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0:00O'st! I cannot give it to you, a mortal sin. Then we shall take it and spare you the sin." Said Slavkin calmly. He stepped forward and removed the cup from the order. Come, everyone. Let's go. The cup, as Slavkin knew, was another of those made of iridium. It had probably come from the same region of Siberia. On the way back, he was jubilant, hopping from foot to foot. Now we can build the future. Don't you see? In November 1918, Nikita, Pasha and I came home one evening to find a prig at the front door, hands on his hips. Good evening, comrades. He said smoothly. As you know, due to the compression of living space throughout the capital, this house is due for resettlement. Within days a total of 42 people had arrived at the doors of Gagarinsky Lane, dragging cart loads of belongings and pouncing on every inch of space.

1:07We ended up with only three rooms between us. A metal worker and his family moved into the dining room. Seven of them. His children looked like five tiny old people, eyes shrunken in their yellow faces. Without consulting the others, Vera and I gave them dried apples and pickles from our stores. One evening, Sonja produced a telegram from Constantinople. All aboard the Eloise, sailing Marseille, stop. The Marseille health not good, lack medicines and treatments here, stop. Details on arrival, stop. Corbillies. Since peace have been declared in Europe, we'd heard that hordes of refugees were leaving Russia for Turkey, France or New York. I hated to imagine their journey with an ill Mrs. Corbillie. I would like to have the Commune's agreement, broke out Sonja unexpectedly. I want to leave my job. What would you do instead?

2:07Asked Fierdor. Slavekin spoke up. I need a coworker on the capsule. I'm making progress, but it will go faster. But we need your Russian, Sonja. Objective Fierdor. We can't feed ourselves as it is. Yes, I know, she said. I thought I could make a trip to Michailovka. Some of the peasants are still well-disposed towards our family, you know. I think they would help us. Don't be a fool. Pasha exclaimed. It's much too dangerous. Please, no. Sonja. I will do whatever the Commune thinks best. Sonja spoke up again, but I didn't come back from the south to waste my time. If I succeed in the task I am now setting myself, said Slavekin calmly. The revolution will, I promise you, make a huge leap forward. This, after all, is our chief aim. Is it not? But, but is Sonja really the best person to help you? I put in. She has little or no scientific education, and she will do very well.

3:10Slavekin said definitively. Sonja began work with Slavekin a day or so later. And with her he spent longer hours than ever closeted in his workshop. After making a careful inventory of our stores, we decided that in order to survive the winter we would have to go bagging. Despite the fact that it was illegal. It meant setting out into the countryside with a bag slung over your shoulder and bartering with any peasants you might come across. Red guards who searched the trends not only confiscated any goods people might have collected, but quite often shot the bagman too. Pasha and Velodja volunteered to be the bagman. Later the same week we accompanied them to the railway station, marching in formation and singing revolutionary songs. Velodja's face with tears, and made a surreptitious little sign of the cross over him. Pasha kissed his sister and made me a funny little bow.

4:13Each day, on my return from work, the quietness of the house was noticeable, the dampening of all our spirits. One week passed, and two, and three, without word from our bagman.

5:21And with tears inside of your mouth, In the spring, in the summer of the winter. The sun was shining, the sun was shining, the sun was shining, the sun was shining, the sun was shining. And with tears inside of your mouth,

6:29In the spring, in the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring, in the spring of the winter.

7:39And with tears inside of your mouth, In the spring, in the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring, in the spring of the winter.

8:48And with tears inside of your mouth, In the spring, in the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter. And with tears inside of your mouth,

9:53In the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter.

11:09And with tears inside of your mouth, In the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter. And with tears inside of your mouth,

12:13In the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter.

13:17And with tears inside of your mouth, In the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter. And with tears inside of your mouth,

14:19In the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter. And with tears inside of your mouth,

15:23In the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter. And with tears inside of your mouth, In the spring, in the spring of the winter.

16:36My heart is now seeing me, I am surprised that I am able to forgive you, And I give you a pen and I thank you very quickly, And you see my lungs and this lovely hotel, And you do not know who you are talking to, And you do not know who you are talking to. But one evening, as a joke, A woman asks me what I am talking to, And one really looks at my glasses, And one says what is left behind. And one shes with eight seagulls And with fifty canons, He will lie on the edge. You say, you are watching my child, And you are reaching for the penne, And the penne will take away the penne,

17:37And the spits will do it, And it will not be in this night, And you do not know who I am anymore, And you do not know who I am anymore, But one evening, as a joke, A woman asks me what I am talking to, And one really looks at my glasses, And one says what is left behind. And one shes with eight seagulls And with fifty canons, He will lie on the edge. My heart is full of lies, Because the clouds will fall behind, And the city is made up of earth, なので that a lovely hotel is transformed from each step, And one asks more, And one asked more,

18:39Who wants more, And when this night is complexity, And that hotel is for you, And one asked why do a hotel transform? And one really looks at my garden, And one asks, And the ship with eight ships and with fifty cannons will fly the mast. And the world will come 100 meters high and we will take the ship and start a journey for the eternal door and bring the ship to me and ask which we should be killed and which we should be killed.

19:45And then this meter will be standing on the edge and ask us where we should be. And then we will say to ourselves. All right. And if the head falls, I say, head. And the ship with eight ships and with fifty cannons will fly the mast. In this eye, the head of the police chief, Brown, the bandits called him Tiger Brown.

20:46He is a good friend, Mickey Messers, from which he has nothing to see. Tiger Brown comes and Mickey Messers wants to wish his time to his Hochzeit in the memories of their common youth and the police chief, Brown, the cannon song. Then the ship kicks off and gives off his little brother to his master, the

21:48astronaut on the island of B時g resources his Unknown Patreon A Welcome to Irique I met her In century The reason what happened. You only answered more neutral. Yes, you. Oh wait, we ask that Widow to marry him to our favourites! God knows, is Madame洗? No, she's repowing, I greet her to guard your house, and throw us the

22:49Jibe West, nobody tells me anything important Ten years ago Don't believe it and becomeans. Of you people and ye people shouldro then fear their despair. And on the earth there is a encouragement from all its longevity. And so once they offer, and we should trust that something sweet is still present. With the eyes of the night, I get a smile. And then I see the star from the beginning. Small, slow, cute, high-pitched, long-lasting, looking at you. What do you say? You're not small in the middle of the night, right? Oh, the wind doesn't come either. Oh, so... Oh... Yeah, yeah, yeah. Yeah. No, so when do I do... You're not. I'm doing you a mat.

23:50Why would you like to speak again, but we ask what to do? No, no. We ask what to do, no more. Well, that's still going to be a little, little, high-pitched. How much of the sun is there, when I read that, with an unusual telephone-like man from the work of the hall? Yeah, telephone-like man. I'm... Oh, oh, my God. We're going to the airport again, for 60 days. But... Do me for 60 days, good morning. Good morning, my name is Bill. But... I'm... Oh, yeah, I'm... So, I'm still well. In the hotel, people go to the hotel. In the elevator, in the elevator, the elevator, the elevator. You said he'd be...? Who? My head! It's my eye looking. I'm sure about you, and I don't get it. Starting with you, you say, ask what you want.

24:51No, no. Don't worry about that. What? What I want, don't worry about that. Well, I don't want to sleep. That's what I'm saying. Because I think we're going to start. What? What are you talking about? The delicious one will click on your card at night ... Well,the night we sleep again the old one, we still have had a night we who was dead No it was not in no time to guess what it means But we๊ see then Wait that's not the reason Well ! the light of the usual natural spiritual expanions So Du Du to you finally we have to seek out operational Du Du du Rex in the southeast So we all have to be aware of that And the tune of it quieting down

26:06It's not true. Yes, sure. As we said at the doorstep, we were all the happy people. Oh, yes? Yes, the happy people. It was certainly something. It was a very strange journey when we were sad. After the talk of the Dienste, the concystory camera, all those people who visited us, happy, sad and happy. There is no one who really feels like visiting us. It's not like we're happy. No? No, no, no. You're all a bit lame, you know? And I always leave a cage, a seduette, a seduette, a stonest to tell you not to be able to say it. And of course you don't even dare to say it. So, when you got a point, I was like, I didn't dare to say it. What's going on here on your answer? Oh, I woke up and the weather was raining on the bridge.

27:08Oh, but the bridge didn't work out. It was mainly because of the high slope of the river Slueyern, a part of the bridge that was called. It didn't say anything. It thought it was a water of the beach to look at. But no, we still have a picture of the old man, but we're still going to get a red light. I walked in the middle of the river, and he was surprised to see the front wall. And a door was locked on the head. Oh, yeah? And that Dominion? That Dominion was just on the island. To search for our rings. What the best man can do is to get through my eyes. You see that on the front wall with a wide angle. Dominion was the back wall on the island.

28:10He was very happy to hear that woman. It was twice a drop in the water and she was very angry, but she was very unhappy. And she was very happy to see that. No wonder what. Dominion was there when we came home. Yes, what did you do? Well, just a few pieces of white paper, but I was scared, and I was waiting for my heart to get out of it. So I went to the river in the water, and I opened my eyes and did what I did. And I was like, what did you do? That's what I took in the army. A lot of children had to ask for help. She asked about the brand, and we finally all broke up. What did you think? Nothing.

29:20The water came out, and I was in the water. There's a sign of stupidity that it's not where I want to be. In my studio, in my last day all, in my last day all. Oh

30:36Oh It's not for me In that block All the certainty I think I can hold I think I can hold I think I can hold I think I can hold You're left in my heart You're left in my heart Sometimes I'm slow I wish I'd said no I wish I'd said no

31:41I I I

32:54I I I I I I I I I I I I I I I I I I I I

33:55I I I I I I I I I I I I I I I I I I I

34:56I I I

36:11My life is all guaranteed Best wishes! Best wishes for them

41:06I'm going to make a little bit of a hole in the middle of the hole. I'm going to make a hole in the middle of the hole. I'm going to make a hole in the middle of the hole. I'm going to make a hole in the middle of the hole. I'm going to make a hole in the middle. I'm going to make a hole to the middle of the hole.

46:18Just one. Just one. Just one is more than I'll see at this time. My little girl. Just one. Just one is more than I'll see at this time. My little girl. Just one. Just one. Just one. Just one. Just one.

47:18Just one. Thank you, Papa!

52:48I don't want to sell for the dream. I feel the body sick. In place, I was trapped from the world. I was just smiling for a vacation. I was just smiling for a vacation. I was smiling up to stars but I still see those narrow, dressed in working glass cold,

53:53mixed in a veil. And still, full, full, full, full, full, full, conscience.