see the night lift. You're not going to let me go. Yes, I'm going to let you go. What do you say about this? Tell me again. No? No? You're going to answer. The girl will have to go back to the hospital. And forget what's going to happen. I can't. I don't want to be in your thoughts. I'm shy. I don't know. Let me go. You have no shoes left. We've been sitting here for hours. I let you go. My husband and his family want to have a family. They're not going to have a car for three kilometers. And the doctor wants to come up to me. You want to come up to me? Please. I don't care. I'll give you the lamp. I don't care. Get out of the battery. Search for your glasses and you'll be there. See you.

49:48See you. She's a kid's cup. Where are you going? The people are not going to sing now. It's going to be a waste. Good that they don't take the winter boots with them. The people are going to have a wedding. They're going to have a wedding. Please, the man. I want to hear him. He's going to be a bit jealous of the orangey-erban. The frost is on his back. And the shrivels. All shrivels. You're right. What's going on here? Do you want to write the text for the television?

50:49The old lady was a expensive church-ganger. She had to say something special. The river is my heart. I don't want to go. It's known to me on a green island and it's important to me to fresh water. Ulrich's one-segment. He's a quickie to my soul. He leads me to the right street, his name. And if I'm already in the window I'm not happy for you. Because you're with me. Please, stop. The frost is much more than a thousand years old. You can keep it. You're a grey-headed man.

51:50How is it? Please do it now, Fenster. The people don't notice what's going on with you. It's going to be a mess. No? No. If you go home again. No, I'm not going home. You can talk to the world. I'll send you a message. I've put you on the train. And you want to go to the border? No, no, no, my dear. And if I'm in the window, because the bridge for which the night was, I was in the right direction. And I've been there for a long time. Yes. The driver is not coming home. He's been there to show the parents how he's heard about it.

52:52But he didn't get used to it. And when he was in the woods, he was like, with the knife. With the revier down there. And he was still there. And he was still there. And he wanted to. But he didn't know that. In January. The technical genius needed all the water. But he said, what are these people waiting for? For us it's always been something that we had to get out of the woods. Oh, yeah. I knew that you were waiting for me. You would make sure you let me go back. Why are you lying? I... Yeah, I lie because they are there. Back to the crossing. Not my name. You told me, before the crossing, before the parade, before the crossing, before the others.

53:53Oh, the crossing now everything is going to be fine. Oh, the crossing now everything. Our name doesn't mean anything anymore. We can't go back up there because we were going to parade ourselves. We should go to the left again if the roars meet again. We read that in the labors of the old tomb, the left leg was their own. My father told me that the animal of the forest was going to be a real slaughter. And in the circle... I want to think about it. What should I do? She said at the beginning I shouldn't think about the three kilometers away. But that's long, long. You can't sit down. Why not? I'm going to ask you if you can make the head a scene. The head a scene like a shield. I'll let my mother live. If we come back to the place again. She just brought me to the Albanan street.

54:54And the stagdard under the earth? She's a little girl, she's got me in the stag. Go through the bush. I know. Strong man. Ten are better than the words. Everything will be fine, what they want. The family will have to be healed again. The Christmas tree will be the evening. The evening has to be understood. The dragon has to fly to their young. Everything has to come back in order. Especially the next woman. Two months have passed. And I... I'm a woman. A face like all the others. A face like the tree. The dragon is a scene. She's so beautiful. She has a love for us. Yes. And I... Tell me, Ulrich. There's someone up there. Is there anyone? Come on. I'll go.

55:54She almost has my belt. So we won't lose any dark. I should have told the flashlight to wait for the battery. The fire... ...sounds like a fire. Spats, they want to make a wreath. Better we can have a breakfast tomorrow. Be quick, be quick, be quick, be quick. Why are you so loud? Elzbett. Why? I'm so tired. I'm so tired. I'm so tired. I'm so tired. I'm so tired. Well, I'm going. I'm going to make the tea strong, please. You have to go to the back. You have to go straight. The fire is on the roof. No.

56:55No. No. No. No. No. Your stag is shaking. You're ready for me to take a bite on my face. In my face, in my face. Give me a sip of the thermos, Lusche. I think you're asleep. No. I can't sleep on this bridge. Yes, I drink there. And finally you have to be there. For what you've fallen in. You don't find it. Yes. So you're my sister's daughter. And I mean, you have to know her.

57:55Up. You have to know her. No. No. No. No. No. No. No. No. No. No. No. No. On the 16th of January 1962, the opening of the West Berlin times, the Dinsanweisung des Ministeriums für Staatssicherheit der DDR, after the entire underground canalization network was being searched for by the Berlin-Durch, because there were many places of stowings.

58:58Probably more than 30 refugees were searching for the information to find the dead by the West Berlin-Durch. Who were they? Where did they go? Why did they have this way? Why?