About this episode
Your Hosts: Brandon, Piper, Dan, and Howard We're talking about the extreme long-form serial story here, and how to keep things interesting without forcing the main characters into an absurdly high number of character-developing moments. Brandon leads by aiming the question at Howard, since Schlock Mercenary has been running now for seventeen years (it was only 16 at the time we recorded.) We also talk about how long romance serials avoid "sequelitis" by swapping out the love interests, and how the tools used here apply across multiple styles and genres. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered by Alex Jackson
Our Sponsors:
* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com
Support this podcast at — https://redcircle.com/writing-excuses2130/donations
Advertising Inquiries: https://redcircle.com/brands
Privacy & Opt-Out: https://redcircle.com/privacy
Get every episode summarized
Each time Writing Excuses publishes, we email you a written briefing from the transcript — the topics, who appeared, and any specific claims, with the ad reads skipped.
Email me new episodesFree for 3 shows. No card needed.
No transcript yet
This episode has not been transcribed. Request it and it moves to the front of the queue.
More episodes
More from Writing Excuses
21.36: Twists: How to Make the Unexpected Feel Inevitable
Writing Excuses
21.35: The Four Acts of Kishōtenketsu
Writing Excuses
21.34: Knowing the Distance
Writing Excuses
21.33: When To Shift Gears
Writing Excuses