Anatol

0:00Meet the Red Bull Dragonberry Emergizer. It's one of the many new drinks out now. Who knew ice cold drinks could be so fire? Try them all only at McDonald's. It's fall in Jeep country and during the drive into fall sales event get a great deal on four by fours that refuse to be contained like Jeep Wrangler. Confidence built into every drive with the most awarded SUV ever, Jeep Grand Cherokee and Freedom that can't be denied with the open air freedom in Jeep Gladiator. After 85 years, it's no surprise that Jeep became America's SUV brand. Get a great deal during the Jeep drive into fall sales event. Jeep is one more awards over its lifetime than any other SUV brand. Jeep and the Jeep Grill Registered Trademarks of the AUS LLC. How do you know how much you love your wife and how much you love her?

1:05And how do you know how much you love her and how much you love her? Yes, yes. I see you, but you're still a bit too old. In our age. Un-heimlich. I can't believe that. Not un-heimlich as life itself. Not un-heimlich as much as you've been to the first time you've ever come to the 100th. How do you believe that? Our forefathers, as they heard the earth's shaking, they had to be all-heimlich. Yes, but it's all about respect. And when you discover the new spring, you'll be on it too. I believe that despite the green trees, despite the blue flowers, and despite the love, you'll be honest. All that is dangerous. With the magnetism. Hypnotism? No, no. With the instant another thing. I'll never hypnotize myself. Children, what's there if I'm going to sleep? And you'll wake up? Yes, and then you'll say, you're in your dream, and I'll be in the truck and be careful. That's the truth. The big thing about it is the scientific value.

2:07But as far as we're concerned, we're not. Why? Now, I, the one who could set the 100 other worlds today, how do I bring myself to another? Is that not possible? I've already tried to say the truth. I've started this prillion-trick for a while, and I've given myself the idea to Anatole. I'm sure if you'll just be thinking, that I'm sure you'll make your heart beat. Now, when you're awake, I can't sleep. Every time. Every time. Oh, so still. Yes, my friend, I'm still an unreliable, great. Still, always, always in the truck. No, not the truck. I know that you're impressed. If you're in my love, if you're in my heart, if you're in the truck, if you're in the truck, I know that you're impressed. No, no, no. And you're in the truck. I'm not. I feel it. That's why I know. But the logic is, always in this truck, in our home, it's not in a very natural way. As I have to read two or three books at the same time,

3:09I have to read these two or three books. She loves you there. Unactly. But that's the same. And with whom? I know. Maybe with your first person on the road, maybe with your poet, from your ancestor, from the window, from the second corner, when he was in the early days, you're a nard. And what about the reason? I'm not disappointed. She's like everyone. She loves life and doesn't think about it. If I love her, you say yes and tell her the truth. And if I ask her, you say yes and tell her the truth again. Because she doesn't care about the others. In this moment, and then you have a question, my dear friend, I'm the untrue. Where are you going? You should take the weight of your time. If you're sad, then that's the case. No way, you think, I have to keep my love and not be sad. But if you love me, you'll be the only one. Because that's a reason. Now?

4:09I'm not sad. Huh? I love you, but you know. Well, a man, the old dumb woman, we always want to talk to each other, the woman, the woman, the mother, the mother, or the one who has no temperament. We're very similar. If I say one, I love you only. I don't feel like I'm lying to you. Even if I'm in the night, you're in a different mood. Yes. You? Yes. And you maybe not? And you, my dear friend, maybe not? You're just kidding me. If I lie on the knees and say to my dear child, everything is in front of me. But tell me the truth, what's wrong with me? You're lying like before me, and I'll be like before you. I have no idea about Himalos. You tell me, you're really sad. No word of the past, if you're not. But I have to know the truth. What did I do? The lies. I'm calm. With your soft eyes. With the pure white. Why should I be sad?

5:10I thought, and I said, my angel, three, I'm dead and you believe in me. And I'm happy. But I don't believe it. And I'm not happy. I would be happy if I gave you your crazy middle-aged, these stupid, sweet, useless values to speak or have your other way of living. There's no other choice. And the hypnosis? Why? Now, the hypnosis? I mean, you sleep and talk. You have to tell me the truth. You have to. You're a person. But you have to go. And now you ask yourself, do you love me? A different one. Where do you come from? Where do you go? How do you know each other? So far so far so far. You're right now. You're right. You could be a fool. You could be a true word

6:10of a wiper mouth. Well, so I see you saved. Go away, you know, you're the master of the medium. Today evening you can still know if you're a drug addict or a god. Do you like me? I feel like I'm happy. I'm a very different person. I have made you my master. I'm a true man. Why? You're a fool. Oh, so the others don't laugh at you. Of course. When a man from the house is about his wife, with his love he has discovered and a friend is against the word, I believe your god is sad. I won't answer that. I have made the promise, but you're a fool. I almost forgot that the first friend is the most important. The friend is so excited to laugh. Still. What are you doing? You're not listening. I know the writing, too, if you're still in the house.

7:10I don't hear it. Minaj already. The door is ahead. Cora! You're an evening. Oh, you're not alone? You're a friend. Good evening. In the dark. Oh, you know what I love. My little poem. My favorite chorus. I'll always be able to make it in light. You're out. You're not alone. How is the Anatolian going? In a max? You've been playing for a long time. Half an hour. And where? Over this and every one. Over the hypnosis. Oh, again the hypnosis. You're already getting very dark. You, Anatolian, I want you to hypnotize me once. I... You? Yes, I'm telling you that's very helpful. You're the one who's helping me. Thank you. And from your frame and to your other side. I didn't want that. Just my joke. If you want it, I'll hypnotize you. When? Now, immediately.

8:10On the spot. Good. What do I have to do? Nothing else, my child. As a rule, I have to sit on the floor and stay. And have the good will to sleep. Oh, I have the good will. I think I'm behind you. You see me, and I look at you. I'm about to die and cry. And what about you? Nothing, you just have to sleep. You, if you're over the eye, you'll be very nervous. Don't sleep, don't be afraid. You're already very tired. No. Yes, a little tired. A little. Your eyes will become very heavy, very heavy. Your hands can hardly breathe. Really. You're very tired. You're sleeping now, my child. Sleep. Sleep. And are they closed their eyes? You can't open them anymore. It's not working. You sleep only calm. Sleep more.

9:11You're a great one. Sleep. Sleep. Sleep. Sleep. Son, can you ask? I just wanted to ask you if you really sleep. You see? And we wanted to wait a few hours. Cora. You'll only answer me. Answer. How do you say it? Cora. Cora. We're in the forest. Oh, in the forest. How beautiful. The green trees. A colossal monster. A city in ruins. No way out. Except inside of the all-electric Toyota CHR. John Show stars in. Escape. Test drive Toyota's new all-electric family today. Toyota, let's go places. And the night is good. Cora. You know what we all say in the forest. What do you do, Cora? I'm going to tell you the truth. You know all the questions in the forest.

10:11And if you wake up, you forget everything. Do you understand me? Yes. And sleep. Sleep. Sleep. Now I'm going to ask you something. How old is she? 19. Cora. How old are you? 21. Hup. Shit. That's also different. You see her upstairs? Yes. If you knew that she was a good medium. The suggestion has worked. I'm going to ask her further. Cora. Do you love me? Cora. Do you love me? Yes. You know what? Now, the main question is whether she is a dream. Cora. The question is to sleep. Why? That's not a question. I have to ask the question differently. I think she is exactly enough. No, that's not exactly enough. If I ask her the question, you mean she is the most important person in the forest.

11:14Now? Maybe she is almost the whole past. She thinks maybe she has a time where she loves someone else. No, that would be very interesting. I know Cora is different than before. She said to me, yes, if I knew that I met you. But she didn't have that. No. And what's your question? Yes, this question. I think she is stupid. In the question we are not the least. Now, you are a bit like this. Cora, you are my dream since you know me. That's true. That's true. Cora, you are also an unsaid. An unsaid? Please, you have to imagine how we know each other. We are not the same. That we would never love each other like this. The first days we met each other, we both went through the whole story. Who knows? Who knows if you don't love me first, when you hear others love each other? What is this girl doing in one day before I get on the plane? Before we talk the first word together.

12:15Maybe she is doing this without moving forward. Maybe she didn't have to go on and walk for a week or two. She had to go on and walk. I want to go on. The first time was just a dream of her. How about me? We both didn't see each other. We didn't see anything else from each other. It was a happy, sweet happiness. When she was at a certain time, she was very unhappy. She was very unhappy. Of course, I can't do anything. You are a terrible girl. No, not at all. I think it's just an unadulter. The advantage of a certain situation is to use this way. Now that she is in front of her, I think. But I want to help her out. You ask her how she follows. Kora, do you love me? Do you trust me? That sounds very clear. Now I don't trust you. Oh, trust me. What does that mean? You think she took her training in a bath inabling... ...of a maid. And she wallset to accompany the his Emil Hernandez move. Now?! Out of her pregnancy, her thoughts,

13:16...send concepts of pain Merkel, ...s oscillator Cider Cider Cider Ciderbreak in bought a stage graph containing anially liable 250, of course. My understanding was that one of the three of them today, is already enough to tell you how it was spent. About whatever the issue already needs, how we settle everything together. Maybe something about the Crimean阓, that I香, Cara, even when someone else you look at, it might be only the contrary. You look at me and as I just believed that it was the other eye... Well, that's too muchushes for much attention. Think that三-man charged guests at the evening and stupid into the pisser week of the worship. You don't have to think of that. Or would you not like to matter that much? Of course! But everything you used is ind deer! Believe me—the readers don't really understand us when we ask them to touch the sun. Now you are alkaline. It leaves a sweet Yakut's Saturday. You're a tree. So we don't make a rainbow only by a ribbon to feed the ash. But just what we find on our below tri,

14:19this information point could conc구� you to ask further answers to questions for them. So you want to say that I'm asking you? Why? You want it? I think I've just found something else. And what? The un-waste? What un-waste? I think I'm going to say un-waste. So? Such circumstances can also be made out of themselves. Powerful! Because of the means, the pure and pure middle. Do you not want to explain to me? The opposite is the mysterious, mysterious, mysterious. You always say mysterious, I'm going to say mysterious. In this room and somewhere else. Yes, but how should I get in there? I want to let you open the window. There are things before, if you're so enough. So what can I get in there? A few glasses of wine, a pretty soft air that is over the whole glass. A light of cigarette, a few smoked tabettes, a light shine, a matte glass of lustre and red light. A variety of quiet, just lustre of sweet words.

15:21It's different, too. It's better to be more calm. Yes, I can still find the word of the word in a way that you can't find yourself in such a way. What are there so many things that I can't find? Now, my friends, you have the solution to a genre about which I can use the most expensive men in the head. You only need to talk to them. You know everything you want to know. One question, and you are asked whether you will be loved by one of the few who will be loved alone. You can experience where your next goal is. Experience where you were in the sea. And you don't speak this word. You have a question about the shikshal. And you don't stand there. Day and night, you are a half-life guy. You are behind the truth. Now you are lying before you. And you are not allowed to get up. And why? Because I might feel that a woman who you love really is like all your ideas to her. And because your illusion has thousands of love for the truth. So the game is going to be out of the game. This media is going to let you know that you can bring a wonderful test

16:23to the stars. Max! Now, I might be wrong. You know yourself, what you said earlier, was the most exciting. You can read the sentence with which you can still see me. Max, just let me say, I want to. Yes, I want to ask you. Ah! But say it when I am angry. Not before you. Not before me. If I am angry, I have to be angry. But if you answer me, no, I will not be your third. That is how I should be alone. It is going to be. It is going to be ungrateful. It is going to be ungrateful. That is the whole thing. That is what I want. You are my best friend, but I don't want to be around you. That your eyes with every expression of the middle line on my head, who is as angry as Elendöch in the ungrateful. But of course. Maybe it is something else. Maybe I will be angry. You were the one who was right, you saw this media today the last time you saw me when I was in touch with you. But you shouldn't be talking to me with me. That is what I can't bear. Do you believe that?

17:23Yes, my friend. And I will also leave you with you alone. My friend, in a minute, I will get you in a minute. Korah, Korah, Korah, my sweet Korah, Korah. Go on and kiss me. Ah, no, Tol. I slept for a long time. Oh, no, Tol. Where is your marks? Marks! Yes. Come in. There I am. Yes, you slept for a long time. You also slept in sleep. Oh, God, I don't want to. You are not satisfied. You only answered your question. What did you ask? Tausenderlei. And I always answered. And what did you ask? That you don't believe. No, you don't believe. And tomorrow morning you will see you again. Oh, no, no. That is the hexa-ray. You will ask and know nothing about it.

18:23I think I have lost my mind. Yes. For example, you love me. Very lucky. You believe that it is not. That is very good. But look, I could also say that in the wake. My angel. My evening, Adieu. Do you already know? I have to. It is not bad if I don't agree. How many? You do not know. One is more clear to me. That the waves are also in the hypnosis. But it is a happy thing. And that is the main thing. Adieu, children. Dear woman. Dear woman. Why? Oh, you are. Yes. I am happy. I can not see how they all slept. Give them your packages. No, no, no. I think it is already silver. I know you are not afraid of me. You are not afraid of me. Do not ever want to be a garland. That is one thing. It is not true.

19:24Give them. Yes. And that is it. Not enough. You are too much. If you are just one thing, you will do it. That is what you do. You know that only on the street. And if you are snowing. And if it is late evening, and if it is too much Christmas, how? It is the dream that you get to see it again. Yes. It is mine that I do not even make my visit to you. Yes. That is the only thing I do. Dear woman. I do not make your garland. No garland. And how do you go to the sea? And what do you do small love? These questions can be sent to you. I know that you are all very interested in me. It is unwise that you meet two people. Yes. Yes, I know. Not as good as I wish. Let me give you a notice. Yes. Give me a wife. Give me my package again. No, I am not.

20:24I am not. I am already pregnant. You are already pregnant. You are already pregnant. You are already pregnant. You are already pregnant. Yes, but your censorship is too strict. Tell me something. We have not seen you for so long. What do you do? I do not do anything unusual. Nothing. Nothing at all. It is really a shame to see you. Yes. You are very similar. How can you do that? Why do I forget my life? Who is the school? Who is the school? Who is the school? There is my package. I have never given the school. Asked you only in blue. You always go out and spend. Spend. Spend. You are a real thief. What if there is something nicer? It sounds like a lovely plan. Today is the best day of the year. Today I am a busy, busy woman. Why? I also do Christmas shopping. You? Yes, I do not think it is right.

21:24For the past few weeks I have been in all the streets. But the shopping malls do not have a market, no rent. I have to buy them. I have to do as little as I can. I think you are going. You find yourself. Do you have a present already in the box? No, I am not a human. Do you know what is present in the box? Do you know who will present something to Christmas? And now it is two hours of war. And I have no idea. No idea. Should I help you? My wife is in your age. So you are actually there to say that. That is nice. Age. Do you want to kiss me? I am already very happy. So? Let us give you some tips. For whom should you listen to? That is actually hard to say. For a lady, of course. Well, I have already said that to you that she is a human.

22:25But what for a lady? A real lady? We have to say that we have to be very close to the war. If you want to see a lady of the big world, you will not get it. So the small world? Well, let us say the small world. And you can think of me. Not just sarcastic. I know her taste. She would be something of the periphery. Dün, blond. Blond, I give it to you. Yes, blond. I would like to do that with you always to have a foresight. But always. I know, my school is not that. Let us do that. Oh, it is also very good that you stay in your garden. It is a big injustice. If you lose the city of your triumph. Well, what should I do? You love me only out there. Do you understand? Out there? No idea.

23:26But see, in the small world I will only love you only out there. You know. I do not know. And I do not want to know anything. Look, here is the real business. We want to buy something smaller. I don't understand. Well, yes, look. There is a small town with three different paths. Or this one with the six sides. Pachulli, super. Jocke, club. That must be something. No? The most beautiful thing is not from him. Yes, wait here. Do you see this little brush with the six-folder? I think it is only six. How it is glued. Or this little circle with the Himmlichner lock. Oh, a wall. That must be huge. In the city. Yes, the women are proud. They know these girls. They are different. And there. We are ready.

24:26Come on, but tell me to the head. The form was for two years. Highly modern. And the knees. We don't want them. That must be a colossal view. In hernaal. Yes, the woman from hernaal was neither the king. And in fact, they probably also protected hernaal. Yes, it is really difficult with them. So we come to help. There is a doubt about it. How should I say that? They would think about it, every case. No, no, no. Just learn me. Is she an idol or a Bescheid? She is big or small? She is heavy for bunnies. She is not afraid of her friends. She is just a sportsman. No, I hear that. Tell me something about her. I don't want to. I just want to. She is a woman. Let's do it. I understand. She is a woman.

25:26She is a woman. She is a woman. She is a woman. Let's not let her ask this way. Tell me the whole story. She is not a woman. How did you learn that? You are a woman and a woman. What is the purpose of a person? I want to know. Good. But it's long, because I'm doing it on purpose. I'm going to be interested. I want to know what this world is about. What is the purpose of a world? Do you not know her? She doesn't understand her. Oh, my heart. She has such a magical expectation for everything. What is not her circle, is very unfair. But I'm so lonely. You don't tell me anything about this world. How should I know her? She has such an incredible feeling that you take her away from her. A quiet relationship. You take her away from her. If I want to keep something. Yes. But if you want to see something very different, you can see her in your own way.

26:26Now I have to... She is a woman. She is just a woman. And if she is a woman, she is probably the most beautiful and beautiful. I don't know where she is. Where I see her, I want to tell her. I was also good and full of confidence. And there was no hope in my words. And I had some wonderstiller. The sad wonder. Yes. A moment of love to a true love. I could have used it, but no. If the eyes were a hundred times lighter. If the lips were a hundred times lighter. If the tone of the voice was a hundred times lighter. No, no. We wanted to buy it. So no, we wanted to buy it. Or to the later. You wanted to tell her. Good. If you want to tell her something about her. Yes, I want to. How did you learn to know her? Oh God. How did you learn to know someone on the street?

27:26At the dance, at the Omnibus and at the rain. But you know, she is interested in the special case. I want to buy something special. There is no special case in the small world. Actually, not in the big ones. That's all so typical. My Lord, and you really start to understand. I'm a bit shy. I'm also a type. And what about you? A slightly more melancholic. And me? Yes. Very simple. Mondays. So. And you? You? You? The sweet melody. Sweet? Or the same sweet? And I, the Monday, is going to be bad. The bad Monday, if you want to go out. So. Tell me, finally, of the sweet melody. She is not a fascinating person. She is not a special delegate.

28:26And she is not a ghost. I don't want to know what she is. But. She has the soft melody of a spring evening. And the grace of a famous princess. And the spirit of a girl is the love of the girl. This spirit of the girl is very prepared in her small world. She can't think of it. She has the too much of a weakness as a young girl. And has said many times that she is a woman. She has the ability to give her attention. But she hears that I want to learn. I think she is already a princess. Tell me, just like the princess, in which she is red. Of course, she is not afraid of a lonely salon. Where the heavy apartments never fall. With a market bouquet in the corner of the corner, a matem, a matem, a half-dumbed and a little starry afternoon.

29:28I don't want to know what I should imagine. So. Do you think she is a small, dark, so small, with painted walls? And yet something too light. A few old bad cubes with broken-up lines hanging there. A hanging lamp with a glass. From the window, when it is evening, the view on the dark, silky, dark, dark walls. And when the spring comes, the garden gets over blue and dark. How happy do you want to be? That is already too early and the night is dark. Yes. There I am also happy too. It will be late. We didn't want to buy anything. Maybe something for the winter. But we always use painted walls. It doesn't feel like that. Yes, I do. I think I want it. But I want to do it.

30:28Yes. I want to paint it in the right way. Me? With a little bit of paint. I paint it. There, behind. With the lamp of broken red, green glass. A few vase. With fresh flowers. Yes. But I want to bring something for you. Oh, yes. That's true. We have to decide. You are waiting for it already. What is it? You are waiting. Tell me, how do you think? Also, how do you think? You hear the written on the stairs, don't you? Yes. To the wall. And it stands on the door? Yes. And he stands in the hall. And he sits and says, what do you say? I don't know if you say it. I don't know for example.

31:28What did you say yesterday? Nothing special. I feel like you aren't listening to the sounds. I thought you were listening now. Now! What did you say? I am so happy that I am back. I am so happy that I am back. It is actually very cute. Yes, it is lovely and warm. And she is always alone. She can see you so unbearable. Yes, she is so much in love with me. She is the only one who is not a father or a mother. I am my father. And you? Are you all right? Maybe.

32:28Today. It is too late. Are you empty already in the street? She is coming up. She is not going home yet. I am afraid I will be waiting for you. How do we do this with the present? I think there is a little bit of it. No, no, I have already put my head in the head that I want to look for the future. But I am sorry, I am not the wife. I would love to be there if you would bring that to life. If you get such a loss, you will get a little price. And you are a future to see the future. You do not know how good she is. No, no, no, no, no, no, no. Give me the bags. It will be too late. Yes, here they are. No, no, no, no, don't worry about the car. He will come there and come there. Give me your hand. No, no, no, no. What are we going to do with the present? Wait. I want to do it myself. That's right, I want to do it myself. Yes, here. Take these flowers. Just take this flower.

33:29It should not be different than his big hand. But you have to be careful. I think you are so much. Promise me to promise you. Yes. With the words that I give to you. Yes, I know. Promise me more. Yes, with a different face. Why not? So tell me. Now. Tell me. These flowers, my sweet honey, will protect you from a woman who can perhaps love you so much. And who has not yet got the courage. Yes, he has. My dear wife. My dear Max, I am back. Our society has been living here for three months since they have read the time.

34:30The first evening of the friendship. Today evening I am with you. Baby. Baby. So Bianca. Now I will be waiting very much. Should it be here already? Yes. Good evening. Ah. Ah, great. What do you bring? I am looking for a south for my past. How should I understand this? Here this package. Yes. Here I bring you my whole past. My whole youth lives. Take it with you. With pleasure. But you will explain it to me. I am going to sit there. I know. Why are you so happy? I am going to have a cigarette. Yes. Take it. You are from the holy mountain. Thank you.

35:32Hmm. It was shown. And this youth lives has no more value in my house. I leave the city. Ah. I start a new life at a certain time. That is why I must be free and alone. And therefore I am going to get rid of the past. You have lived as a new one. No. I do not have the time to follow. Because my dear friend, I leave all this pain. Why do you say pain? I cannot. That is a child. Oh no. That is my art of joy. No one of all I love can forget. If I want to lock this leaf in blue, you have to start to come to me to you and to me. I am going to be with you again. Then they live again and I will come to you again. You want to give me a place with old love in my house?

36:33I have sometimes such an idea when I give you a power. That everyone has to be happy again. When I can't get rid of her before, she can't do anything. This is nothing, it will be something different. Yes. Think that I speak of this word. Maybe you think it is a real thing. For example, one-tenth-year-old. I speak of one-tenth-year-old and now you come. The one from some small house from the city. The other from the Prungan Salon, the Her Majesty of the Cataroid, the Athas. More or less good. One from the oldest. One from the new weapon. One from the grave. One from there. And now you see all of them. I don't speak of that word. This collection could be impossible. Because they might have all belong to you. But it's not easy to be. Very much so. It's bad to be so happy. But now it's a place for this city to find pecks.

37:37Yes, you have to share it. Oh, yes, yes, it's all the same. Name it. Oh no, oh no. Every peck carries a sign. A verse, a word. A notice that makes me live in the memories of the dead. No one's name. Because Mary or Anna could finally be called, let them read. I'll read you all again. Some have been here for years without seeing it again. You are a beautiful wood, wild. Let me sing your song. I kiss your neck, Matilde. You are a wonderful, sweet, wild. That's my name, Matilde. Yes, Matilde is different now. I've kissed a neck. Who was she? She asked that. She put her arm in the grave. So immediately with the Matilde, especially her very smart peck.

38:38Yes, it's just a lock. Not a letter? Oh, from the ear. She made the most of the words. Okay, if we write all the words in the letter, then we'll go with Matilde. What's on there? In a relationship, they are all the same. They are impertinent when you tap on a lie. That's true. Who was she? She was a very important peck. Lauter eight-seit-long lie. With her. And the impertinent was she too. Yes. Go away with her impertinent lie. No You are funny. Oh, yes.

39:38That's her. What's on there? A photograph of her with the prudence. Yes, you know her. Of course, I'm not able to read it. She was a stupid. She put her arm in her head. She is quite tall. With the funny sweet child, I'm still a prudence. What is that? Just answer. Which one? Oh, I remember. That was the end. No, no. And here, it's easier to change the direction of a flame than to end the scene. What do you mean? And I changed the direction of the flame. The scene is different. Right. With the flame. And here, she always has her brain ice. Well, she had her brain ice. For all cases. But she was very lucky. And I only have a piece of glass of it. Yes, it feels like that. How did I lose you?

40:38How did you lose you? I don't know. She was immediately, suddenly, in my life. I'm sure that comes before me. If you're in a risk of being in a risk, and you leave me for a long time later, you don't know where to go. Where? AD lost. What a sweet love thing. A metal with a broken finger. That was Kora. Not? Yes. You came here. Do you know what's happening here? I met her later. As a cat in a slumber. It was funny. Yes, yes. So the metal with a broken finger. In the city, they were loved and in the city of Geheier. She was a chance. But what is that? tool. There is no string. A deer. Kind of a plume. What sells this tool?

41:38A efforts. Nothing. This was aII way to this point. There is just one tool, a novel by two hours not. A deer. I can't Inspector it. Don't get me excited if things go on the same thing. It's really sad, isn't it? Yes, I know it's sad. But how did you get to the point where you could have been more than a human being? I didn't want to know that at the time. I often, when I was with him or anyone, had a lot of time before, where I was still very close to the thought of the Lord, I was always in love with Him, with Him, with Him. Why? I was never in love with one of the adults, I thought that this girl and her wife did not curse her and that my ears were screaming over the earth, the world was sitting, I thought, I have to go over you. You were the storm, the wind, the blueness, I was so out of there,

42:39I thought, you are an armes, armes, child. I actually did. I know today that I didn't hear anything about the big ones, and what is just so sad, I found myself in there. But then, now, and the episode? Yes, that was also the way I went to my way and painted. If I were to think about it, it seems to me that I really painted. Yes, yes, it is actually the most beautiful thing I've ever experienced. If I can, it's not the point. Why? Because the story is so ordinary, it is impossible. It is nothing. You can't find the beautiful thing out of it. The secret of the whole thing is that I have experienced it. Now. So, I sit in my closet

43:41in a small room, that I was living there. Working? I know you for two hours. My green red apple is burning. I don't know the green red apple, she also hears that. Now. Yes, now. I am climbing up to my feet so that I can't handle it. Your head is in my shoes and your lost hair, the dark green and red of the apple. I'm fantastic on the fly, but only with the left hand. My right hand pressed on her lips. Now. Always with your waiting full of now. That's actually not true. She knows you for two hours. I know that I never would see her again after the evening evening. She said that to me. I feel that I am in this eye

44:41that I am very much in love with her. That feels so much to me. The whole air was drying and drying of her love. You understand me? Yes. I thought of this lovely, beautiful, warm, warm, that the story of the episode can be so clear to me. When I was also in my hands, I felt that my heart was in the memories. It was already over. She was once again one of the beings I had to go through. That's the word I find in the story. Episode. And at the same time, I was a little bit like I knew that the army of children could never create this hour from her. Especially when you knew. Often you feel that morning I forget, but it was something different.

45:42For this, I mean to my father, I mean a world. I felt that I was a very ungrateful love in this moment. That's what I find. I'm not going to take it. I couldn't think of anything as I was. Only me. But you were, for me, the weight of a fly. The episode. What was it actually? What was it? Now you can see it. We learned a thing in a funny society. You can see it from the past, as you said before. Now who was it? Because I know a lot of you from the past. You are different from your light, like a sea. Yes, in life you were not. Do you know what you were? I'm going to die now, the whole bus. You were, so. You were from from from the theatre.

46:46No. From circus. It's possible. I'm drunk. I told you not to tell today that I was going to the evening after every evening, and you really believed that I loved you. Yes, I was. Eight or ten days after every party we were not allowed to go to the street. Tomorrow morning you had to go to Russia with the whole society. That was the worst time. I knew that. Now it's for you, the whole thing. You are not yet on the true home of love. And where is the woman who is going to solve the problem? In the mood. Ah, you need the half-dumple, your green red apple, your piano. Yes, that's it. And that makes me so much more sensible and matured that I changed my whole world for a ride. What would I have changed for thousands of years this girl with her functioning hair?

47:49What would you have changed the apple you wear? A circus rider, only your red green glass with your light on the back. Then it's free to walk clean. Then you can live, but you will never experience anything. You have no one in your mind, with open eyes, but with a lost heart. And it remains far more for you. From my soul, but yes, I am going to fly out thousands of light and far beyond. I can find where I enjoy only. A true dream, your mood. All you love to have in your mouth brings you a sunny air of evening sun and a calmness with which you are delighted. No, if you want to. What about your circus rider? You can explain to me that you, under the green red apple, have to find yourself as you are. But I have to find what you feel in my arms. Now I also know you, your piano and best, as you are.

48:49Best? Best, because we don't love each other. For me, she has not been able to understand more. For me, she is one of the thousands of fallen who, in the fantasy of a dream, is a new young freedom. For me, she is not better than 100 others, who jump through the river and shoot the last cartridge. So, so. And she is not different. Not me, I have seen something about her, but you say something about her. From the rich and beautiful life of your soul, you have your fantastic youth and your beautiful heart in a fountain. And what you have against the youth, was light from your light. Oh, no! That's more to me, but at that time. Not. I don't know how to do better, but she was. I was the first one to do the last one. I was. Now what do you know? One of the many. The same thing in your arms, as in the other. The whip in its highest eyes.

49:51But why did I have to say that you didn't understand me? Oh no! You understood me wrong. I just wanted to say, you could have the sweetest tooth in your mouth if you had the same meaning as many times before. Did you have the world of thousands of colors for you? You knew her very well. Yes, we met in the light society in which you came with me. That was all. All. But we were good friends. She had the whip. We were good friends. That was all. All. But she loved me. Do you want to read it? Here. Do you know what your smile means? Your green, your own... Oh Max. Do you know, that the whole society has been here again? You know. She also understands everything.

50:51And I will see you again tonight. What? You? Do you know where you live? No. She wrote to me. She comes to me. What do you say to me? Now. What do you say to me? You are free and alone. No? Oh, what? And then nothing sad has become a curse. You mean I mean that you should take me to see her again. Because she can be more dangerous than me. No. Because it was so nice there. Go home with your sweet memories. You shouldn't live again. You can't believe that I should have made her so easy to see her again. She is smarter than you. She didn't write. Maybe you just have forgotten her. She is. You are for impossible. I'm crazy about that. Not everyone drinks the memories of the life elixir mood that the one who is a little bit sick.

51:53Oh, every hour at that time. Now. It was one of the undead hours. I'm sorry, my friend. What is that? Go away. I'll go through my bedroom. I'm sure. Go. What do you want to leave your head to die? I'll stay. Go away. No. So I can't see you here. Go away. Good, my dear. Go away. Go away. Good evening, my friend. I'm back. Good evening, dear Bianca. That's nice of you. Really nice. My briefs have kept you. You are the first one. The only one. And you can think of how proud I am. What do we do in our society? We have to find out every evening. But we don't find out where you are. After the show? Yes, where you are after the show.

52:53Yes. Of course. It's nice that when one of us says that, the ring of the eye will never forget. You have to have such friends. Yes, yes, that's what we have to say. The one who loves without a single quail. That's what you want to say. And... You are not alone. An old acquaintance. Ah. Freude. What do you say about the surprise, baby? Ah, it was clear. We know each other. Gewicht Bianca. Of course. We know each other very well. Bianca. Where do we know where we are? Yes, yes, yes. He reminds himself. Freude. Not sure who was in Petersburg. It wasn't in Petersburg my wife. My wife. What did he say?

53:55Did I say it in the comments? It was a bit of a misunderstanding. What did he say? Yes, he didn't see the sign. He did. Yes, yes. But I don't know where and where. But baby, it was Annathol. Annathol. Annathol. Annathol. Klawia. Ampel. Such a red green. Here in the city for three years. Where did I have to go to my eyes? Annathol. I have to go back. Annathol. Annathol. Annathol. Annathol. Now. I have to see the street. There is a way down there. Yes, that's it. Annathol. He doesn't hear anymore. How sad. You have to be at your school. I have been injured. The good people love. So he reminds himself. A certain. But he sees. He sees someone in Petersburg.

54:56I will tell you. And then if you don't think of anyone for three years, you will find yourself there. You can't do anything. I will close the window. A cold air comes in. I will see him. Who are you? Maybe. But something I want to show you. What is that? That's the flower. The very evening. The very evening. He has been waiting for you. How do you see? He has loved me. He is un-emessful. He is. How all these? How all these? What does it mean? Are these the loud flowers? Blumen, brief, lock, photography. We were there to order them. In different erubri? Yes, open. Which one do I come from? I believe in this. In the fire? I can smell you so well, Annathol.

56:00Now it's not bad. Tell me something about the last three years. I am now in the mood. If you start like this. I am your friend. Come on, Zebjörnka. Tell me something. What? For example, from the similar in Peter's book. Un-emessful. What should I tell you? Just start. It was a painting. Now it was a big city. There was a big circus. And there was a little artist. The bedroom was a big, big dream. See, you see? It's going on. In an analogy? Now. In an analogy? In an analogy? Everyone has a beautiful, beautiful evening. Now. And.

57:02And when you don't come, and when you don't, now it's 10 o'clock. You can still be there. The painting is already long. Please please, I am standing up and around. I want you to wait over there. I don't know. I don't know. If you know... I know, I know. You're totally changed. I don't know if it's not a way to change your mind. I wanted something completely different. Yeah. If you know... So say it again. I'm very dangerous to the mother. You want to lose your mind? No, I'm very dangerous. You're a pirate, too. No, how you're an outsider. If there's no danger to the sea, the one with all this pain, who doesn't come out of it and doesn't do anything to you. So you've got a very unknown feeling of your feeling. You've got a very unknown feeling of your feeling. Because if you see something from it, you'll be surprised.

58:02I'm just going to be able to see the end. Ah, damn it. Well, what should I do with it? You should press our love for your eyes. I beg you, I don't do any smart things. I'm sorry. I've been writing this soup for eight days. You'll be the one who'll give us a good appetite today. That means we'll all have soup every evening, but I don't know the right word. I don't know what to do with it. What do you think of me? Should I fly the word? You should have a lot of ideas. You should have a lot of ideas. You should have a lot of ideas. Have you recommended at least one phrase a little bit to護 your England Valentine's Day? Do you want any of us to get back in here to that age? Everyone is concerned. The test destination, which will go between game two and another. The European Chongance Hall is the largest owned lake in Georgia.

59:02Actually that's all it is. I want to know why all of you have to enter the glass. And why don't you use the pointed tongue? She always gives me such an instance of picky behavior. sentimental attitude tame府 tiny blue-sets of sand now it makes me.. noch man, of course. No, no, no, no, there is no pain. In my flesh I'm having some joy. if my cheeks are摩 exposure I'm pouring a toss in my eyes please try to explain it with yourrons yes yes my love, we don't get a thesis I don't believe it. I don't believe it. I don't want to be here for you. The advantage of the possibility of the death and the little friendship is in your hands. Because the last evening you were in such a place with you. How? You said that you were with Annie. I had to be with you for the last two weeks. With the ones I wanted to win and the others I wanted to be. Unfortunately, none of them were successful.

1:00:03You know what? For her, Annie was the first to be successful. And the new with the white body to the things. Then it will be easy. Your understanding of the things is so hard that you don't know the new things. You know the promise of self-confidence. So I say, you are a medium. You should be 10 if I had a better way of understanding. Because what the three of you are doing in the eye? There is no need for that. No need for that. No need for that. So you drink the most expensive wine in the last time. Yes, 14. Then of course champagne. So is life. My choice is not to live. Think of the one who can be drunk. But I have now also bought enough. This is another case where I feel that I am in the ground a huge natural nature. Oh, no. This can't be a double game for a long time. I am all alone. You, I am. I, I, I, I, I, I don't have to play comedy. But why are you there?

1:01:03I can't love anything where I can't find anything. You are only there where you can find something. I said the same thing to Annie. At the same time, at the beginning, how we love each other. Do you know Annie? Who says that it is to end of us a beautiful day? It says it is the other round. Oh, that's what you did in this eye. Where you love each other. Very good. Have you ever heard that? We have not the most dangerous decisions. We are free. We go out of our way when our time is only not a matter of time. That's nonsense. Well, it will actually be very easy. It's easy. Now where I say it, I should not dream. It will be the same. I can't trust that. I love the end of you when you are free. And I press the other again. No, no. No, no, no, no. That's nonsense. So if you are there, everything will be changed. From there you go from the health of the health of the health of the mental state to the rest of the body.

1:02:06You do not want to. Well, I am there for any case. That's all I can do for you. You can talk. No, no, no. That's not it. That will be against my überzeuging. You are a too-lover man. Yes, it is. You are a very-lover man. You are a certain degree. You may be able to do that. You may be able to say that you do not understand me so much. No. Do you think that the dog and the other find the beautiful, rich, happy? No, no. Please do not be over-reacting. Oh, good night. Good evening, Annie, sorry. I hope you can leave. I will look at you on the left side of the street. You know that I do not know that twice. You are a hero. Good evening, Max. Good evening, Annie. I am going to have a task now and I can hear the voice of the devil. What do you want? That's not a goal. Should I maybe make a grade for you in school? You can be right here. You have to make a school in school.

1:03:06Why? Because you are sure that you are not a devil. So? So? Eat! Have a drink? Have a drink. I hope you are happy. Serve yourself. Very good. You didn't drink anything? No, I didn't. No, I didn't. You are not satisfied with it. You are so bad-tempered. What was it for your grandpa? I know. I came to my garden and bought the milk. I didn't drink anything. Nothing. In the past, I told you something. So, my dear child, what is very important? Yes. It is important. It would surprise you. I am very curious. I also have something. What is the interest of this? Come on. We will go. Very good. No? So? Yes. My dear Anatoly, it is really surprising.

1:04:07Why? It would surprise you. It would surprise you. It is scary. I don't want to surprise you. It is scary. But I don't know. It was not surprising. My dear Anatoly, it is called Ostendor or Weitzdäbel? It is called Ostendor. It is called Ostendor. I have to say, it is called Ostendor. It is actually the only thing you can eat. It is possible. It should be. You are right. You know what important means. It is important to have a good soul. It is very. You are right. You know what important means. What kind of means? I mean the following. What was it? You said, we don't want to surprise you. Yes, yes. No surprises.

1:05:07Dear, the whole truth. Yes, I mean. If it is too late. What do you say? It is not too late. I say, it is time to talk. It is almost time to talk. Tomorrow it will be maybe too late. You are so annoying. No. Anatoly, you have to be outside. Otherwise you will not have anything to eat. So what does it mean? You have to eat. You have to talk. I didn't expect this advice from you. It was you who made us say it very well today. You said it once and now comes. That means? That means, you are today's last time with your husband. You know, I have good news to explain to you. It is out between us. I have to. The joke is, it is out.

1:06:07You are playing a guitar on the house. It is out or not. It is out. Dear, I still don't understand you. You have a higher demand. If you say that, it will be your reason to give the joke. Give the joke? I have to go out. I am lost, Anatoly. You are lost. You are asking me. Tell her to give the joke. It is too much. You are only talking to her. We have two to talk to her. A explanation is more of a shame. What do you think? I have lived in a different world. And you say it out now, because it has already been so much done. For the devil in the name of the devil. Dear, you are not going to be a big dog. I will be long, long, very different. Please, Max Kling, I am so hungry. I will also lose weight. I will lose weight while you are in the sun. She is sleeping today for the first time.

1:07:09What do you want? It was Kling. They will serve her. Yes, the Catalina is going to Germany. And it is done. And you leave without a reason? No, without a reason. I can not do that. You have to get on the wall. You are crazy. I am sorry. I do not know what you can do on the wall. You can think of the champagne. I know that I will start to love you. Please, please. I am finally ready to learn. You should not believe me. Nothing! Nothing! If I think of it, you will be sent to another person. If we feel that it is too late to say it, we are so happy. Now you know it's too late. That is too late to say it. I love you. You know I am sick. That is interested me. Drink it. You will drink so much. You drink it in one bite. Dear Anna,

1:08:10I also take the cake from the cake. It is a shame. We know how long. Look, once again, what you tell us. We do not want to give cake anymore. And no one else. And no champagne. And no more hatred. That is now such a surprise. Dear God, have you a sentimental tomorrow? Don't you agree? I do not agree. Now I want to know who the lucky is. If you say the name, then you will not know more. What if a lucky man is there? How did you learn to know him? How does he look? Hubsch. Bilt hubsch. That is happy. That seems to be enough. That you do not give out anymore?

1:09:10That is what we know already. No champagne. And Anna, who will have another business, that you do not have any exhibition or champagne. That is right. That is not a proof. You are dead if I love you. I will take care of you. It is something new. It will let me live. But see, a bad food could offer you a good note. What is it? A food. A breakfast. A rice in the bedroom. A child is not willing to let me go. That is to say, it is the only thing that is. A artist. What is it for? What is it for? What is it for you? From circus, how? A artist, right? To shoot me, she is a colleague of mine. Oh, oh, oh, a... A old acquaintance. Aha, one with whom you are thinking together, and with whom you were probably already very impressed. And you didn't say anything. I have a word about your story. Before you are late.

1:10:10But you have already loved him for a long time, and you are the most expensive. You have impressed me very much. I do not forbid you. Oh, you are a... Anastole. I am not going. You would fall in love with the vulny. You would fall in love with the vulny. But he is going to be a witness. Since when did you fall? Since today? That is the luck. It is the truth. Today I feel that it is my confirmation. Your confirmation, you are a confirmation. What is your confirmation? First of all, I want to know everything. I have a right to see you in this eye. I want to know when they will be ready. How is it going? It was waiting. Yes, so they should tell us. That is what you have to say. What do you want to do now? How to make the freedom with your parents? The unknown. The three months of the family members of the people of the five parents. Now you are also coming to the parents. Yes, maybe. But you will not come to me.

1:11:10You are too busy. You are too stupid. Are you going to drink? No. You are not going to drink? No. I want to drink. It is as if it were the last. On the eighth day. On the eighth day. Because the cold is right to stay. I really want to have it. Because it is funny. Because it is a good thing. Because if we are going to get married, because we are going to have a sweet, sweet, sweet, sweet. You did not wait for a long time. You have been in love for a long time. It is a stupid thing from today on. You think it should be my turn? No, honey. Tell us the story. Do you know it or not? If you want to go to a friend, you have to see that you still love to do the same. Yes, I tell you what. At first, you say it like that. Yes, you say it like that. Maybe it is already 14, yes.

1:12:10Or maybe it is 14, yes. Or longer. You gave birth a couple of times. At the starting point. I thought it was very difficult. Then I thought it was very difficult. Why didn't you tell me anything about it? From there. And from there you say it is good. Then you say it is the same. Then you say it is the same. And that is what we are talking about. At the beginning, I was very happy. Then I was very happy. It is just high. Then we talked. Then everything was fine. Then we fell in love. You talked about it. All the more I said. We went to school. Then a teacher had to come. And then the doctor said, in the middle of the night. So, yes. And from all that I didn't hear anything. Then it is out that we were two children.

1:13:11Two houses we had together. After that people were. No, that is the noise. After that people were. That is noise. No, no, no. It was further. So it was further. It was already said. It is my voice. It is my voice. And against any resistance. I don't know anything. Yes, you said it. And against any resistance. Yes. No, nothing. Yes, so good. So good. But from today I want to know what is. She sleeps there. She also walks. She says to her sister, I have to know what is today the evening. And she goes to the angel. Yes, I see. Today the evening. So she says to me, to me, to me, to her. And you?

1:14:12Yes, I said, that is my joy. And if I don't press here, then I say, Adieu. Because you don't understand. So not my way. Your way. You understand? I have never been to you. Well, good. Fortunately, she knows nothing about me. Yes. I also take the offer in the angel to your eternal love, to be able to see. Yes, yes. Yes, yes. I don't love you anymore. I love one another. No, no. No, no. Ask the Max before you come, I will tell you. Yes, no, no. And this other one is better and better. So, so? Yes, that is a medicine that I will

1:15:13be able to see thousands of times. I will give you a hug. You understand? You don't laugh, Max. How hard it is to be a doctor now? Yes, I say it is hard, it is true. I don't love you anymore. I didn't expect to be with you. And if I kissed you, then I mean the others. The others. So, you believe. You are beautiful. You are beautiful, right? No, no. You are not without me. No, no. You are not. You don't take me alone, and you are what you live. Yes, I am sorry. Yes. My story is a little different from mine. How so? Your story is different. I have you, my friends. Yes. I have you. I have you, my birthday is tomorrow, my night.

1:16:13I came from here, when I met you, I went to you, when I lost you. You are crazy. Then I can't get in with you at the same time, otherwise you will get in. I have no illusions of happiness. See you again. Yes. See you, not? Now you see. You are 100 times more ridiculous than a woman. Yes, what is it? So ridiculous. Yes. So ridiculous. I didn't tell you that. Why? So ridiculous. You don't want to follow me. What? You didn't tell me that. What? You said that. No, I didn't tell you that. No. You can only be a man if you want to be crazy. Oh, go to hell with your cream. Why? You are still waiting. Let her go. She has to take the cream from the cream, too.

1:17:14With joy. From the potato, from the champagne, from the outside. Very special from you, Anatol. The cream, don't bother me. Bring me. Well, you see. It was very hard. What do you think, your gnats? It's a shame. Yes, please. You can't do that. You can't do that. You can't do that. Oh. You always do. You are a great man. Yes, please. You are welcome. You are all free. Look at me. Yes, please. I am not the one who is not the right person to marry. I want to say goodbye to the heir. My dear friend. Still. Another French toast.

1:18:15Do you have a French toast? And then. Yes, please. And now my dear, what do you feel about 8 o'clock in the morning? It's 10 o'clock. What do you feel about 10 o'clock in the morning? My forgetting, dear. Why are you so nervous? Yes, very. You should not be nervous today. What do you want? You know I am today's witness at your wedding. Your journey to the kitchen is my day. What are you saying? No, I forgot to order the bouquet. And I do not know what a great woman is going to wear in this eye. Do you know Rosa, Blau or Grüne? No, no, no. Why not? No, no, no. My kitchen is not green. No, I can't. I don't know. I'm not sure. It's all in red. You don't know what a woman is going to wear today. Rosa or Blau. But there are many things. Rosa or Blau is very similar to yours. But for my bouquet you are not going to wear it.

1:19:15Because you can't put it in your nose. I'm not here to hear your bad wishes. I will be hearing today and two hours of a bad night. You are very well-educated and you are at the right time tomorrow. I'm nervous. You are getting worse. Nothing. Oh no, no. Sorry, I have a blind eye. You don't hear anything like that. You hear? You hear? You hear? I hear a wiper voice and a whore. You start to drink your wife. You don't hear me, you hear me differently. No matter. I'm not a fool. But you don't hear me like that. I tell you. But Rache, I'm in your dream. Oh yes. Oh yes. Oh yes. Yesterday was a very difficult day for my future husband. I know, he was there. Yes, I was there. It was all over. He was there with a lot of people. He was very upset. He was a champagne, he spoke to the toast.

1:20:16I was also happy. Yes, you were also happy. I thank you. You are happy today. You were very happy. Until midnight. You know me. A blind eye came before me as if I was happy. After your fourth glass of champagne. No, first of all, after the sixth. It's sad and I can't describe it. We spoke enough. Even a young man there, from whom I know that he loved my brother. Oh yes, the young man. Yes, yes, so a kind of faith. One of those who was to be certain, was the first love of so many, but no one to be convinced of. I was too happy to get to the point. Yes, he was actually very equal. I was very happy to be here. In the evening, I received the contract from my mind with your augustial letter. And the CEO chose me. Great. I was Extension Knee deceased Im. On your finger I congratulated myself and in every bench I drank and spun down every day. A doctor said a Loudery and a Kadim

1:21:18which, for me, was wearing underwear in one tent. He used to enjoy my siege for my sister's supported solval harbor. I was not afraid of the sky. I started to snow, the people were shaking, all the time I stood alone. Oh, yes, yes, stood alone on the street. In cold winter, the snowy, big clouds were blowing. It was a white mass. I am begging you, I am begging you, where are you going? I must go. On the street. Oh, you are standing like a dog. Now I can't think of the following. But no, my friend. When I stood there in the cold winter, the snowy, big clouds were blowing. It was a wild, heavy rain. I am not afraid of the rain anymore. I am begging you, my sweet, young, experienced ATE said, for him and me. The last night I told myself,

1:22:18who could come home, without asking, where were you? The last night of freedom, the evening of love. Oh! And so I stood with the candle, and I was about to cry, and the Atlas glides, the clouds, the clouds, the masks, the white and the cold, the clouds, the dark clouds, the whole moon. I was scared of this throbbing, the leaves of my soul, the brazen, I had to, I had to, to the things we had no time. So I was going through the mountains, through the snowy, and after I woke up, my head was washed, I was washed and my breath was washed. With all the time, I was about to cry, and the wind was blowing on me. Like nothing before. Yes, yes, I was. Personally, there was a difference, a difference. I was on the third floor. The roof of the heart. The sun. The heart.

1:23:18Yes, the sun. You know, I was on the catarote. Oh, on the catarote! Oh, it's it! No, it's not. But it was also there, and then a rich woman named me, I didn't know. And then the little blondie, from you, or, yes, or, yes, or, it wasn't there, and so on. So I knew all of you, despite your mask, and then the mood, and then some kind of change, but, but, but, he knew one of you, not the same. I followed you, or, that you knew your style, and so on. Anyway, we always met together at the Springprone, at the buffet, near the Buszenum's Lush. Finally, you had my arm and I knew, who it was. You. A old acquaintance. But, man, are you not aware of it? What I have told you six weeks ago, when I lost it, that old man, when I turn around, I will never be alive again. Ilona! Psh! Not Ilona!

1:24:18Yes, but still, you are there again. So you are there, and you came to me again, and, today, the evening, why not before the evening, with no past connection, where your unreal state is. But now, happy again, with your dreams, I too. I too, I see, champagne and wieder-seal. And wieder-sampagne. No, no champagne anymore. Ah! I was driving back to the car and drove home. How rude! She went to my brother. Now we want to never again dream, tell her. Wait on my girlfriend, and she sees that you are here. Never dream. And today, I am here with two girls. No, no. No, no. You are always here with one girl. I think it is the highest time I want to see you if you are ready.

1:25:19Tell her, is it not actually sad? It is immoral. Yes, but also sad. You are sick. Ah! It is just a matter of course. You are not saying anything to me. I thought it was a friend, and I was already very close to you. How are you going to do that? What do you say to this bad guy? Yes, that's it. Six weeks ago, I was around him. He was, where were you? He didn't even write it down there. But now I am going back. Now there is no price, no training. There is a curse. Ah, Max doesn't go. Ah, no, yes. But you have to be a witness. And now I will give you the T1. And I will also give you the love. Dear Ilona, I can't take the invitation to you to take it away. And I don't agree. What do you agree? Anatole should actually also be.

1:26:20What should Anatole be? You should actually already... What should he be? You should be already in the toilet. Ah! You are not even laughing, Max. We stay at home today. We don't laugh at us. Dear child, that will be unfortunately not possible. That will be possible. I am invited. Say it. He can't say it. I am invited to a high time. Oh, that is very similar. That is not very similar. Because I am so to say, it is a bit of a hassle. I love your lady. Yes, but actually, I will do it. But I love her and that is the main thing. Don't you always talk about it? Kids, I have to. Yes, he has to. I believe he has to. Ah, now he has to. I have to go to an hour. Now he is sitting there, Felix. How many pieces of sugar, Max? Three. You? It is really the highest time. How many pieces? I know he always knows. Obers, room?

1:27:20Room, we know that. Room and two pieces of sugar. He has the principle. I have to go. You leave me alone. We will drink tea. Max, I have to go. I have to go. God wants it. Where is the unhappy time? In two hours. You too, you too. Yes. Also, Kranzler. Yes. He too. Who is the heir of the family? You do not know him. How do you know him? It would be a secret. It is a secret. Why? The woman is in the secret city. With Kranzler and Kranzler David. That is an unborn. Only the parents do not know. Children, you do not care. Oh, I am sorry. Because God has been given you today. But nothing is going to happen. Of course, you can go where you want to love Max. Who is there? But it remains. Unmöglich, unmöglich.

1:28:20I can not recommend my best friend at the time. Should I give him the best of the time? I must. In which church is found this woman? Why do you ask? I want to see the story at least. That is not possible. Why? Because this woman is found in a completely... ...in a completely untamed chapel. Is there a way for her? No. That means, a path leads to her. I want to see your lady in Anatoly. I am not careful about the lady. You know the story of the Crowns of Herben, who married her lady. And you understand, Anatoly. I do not want you to marry her. What would she do if she married her? I would destroy the woman. And how is that? I am still afraid. Probably...

1:29:22...that is the biggest scandal of the church. That is trivial. I would have been in a new year. For example... I... ...I came to the same case as a brother. With a wall of cranes. That would be a bit more original. I have to go now. Anatoly, sorry, I love you, Ilan. But I have to be honest. It is the highest time. The flowers are beautiful. Blumen! What are the flowers? The flowers... ...and the lady. You are still the French. You want to be in the same place. That is sometimes so difficult. Let me see what you have for the taste. The bouquet for your lady. That is beautiful. Brot bouquet! Oh my God, now we have the unimportant bouquet. French, French. The tree is broken, we can be a very old man.

1:30:23He is running away from France. Now they have to send me to school. What should I do? To make it impossible. Anyway, I come back again. And my color? I have a feeling. ... ... Adieu, Ilan. In a hour I am back. Finally. How happy I am. My angel. How happy you are. I am so happy, my angel. But do you really have to be in this dark corner? In all the dark corner I have to be. I know. I can be in your car until you are alive. But what do you want? We want to meet today. Do you know today's date? I say yes. No, no, I will call you. Now I have to ask you a question. How long does France go? What do you want? Do you have anything to say to me? The same. My question. I have to ask you.

1:31:24I will be so happy. You, Ilan. So today is the evening. Not the evening? I want to stay with you today. I am not a child. I have also got a lot of light. You are one. I love you. I don't see anything. But you are all out of the room. It is all prepared and kneaded. Good. I mean, it is dark from the point of view that you are one. You are just really about it. I can't go up to the height. Why are you going? You are already starting. I have to go. So today is the evening. Yes. I am waiting for you at the stage door. I am not waiting for you tonight. No, just why should I wait for you tonight? No, I am just waiting for you tonight. I am waiting for you tonight. So I don't remember you. You. Oh, great. You have a new picture.

1:32:25Yes, I think so. I don't understand anything about the picture. It is a very beautiful picture. Did you use it? Why so? Now from your journey. Yes, really from my journey. No, it is a gift. You? Honest. What? Where were you actually? I already told you. No, no wait. But yesterday evening I told you. So I forgot again. In the near of the village. What did you do in the village? I was not in the village, just in the near. Oh, so? You were so angry. Yes, I was angry. Six weeks long? Yes, and then you broke up. Why didn't you tell me? I didn't want to meet you. You are so annoying. You wanted to let me sit down. I am so annoying.

1:33:25You have already tried once. You have tried. But I am not hungry. Why? What do you say? Yes, I wanted to meet you. You know that. What would be an insult? You can't meet me. Haha. What do you say? Haha, I said. Don't laugh, don't be a joke. You are back again. Yes, yes, yes. And this time, you don't love me. Unfortunately. How? Unfortunately. You are very courageously in a different way. In the past, you said you didn't. Unfortunately. What does that mean, Anna? That means that you can't go on like that. Why? It can't go on like that. I can't go on like that. Now I laugh.

1:34:25Haha. Why? Haha, my joke. You don't love me and you can't leave me. I believe you. I know. You know. I feel it. You mean that I will be in all eternity to your feet. You won't be in the hierarchy, I know. You are a great child. I love you, that is pretty, but we are not connected for eternity. I believe you are going to be in the same way. You will have to do it once. You have to be. I will be in the hierarchy. And when will this be my chance? Oh, my chance. What? In one year I am in the longest hierarchy. You are in the hierarchy. I could say you are in the hierarchy of two months. That's right, you want to know. Yes, now we are in this eye-catching hierarchy. So in two months it is... I think you are two. I laugh. I laugh in eight days. I laugh in not Illona.

1:35:26I laugh in not Illona. I laugh in not Illona. You laugh. Today. Today I am in the hierarchy. Oh, no, you. You are going to be in the hierarchy. It is very small hierarchy today. You are in the hierarchy. France. Nidigahir. My book. Oh, no, you. That book is Nidigahir. Oh, so ugly. You know what you are. No, I am not there. I am not there. That book is... I am not there. Illona, help me. I laugh in not Illona. I am not there. My book is... I was going to do it. I am ready. Well, Illona. Now you are going to die. Mama, you have made me laugh.

1:36:27You heard me. You understand Max? You said I don't trust myself to hierarchy. No, hierarchy I am ready. I know. From opposition. I am ready to be in the hierarchy. My book is with feet and feet. I have made it. I have made it. I have made it. I have made it. I have made it. I have made it. You are just now. I have said that you will be able to do it. But you will see. You will be in the net. Wait. I have only decided. Where are you? The first time. Where are you? Just leave me. Illona, what are you doing? Illona, what are you doing? Leave me. You are so cruel. Leave me. I am not there. I am ready. I have written it. When I press去hatl again I would love it so badly. No Beruig Sorry. We have to go now. I am without Boké. What the fuck. This is why.

1:37:28Illona, what do I do to you? Illona! Do you feel lonely now? I'll have to go. But what can I do now? Do you know what you are calling? I will beat you at the meeting. But still just wait for me. Now. I'm going to... Who is that? Ilona. What is that? She wouldn't find her. I love her. She is not a fool. She is not a fool. She doesn't want a scandal. She doesn't want a scandal. Ilona! Where did she find this dream? She is not a fool. She won't do anything. What do you want? She is not a fool. She is not a fool. It's not the one, the other. It's just the life. I'm not going to do this with your expression. She are the children of Ilona. Otherwise you'll be assured that everything will be forgotten. Yes, of course.

1:38:28It is a helplessness. Unmissed? She will make herself jealous, that's all. Fee. Also, make up excuses. She will be crazy. Maybe she knows me. Yes, if she went to America. What does that mean? If she really lost her. What do you mean? The main thing is that she doesn't trust her. You can return to her. You can leave her. Oh, if she does. She is an idol. I want to know what you said about me. You are one of those who are the best when you love her. Yes, I am one of those. Now you can see me very much before. How one who wants to destroy everything. Yes, that is true. I still have time to see her live.

1:39:29I will send her to her. Now take a look at this room. No, my dear friend. No, I will not. I will return. Now believe me, she is a demon. And she is actually only a weapon. But it is also enough. Please, my dear. Hoi Gitta, Taksus Hagen, Wappen. Never mind me. You think you are a thick shaman? The tower opens up. With the sleeping cascades and sleeping tritones, Rocco, the dead and the lovely. You see the wine of the canaletto, wine of 1760. The green, brown, white, white,

1:40:29silver and marble, in the game-finger, lips gynecological, dead, silver and silver, owls stream in the darf. Two amounts of vegetable and that하고. With an age of four, flowers in the handfuls blooms into a male, white coals in caster flakes, and porters they take然後 to terrify, in his neck to destroy Toynée scent. These silvery environments and bringing away Roulette

1:41:30In between, women sit in the streets, like Oletto Montenori, and in the grass, their feet, and in the poles, on the stools, cavaliers and abarthes. Others, also other women, from the perfumed sands, through the two broken lights, fliming on the white heads, looking at the bottom of the poles, then gliding over the quies and the grass, gliding over the grills, gliding over the quies and the grass, gliding over the quies and the grass, gliding over the grills, and in the poles, gliding over the quies and the grass, fliming on the white heads, cavaliers and abarthes, cavaliers and abarthes. A slave, instead of a slave, a summer sun, instead of a lamp, so, plays via theater, plays our own piece of old-fashioned and sad,

1:42:32and sad, the comets of our watch, our feelings today and yesterday, beautiful things, beautiful forms, happy words, beautiful pictures, even though it is a secret, in the dark, agonies, episodes, some hear, not all, some dream, some laugh, some eat ice, and some speak very lame things, like the white waves in the wind, high-spirited white waves, like a swarm of white waves. And an envelope-like bird vegetable prawns,

1:43:33its last time. I believe it's been a long time. I took this negative declaration with my oughterness and also the country with the trivial bums. They know that with their loud grudges, the nannies, the evening dead, and today. Today I love this background to be yourself. Your last love, no, only a new art of love. Now the dream comes to love for the things as things, for the nature as nature. For the hügel as a hyl, for the cigar as a cigar, for the Persian divan as divan. When I hear some of your words, to the people, so with us, you are ready. No, my friends,

1:44:34I love you very much, always. I don't believe that. I am always ready for the poem, if it was so, it would have changed my love. I think that's also the sign of the old age. I'm interested in the last time, to choose the meanings of the other. Ah, I can hear it too. I'll be on the mark. Have you tried so long after you've been there? Max, I had a deep, meaningful time to talk to you again. I'm like, have I been to the testament before? Oh, what is this for a new pose? Sentimentality. No, it's so serious. That's the end of my love. My heart is set on its last will. Do you feel more anxious? No, no. I don't want to be loved anymore. I don't want to. No. You will have to give it up to me. No, I don't want to lose my last illusion. Which one?

1:45:34That the young ones don't have anything to do with us. That's one of those I have kept for a while. I don't have any idea about that. I don't believe it. You always tried to be a virtuoso. I'm sure you're right. I'm sure you're right. I'm sure you're right. You're right. You're right. If I had the opposite of what I said before, I'd have been waiting. I'd like to be loved again. That's all my love. Max, that's not true. You never saw it again. I can't believe it. I just understood the art. With your own eyes, you can experience a lot of things from you. And that's what it is. That I have to spend my whole career so hard and I'll be so happy again. Our lives are always worth it. A right, a right, a right.

1:46:35And you can't let go of the memories. You're crazy. You're crazy. And then what do we know about ourselves from our adventures? We and the women are also looking for us on different paths. I ask everyone, do you not love me before me? Do you not love me after me? We always want to love our first love. Yes. Yes. I've never seen a small girl like her. You know, she's a violin player. She's a violin player. Now and? This woman is young. I would love her. And I... Everything is different. But no one is more young. She's a woman. Now what's with her? She's a cockatier. With me? It's a shame. She's a young man.

1:47:36You know, when you hang out with her, the woman is very young. With her crazy, stupid, unmarital eyes. I'm worried about her. The eyes are also crazy to be fixed. They're not more stupid, but sweet and slow. Just unmarital. How can I just stop talking about her? I don't think we can do this. I think we don't have a chance to be sure. We know, if we know a woman so well, we can only see how she loves us, how she can love someone else. That's why she doesn't have to worry about us when we're in a train in the air, when we're in a hurry, because we often get sad and sad. She might ask someone else to do it. She's a different person. She's not happy and wild. You think the little girl is playing the flute over the sentimental. She's playing? She is. She was only making herself

1:48:36to play the Commodian. Because she's so wonderful, so different. It's not a common sense to be a Commodian. She doesn't often lie to us. She was just walking with every minute. How quiet she is. That's really what you want. You're a bit sorry to have nothing to do with it. It's the right time to get away with some kind of pain. Who came away with every minute? Oh, everyone. It's so normal. I've lived like this for a long time. I finally got a miss-train against my pain. It was my last and deepest. It's getting worse. It's getting worse. That's not right? I think so. It's just aeterookia. A moment of evolution, a burden you put into your head to achieve something wonderful.

1:49:36Oh, with insomnia, there's a way to defeat us. So, where are you? I am the Edge and R南i placed near the edge. Ok, diagonally espaço there is another scroll over there. I'm just kidding. You're kidding? You're kidding? You're kidding? Who is it? No, it's Baron Dibel. In the last long, you're right. Wait. You still have to remember that? I still remember that you're 20 years old. You know what I'm 16. That's good. Why? Because you're going to wear this picture. This picture doesn't stay for us. The room is not just too precise. You've taken the other side of the room. Not very accurate. You're not going to teach us. You're going to put yourself in the room and then you'll destroy us. The Baron Dibel. He's lying. Do you come to war with him and his society?

1:50:37No, I don't have much to do with him. I'm making myself nervous. If you're drunk, I'll help you with it. But I'm never drunk. You're very happy. Good evening. I'm a bit upset. I already knew the street. Good evening, Baron. You have to go out to discover yourself. You don't have to. Where do you think you're going to be? Here. He's been with you. What do you say, Max? He's been with you. He's always with you. I understand. You're not so... What's your big deal? You're still the same. I'm not a big deal. You've got to be here today. Good evening. You two are close friends. You're close to love. But we're on our way to the home. Home is not the same.

1:51:37You'll be in love with God. I'm going to be there. You're from the mountains. You're only hearing the shillied. You know him, right? Yes, he's thinking about you. He's making a trip around the world. What the hell? He's been with you for a long time. Very good. You're right. He's mainly used to using the women every opportunity. Yes, I understand. You didn't get to sleep. You're late. What did I say? Shillied. What kind of a firtly-sweeted is that? My suspicion is that I can't do it. You don't ask me why it's firtly-sweeted? No. You don't like it? Why is the rosa so firtly-sweeted? You don't know. You only get to say a lot. Oh. Then, he's a girl. He's going to be a new girl.

1:52:37He's not a girl. He's a crazy girl. He's a crazy girl. He's just like that. But how is it that he's a girl? He's a girl. How did he get to say a girl? Barbar. And you don't have any room to sleep with. He's going to be asleep today. Barbar. Barbar. What does he say? They know each other and start remembered and think something else. You never had names or anything else. He has to still go on barb. Just don't ask for anything. I'm not going to fill in the dirt yet. What would you like? This land is missing because I love the lawns. That it's unexpected. By the way, a little малability. I'm not sure if you're right, but not sure if you're right. Ah, it's working. I don't have any fun to stay under.

1:53:41I'm missing your talent to be funny. How funny? I think I've seen it already. You've understood me wrongly. Anyway, I've got my funnyness and not the others. It's just that everyone can be funny. Yes. For the ears, I'm grateful to you. Ah? We're not just friends with the woman, are we? What are you talking about? If you don't want to talk to me, you're very different. You're used to being a lot of ordinary people. You're a lot? Because I was the one who loved you. And do you really mean that I live my life as you are? Do you mean that our adventures were the same? Because they were the same. You and your own. You look for the right to cut the cut. I've searched every cut the knife. It only follows that I don't need to look for anything for so long. And that you have a lot of money. And you're always the woman who invites you.

1:54:41I don't invite you. Oh, you're the one who invites you to see her. It's art. That's why I don't even know the ladies. Now, so much so that your art society is around us. That can't be. Maybe there's one that I could interest you today. That Freyland doesn't have a... Something very special. A girl, young and beautiful, like a goddess. Today is the first time for us. But... No, with you, with the cold. With whom? With the cold of the opera. Ah, a nap? Yes, he's just like a bird in the sky. He's like a bird in the sky. A knife in the sky. Great for me. No, that doesn't mean that. Yes, with whom you can really look for something. So, Max, you're probably lost. Or you see something very wonderful, unbearable.

1:55:42After a... Nothing else is left from life and love. I have a right, Max. Well, what about Anatole? The next time we bring a young woman. No, no. I'm also making my young woman myself. That's stupid, but sometimes I have to have a difficulty. No, I don't mean the only thing that's left in love. No, only the only unbearable. We all have to forget to do something. Yes, but... But think, if this wall doesn't have a point, if you don't pay anything to anything, you'll pay something to him. Even if you're the first one. Yes. Maybe that's another way to be. Yes, you've got where you're the first. Maybe you'll get more to pay for it than others. You yourself? With this heart, we won't be lost today. Don't let me die, Max. Do you want to stay here alone? A while. Maybe you'll find me if you get up. Now, I love you. I want to go to the park with you. Oh, how are you, my melancholic Anatole?

1:56:44How are you? Adieu. Adieu. Adieu. Adieu. You want to go to the park? I want to go to the park. You're there? Yes, it's Adieu. You sent me a message. You're really here with these people? Yes, the Baron said it to him. Freilich. And why are you so sad? Why don't you want to be so sad? Because if you're with him, he's still much better. I'm really afraid you're not there. Why? I don't understand. How can you get in with your luck and people? And yet, no, no, how can you get in with people? How? You don't understand? And you're just like him.

1:57:45Why? He doesn't understand. I don't think he's like a fool with me. Oh. But he always wants to be alone with me. And he's just like him. Yes, you know, I like to walk around him, because I love nature. So? Oh, very. But you also like people? You like funny society where you're drunk? Yes, I still have that. And you know that. He has to know. Tell him. What should I tell him? Yes, and so it was. My friend, I love you very much, but the loneliness makes me very sad. And I want to be funny. Yes. If I were to tell him that I would be there, he would be so careful of everything. I don't want to laugh at him.

1:58:46So you're doing it now, where he can't hear you? Yes. But now I'm not allowed to laugh at him. So? And even if I'm not there, I'm not allowed to. First of all, No. What do you mean? I stay too long with you. If I were to be ungrateful. But you see, now what is new? And once again I had so much to do. And it's so sad. The language so long so long, the trains came, he was there. But do you think a man who is a woman? That's not what we do then. You told him? No, I just didn't know that laugh so well. My dear child. I like him in my hand. He was so good. He doesn't really love him very much. He probably didn't love him so much. That's what you should do in the end.

1:59:46Kiss me with your hand. Why? So let's leave him alone. Yes, you should tell him. What? That not the love is more important than you can love him. But he would be so happy. How good. I love him. But I don't want to hear a noise. No, no, no, no. No, I... I forgot why I came here. You should be with him. My dear child, don't you like him so much? No, no, no. We can go down alone. What would he say? We would talk about it. What would he say? Yes? What would he say? What would he say? What would he say? You would talk about it. When he's not with us, we can't stand up.

2:00:46Maybe. Come on. Ah, no, no, no. What would he say? He would say. What would he say? He would say. I'm sure she's on it. And I'll take her with me. And she'll take me with me. And she'll take me with me. What do you mean? She wants to use me to make her careful. Why? Do you think she liked me? She's a bit too cocky. I don't know. I'm not sure. But where are you? We wanted to get in and try to get in. I don't think so. But you haven't tried anything yet. Herb-lieder? Oh, Bertha! I'm here. And I'm here to ask you. Do you want to get in? I'm so much love.

2:01:46I'm so much love. I don't want to get in. I'm coming. I can't stand anymore. Do you want to take my arm? I'll take my arm. Bertha, I have to ask you something. Yes. What do you have? My old friend Anatol. How long have I not talked to you? Do you know why? Last time it was for years. But what did he say? Yes, because we saw each other. But we were really two. So? We were both well known as good friends who have long lived with each other. We were both born from the wild. What are we, a few? I know it's still very good. You still remember? But no, I haven't forgot. I haven't forgotten anyone yet.

2:02:46How old? How old were you? I don't know. But today I see you again today, the first time after our last course. In this long time between you, what is actually with you? Yes. It was a very good time. I was happy there and there again. But what is with you? Do you know that I never liked anyone? That was my love. Very funny. Actually, it's good. Because I was very close to you. I know. Do you also notice that you are so clear about this distant time? I know everything. For example, wait. How did you make me a fan of the promenade? You think so? That was so funny.

2:03:48It was a bit strange. I came here before. No, you were so cute. No, I'm not. Now we want to say everything. Everything? Yes, everything. I have asked you so much. I don't understand. Today you are missing it. I said it. I saw you today the first time and I was there. We were told that we were all out. In your eyes there were so many rats. Also a little bit of a cell phone. And then... Well, and what else? You were so fast-reached. No, yes. How? You too. I beg you. That's one time we had to be out. We both knew each other. You knew it? You really think so. You believe that you might even remember everything you told in the past. That's why... That's why you were so fast-reached. Oh, God. I've always been shy.

2:04:49And if we love each other, you knew that you always knew that you wanted to hurt me. But we also told each other. No, no. But that's why you don't understand each other. Yes, yes. Let's go inside now. I'm sorry. It's so nice. The evening is so mild. Yes. Have you ever been to that? What? Oh, you're so poetic. Because you find the air mild. Do you still see everything? Sometimes you brought some more stories. So? Then I don't think so anymore. I read one of them together with the flower. You think about the flower flowers? Are you laughing? You were declamating it. You know, it's very pathetic. And you're making your eyes so... No, your eyes? Yes.

2:05:49The meaning of the flowers is big. So? I make such a meaningful eyes. Oh, yes. From that point on, you could read everything possible. You also tried to read it. Why do you ask? I think it's too much for a evening where we were together in the theatre. That's what we were. I think it's a very certain thing. It was a opera. And next to us, I saw a elegant girl with a grey face in the full bar that I started. What? She started to know someone. Oh, this French was the big one. Yes, yes. French. Did you know her? Yes. No. Yes, yes. You didn't tell me that. Yes, you were so angry. Yes, because I always started. What can I do? Where did you know? Now what do you know? What do you want from me? I think to meet an old woman and now we're in love. So, answer me, Liva. I know that you still remember

2:06:49how you wanted to calm me down. I know. You're the word I still have in your ear. What the word? Yes, and you're blind. With whom you say, Ah, on the grey, you're already already careful. I don't care about you today. So, you just lied. You just lied to me. But you have to. Yes, you have to. How? You're crazy about lying out for a year. Now you're lying to us. You always told me to only say the truth. Yes, with your words. But you're blind. What's blind? No, I'm blind. Yes, I'm blind. I'm blind. I'm blind. But what if we're an unselfish person? You see, I'm right. Today you'll be thankful to me. If I'm not wrong. Yes, you'll be a Frenchman and you'll be a witness. Yes, you'll be a witness. And if I tell you you're a cockat, then you'll be a witness. A person like you can't be anything. Because I'm very lucky to have you. Yes, that's what you said. But I didn't do anything. And then, by the way, the trains, if I did the preparation... So?

2:07:49I didn't want to. So trains, which you can't remember, could not be really. But you were so honest. I was not sad. That's what I knew already. And why? I mean, it was also bad for me, that I wanted to have you very much. But cockat, crazy, my comedy, you know everything. You told me that 1000 times already. Yes, but I didn't believe it. But shit. Not true. It was nice that way. And why did I pay you a long time ago? Why? Long time ago, I was also... No, you know. It was a moment when you gave... You had such a loud voice. And then you broke your head about the old story. And all that you have to talk about 100 times. Sometimes something very sad, very sad. So? Sometimes very nice.

2:08:49Very poetic. What most of it is long and lonely. Yes, what you mean, I already knew. Always, even if it was unbearable. So this very sad, sad look from which I had a sweet understanding of being against sad things? Nothing. As a frame. You still talk about it? The eternal, understandable, light-famous frame. That's what you always said, that I don't understand you. And you didn't believe it at all? I understood you very well. What you mean by only one picture? That you don't understand you. That's why it starts to get funny. Now I'm just thinking about the gift of the happy Hanichel. Oh, I have to go down there. I thought of a golden name for you. Another eye-blow. Yes, a rat. Ah, go. No. So come on, please. What do you want?

2:09:52One last question to ask you. If you had answered this question today, what would you have to say to you? Think about it. I was so lucky to tell you about Bertha's love story. He was treated as a rat with other people, I don't understand. Probably also drugs. Now. What else? This person? Yes. But what was she doing at that time? She came to the man's side. What art does he have to do in order to understand? And at that time she was there, before she started the first piece of a man. She was like... That's how she lived. Her first love, but she didn't steal it. She was the last one. Yes. Do you want to go now? But...

2:10:52Do you have to tell her now the truth? In this case, did she change the inner picture with time? Did she notice? She had me there at that time. Maybe she really understood. And she doesn't know anymore. Yes, tell me what you are for a grubler. In order to forget this woman that you have forgotten for 20 years, you are dreaming of this moment. It's stupid. It's cramped. But my lightness is so heavy that I was awake. I slap all my memories with my heart. And then I strike them out in the dark, like a sack of pearls and a fire blazing out. But one of them was really... What do you want? You have to wear the same suit with the other. You don't know each other. Unmöglich. And who knows?

2:11:53Maybe I have loved the woman once, that I really understood. And the joy of being. And I did not wake up. Do you come with me? No, where are you? Are you back there? I knew it. I saw you again. But what do you say? What do you want? What do you want on the terrace? With you alone. With me? I knew you were a people's people. So? It was so early that you left me alone for so long. And did you not follow me? I would have not believed you would love me anymore. Do you know now? Of course I know. My love. I want to say something. Let's go. Why? We don't want to go back to the people. Let's go alone. Come to you.

2:12:55Now? Let's go. Who? Anna Toul and Max. Where is the show going? What are you interested in? You will have to have something to do with the show. I don't want to talk about your love. And just like this, you love to talk about it. I'm not interested in the show. But you are sweet, Engel. On such an old day.