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2:30Okay. Speaking about the Hello! Hello! Hey! That was... uh... uh... Nightlands in English? Yes, English! Yes, English! Hello! So, hello! Hello, nice to meet you. Hello! Hello! Hey! That was... uh... Nightlands in English? Yes, English!

3:30Yes, English, yes. That was very beautiful. Thank you! Thank you very much! And you made the kids go wild? Yes, that's awesome for me! Yeah, yeah, yeah, yeah! To feel the energy, right? Probably the best energy, actually. Yeah. The air transparent, I would say. Yeah. They like it for a bit. They are tired and they move on. They feel that energy and that's nice. Yeah. Yeah, and you are here like uh... Yeah, I have to say, we are live from radio-papapoo. Yeah, super. I like that. We both got to know your uh... Yeah. Thank you. Yeah, well, uh... you know it's beautiful songs. And very uh... yeah, I don't know. Yeah. Well, I just had to come from it, so... Oh, yeah, I'm gonna be... Yeah, yeah, yeah, sure. Yeah, that's the uh...

4:30Well, the music is my... My compositions. Uh-huh. Basically, all of them started like cello sketches. Only exercises or trying techniques that I saw in other cellists or other bands that play this kind of fusion. Like cello metal apocalyptic is one of the... The examples that I... It's my favorite band, so... Apocalyptic. Apocalyptic. Yeah, so basically I started... Following the cello, learning more about music, playing. And in my country we have a lot of folklore music from different... Yeah. My country is Mexico. Mexico's... I come from Mexico City. And from Mexico, we have different dances and expressions from communities, indigenous communities that are like really energetic dances and wild movements.

5:36Very fast movements. So I thought it was very natural to play with the cello, those dances, and make some rhythms. And... This cello is not like regular instrument in that kind of music maybe. No, it's not regular. It's mostly performed in orchestras, ensembles or academies conservatories. But for... I am one of those that like to explore outside of the classical music. I think that was the first initiative that took me in the direction of doing riffs or mixing with rock. And the shakers are also indigenous addition because in Mexico City, before in the past there was the Aztec culture or Mexica culture. And they were offering dances.

6:36They used this instrument to dance. So it's rhythmically very powerful. I would say the sound... It is like a drum, very bass drum. And I think it connects with something ancient in all of us, the sound of these shakers. So I think with the cello, having atmospheres, doing rhythms that can be powerful or can feel powerful, challenging also the technique in the conservatory to adding rhythmical patterns or being more aggressive, more loud. Yeah, you studied in conservatory? Yes, in Mexico I did my classical studies. But when I finish I came here to do a master degree with a cellist called Ernst Reisheer.

7:36He is from... Yes, he is a very famous cellist, like that cellist. And I took lessons with him. And after my graduation I was searching for playing with these, but also many different things like healthcare, infisioterapia and music in composition. And there is a combination. Yeah, a combination with different disciplines. And also composing for other musicians, arrangements for their songs or their releases. They want to record some cello and I record for them or for little animations, things like that. So every time the exercise of relearning the instrument in other direction is my, yes, like my direction.

8:36And this project is recently with Matin, a drummer, that we started playing together to make it more into the rock, see more metal. Because I think this instrument is very friendly with many genres. And to be in a punk festival, in a punk celebration of a so important venue in that direction, it's always nice to be in the edge with classical music, but distorted or heavier. Yeah, usually I have more distortion, but they distortion to make it more raw and rock also. But yeah, anyway the cello has that sound. Yeah, yeah, it does not lead that much. Yeah. And yeah, it's like maybe I'm not playing too many melodies right now more rhythmic,

9:42but the planning is at some point to have some backing track, like with other cello recorded or other sounds to have harmony, and to improvise because we improvise while playing sometimes, like between the sections, in the early spaces. Yeah, the drums really work well with you, it's a beautiful arrangement. Yeah. I mean if you would come to me to say like it's a cello and a drum, that's a perfect one. Yeah, but that's really nice. Yeah, I think so too. Yeah, it adds that complement, rhythmical, but texture and the intention as well, because the drums can be very loud, and that increases the energy of the playing, or also if it's soft and a texture that is less sound, it becomes also very delicate. So it's like an instrument that has that range of dynamic, that for dancing, music, rock, music, or any detailed music is very, very nice.

10:52And the cello also has those qualities I think. Yeah, you also play in different bands or projects. Yeah, some friends invite me to play in their projects, like I collaborate in the past in other bands, metal bands as well. Yeah, like the symphonic metal that they want to combine symphony and heavy metal. And also Iranian fusion, like gas fusion, improvisation, atmospheric, like really I try to be diverse. Yeah, I think the best. Learn more, yeah. That's the only way to always figuring out, but you have to say, you can say in a specific music genre or anything.

11:53Yeah, especially if you also do composition. Yeah, I would say that in that sense becomes even more obsessive, because then you want to be very explorative, very experimented with specific things, and composition becomes like combining potions, a little bit of jazz, a little bit of dugrass, a little bit of rock, indeed rock, specifically. But it's very nice to be on the exercise of doing more and more and more every time. With other musicians that always had something new, yes. Yeah, well, really nice. Do you play a lot with this combination? We drums and with drums and cello. Yeah, I think it's the only way I play these songs. Yeah.

12:53It's the only setting, like we took both. The other bands have, like for example bass, guitar, traditional instruments, or bass guitar, guitar, drums, and keyboard player with a lot of synth and effects. So, yeah, you would say that I tried many different combinations, but my favorite would be cello and drums. Yeah, that's like my favorite. Yeah. English. Yeah. Yeah, that was really beautiful. I really worked well with this bandation. I think so too. Yeah. Especially the very drum somewhere. Thank you. Not an expert in the music. Yeah, this combination allows to, it really requires conscious listening to what's happening on the cello and reacting to that on the drums.

14:03Yeah. It's just very intimate. Yeah. And you also learn on the concert story? Yeah, I'm currently studying in cloning and trans cars. Yeah. And you play with different combinations or? Yeah, I play in another also like jazz, experimental combination, hex worker. And I'm doing a lot of my own work, which is more drums and electronics. Yeah. Now, you also operate the electronics. Yeah, yeah. Yeah, it's running drums through your facts working with samples. Check out the drums. Yeah, you can see a lot of possibilities like this. The totally does. Yeah. You'll play solo? Yes. Yeah. Yeah. And under what's your hex? What's your name? Oh, that's just under my name. And Mutsi Kutsner.

15:05Yeah. I like it. I'm the sound of a rickshaw. That's it. That's it. Yeah.

16:11Yeah. Yeah. Okay, now, mate. Woo! Nice to see you.

17:11Woo! Okay, done. Woo! Woo! Woo! Woo! Woo! Woo! Woo! Woo! Woo! Woo! Woo!

18:11Hey! I heard it grow, and it made me so elastic. You're a big city and I want it out of here Why do you think that we can do it? To get strength to keep trying to tell you This is the game that makes you happy I want to show you how you feel I want to show you how you feel I want to show you how you feel I want to show you how you feel I want to show you how you feel One-two-one! One-two-one! Hello?

19:29Welcome guys, we are Weapon. Superleggy, there was a good energy, good moves. Let's go. We are going to play for you. If you have a special awakening, you can also play stream or step by step. So do that and be sure. Come a little bit to the front, for the small people, come for the little girl. Let's go. The bite and knees. I want to grow home.

20:38Be a part of my own. And I hate you. And I hate you. All the things you say. But I got a third kiss with you. Woo! Woo! Woo! Woo! Woo! Woo! Woo! I'm the girl, the thing that I'm not a real.

21:41I'm not a real. Woo! Woo! Woo! I was just a real. Woo! Woo! Woo! Woo! Woo! Woo! Woo! Okay. Come on. Alma! Come on!

22:49Woo! Next up is Hippie Cowboy, also a brother streamer for the Vi. This, do it all. I'm a big, I can make a collection of the songs that I like to work my first thing. There's the girls that do it too, and then you turn out to be a fan of them. I think my biggest thing is to put on my pretty baby. Well, she grows up like new skies. When I got to know her, I found out it wasn't her skies. And she's got many things I need to support. I got down your glass, and that's a very, very good thing.

23:54Woo! You have a good friend, you have a good friend. You have a very good friend. That's your girlfriend, right? That's my husband. And that's your girlfriend, and I want to do this, right? Woo! When I got to watch her walk, she always said, It's not great, but I can go to the beach. She's too arrogant, such an embarrassment. She's so arrogant. Woo! I got to remember her. I'm gonna go, go, go, go, go! What? What? What? Oh, well, my baby, she's like six feet under the ground.

24:55And I feel so good, she does it, because I'm not myself. But I better down in it she dies. And I better down go, I need to be right. I'm sorry, sorry, I spoke, but I like the best of life. Woo! And I feel good, because I'm better off than normal. Thank you. We didn't get to bust up my heart skipped a beat. If first time I saw you, I wouldn't dare to dream. We shared all bad habits and thoughts of past. Woo! That's all, then I would be your last. And I better to mind. You told us the wrong, and I had to do this. You told us the wrong, and I had to do this.

25:55And I better down in it she dies. And I feel good, because I'm better off than normal. And I better down in it she dies. And I better down in it she dies. And I better down in it she dies. Woo! Woo!

27:45masks to third line third Every day in time, every day in time, Like the sea of the stars, you can't stop the fire. I'm on the planet, come on inside, come on the planet, I never get to leave that blue sky to leave my heart. What I do so, what I do so, that I hear you say, That I can't find one, two, three, four, I'm with our two babies, give all you so,

28:47Follow your dreams, everything in the air, Follow, follow, follow, follow, follow, follow, follow, follow, follow, follow. I think the heart's gonna take away your heart, You're just a pair of babies, you're not the body, No, I'm playing with you, I'm playing with you, You're all the body, no, I'm playing with you, I'm playing with you, I'm playing with you, I'm playing with you. You're just a pair of babies, you're not the body, I'm playing with you, I'm playing with you. I'm playing with you, I'm playing with you, I'm playing with you. What I do so, what I do so, that I hear you say, That I can't find one, two, three, four,

29:47I'm with our two babies, give all you so, that I hear you say, That I can't find one, two, three, four, I love you. I love you. I love you. I love you. I love you. I love you. Wolfs want ja- Wolfs want ja- Wolfs want ja- Wolfs want ja. Wolfss want ja. Wolfs wants Ja. Wolfs want ja. I love you. I love you.

30:51I love you. You're a little bit... You're a little bit... You're a little bit... You're a little bit... You're a little bit... You're a little bit...

31:59You're a little bit... You're a little bit...

32:59You're a little bit... You're a little bit... You're a little bit... You're a little bit... The onion'S turn into lamb. Look at this!

34:03Other backend, so many different! I'm gonna have to go check, but do what that is for. Unless you can play on a 30-sick and not just enough and I have to quit the audience, you can get it, you can't get it, you can't. Unless you can play on a 30-sick and not just enough and I have to quit the audience, you can get it, you can't get it, you can't. You are making all things gotten worse. You are giving them all the people, you can't get people like you. You are making all things gotten worse.

35:06You are making all things gotten worse. You are making all things gotten worse.

36:06You are making all things gotten worse. You are making all things gotten worse.

37:06You are making all things gotten worse. You are making all things gotten worse. From three months, stills need stand for this. You can't even put a hand. Yeah, yeah, yeah. You need a tissue. What's it say?

39:01You need a towel for your hair. You need a towel for your hair. You need a towel for your hair. You need a towel for your hair. Maybe it's good to know you guys. Thanks for being the solution. instant

40:12I'm a true fighter I don't use the strength I've got to use the strength I don't love the world in my lifetime I'm not your man or slide And all I know is you're a lot of money But I start not gonna be good at it And get tired I start to feel better I start to feel better I start to feel better I start to feel better I'm not your man or slide I can't do this far I'm not your man or slide I'm not your man or slide And I'm gonna laugh in the world in my lifetime I can't do this far I start to feel better

41:12I start to feel better I start to feel better I start to feel better I start to feel better

42:36WELL!

43:36So very loud she plays me down So very loud she plays me down That's so much I can use to hear That's so much I can use to hear And I say, oh, I knew I never knew Oh, I knew I never knew Oh, I knew I never knew Oh, I knew I never knew OK, done!

45:30Oh Oh

47:00Oh Oh

48:00Oh Oh

49:00Oh Oh

50:00Oh Oh Thank you very much for the comrades here were a good day and sound

51:05Thanks for the silence One more... Give it up for a second. If you play hands ahead if you want... Fingers down. One more for vertical. One more... OK. It's a bit hard. Yeah, a bit better... I'm going to have a drink. Can you do it? Yeah, but I'm going to have a drink. It's going to be a good night. Good night. Good night. Yeah.

52:05Oh, good night. Good night. Ah! Good night. Good night. Good night. Good night. Yes, you are so nice. Lights are open and erase the clock and the waves have turned into waves, that's what he said. I want to be one of those clouds.

53:05You have my hairumin,自動空潮、oustic waves, I can't take it away. I've got so much wrong, I've got the best luck Oh I can't keep a girl company She's so arrogant, I'll change the best for her She's so arrogant I've got so much luck I've got so much luck Look my baby, she was nice, she's been on it around I miss her, she's so good, she does hurt herself I sell her a go to go, and then she writes

54:07That's where I got no one to go Sometimes I miss her, but my life is nice and dry She's so good She's so good She's so good She's so good Thanks guys I'll put her out on the Stephanie's

55:09It's almost her turn Darigail sang I want to go home, be at heart on my own. I want to go home, be at heart on my own. And I hate, never hate, if you fall in hate with me. But now I don't care to be my friend. In my heart alone, I don't know why you were out there.

56:17Look at my mother. Look at him very well. This will be you, I'llерм�t. It becomes easier for a brand new topic, It becomes easier to hold in, Stop it! It becomes easier for a brand new, Wee! Down! Wee! Sorry for making you, You're not the one You're here You all get mad You're here Wow! Oh, look at that! It's so good! I'm so happy! I love it! I love it! I love it! It's so good! I love it! Oh, it's so good! Wow! Wow!

57:19It's so good! It's so good! It's so good. It's so good. Wow! I love it! Woah! It's so good! It's so incredible. This song goes on without a doubt! It's so awesome! Would you mind singing a song? I can just like that! Wooo! Good morning! Salvador! Doc also did a stroke in Plymouth here. Good morning. Good morning. It's beautiful, right? It's brand new. It really is!

58:46do it quick! All right? into here and Council. We have a signal group here. We have a signal group where I always call it a group if I go out. To do八-point Amsterdam is the barking and sound...

59:50Yes, it's a very nice thing to do with all the posters. Yes, yes. But also a lot of fun, and then it's a lot of fun. Oh, that's good, right? With a lot of flyers or something.