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Podcast Patapoe — 20260907-0900. Machine-transcribed; use the interactive transcript above to jump the player to any line.
Jason Tom Tom Tom Tom
The holiday cottage. The rain beats against the window behind the bed, on which he is lying naked on his back. His arms are stretched out on either side. His wrists tied tightly with two nylon stockings to the iron bed posts at the top of the bed. His legs are open, stretched out, each ankle tied to the bed posts at the bottom of the bed. His mouth is gagged with a piece of cloth. She is standing on the far side of the bedroom smiling. She stubs out her cigarette in the astray on the bedside table, removes her shoes, stockings and pants, and climbs onto the bed. She kneels astride facing him. She unfastens her belt and unbuttons her dress and slowly pulls it over her head.
She unhooks her bra and drops it onto the floor beside the bed. She unbraids her long hair and trails it across his body and face. Sweat breaks out on his forehead as he rides helplessly. His eyes shut tight. His teeth bite into the gag. His fingernails dig into his palms. Spasms run through him from head to foot. He thrashes from side to side, then slowly subsides. She straightens up and smiles. His breathing returns to normal. His eyes begin to close.
When he awakes, she is no longer in the room. The rain has stopped. A breeze stirs the curtains. The sun shines through the window onto his face. The sweat has dried on his body. He shivers. His movements have tightened the knots in the stockings which secure his hands and feet. He flexes his fingers and toes and shifts position as best he can to ease the numbness in his limbs. He listens carefully. There is no sound. Outside the window the sky is blue. A seagull sits on the window ledge watching him. The sun begins to set. The sky through the window is red. The wind has dropped. He can hear the sound of the waves breaking against the foot of the cliffs below the cottage.
And the raucous calls of the rooks coming home to roost. In the distance the cries of the curlews in the estuary. The light begins to fade. A moth settles on his face. A spider spins a web between the bedpost and the wall. It becomes dark.
Rain? A realized air Глэп x Iig
Just a moment filled with love, just a grain of weight, just a sacrifice to sow and the children can touch. Limerilangai? Just to love and life to love, just to wait to see. Just to love and love to give, and to give and to give.
And we can't get it down. We can't get it down, we can't get it down. We'll play the world, never again, fight. We need help, we need help, we need help. No worries, we'll play the world, never again, fight. That's all we have. We'll play the world, never again, fight. We need to get it down. We can't get it down, we can't get it down. We'll play the world, never again, fight. We need help, we need help. We need help, we need help. We're fighting so far now. We're fighting so far now. We can't get it down.
We're fighting so far now.
We're fighting so far now. We're fighting so far now. We're fighting so far now. We're fighting so far now. We're fighting so far now. We're fighting so far now. We're fighting so far. We're fighting so far now now. We're fighting so far now now. We're getting通. We're getting't通. We're fighting so far now, now now now.
Three points, uh, this son of tomorrow, the music of today, brings you exclusively that thanks to our crew. Stereo Platon, extra. Weird music isn't weird anymore, it's music that exists. We're now at the welcome by Stereo Platon. We're going to start with the collaboration between Matt Swini, the one who has been on the band for the first time in Banni Prince Billy. The other ones. They've been working together for 16 years now, and they've been working together for a long time, with Super Wolf, all being able to do it. And now they're getting a new one, they've got a lot of stuff going on. Now it's Super Wolf's coming up on Domino. The beautiful thing about Album is the subtle collaboration between Banni Prince Billy, the singer and the other singer, the guitar from Matt Swini.
The journey of my blue suit is in the evening. You look better in my blue suit than I do.
I will whisper in your ear, and no one ever has to know. Holy, I support you here, and I will love you as you go, as you go. You look better in my blue suit than I do. Now you're shaking, now exploding. Make yours and mine united fight. We combine then all our efforts, emanating bursts of light. We go off and sing together. I am naked, you're in blue. You really wear my blue suit, that you wear it smarter than I do.
You look better in my blue suit than I do. You look better in my blue suit than I do. My blue suit from Matt Swini and Banni Prince Billy, the new Album with Super Wolfs. The new dance that came and appeared on a single day, a real blow of the instrument, influenced by the whole world, the whole time, by the animon of Dance Dance.
The new Album with Super Wolfs. The new Album with Super Wolfs.
The new Album with Super Wolfs. The new Album with Super Wolfs.
The new Album with Super Wolfs. The new Album with Super Wolfs.
The new Album with Super Wolfs. The new Album with Super Wolfs.
The new Album with Super Wolfs. The new Album with Super Wolfs.
The new Album with Super Wolfs. The new Album with Super Wolfs.
The new Album with Super Wolfs. The new Album with Super Wolfs. And a moment of Dance Dance of the Album, Sing Angie, that's a Mongolian singer. And her second half with Urskal, that's a bit of a shame. The new Album with Super Wolfs. And her second half with Super Wolfs.
And her second half with Super Wolfs. The new Album with Super Wolfs.
Bell, bell, bavu, bavu Bell, bell, bow, bavu Bell, bell, bavu, bhips Bell, bow
all my loyalty all of my Disney I want to be in one no The
Zafkan from Angie from the Album Urzgal. That's a box set by Julius Hampele, American jazz musician in 1995. And all the music from his box set was sent out by the field's library of the New York University. Julius Hampele played for all saxophone and flat. And of course, the other improvisation was the Rhapsody from Julius Hampele.
Rhapsody from Julius Hampele went to the Boie multinationals to stay for harmony. And he was an unboxing of that of the new world records. Nochmer, jazz, free jazz. A period of 2032, and we recorded it. And I'm going to talk about the Album The Little Bird from vernacular. Then we also sit in Cleveland. In the group itself there are three musicians. R.A. Washington, the player, Tron Pat. You have Chris Calixar, on drums and guitar and also Lawrence Daniel Castle. He's a lot bass. And as I can tell, Album comes from Astral spirits but the label is later in the outskirts of the studio. I'm a Memphis from vernacular.
R.A. R.A.
R.A. R.A.
R.A. R.A.
R.A. R.A. R.A. R.A. Memphis from vernacular, on the Album The Little Bird. Tashidori, who keeps fun things on his bandcamp. We see that we have a collaboration between him, Ian McCom and Frank Marrows, all of them have a name. An uncle of T. takes a very good improvisation. We call it the We Are Dancing from Tashidori, Ian McCom and Frank Marrows.
R.A.
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