
About this episode
In this episode of Comic Stripped, Evan Bevins and Mark Radulich take a deep dive into A History of Violence, comparing the 1997 graphic novel written by John Wagner (Judge Dredd) and illustrated by Vince Locke (Deadworld), with the 2005 film adaptation directed by David Cronenberg. Originally published by Paradox Press, an imprint of DC Comics, the graphic novel is a gritty, pulp-inspired crime thriller following Tom McKenna, a small-town diner owner whose violent past resurfaces after he thwarts a robbery and is outed as a former mob hitman. Wagner and Locke craft a tense, noir narrative grounded in bloody realism and identity crisis.
The film adaptation stars Viggo Mortensen as Tom Stall, with Maria Bello, Ed Harris, and William Hurt rounding out a powerhouse cast. Screenwriter Josh Olson reworks the core premise, shifting the story’s focus from pulpy crime fiction to psychological drama. Cronenberg transforms Wagner’s narrative into a meditation on suppressed violence and the duality of human nature, anchored by Mortensen’s haunting performance. The panel discusses how Cronenberg stripped down the original's mob-heavy plotting to explore more intimate moral dilemmas — particularly the effect of Tom’s hidden past on his family and his sense of self.
Evan and Mark also examine how both versions tackle themes of redemption, guilt, and identity, as well as the differing narrative choices — from Locke’s visceral, sketchy art style to Cronenberg’s cold, calculated visuals. They consider the cultural contexts of both releases, the adaptation’s critical acclaim (including Academy Award nominations for Best Adapted Screenplay and Best Supporting Actor for William Hurt), and whether either version offers a more definitive take on the cost of violence. Tune in for an in-depth comic-to-screen breakdown with sharp analysis, biting humor, and a respect for storytelling craft across mediums.
Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.
Mark Radulich and his wacky podcast on all the things:
https://linktr.ee/markkind76
also
https://www.teepublic.com/user/radulich-in-broadcasting-network
FB Messenger: Mark Radulich LCSW
Tiktok: @markradulich
twitter: @MarkRadulich
Instagram: markkind76
RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.
Mark Radulich and his wacky podcast on all the things:
https://linktr.ee/markkind76
also
https://www.teepublic.com/user/radulich-in-broadcasting-network
FB Messenger: Mark Radulich LCSW
Tiktok: @markradulich
twitter: @MarkRadulich
Instagram: markkind76
RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
The film adaptation stars Viggo Mortensen as Tom Stall, with Maria Bello, Ed Harris, and William Hurt rounding out a powerhouse cast. Screenwriter Josh Olson reworks the core premise, shifting the story’s focus from pulpy crime fiction to psychological drama. Cronenberg transforms Wagner’s narrative into a meditation on suppressed violence and the duality of human nature, anchored by Mortensen’s haunting performance. The panel discusses how Cronenberg stripped down the original's mob-heavy plotting to explore more intimate moral dilemmas — particularly the effect of Tom’s hidden past on his family and his sense of self.
Evan and Mark also examine how both versions tackle themes of redemption, guilt, and identity, as well as the differing narrative choices — from Locke’s visceral, sketchy art style to Cronenberg’s cold, calculated visuals. They consider the cultural contexts of both releases, the adaptation’s critical acclaim (including Academy Award nominations for Best Adapted Screenplay and Best Supporting Actor for William Hurt), and whether either version offers a more definitive take on the cost of violence. Tune in for an in-depth comic-to-screen breakdown with sharp analysis, biting humor, and a respect for storytelling craft across mediums.
Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.
Mark Radulich and his wacky podcast on all the things:
https://linktr.ee/markkind76
also
https://www.teepublic.com/user/radulich-in-broadcasting-network
FB Messenger: Mark Radulich LCSW
Tiktok: @markradulich
twitter: @MarkRadulich
Instagram: markkind76
RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.
Mark Radulich and his wacky podcast on all the things:
https://linktr.ee/markkind76
also
https://www.teepublic.com/user/radulich-in-broadcasting-network
FB Messenger: Mark Radulich LCSW
Tiktok: @markradulich
twitter: @MarkRadulich
Instagram: markkind76
RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
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