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0:00That was a black ego.

3:00That's happiness. When broke up, he got撐, he was with a whoever's neighbor. He eventually started running at a time And now he is with Jarris, who actually cared about Jose as well That's just to tell the truth This really really matters. Ready? Ole it by Cup Thiszza a great way to be algebraic

4:34Thank you Rail. Thank you, wee ladies and gentlemen. Pleasure people! Thank you. Gracias. A true. Merci. That was ice. That's the name of the song. The next one is going to be a discovery. Because we like to wear black, especially today. It's very heavy music, so we would like to wear black. But we are going to find some colors with the next piece. So the song is called Finding Colors.

5:58And let's go. Yeah. Oh. Don't you see? It's so close. Look. It's so close to town, the high heels in Harimotovy. I did not have time to think so L Sadhguru.

8:16I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough.

9:19I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. I'm going to make a little bit of the dough. Thank you.

10:19Poor Paul is my favorite color. Well, I have many different colors. Black is my favorite color. Oh, here's the yellow. Green is my favorite color. The next song is not a question. The name is Coffee Break.

11:33The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question.

12:36The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question.

13:38The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question. The next song is not a question.

14:43The next song is not a question. The next song is not a question.

17:31. . . . . coffee break in the world actually maybe you heard about the witches well this is dedicated to that entity the name is Raganah

23:23I have to pick one chair just one moment is the last song thank you thank you look for this space the help I hope you are having a very nice

24:28celebration it's really a pleasure to share tonight we do the last composition is called Amber Amber means or refers to the light outside of the cafes and bars when we are just walking at night sometimes we see that it can be many meanings many most good days but days put always there so it's a very interesting color for me so the next song is inspired in that I hope you like it

26:18is

29:55Thank you, Vel. Happy celebration

34:00Hello. Hello. Hey. That was a... Netherlands English. Yes. English. Yes. Yeah. And I'm going to go to my uncle's, and then I'll go to the next house. And we'll have a little conversation. And we'll see you guys next time. Oh, really? Yes. Yes, I'll see you guys next time. Yeah. Okay. So, hello. Hello, hello. Hello, hello. How are you? It's been a nice couple today. Hello. Hello. Hello. Hey. That was a... Netherlands English? Yes. English? Yeah. That was very beautiful. Thank you. Thank you very much. And you made the kids go wild? Yeah, that's awesome for me. Yeah, yeah, yeah, yeah, to feel the energy. Probably, probably the best energy actually. Yeah. The air transparent I would say. Yeah. They like it for a bit. The air tired and they move, they move on. Yeah, yeah, yeah. And they really feel the music. Yes, they feel that energy and that's nice. Yeah. And you are here

35:02like, uh, often? Yeah, I have to say we're a life on radio. Yeah, super. I like that. We broadcast also your play. Yeah. Thank you. You're like beautiful songs. And very, uh, yeah, yeah. Yeah. Well, let me pick my, well, the music is my, my compositions. Uh, basically, all of them started like cello sketches on the exercises or trying techniques that I saw in other cellists or other bands that play this kind of fusion, like cello metal apocalyptic is one of the examples that I, it's my favorite band. So apocalyptic. Apocalyptic. Yeah. So basically, I started following the cello, learning more about music, playing. And in my country, we have

36:11a lot of folklore, uh, music from different, uh, my country is Mexico, Mexico's, I come from Mexico city. Okay. And from Mexico, we have different dances and expressions from communities, indigenous communities that are like really energetic dances and wild movements, very fast movements. So I thought it was very natural to play with the cello, those dances and make some rhythms and, this cello is not like regular instrument in the kind of music, maybe. No, it's not regular. It's mostly performed in orchestras, ensembles or academies conservatories. But for, uh, I am one of those that like to explore outside of the classical music. And, uh, I think that was the first

37:11initiative that took me in the direction of doing riffs or mixing with rock. Uh, and the shakers are also indigenous addition because in Mexico city, before in the past there was the Aztec culture or Mexica culture. And they were offering dances. They used this instrument to dance. So it's rhythmically very powerful. I would say the sound, it is like a drum, very, bass drum. And I think it connects with something ancient in all of us, the sound of these shakers. Uh, so I think with the cello, it's just having atmospheres, uh, doing rhythms that can be powerful or can feel powerful, challenging also the technique in the conservatory to

38:13adding rhythmical patterns or being more aggressive, more loud. Yeah, you studied in the conservatory. Yes, I, in Mexico, I did my, uh, classical studies, but when I finished, I came here to do a master degree with a cellist called Ernst Rice of Hair. He's from, yes, he's, yes, he's a very famous cellist like that cellist. And I took lessons with him. Uh, and after my graduation, I being searching for playing with these, but also many different things like healthcare, infeciotherapy and music in composition. Yeah, a combination with different disciplines. And also, uh, composing for other musicians, arrangements for their songs or their releases.

39:17They want to, uh, record some cello and I record for them or for little animations, things like that. So every time the exercise of relearning the instrument in other direction is my, my, yes, like my direction. And this project is, is recently with Matin, a drummer, that we started playing together to make it more into the rock, see more metal. Because I think this instrument is very friendly with many genres like, and to be in a punk festival, in a punk celebration of a so important venue in that direction, uh, it's always nice to be in the edge with classical music, but distorted or heavier. Yeah, usually I have more, uh, distorted up, but today the distortion, to make it more raw, more rock also. But yeah,

40:23anyway, the cello has that sound. Yeah, yeah, it's, yeah. Yeah. Yeah. And yeah, it's like, maybe I'm not playing too many melodies, uh, right now more rhythmic. But the planning is at some point to have some backing track, like with other cello recorded or other sounds to have harmony and to improvise because we improvise while playing sometimes, like, between the sections, in the early spaces. Yeah. Yeah. Yeah, I think so. Yeah, I think so too. Yeah. It adds that complement, rhythmical, but texture and the intention as well because the drums can be very loud and that increases the

41:28energy of the playing, or also if it's soft and a texture that is less sounds, become also very delicate. So it's like an instrument that has that range of dynamic, that for dancing music, rock music or any detailed music is very, very nice. And the cello also has those qualities, I think. Yeah. You also play in different, uh, um, like bands or projects. Yeah. Yeah. Some friends invite me to play in their projects, like I collaborate in the past in other bands, metal bands as well. Yeah. Like the symphonic metal that they want to combine the symphony and heavy metal. Yeah. And also Iranian fusion, like gas fusion,

42:29improvisation, atmospheric, like really I try to be diverse. Yeah. I think the best way to learn more, yeah. Yes. That's the only way to always figuring out, but you have to say, you can say in a specific music genre or anything. Yes. Yeah. Especially if you also do composition. Yeah. Yeah. I would say that in that sense becomes even more obsessive because then you want to be very explorative, very experiment, experiment with specific things and composition becomes, like combining potions, a little bit of jazz, a little bit of luge grass, a little bit of rock, indie rock, specifically, but it's very, very nice to be on the exercise of doing more and more

43:32every time with other musicians that always had something new. Yes. Yeah. Well, really, really nice. Do you play a lot with this combination? With drums and with drums and cello. Yeah, I think it's the only way I play these songs. Yeah. It's the only setting, like we took both. The other bands have, like for example, bass, guitar and traditional instruments or bass guitar, guitar, drums and keyboard player with a lot of synth and effects. So, yeah, I would say that I tried many different combinations, but my favorite would be cello and drums. Yeah. That's like my favorite. Yeah.

44:36English. Yeah. Yeah. That was really beautiful. I really worked well with this explanation. I think so too. Yeah. Especially the very drum somehow. Thank you. You're not an expert in the music. Yeah. This combination allows to, they really requires like conscious listening to what's happening on the cello and reacting to that on the drums, which is very intimate. Yeah. I'm currently studying in cloning and trans-class computer. And you play with different combinations? Yeah. I play in another also like jazz, experimental combination, hex worker. And I'm doing a lot of my own work, which is more drums and electronics. Yeah. You also operate the electronics. Yeah. Yeah. Yeah. Yeah. Running drums through

45:43your effects, working with samples, checking on the drums. Yeah. Yeah. You do a lot of possibilities like this. The totally does. Yeah. You play solo? So, yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. And you're working with the hex, working with the... Sorry? What was your name? Oh, that's just under my name. I'm a multi-quit snare player. Yeah. Okay. Oh, sorry. I like it.

48:02You. Okay, audience who better learn about the effects better. Little, our judges will65 god All you're through aental んだ miracle んだ miracle likes so bad Cup hard Bottas Cuz sometimes with noras Cleop-Cop category So I'ma Responsible to boden, Dive okay San Feasage W 같아서 Oh!

49:10What? W me W me I Ish My mom Heул My mom No, I listen Plagod I Now I show I make I wanna go behind the hill, I wanna be a light of this What I want out of the power to do is I wanna go But you can't see me I wanna go to the side, can't see you I wanna go behind the hill, I wanna go behind the hill Can you see me? Hey, what? Hey, hey

50:17Hey, hey Hey, hey Hey, hey Hey, hey Hey, hey Hey, hey Hey, hey Hey, hey Hey, hey Welcome guys, we are Weapon Superleggy Danlas and a good energy for your moves Let's go And we are going to play for you If you want to play for a week, you can do it for the stream Or for the Spotify So make sure to come for a few minutes before the small people Come forward for the game Let's go That's not the end But it's time to get the food done

51:17Let's go for the games again Get out of the way I'm about to get lost But I'll tell you I'll be there I want to go home Be a part of my own And I hate And I hate I'll be here And I'll tell you I'm there To do this with you Wooo Yeah

52:23Be a part of my own And I hate Getting lost And I hate Yeah Oh It's bakl I'm out of breath I'm out of breath Oh, oh, oh, oh, I'm out of breath I'm out of breath In a large mountain ,immt here

53:35, …to bring you your own around and around you… ...too long I can say… Next stop is Sikita Woj, also onbrought the sweets you have a drink, so have fun… I think it's good to strip up as you all so nice And she walks around the rise, he's become one of the guys I said, babe, I can make you a lecture But the side that I like to work my first thing is mine There's the girls that do it too, there's the turn I'd say Now I'm failing out, I'm doing my biggest thing But oh, my friend made me hurt

54:36But she grows nice, like new skies And when I got to know her, I found out it wasn't the best guys And I respect that many things are a week so first I got down your darkening, that's a good idea to explain it Woo! And when I got to know her, she always said You're the one that made me hurt That's a good idea to explain it And I just really want to tell her something And when I got to know her, she always said That I'm crazy, oh I can't go to the dream She's too arrogant, that's an embarrassment She's so arrogant And when I got to know her, I found out it wasn't the best

55:36And when I got to know her, I found out it wasn't the best What? What? What? What? Oh well, I know that she's nice, she's speed on to the ground And I feel like she's with us, she's down to the ground And I feel like she's better down than she's died And I feel like I don't want me to be right I sound as I was told, life is best to fly Woo! And the kind of things that's better all the more Thank you We didn't accept, but stopped my heart, it's good to be If first time I saw you, I wouldn't dare to dream

56:36We shared all bad habits and thoughts of past Woo, that's all, then I would be your best And I bet you might make her last for more And I bet you might make her last for more And I feel like she's better down than she's died And I feel like she's better down than she's died Oh well, I'm sorry, I'm sorry, I'm sorry Woo! We couldn't stop talking without any words You want these new words, I'll just put it over Maybe you don't stop talking, now I want you to live Or time really stretches, and I want to be your best So now they're coming out So now they're coming out So now they're coming out

57:38Like a new product line And I bet you might make her last for more And I feel like she's better down than she's died And I feel like she's better down than she's died

58:46Woo! Woo! Woo! Woo! Woo! Where is this? Everyday and I Everyday and I Like a new artist, all new to something by heart And I bet you might make her last for more And I bet you might make her last for more And I bet you might make her last for more And I feel like she's better down than she's died And I want you to live Or time really stretches, and I want to be your best

59:49So now they're coming out So now they're coming out