Alte Frau im Grandhotel

0:00Hey, it's Kelly Rowland. You may not know this, but I have Exema. So I get how it can steal your time. But why let Exema take over when you can talk to your doctor about Epglyce? Epglyce, lubricism ab LBKZ, a 250-mg per 2-mg leador injection, is a prescription medicine used to treat adults and children 12 years of age and older, who weigh at least 88 pounds or 40 kilograms with moderate to severe Exema. Also called a topic dermatitis that is not well controlled with prescription therapies used on the skin, or topicals, or who cannot use topical therapies. Epglyce can be used with or without topical corticosteroids. Don't use if you are allergic to Epglyce. Allergic reactions can occur that can be severe. Eye problems can occur. Tell your doctor if you have newer, worsening eye problems, you should not receive a live vaccine when treated with Epglyce. Before starting Epglyce, tell your doctor if you have a parasitic infection. Paid partnership with Lili Respect your time. Ask your doctor about Epglyce and visit Epglyce.com or call 1-800-LiliRx or 1-800-545-5979.

1:15The hearing aid of the old woman in the Grand Hotel was produced in 1953. Yes, you can read again. Is it something serious about the old woman? You only read about her. I do more recently than a few news. How long have you lived in Hamburg? Since 1945, the old woman died. We came here in the morning. It was in March. We? What do you want to say? My daughter and I? She is 27 now. In the last year her study ended. And your husband? My husband is dead. He died shortly before we left the press. Oh, that's a pity. But she will understand that I have to make a very important picture of the stories she has to do in her life. Please tell me something about her apartment. Where do you live? A apartment?

2:15We only have a room, my daughter and I. Actually, it's just a room. We were there. I would like to introduce you to a bigger room. It's important. Oh, that's very important to you. I can do that. Of course. Please. Here is the study. Thank you. I have often tried to get a bigger room. But it was always disgusting. Now I think it will be no difficulty. But first you need a few weeks of air change. For your constitution, the hamburger is not cheap. You need high air. In the best case, the Swiss. The Swiss? Then it's something with my lung. So you talk about it, doctor. No, basically, just a small affection. But if we can't get on, you can have a few weeks of an invitation. Yes, yes, that's already one. But I'm a woman. I lost everything. My husband was an invitation to the press.

3:17I only get a small room. It's very impossible. My daughter is still in the education. You are in a castle, of course. Of course, that's right. But the castle is no more than a hotel in the open hall. In your case, it already exists. There are certain attractions in Switzerland. I would see that you come to Montana in the cold of the home. I'm sure that will go. What? What do you have in the women's house? Montana? She said Montana before a doctor. Yes, in the cold of the house in Montana. Wild of the cold? It's your kind of health. It's not very luxurious, of course. A facility. It's very clean and tidy. You will definitely feel there. Montana. The place is next to Arosa. I know. In a hotel in Montana. You know him, right? I was as a young girl there. I was 23 and just surrounded. It was our time travel.

4:18She was so close to her. It was a wonderful journey. Woke up at a clear and clear place. My God, how close it is. In which year was that before? 1913. 1913. I always had to lie back in my mind. And now that I noticed the word Montana, that it was yesterday. As we went to the hotel room in the kitchen. Now I see our room again. And the breakfast room. And the little little bell that always gave us. Maybe you can try to find the hotel. It's not big this Montana.

5:20There. There. Isn't it Montana already? No, it's the first time. It's still 10 minutes since Montana. You didn't want to go to the hotel yet? Yes, but it was before the first World War. That's not long, Montana. How do you mean it's not long? What's going on with us in the past few years. If you look at the view that the color of the hotel is now turned into. The bus stop is a few new switches. You live in Montana? Yes, but I don't need the high air. You understand, I don't know. I worked in Lyon in the past few years. I'm a coffee maker. Maybe you can try to find me in Montana. Where do you live? In the Royal Mediterranean. In the Mediterranean? I lived there. In 1913 when I was with my husband. Well, that's still the front-end hotel. That's exactly what it is. You will definitely find it there.

6:23You meet the best society in the Mediterranean. No, I won't be able to stand up in this. I want to live a little quiet. I understand. I understand. Then you will be in paradise. You will be in paradise. Or do you have the villa splendid? Of course, I would be very special. Because then you will live in my nightclub. My room. The light is unbearable. The villa splendid. You are my daughter. I'm not going to the splendid. I have something very simple to ask for. We have a place in the house in the woods. It should be very quiet. It's true for me. It's a kind of art. Ah, art. How do you know it? How? It's called... Wild peace. How do you say it, Madame? Wild peace. But it's not possible. Wild peace. This is old building.

7:23Oh, I'm sorry, Madame. I haven't been out for a long time. I think the house is renovated completely. Of course, I remember. You built a new spring. How did you get there? The mountains. On the water are already very beautiful. And there are little birds in the back. And there are birds in the back. The eggs. We are there. There for children in the mountains. Oh, what a wonderful painting. Oh, you're not my mother. She heard the words in the kitchen. Here, the train is good. The train? Yes. I know it's pretty old. But it's incredibly practical. Maybe it's a splint from here. But I can't just turn it off. For children. No, thanks. I take the mantel over the tree. Life is a good thing. I'll see you again, Madame. Hope you visit me once in my room. I'd like to have a few important stories. I could put you in a few important stories. You could see many young people in the room.

8:25That's just a question of peace. You can read about the sleep, for example. The sun came up. The sun was shining. The sun was too high. Yes, yes. Hope you tell me. I don't want to drink on me. Life is a good thing. I wish you a good rest. Thank you. But I know it's completely OK. We don't receive any condolences anywhere. I would never change anything. Even the sciss capture your children are remained the same. Three shades, both of the yellow version and the lake on the sculpture of the great hotel. I want to know something about the forest. The hotel has its own agricultural business. It's been two years. I'm looking for the boy from his native farm. Why? His native farm is good. You mean the

9:28wood farm? I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. You mean the wood farm? I don't think there's a boy from the forest. The guests of this house are going to get their food. If you've been walking for a few hours, you'd be out. How come I come with my girlfriend? You just get in. I'm taking her with me. I still have to go to the mall. It's on the way. Please. Please. Re ingrediosaise and the gereige neep got been in Calum and España had been a meeting

10:28For eight weeks. This is the Sanatorium Waldfrieden. This is the city-loom, the city-waltfrieden. If you look for it, you're right. Show me your instructions. Please. Alton Duff Matilde, the assistant doctor of Alton Duff, 61 years old. The health of the Waldfrieden Montana. Yes, it's the order. You can go in. But it's not that loud. You've been away from your loved ones all the way home. Come, I'll show you now. The further you go after the lie, the more you'll be happy. In children, 12 years of age and older, who weigh at least 88 pounds or 40 kilograms, with moderate to severe axima.

11:32Also called a topic dermatitis that is not well controlled with prescription therapies used on the skin, or topicals, or who cannot use topical therapies. Ebglus can be used with or without topical corticosteroids. Don't use if you are allergic to ebglus. Allergic reactions can occur that can be severe. Eye problems can occur. Tell your doctor if you have newer, worsening eye problems. You should not receive a live vaccine when treated with ebglus. Before starting ebglus, tell your doctor if you have a parasitic infection. Paid partnership with Lily. Respect your time. Ask your doctor about ebglus and visit ebglus.com or call 1-800-LilyRX or 1-800-545-5979. Premier hosts on Verbo deliver quality vacation rental stays with fast responses and clear instructions. So you don't have to worry about surprises. I asked our host a question about the house last night and he got back to me super quick. See, that's the Premier host move right there. I wish I had a Premier group chat. I asked them where we should have dinner last night and they left me on red. I know you saw it. It says it. Classic group chat move. Don't walk into a surprise.

12:32Book a top rated Verbo stay with a Premier host. If you know, you Verbo. You can now take your things first. Day. Oh, you're telling me. I thought it would be a piece of my mind. It must be an act of being here. That's a reality. The house does not make a mistake. The house is a house. Before that, you have to take it. The roof is better. If you have something, you always have it to the professor. What do you do for your face? Oh, so, I don't want you to have an individual room. Well, friends, I love you. If you have an individual room here, you can always keep it. If you understand that. I know myself. I'm already over here. Ballman, he says. Freut mich sehr. My name is Altendorf. I'm from Hamburg. Oh, nice city. I was already in front of the... ...that happened.

13:33My man has sent me. He's also here on the men's section. We'll see each other at times. The food is good for him. Come on, we have to go to the cafe. And his brothers are two times more than we have. They are happy to have the most living to six times on their room. Almost all old people. They are one of the youngest. So, let's go. One room can later. Here, come, sit down. Here, we are almost outside. Here, come, my man. Under the old shoulder. You don't know who he is. But don't worry about it. Here, here, yes. That's the woman Altendorf. She lives with me now. Good day, my lady. It's nice if you see her new face. Wow.

14:33You can see her well. We often get together and hug each other when she is in the right place. She's your lady. Maybe she knows me. Who knows if she has never seen her before. She's a rich petroney. I would be very happy to meet you. Good day. That's my man. Good day. You will stay here for a long time. Oh, eight weeks. That's pretty long, I think. Eight weeks. And at least I will stay. The professor has been there for years. I should only come here for four years. I will be back in two days. In this God's forgiveness. I'm so nervous. How often I said, you shouldn't be so angry. You forget that again. You tell her. It doesn't matter. You will never learn to take care of yourself. You don't think you will sit on a date.

15:33I would be happy to go to the doctor with him to go through the door. I'm so happy to meet you. Maybe. Do you know me? I don't know. I don't really know. He must have been very famous before. Under the name of Enrico Petroney. Of course. Now Enrico is in me. She was singing. Open singing. She still knows Enrico Petroney. I knew it right away. I'm leaving now. Please come back soon. Yes, I will. Do you really want to go to the hospital? Of course. Why not? But first you have to sign the house. You do it best in the office. Now? Do you like it?

16:34Yes, thank you very much. I will have it. Did you get your stuff? No, not yet. I don't have time for that. Then you are free. Professor comes to visit you in just an hour. He doesn't have any idea. So, here you have to sign it. After ten absolute silence on the walls, the same in the lie-stunde. Also a string of relief. After a examination. Good. Is the list of patients? Yes, but I want to remind you that you don't have much time. Abel, barren, bosol, chresander, chresander. Christine chresander. Christine chresander. What do you have? Nothing. I think I know the lady. Chresander, please. Then you will have to sign it. Of course, if you have your stuff in your room.

17:34You will find the park on a lie-stunde. Something different from the other. You believe that you will be better than the one in the room. Chresander, please. Good day, Chresander. Please. Oh, please. Now I know you first. You heard that I am here, dear woman. It's wonderful that you are trying to visit me. You live in the same hotel. I didn't have a good memory of you. You remember? I came to you in 1931. As a governor. Three full years were in the dresser. Only 34 years old when the woman was in the dresser's room. How did you get her, Gnidige Frau? And what did you do to her, just to be a teacher? And the woman, Gnidige Frau? Please, please, sit down, Chresander. And tell her not to always be Gnidige Frau to me. I don't want to be here.

18:34I... What Gnidige Frau? I live in this house, too. You? Oh my God, that can't be. You think of something like that to me? I never saw you here. I came here for an hour. I will stay here for eight weeks now. It's not bad, it's just a coincidence. The cat sent me here. The cat? Yes, Chresander. I am a woman of the same age. I live in Hamburg now. And the one who is just here? My man is dead. A grenade splitter took him over the street to get my child's house to be found. When I was still alive in Hamburg, two days later we had to flee. But tell her from the face of Chresander. How did you get here? Oh, that's a long story, Gnidige Frau. In the basement of Berlin, I got something. And later, after the war, I didn't find any place

19:34as a house teacher anymore. The rich people die, or they take younger than me. Oh, what is there to tell? I have lived here for a long time. And you let me feel how overflowing I am. On the first day I got everything in this house. The poor people in the stairs house, the people in the kitchen, the slurfs and slugs. And the thousands of little peasants. Day for day, the same. The pigs are blind, a little boy is sleeping. The beds are awake. Here you can see your legs on the chair. But you have a shock without a new key. Oh, God, if only I had a hand. You will already know Gnidige, Frau. But they only come for eight weeks. They go back to the house again, but I... What should I do? I just can't hold it anymore. I also saw the blinds playing. And the old people were at the table. And I got the smell.

20:35I was very shocked. I think this is in his tower. But now I know where I am, I will find myself. No one wants us to do something stupid. We can't afford to be together. So I thought at the beginning. On the first day, maybe even tomorrow, the second one. But then... There, again, the signal. See you, it starts to rain. Now I want to see you. But... You don't want to be a Gnidige, Frau. I just have to say it. And they were always so good to me. Back then. Come on now. Today evening, after dinner. We are going to a small room. And then we can talk about everything.

21:39You should take your mantel with you, Gnidige, Frau. You know that the climate here is not even when the sun is gone. It will soon be cold. You will be cold, so very without a mantel. I should be in the hole. Oh, thank you, Sinoa. I would like to take my trend shot. How do you want Gnidige, Frau? Only my cousin likes me. It doesn't suit me well. Besides, the brush is better for money. Do you remember? I think I know you will be with us. Of course, the choral game. The Herjustiz Ra chankte you in the garden. I wish you a wonderful evening. But we will not talk so loud. We are now in the corner. Two rich mice. You can still your time. But why let eczema take over when you can talk to your doctor about ebglyce?

22:41Ebglyce, lubricism app LBKZ, a 250-mg per 2-mg leador injection, is a prescription medicine used to treat adults and children 12 years of age and older, who weigh at least 88 lbs or 40 kg with moderate to severe eczema. Also called a topic dermatitis that is not well controlled with prescription therapies used on the skin or topicals or who cannot use topical therapies, ebglyce can be used with or without topical corticosteroids. Don't use if you are allergic to ebglyce. A lyrgic reactions can occur that can be severe. Eye problems can occur. Tell your doctor if you have newer worsening eye problems. You should not receive a live vaccine when treated with ebglyce. Before starting ebglyce, tell your doctor if you have a parasitic infection. Pay partnership with Lili. Respect your time. Ask your doctor about ebglyce and visit ebglyce.com or call 1-800-LiliRX or 1-800-545-5979. Day or night, VerboCare is here 24-7 to help make every part of your stay seamless. If anything comes up or you simply need a little guidance, support is ready whenever you reach out.

23:44From the moment you book to the moment you had home, we are here to help things run smoothly. Because a great trip starts with the right support. And hey, a good playlist doesn't hurt either. With your 나오�s underexplastic And in my words ... The Biden and the Hungarian banks ... There are experimental issues also in people's minds. Kristen and Billy are now in Shrine in Berlin and Gdien Le演. and in the distance the music of the choir. For years you play the same song. It doesn't change. Oh, that's fast enough, young woman. And then the archv剩下 of the night,

24:47the young of the summer, the beautiful of the church and the next morning the bright, clear of the blade, unhappily and grey. I... I want to come back again. If I go further, just a few steps, then I will never come back to this home. And what should I do? Please, let us go around. I have forgotten the home for a long time. It's far too far. A dream, which you have dreamed for years. Come on, please, let's go through the park. We have to pay a lot. We have a few words with each other. I will write a loud yes in the same way. She will surprise you that she has not been here for a long time. Do you have...

25:47Yes. Do you have... sometimes, from my language, a nice woman? Oh, yes. Especially in a few days. Claudia had a French medicine work to do. She is very easy. I thank Christine, she says. And then we talk about her, full of interest. Claudia had never had a better teacher in French. Christine... She says. Yes. Exactly like that back then. Like that back then. Now it's like this again, like in the evenings when we were in Codoba, we went to see her and her teacher, and I will go back a few steps. Do you remember her? We always went the same way. Through the park, the distance, and at the end of the coffee room,

26:47where Claudia's friend, her ice-cream, was drinking. Now I hear the music. Of course. They played in Codoba, too. Only... that they had more tears. The chapel teacher, a dry hand-shower, when he was directing. Codoba? This is not Codoba, my dear friend. This is Montana. And I am a very young girl. I was 23 years old. I was never in Switzerland. I still have no daughter. I am happy, rich, and have been married for a few days. I go slowly.

27:50Are you happy? Or... because I am afraid? Are you dreaming? I am not a woman. I go with my husband through the park. It is summer. On the banks, women in white clothing, they let their hands sink. It is warm. And the forest always gets dark after the sun. We go to the water. On the lake, a black boat, the moon is silvery and damp. We go to the lake, here, in a small pavilion. Yes, there are painted and grown-ups. There are only a few steps. Where do you go, women? There is no path here. Very right.

28:50There is no path here. It is all grown-ups. Back then, they were going to the water directly. But wait. We could go to the forest. Yes, here. Come on, that is the gate. Before me, the bridge is pretty large. No, it is not so bad. You have improved it. Now? Did I have a good feeling? Where are we? Look around. In our back, the front of the hotel is empty. Behind it, where the lights burn in the dark light, there is the small room where the dark city of the city of the dead is. Come on. We want to go down. But you have to be a lion. You can't see anything. The windows are too high. Shut up. But I think it's better if we turn around.

29:50My God, after 9, we have to be quiet if we want to come right now. Here. Take this chair. Take the chair and step up here. I would do it myself, but they are bigger than me. I kept it close. They don't need to be afraid. Now? What do you see? So you speak. A big, half-brothered living. Many small niches. In the middle, a pair of sticks. Dance. Yes. What dance? I think a wild forest. There are many, six or seven pairs. The ladies in the evening. Yes. And the ladies have all a question. There are a few boys in the red livery.

30:56Now is the dance to end. They are convinced. Lady Gnidige, please let me down. We have to go back. We will get a warning if we don't turn around. Have you seen such a looking for this forest? You shouldn't say that, Lady Gnidige. So tell you further. See you behind. Which pictures hang on your walls? They are... ...like gold coins in golden branches. Wait. Yes. That's a hunting scene. A hunter in green and in the form. Two hunting dogs to his feet. And the form is a leeched keiler. They have the same picture as before. Lady Gnidige, I'm taking care of you. Only one, one, I have to know. Under the tree right in the back, there is a palm. Yes. Now I see you.

31:56At the end of the package. I have found out. I know how my own living is. I'm here at home. Come down here. We have to go back. We have to go back. I'm not going back. I don't understand, Lady Gnidige. Where do you want to go? Here in this hotel. Where else? But that's not possible. You would have no money if you were here. You could not go to the hotel. You don't understand that, Frolleinschre Sande. You have never lived in a hotel like this. Or so. Then you will not be able to get it. You have paid for it. And that's your difference. But the money Gnidige woman. It's enough to live here for a few days. That's enough. And then what should we do? I want Frolleinschre Sande.

32:58I have to go now. Once again everything should be as free. Then let me alone. Just go back. Go back to this terrible place. That's the Drey-Tür. The gate with the middle. And the golden cord over the castle. The hall with the forties. I will drink a Martini. She's fine. The door opens. And boy, I didn't do it. I'm going to sleep again.

34:42Respect your time. Ask your doctor about Epplis and visit Epplis.com or call 1-800-LilyRX or 1-800-545-5979. That's what she shouldn't do. She shouldn't let me alone. Good evening, dear wife. Good evening. I am waiting for a meeting. We have talked here. Very well, dear wife. If you are right in this room, I should tell you Obe. Maybe you want a little surprise? Oh, that's a good idea. Her Obe, please. Bring me a Martini. A dry Martini. That's what my lady is.

35:48That's really a strange feeling. Yes. The door is open from the back of the hall. The kitchen with the letters. The numbers about the kitchen. Actually, they are the same numbers from grey and yellow. When you close your eyes, a fairytale and a very smooth music. I will often put myself in this hall. Who is Martini, please? Thank you. I have never done Martini before. It's good. But something else should be hidden inside. And the papers I would often tell you. I have never done this before. Just a bit. Her Obe, please. Do you see that after a while?

36:48I think that's all the law. We have high season. Do you see that after? The Martini is really drawn out. Please, please, take my lady. The door will be closed. Thank you. It would be very important for you to live. I have been here often. You are the little little basement. I am sorry, my lady. It was also your time. You are too young to have come. Good evening. Good evening. Do you visit anyone? No, but... You are. You are old enough. Yes, I am. But who are you? I have never seen you. Really? Think about it. 1942. A father's house in Bresslau. A father. A wonderful Obe, he makes his attention. The evening plays the house with him.

37:49Her Borkost. Of course. Now he's calling me. How do you come here? I thought you would. I was so far away. Now I was in prison. But we talk about it from a little bit more. You see, it works fine. I have been married for a year. I will go to the Berk again. What do you want more? I will pick up some of my women in a few days. You won't go here, either? No, that means... What? You don't want to go to the house? I just came here first. But you are all in the same place? Unfortunately not. I have decided to meet you. It's a question if you have a room for me. The port is just close. Oh, it's really a little bit easy. Just to go to Montana and to the mill. Oh, you know, I didn't want to go here. Where is the sun? I was on the way. To Italy, I understand. To Italy? Yes, of course. To Milan. I remember very well in my friends. Friends who I wanted to visit.

38:50But as a visitor to Montana, I couldn't stand here again. My husband and I were here for the war. And then I went out and went to the sea. Of course I saw him. I was angry with the dogs. What is with the room? We trust you, my lady. But it's all settled. Freyos Tiz had old door before Stammgast in his hotel. It must be possible. You can see him close. It's a pity that I have to be so upset. I'm happy when I'm here again. I can be happy. I'm sad. That's not going to happen. But there comes the party. A happy afternoon, my lady. I see that a telegraphic message is sent. Our most beautiful apartment was built. It's always three. In the first stock, with Bart and Ankleideron. I think she will be happy. But that's very expensive. For you, I'm sorry. I'm not as rich as before. I think I'm going further to Milan. No, I'm not taking it.

39:50You have to know my man. If you go back to Italy again, you won't be so bad with your arm. I think you're right. And now we'll get the package from the bathroom. I'll go with my bathroom. Oh no, thanks. I don't want that. Why not? Please, don't be too bad. But I have different bathrooms to attend. To set up the meeting. And then I have to call my friends. But that can be done from here. It's 13th anniversary of Burgost. But it's really better if I attend everything alone. Please. I don't want to be in the blame for my actions. I'm not a bad person. Please, please support me. Until then, I'm in Burgost. Hello, lady. You can't go without a man. You'll be sick. I'm back soon. I'll wait for you. You'll be in the middle of the meeting. I've taken the train.

40:50It's a cost-effective piece of land. I'll be fine. But I can't do that. I like it so much. It's really too much to be honest. I've already sent my mother to Milan. But that doesn't matter. Just one second. I'll be fine. Oh my God. I'm lucky. The garden door is still open. Hello? Who is it? I knew they would come back once again. I left the garden open. You? Oh, I'm grateful to you, old lady. I won't forget you. If you knew I was here, I'd have to go back. I came to pick up my gun. I knew it. I knew it. I knew it. Everything is here. The coffee, the bag, the coat. The coat? Oh, I can't use it now.

41:51You're in your trunk, right? You'd do the right thing. Oh, now I understand. What a wonderful piece of land. Do you hear me? Me? Yes. That means... I'm a nice woman. I'm afraid of you. I can't understand. But it's a bit of a pain in the air. Please stay here. It's too late for a resounding moment. Then don't try to get up again. If you're afraid of where you're going. They don't hear me. I was a nice woman. I know what they're saying. I know what they're saying. No, they don't know what they're saying. Come on, help me to get the coffee. But it's a way further away from the hotel. My bag is outside the portal. Yes, nice woman. I'll help you. Here, please, my lady.

42:52That's your room. Or thank you. I'll put the bag on the ground. The further I do it myself. Tell me. I still know the room. The entrance has changed a lot. The green dung cover. The bed that Margoni. The tepig. But what if it was a wonderful vase under the mirror? We've had a few days in this room. It's a Japanese vase. The direction is thought to be seen to be happy. And where do you get the roses? The roses are from Mr. Borkos. Do you have a wish-like woman? Thank you. Please, please return the garden. Yes, that's good. Good evening. Good evening, my lady. Now I'll go to the balcony. Slowly, slowly.

43:54And my hands on the terrain. I'm not old yet. I'm young. How about that? The phone. I have to go. Yes? Here is the old door. Oh, you're Mr. Borkos. How? Tonight? A business of the village. But in the morning, they're there again. Maybe we could eat together in the middle? How? No, I'm not there. Of course I'm not there. I understand that. Good. And thank you for the wonderful roses. Really, it's clear. See you again. That means hello.

45:35Back to your time. Ask your doctor about Epples and visit Epples.com or call 1-800-LilyRX or 1-800-545-5979. In your market, no, no. Of no fag. I'm going to buy a new market here. Until tomorrow. I... I'll take the light off. It's so bright here. Oh, my God, I pressed the wrong button. Please. You want my lady? Yes, wait. If you ask this man to ask Dr. Borkos, he knows it. But you have to be in love immediately. And tomorrow morning, I want to eat breakfast on my room. T and then I'll be there. You won't forget it, right? You can leave it on your own.

46:35And here is your hotel choice. Good night, my lady. Appartement number 3. Passion, on three days a day, 42 francs, 10% of the amount. 46 francs, 20. I had 180 francs. But the taxi driver bought the free-hate for free. They are 170 francs. I should get 50 francs a day. That would be 150 francs for three days. Yes. That must be enough. Yes, that must be enough. Three days a day, just like before. Three days. That's enough. Yes. It's good. It's beautiful.

47:35It's all very important. I have nothing to lose. I am happy. Very happy. And tomorrow morning, I will be here on the balcony. Exactly like before. She's still not back. Maybe something is happening. She's been two days. You should have the police to the right. The police? But that's not true. She must be right. On the post-court, a letter for you. A letter from your daughter, I think. Do you want to say that she has been to Hamburg? I don't believe it. No, no. It only happens to a family.

48:36The wife of Altendorf has a daughter. The parents, their brothers, their children, live here in the neighborhood. And she has a daughter now. You should have known for a long time. No, I think the story has a mark. She wanted to go with me. If she knew that she would stay in Lennarfort, she would have told me the truth. The things didn't like me. But I explained everything to her. It was really very nice. She couldn't get out of anyone. But she only stayed here for a few days. She even left her mother here. She could see her if she wanted. We don't need to be worried. Besides, I have everything with the direction. All right, wait a day. But don't worry. If you are not ready again today, we have to take care of you.

49:37Now, the next wife, please let us leave today. Yes, please give her my direction. She had a full-time job. That was 3 times 46 francs, 20 times 3 francs for the room. And that's where... She's a bit more kind of a woman. But she had the chance to make her room. The balcony must not be too big. She was excited. There was a lot of time. It's a bit embarrassing. It was a special cost-effective case. She's actually very honest. We made her into the price of her as much as possible. 35 francs. 35 francs? Of course, of course. It was my fault. They only write on it. But I don't know if I have so much money in my mind. I'm sorry. I have to go to the bank. Until the middle, I hope I have more credit.

50:38That was a nice woman. We were just a check. Please, come on. I'm coming. Please excuse me, Mrs. Schilding. 52 francs on the first day. The coffee was expensive. I knew that. 52 francs on the second day. And today 82 francs. 24 francs are. Nothing helps. I have to go to 12 francs. I have to go to 12 francs. I can't go to the bank. She won't understand it. And... Christine... And God, I don't want to... No one will help me. No one will help me. You want to go to the bank? I would like to offer you this pocket. It's a gift. I think it's worth it. Oh, you're very kind to me, Mrs. Schilding. I can't take anything now. She's a real customer.

51:38She'll come in three hours. But it's all thanks to you. Until the middle. I should have bought the pocket. How? Nothing. I'll come in three. But what do you think, Mrs. Schilding? I don't like you. You should get out of here. Of course, you'll stay here for a few days. I'll go to the bank. I have to go to the mainland. It's too late. I have so many worries today. No, but I'm still the man of the man of the woman. If she's a good woman, she'll be back. Of course I'll take my wife. I don't want to waste her time. I'm not here to buy a new man. The last day was good weather. I forgot it. But I'm happy if she's a man of the woman. She's really a great woman. She'd be the man of the man. If she had a mother and a mother.

52:42I was with her tomorrow because of the broken one. My help is telling me. Please show me the piece. Here. I thought... ...if I could get 50, would that be enough? It's not enough. I can't break the broken one. You don't have to drink today. If you want to drink, give 35. That's the most expensive. I only do it in a case of a curse. 35. I'm sure. I don't like the broken one. Do you know if it's the man you love? I had an interest in it. The man? I didn't do anything to it. But I could take her to the commission. As I said, a Rhino case. Let's see. Oh, really a terrible piece. A special art from Nertz. A thousand francs could guarantee her.

53:43It's impossible. If she had a mantle, I would have a bottle of wine for the brosche. 80 francs for the brosche and the mantle. Is that an offer? Thank you. I don't sell the mantle. It's a piece of wine that I don't drink. How do you like it? Here are the 35 francs. A incredibly beautiful mantle. Oh, what a happy day. I always knew that they would come to visit me. Do you remember? From a few days ago we met in the train. And you, please, please, take her to the station. How did you like her in her sanatorium? I didn't live there. I was around. She had a right to be with me. That's a surprise. Where do you live now, madam? Your head is on the side. I was around.

54:43Where I was also used to. I didn't know. I knew it was right. I didn't know that it would fall out. I didn't believe you, madam. I believe you. I have a right to be here. I know where my customers belong. If I'm allowed to say that. And now I want to make a proposal. Madam, you can go. I already made a proposal. Why do you want to see her parents? She didn't have anything. She always made a wonderful, romantic decision. Like this nurse. She's the only young girl in the 20 years. You have to support nature. Here in the front, a small lock. Yes. So I was looking for my hair. And on the other side, a little world. I wanted to say that. She took me to the world. I was going to throw the knife out.

55:43I didn't know. I understood. And then I said, Rusch, we'll fly. Rusch. She's right. I have never scared of the game before. What is with me? Please, do it quickly. I want to see you in the mirror. Yes. Yes. Do I take the man to you, my lady? Yes. But I'm afraid of him. Oh, you can be very sure. In this coffee, nothing has come out. I'm going on. It's a special valuable piece.

56:44Here, that's for you. Oh, thank you. That would have been nice. ... Guten Tag, Herr Schule. Did you bring coffee in the coffee? I'm glad you brought me coffee. Please, come with me. A coffee, my lady. Yes. Now I know her, you must be convinced. You are different from a few days ago. Much better, not true. I don't know. I can't describe it. At the moment I could not see her again. But I am looking forward to seeing you. We were all in great need. We thought something was going on.

57:44Many wanted to see the police when they were right. The police? Yes, but if Fräuland Shrizander said that she was only waiting here. Yes, very important. She was very sad that she had left us. She wanted to have a space trip with me. She told me everything. We could have a rest. But now you have to tell me something. What do you do here? The ice coffee, please. Thank you. Here. You see, these are my old critics. Not all of them, of course. Only a few. Every afternoon I look for a few more rooms. Then I go to the coffee. That is the only place where I am completely disturbed. But that is very expensive to go to the coffee. For me not. The owner knows me. He often told me that I am in Zurich.

58:46I don't need to pay him. Here you see, this is me. A Ricopetroni. Do you know me? In 1903, when I was in the Dorkrozesa, when I was playing the role, I first saw my wife, when I was in the front hall, and the chapel was there. It was the big satire. I had the drawing. In 1903, there was still a child. My God. It has been a long time. I'm sad. Maybe I am sad. But why? Because I think in this second, at the first time, that I am old. Old and old.

59:47I understand you. It is not sad to be old. Then you live in this home. I don't know. I have the critics, the pictures. I know all my parties and evenings. When I lie down, I say sometimes the texts for me. Then I fall into the city and the country once again, in which I say, and slowly tauch the years from the sky at the beginning. One after the other. In 1906, when I went to the church in Rigoletto, on the island of the Scala, in the 18th century, in Berlin, in 1913, the new day, was the Tamino,

1:00:48in the opera in Paris. It was my greatest success. Again, I was the same as the Tamino, as I was the same day. But it is true. It is death, what he is lying to him. Did you not see him again? Do you want to see him again? Do you not want to come back? Come back? I never thought about it. I am an old man. Then you have no wish for me, no desire, then you are happy. If I think about the heart of the mainland and then the lion's monotonous cladding hands, that I still reach from afar,

1:01:49then I am happy, really. But now I have to go. My time is over. I am happy when you come back to us. Do you live? I am your wife. Do you live? 1913, the Tamino in the opera in Paris, never becomes a human being. So sing like me. Seltsam, first happy. Do you want to have a coffee, my lady? No, thanks. I want to pay. Let it be straight. Thank you. See you again, Mrs.

1:02:49Here, please. Number 81. 81? You really are my lady? Of course, my lady. What should I do? Where is my man? I don't know. I don't think so. You can tell yourself. Number 81. But it is quite impossible. I gave you half an hour ago. I even gave you a drink. So you can have a good look. And I don't know about that. How did you say that? It was a nests mantle. A very expensive black nests mantle. It can't be that a mantle simply disappears. Maybe they are their ladies. Here is the case. Maybe they gave you something else. I don't know what I am doing. How are they possible? They said that nobody would come out of this garter.

1:03:49No, my only colleague and I. That means the old man, of course, is sitting at him. He heard the water from here. He heard his map himself. The old man was in the garter? Did they wake him up? No, not that. But the ladies don't think that the school is closed. At all times, you have to be in the right direction. But no, the ladies are very stupid. What is going on? How is that happening? The mantle. What is a mantle? The nests mantle they have been lying to me. What is it for? First question. The nests mantle? My god, how is that? I told you, how expensive it is. Did you lose it? You are talking to her? I was in a cafe and there was a car on the road. I told her that the car was expensive. She should fit well. I even got a drink, 50 rupiah.

1:04:4950 rupiahs? I met a famous opera singer. He was very famous for his school. He sang in the 16th of May, the Greek regolitho. At that time he was in the regopitosis. Wait, wait, wait. That's interesting. I don't really understand this. We will discuss it. He stood up and stood up. After a while I also counted. I counted my mark on the card. Which number? 81. But I did not find the mantle. I am sure they all looked through. But he was not there. Where did they have the mark? The mark? Yes, the mark. I am very surprised. They had to have the card. The card? They were not there. How did they then show that they have given the mantle? Sorry, but this dumber is really unproven. But we will have to be very soon in the police. Nobody was there. They were not there. No one. Then I am sorry. I have to go. I am sure the hotel will be a detective. Maybe it is better not to go this way. Someone will bring the things to the public. Two hours ago a woman came.

1:05:50Until then I had to have the mantle. Otherwise the storm is very cold. You have to sit down. Good day. Sit down. I can't do that. Where should I take the money? That is impossible. That is impossible. Good evening, Pautier. I could tell you a report. But you are a doctor. I am a bit of a biologist. My colleague has been in my office for a few minutes. Not at all. Thank you, doctor. Thank you. I am a very nice doctor. I want to be trusted. You can leave me alone, doctor. Mrs. Justiz Rat, old doctor, who I know from the past. She has a mantle of me today. A very cross-barned nurse mantle of my wife. She lost this mantle. Two hours ago a woman came. Until then the mantle had to be here again. I don't want to hang the things in a big lock.

1:06:50She still has a hotel detective here. Of course. We can call her. But if I allow a few remarks before. But I understand. If you don't show me a spell, you shouldn't be a judge. Oh, I only have my doubts. You know old women very well. No, only the most important of the war. They were very dangerous back then. Now I haven't seen them for a long time. Why do you ask? I have fallen in love with this lady. Maybe it's because of her. But... You have already been a witness. When she couldn't pay her income today. What did she say? She was a little higher than she expected. She had a basic salary. And she couldn't pay her. I was stoned, but I don't know the things that are not even serious. Until I met a friend of mine who is already here. Taxi driver. We came to talk to each other and told each other that you should drive to the bathroom three days before. It should have been.

1:07:51But it can't be. The woman leaves her to drive to the two-tree. She doesn't know the name of the woman. A long haul for old people, and a passionate person. Good and good. My friend is now going there. She stays around 10 minutes. She goes back to the bathroom and leaves her to drive back. So that she can see the way she came from the bathroom. Have you let these women write to her? Of course, Dr. S. Wavra is there. There is no doubt about it. She is a great woman for old people. Now I'm going to explain why she always puts herself in a dress. And this woman gave me a belt bundle so that she can be treated as soon as possible. I'm not so sure, Dr. S. Wavra. Have you seen how she came back? She was newly arrested? She was gone. Everything is on top. And where she had the money for the coffee. If she couldn't pay her bills in the morning, she wouldn't have anything.

1:08:53She would have had the man who had the money to pay her bills. Well, that was all. But the thing is, the girl is the same. She is my daughter. I love the man who used to know that she wanted to go to the bathroom. Oh, that's interesting. And what do you do with the man? I think we have the same money back. Of course, she also had money back then. But today she didn't bring her back. Because today she has no money anymore. She just left everything very simple. And, but... I don't think she's that simple. Maybe she has a complete... A complete... No. That means she told you to drink coffee with a certain... ...cooler together. Cooler. Cooler. I've heard the name once. An old singer, I think, I think, a patron of the song Petroni. Of course, now I remember. Last year she became her own evening.

1:09:53She had to be. She loves... Yes, that's right. She loves to be free. To be free? That's enough. Please give me the phone number. Because there... ...because of the free. 21.23. 21.23.30. Hello? Yes, here she speaks the same. She said she lived in an old village in her own house. All ten villages. How is that? Three years ago, she suddenly disappeared. To visit her parents. Oh, that's interesting. What did she say? She was seen by her. How is she? A girl to talk to?

1:10:53Yes, doctor. Dr. Brockost. What is it? The woman. The old woman is back. She just came to the hall. Thank you. I didn't want to know. Thank you. Yes. The thing is clear. A simple case of high-stabbing. In the forest she was free. She was told to be in the mountains. Everyone had met her in front of them. Of course, everything was prepared by a long hand. I have to ask the party to report the direction immediately. Here they take that for the first time. Oh, doctor. I will talk to the woman by myself. Good evening, several questions. I want to say a word to my staff. How much was it? 184 francs. Here are 190 francs. Let's see. I don't need that anymore.

1:11:53Thank you very much. In the hall, you wait for a drink. A drink? Yes, I come. 12 francs hotel. 6 francs drink. 18 francs. 10 francs of freshness. 28. 22 francs of coffee. 30. 5 francs. That's enough. Oh, you are the boss. The party has not been so strict. No, they have found the man. No, not yet. Where is the school? Where is the man? The school? They come to school. They have still searched for him. In the forest, not true. He was not there. Where do you know that? In which tone do you speak to me? We made a few interesting discoveries. What do you want to say?

1:12:53The chauffeur, who spent three days in the forest, had a lot of fun. They were not at the bar. They only had a train. They were not even allowed to travel to Milan. But let's do that. What do you have for a famous makeup artist? And the frisur, my compliment? They look really good. I have to say, it's not even willing to be a frisur. I don't understand. I have driven you to pay your hotel for your tomorrow. You have inspired me. I could think of that. Good. You should have experienced the truth. I am poor. Yes. You sent me to the forest. The truth. In the first evening I made a walk. Suddenly I stood in front of the hall of this hotel. Many years ago, when I was a young girl,

1:13:54I had already lived here. I couldn't stand it again. I went in. I wanted to live like before. Then I found myself. I didn't expect to tell you that I was in the air. And that my husband was still alive for the end of the war. When you read the title of your book, I tried to read it. But it was too late. I had only been here for three days. Fortunately to be. Luckily, as usual, on my wedding trip. Why did you want to stay in a place like that? As far as my money went, I had just calculated it. It happened with the unhappy with the war. I didn't know any other way than to put a old hat on me, a coral gem. I was free of it. You won't understand. I wanted to be a couple of hours younger.

1:14:55I was happy to be as happy as I was. I wanted to forget that I was a old woman. And I forgot until I was in the coffee shop, old school. First I was like myself and lived in the world. But only happy. Then the story came to my mind. I thought the school was a bit... No, I'm sorry to say that. It was just my experience that led me to leave here and to free me. Now you know everything. You won't expect me, because I'm in love. But that's not the same for me. A beautiful story. A calm story. You can't complain that I didn't hear you well. You were very happy in the war, but now I can take back my right. I'm in a business.

1:15:55It's the most important thing I can do. When you're free, you can leave this place for an hour. You'll be able to leave the affair. In other words, you're sorry to have to take back the police. I didn't understand you, Borkhorst. I didn't interest your life story. You didn't have a right to be sorry. I didn't have your support. You don't have a right to be sorry. You forget how you've been looking for me. Why should I believe you didn't have a right to be with your accomplices? If all your statements of the business trip to the mainland and the foreign goods were stolen, you'll be the one to blame. Now I understand you. I understand you're a very good Borkhorst. If Arm is to blame everything, it's very easy to think.

1:16:55But I didn't have anything to say. I paid everything. And if the man doesn't find himself again, then I'm willing to pay him back in the lost summer. I can't do anything anymore. In the past, I'll pay you back. It's not a different choice for him. The responsibility of the direction that hotel is so fast that you can leave will be on your own. From this point of view, we are also able to leave our house to be asked to leave. They will be forced to see each other. I'll pay you back to the lost summer. Lost summer. Yes? I'm sorry. Before your husband. I came back from the night.

1:17:56Nobody saw me. You can believe me. But what's going on? I have to be responsible for this. If you don't come back tonight, the other police officers will be arrested. I can't do that anymore. I told you. Yes, I know. The school told me everything. It was very dear to you. Please pay me back. If I'm not a bit nervous, I'm not. You're already in a pack of clothes. You come back now. I'm sorry. No, I'm not going to the world-free zone. I'm going to the world-free zone. I'm going to the world-free zone. You're not going to the world-free zone anymore. But the police will not look for you. I'm going to the world-free zone. You're wrong. It's not too late. I've explained it to you. You're going to the world-free zone. You don't know what's going on today. I have to pay. If nothing else happens to me, I'll be back. Please believe me that it's very difficult to get back to the world-free zone.

1:18:58I'd like to talk to you again. With you and with her school. I have to apologize to her. Please, go back together. Go back together. And you don't break me now. It's like this. She has enough to be with me. She's both with me. I'd like to go back together with you again. Go back together. You have to pay me back to Kudowa. The Kuroka-Pelle plays. And the legend knows her. Oh my God! If you're wronged that I'm here, what should I do? I'll make you the door to the Ankleider Room. No one will see you if you go to the stairs. And then you'll wait in the garden. I'll come in a few minutes. You can leave it there.

1:20:01Yes, go in. What's your name? My name is Nede Gefrauer when I'm so unembrished here. I have a little bit of a problem. Yes, please. I'm the director of this hotel. Oh, so? I should think about that. As you can see, I'm already in the garden. Nede Gefrauer, it's a terrible mistake to walk down the stairs. I'm also convinced that, through the unregulated entrance of the Serm Doctor Borkhorst, the direction of the ship has a terrible reason to be real and unbearable. I don't understand. What is the story? The coffee has been found. The mantle is found. It is found? Oh, that's happy. It's all a mystery, not true? The gardener had the mantle hanged well in the trunk behind the gardener, to inform her colleagues about it. It has all been written on it.

1:21:01That's nice. I thank you for this message. Thank you. Please believe me that it's really very painful. You understand the smell of our hotels. If you would show us your own way to be our guest for a few days, in this apartment, you would definitely not pay for it. Thank you. I'll travel. Borkhorst will be a lot of fun. I know. Oh, I don't think about Borkhorst when I'm here, I'm going to talk to her directly. I think a old man, a singer. Maybe she heard her name once. He's a scholar. He was under the name Enrico Petroni. And now I want to go. But you understand me, but we don't want her to think about our relationship with a girl.

1:22:03A girl? I don't know where she is. I'm very happy here. I'm so happy that she's not here for a long time. And I've learned a lot. It was my free time to live like this for three days. Now I don't want to. No more. The dream is over. It was beautiful, but an earthy. Then I'll make another proposal for her. A very far-away proposal. The direction offers her all her attention in eight weeks, not in our house. She won't be able to buy her a house in France. Oh, I'm very happy about her. But I'm saying that she's too late.

1:23:05Yesterday I had a happy birthday. But today... Would you please open the door? Today I don't know that I'll be able to buy her a house. I'll give her a car to make a proposal. I don't need any. Thank you. I'm going to the house. The way to the bathroom is not far away. I'm not going to the bathroom. I'm going to the bathroom. But please let my suitcase be there. And then you'll get a new one. You wait in the garden for me. And you'll drive her to the forest. Thank you. I'll take the bag myself. Dear woman, I'm happy that you're with us again. After the dinner, I want to give you a few old plates of your previous game.

1:24:07Plates of the river Petrani. Tomorrow evening, I'm going to the school. Today I'm with you, a friend of yours. We want to make a walk through the park. Maybe we'll find this time in the garden that leads us to the small pavilion. Back then we were often gone. 1913 in the school. When you were in Paris, you were the terminus. Old woman in the Grand Hotel of Walter Jens. It was called Lina Karsens, Else Brückner, Annemarie Jung, Ernst Sladek, Kurt Stieler, Wilhelm Kürten and many others. Regie Friedrich Karl Koppel, production,

1:25:10south-west, biker's round-funk and radio-premium 1953.