Radio City Playhouse - Machine

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The national broadcasting company presents Radio City Playhouse attraction 25.

Ladies and gentlemen and here is the director of Radio City Playhouse,

Harry W. Duncan, thanks Bob. Friends, the story we have for you tonight is not a nice story.

It is however a true story as it deals with the truth in a human situation and we feel that once

in a while radio can do with true and realistic stories. Our star is Miss Elspeth Eric,

one of New York's most talented actresses. She plays the very difficult and penetrating role

of Martha Hillman. Here then with Elspeth Eric as Martha and Adelaide Klein as her mother is tonight's

play machine attraction 25 on Radio City Playhouse.

Martha Hillman works in a factory. It's a good factory, good pay, good working conditions.

Martha's job consists of soldering together two copper wires which protrude from an aluminum ring.

The ring after several additional operations may end up in any one of a dozen electrical devices.

All Martha knows is this one job. She is a human machine, efficient, quiet,

dependable, a big overweight 24-year-old bad-complexioned machine.

She is also generous and kind and the hardest worker in her department.

Martha goes on working for a few minutes then turns off her soldering iron, puts down her work gloves

and finds herself at the end of a line of girls taking out their worksheets before going to lunch.

She waits patiently for a turn at the supervisor's window.

Martha Hillman 645 Fort Effective. Hi, Martha, you're the last one? Yeah, 645 Fort Effective.

Well, I don't know how you do it, but Bishop Kid took all morning to do 432.

She's new, isn't she? Yeah, here she's leaving, getting married.

Well, you're seeing Eugene? Hey, just a second, Martha.

Mrs. Forest, I've been Christmas now, I want to see you.

See me? Yeah, she's thrown down this morning.

I want you to drop into her office before you go to lunch.

Before? I don't know. She hasn't done anything.

Look, Kid, all I know is that Mrs. Forest just wants to see you.

Better go up for your eat. Time to our fourth floor, room 428.

Okay? Okay.

She'll stand on the stand while she wants to see me.

Oh, hello, Martha. Come in.

Um, sit down, Martha.

Thanks, Mrs. Forest. Martha, we're some news for you.

It's time for good news. Good news?

We're going to promote you.

Promote me?

I don't do think it's about time.

Why? I don't know.

If you're paying to send your office, you're going to have to pay.

I'll pay you to pay you.

I'll pay you to pay you.

I'll pay you to pay you.

I'll pay you to pay you.

I'll pay you to pay you.

I'll pay you to pay you.

I'll pay you to pay you.

I don't know.

If you're paying to send you up to the 34th-feet warehouse,

you'll be working under the throughout up there.

Traffic and shipping.

We have five girls under you.

And there's an increase of $7 a week.

34th-feet?

Yes.

Don't look so sad, Martha. It's a promotion.

Would that mean I'd never get down here at all?

Not unless you visit the night shift.

I can't go, Mrs. Forest.

What did you say, Martha?

I'd rather not take the other job than a promotion.

I'd be a girl you're not serious.

Yes, I...

I'd rather not.

But I don't understand.

This is a promotion of raise of $7 a week.

We've liked your work.

You've been studying, reliable, and punctual.

Just don't want to go up to 34th-feet.

That's all.

Good, Martha. It's closer to where you live.

It's a shorter ride in the subway.

Better pay, nicer works.

It's a promotion, Martha.

Don't you understand that?

A raise of $7 a week.

I don't need the money.

But, Martha, why?

I thought you'd be delighted.

I thought you'd be thrilled.

You've always been very nice to me, Mrs. Forest, but...

I don't want to go.

Is it some personal issue?

Yes.

At home, perhaps?

Is there some trouble at home?

I don't mean to intrude, Martha, but it's so...

Well, it's such a good chance.

Take the seat and just turn it down.

Do I have to go?

You don't have to, no.

But I'll be very disappointed in you if you let me down.

You wouldn't fire me if I didn't go.

Of course not.

Martha, how can you talk that way?

Nobody wants to fire you.

Just stay where I am.

Martha, I wish you'd be frank with me.

Don't want to go, that's all.

Oh, no, Martha, you mustn't cry about it.

If you don't want to go, that's all there is to it.

Look, suppose you think it over to tomorrow at noon.

I'll keep the job open to them.

I won't change my mind.

But you'd meet new people.

Make new friends.

It's a wise step in your career.

I don't want to meet new people.

But I don't want to make any new friends.

I want to stay here.

I like it here.

All right, Martha.

That's the way you wanted it.

I'll keep the job open until tomorrow noon.

To change your mind, come in and let me know.

That's all, Martha.

What a happy time!

Dad, you love this?

Mama!

Oh, baby, I just made this a nice picture of lemonade.

I thought it would cool it off.

Oh, you should have a feel good to sit on.

Oh, bet.

You want a day?

Was it ever hot?

I'm boiling, too, yet completely cold.

I was, I washed my hair if you're better now.

Here, I have a nice glass of cold lemonade.

Is there any beer?

No baby, I, uh, we just didn't have enough money

to switch to buy any beer.

Okay, okay, let me make some.

Thanks, Ma.

It tastes good, doesn't it, huh?

Yeah, yes, well.

Well, hmm, hmm, hmm.

Martha.

Mama.

Well, baby, I miss as far as foamy from the plants this afternoon.

She's a personnel lady.

She told me all about this, um, about this new job.

She seemed to think you ought to take it.

She said she hoped I, uh, didn't mind her foaming,

but that she couldn't understand why you didn't want to go.

Don't want to go.

Don't pick at your face, Martha.

Why don't you want to go?

I don't.

Well, that's no reason, honey.

Okay, so sorry.

But baby, boss, she's closer and array.

$7 a week, that pays a rent.

Or pays a rent.

We can pay the rent I want to make now.

It's a times like this, I sure wish your follow was alive.

Oh, that's Martha.

Oh, no, let's not get anywhere around, Martha.

But I'm only trying to advise you to help you.

I know.

Leave your face alone, Martha.

You'll make it bleed if you keep picking at it.

That's why I'm tired.

Let's have dinner, huh?

But why?

Why?

Just asking me that one question, I'll keep quiet.

Because I don't want to.

Now, let's drop it.

No, I won't drop it, Martha Hillman.

You just got to come to your senses.

I never heard of anything so silly in my life.

You're behaving like a silly kid.

Mama, when you lay off on us, I'm tired out.

Now, let's drop it.

$7 a week.

A rate of $7 a week and you're being airy-fairy.

Well, you'll learn, young lady.

I suppose you think you should have Mrs. Forrest?

Job.

$7 a week isn't good enough.

I don't want to talk about it.

Opportunity only knocks once, remember that.

Besides, it isn't so you were so crazy about this job.

You got now.

I like it fine.

One day, you like it, next day, you hate it.

Won't you make up your mind?

And will you please eat your face alone?

Say it enough now without you picking it all the time.

When you shut up, Mama, for heaven's sake, lay off.

Won't you make up your mind?

Since you're not getting married, you're

going to get ahead in your work, because if you don't

shut up, when you shut up, Mama.

Well, are you getting married?

Do I have any boys around here?

When I was your age, I was married for three years.

If you don't want to get married,

and you don't want to be a success in your job, what do you want?

I just want to be left alone over your suburbs

before I get married.

Don't you talk to me that way, young lady,

and stop picking up down.

And be careful about lemonade.

You'll sit all over yourself.

When you shut up?

Have you gone crazy on what I'm telling you?

You don't shut your mouth and get dinner out.

You might have hit me with that trash.

You might have taken part of you.

Yes, yes, yes, yes.

I'm about this job.

I work hard all day.

And you make me sick with you.

Yes, yes, yes, no.

Just shut up and leave me alone.

You're an ungrateful, rude, nasty girl.

Like what you are.

An ungrateful, stupid, rude, nasty.

Oh, Mama, you suck me.

What are you doing?

Shut up.

I have.

I haven't done enough to put up with it.

I haven't heard of listening to you all night.

Make me take a sit around all day.

Doesn't it do a wash your hair?

You suck me.

You suck me, man.

Who's doing it here?

There's no use, your phone.

You suck on that couch and kick it, my helmet.

You're a horrible, stupid girl.

I don't care what I do.

You can stand at job until you're rotten for life.

Oh, leave me alone.

Leave me alone.

I wish I was dead.

Well, I should think you would.

Mama, please, leave me alone.

I'll watch the news anyway.

I wish I was dead.

You shouldn't talk like that, Mom.

I do.

I hate that job.

I hate the fact that Venus is horrible.

I hate this...

Thank your heart!

What!

I hate everything!

I'll go away and leave you alone.

You make your face horrible as you cry.

So what?

So what if it's red?

So what if it's making a different difference?

Red, blue, green, orange, chocolate, get it.

Mama, please stop us.

Stop crying like that.

I like that.

Well, I do.

Hold it.

I'm, it goes on.

You're, I go on, I do.

So what?

Sure, I work out at the factory.

What good is it, Doomy?

What good is it, Doomy?

Well, I'm like this.

Well, I'm so fast today.

Pimples all over my face.

Mother, please don't.

Please, baby.

Stop all the time.

Here, but do me any goodness because you're so nervous.

That's what the nervous is.

Wouldn't you be nervous?

Oh, it's looking like heaven's needle.

I can't stand it anymore.

That's all I just can't stand it anymore.

I'm, I'm gonna go away someplace and never ever come back here again.

I'm just gonna go away somewhere.

I'm not gonna go on working again.

Working with never anything younger and never.

And I never get me, you know.

If I start beating all together, I never get me better.

Baby, please don't go on so it's bad for you.

I never, never go to dancers.

Never do anything.

I, I want to go out.

I want to have days.

Why can't I be like you, McColley?

Baby.

Why you, why can't I?

Because I'm fat and I've got symbols and so strong and so big.

Mother, baby, please stop crying.

Please.

I don't just don't know what it's like.

Until one time, I went to the company dance.

I sat.

I sat at all night.

All night long, I just sat there and had to be good-natured.

But then like I was enjoying it.

I'm sure they think I'm good-natured.

Just like an old cow.

And nobody danced with me.

Nobody.

That one of those thirty-nasty stuff of guys would have me even won't.

That's one of them makes them pop.

He's a guy in shipping.

Oh, oh.

There's this.

There's on the same street.

And he's powerful.

He was the only one willing up these things.

And enough common ordinaries.

Common ordinaries.

I did go that I wish I was single.

Poor, poor baby.

Oh, God makes up for modesty alone.

Baby, it's not as bad as that, please.

You're not so bad.

You're a big boy.

You're not a big girl.

Stop it again.

Don't even stop it, my please.

Honey, does Bob tell you like him?

Well, of course I like him.

Oh, I don't like him that way.

That's what you mean.

I don't care if he's...

Bob, please get supper in my office.

You got nice hair, baby.

Yeah, I don't naturally curl.

And you're a good girl, mother.

You're kind and good and smart.

Don't you care about those dancers and anything?

You're just a kind that if you had any sense at all, you'd pick for a wife.

Okay.

I'm sorry, ma.

I don't know what God is in me.

That's all right, baby.

You're upset.

That's not supper. Maybe go to a movie.

We'll talk about it in the morning.

In the morning, huh?

More toast, baby?

No thanks, ma.

Coffee?

No thanks.

You should eat more breakfast.

We're going morning on one slice of toast and one cup of coffee.

I'm fine.

Good time for sugar.

Mmm, good day.

So I have a smoked sure.

Take your time, honey.

Um, Martha.

You're my own daughter, Martha.

Well, honey, I'd do anything it would help to make you feel happy.

I know you wouldn't want.

So would I.

Look, Martha.

Can't just say everything we're thinking.

You know, our lesson is great from the shoulder.

Can't we?

All right.

Go ahead.

We'll look honey.

Have you always felt like this?

I mean, have you always felt sort of...

Well, subconscious about being...

Well, about not being as pretty as some girls?

Yep.

And...

And have you...

Well, have you wanted...

to open up and say all this, Martha?

Is your idea?

Yeah, no.

Well, have you always wanted to have more days to tell us?

Yep.

And this Bob tell us.

Well, supposing you asked you to marry him.

It dropped dead.

No, Martha.

Your promise would be real honest.

I'm only trying to help.

If you asked you to marry him, what would you say?

Say yes.

You like him, huh?

Is he the reason you didn't want this promotion?

So they could stay where you might see him once in a while?

Yep.

You love him, maybe?

Oh, well, then you got it.

You got it.

So what?

Well, if you never try.

If you just sit around and never try.

You don't have time.

But why make yourself...

I mean...

Well, how do you think I got your father to propose?

You didn't weigh 158.

But you're big in the bones, baby.

You're not sad.

You're just a big girl.

All over, big all over.

Couldn't you just...

You say he lives here on cream arms?

That's right.

Couldn't you just kind of...

Accidentally, some life?

Accidentally is right.

And maybe ask him in the supper?

In here?

Oh, why not?

Why not?

I'm a good cook.

We use all the best china rice.

I pretty think I'd go nuts.

At least you could try, baby.

I'm only trying to help.

My mother doesn't like to see a baby miserable.

I'm not miserable.

Now, mother was last night.

I'm fine to get it.

But couldn't you try?

Couldn't you just kind of happen to meet him on the way home from work

and just casually ask him an infidine?

Look at the subway every night for a month and pound sign.

I don't know if that's what you mean.

Would you try?

Have a baby?

Please?

It's nearly eight o'clock.

Goodbye, mom.

Thanks.

Well, thanks.

Would you try?

Sure.

Sure, mom.

Try.

Maybe I could ask him to suffer some night.

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Maybe I could.

What?

What are you doing in this neck of the world?

I am Arthur.

What are you doing way out here?

I live here.

I'm Tremont.

You do?

Yeah.

Well, is it a small world after all?

Yeah, you walk in my way?

Sure.

Aren't those some ways?

Oh, honestly.

Yeah.

Schooler today, though.

And if that hot spill, two weeks ago,

we nearly died in our department.

Yeah.

And I show we'll be glad to get out of that joint.

Oh.

Yeah, I'm quitting.

Getting another job over in Jersey.

I'm a Brennan-Law's got a garage over there.

One's fit to go in with them.

Jersey.

Yeah.

Well, isn't that just fine?

Yeah.

Well, I figured it wasn't getting anywhere

with old joggers.

Everybody says you're twice as smart as joggers.

Yeah.

They have any sense in firing him.

Give you his job.

Well, it doesn't matter now.

I'm leaving the end of this week.

This week?

Mm-hmm.

Came to notice Monday.

So you're leaving?

Yeah.

He wears the ship in the parking lot full of parts.

On his front, he only says you're the strongest man

they ever had in shipping.

Yeah?

Sure, that's true.

Did you do more boxes in the day than any other guy they got?

Oh, it's just my good living.

Ha-ha-ha.

That's a fact.

That's a fact.

I bet you're not so good living.

Oh, yeah?

Oh, that's your own wild one.

How do you think so, huh?

If I can tell.

Yeah.

Ah, you man.

Uh, you, uh...

You live around here, Martha?

What?

No, it doesn't that beat.

Everything I've walked clean past, though.

What?

It's your first maiden conversation.

Oh, yeah.

Well, at least you can do his walk back with me.

It's only half of luck.

Well, look, I saw a half of you.

Come on.

It's only a step.

Oh.

Oh, okay, Martha.

Gee, women sure are queer.

Nothing ever for me to forget where I live.

That's what you get to be in so attractive.

For me?

Well, you are.

She's melting at our supervisor.

She thinks you're the best-looking guy in the plan.

She's melting.

She's our supervisor.

Oh, I don't know her.

She's a nice girl.

Gosh, I'm hungry.

Yeah.

My mother's had 12 dinners.

I always say a good home-cooked meal tastes better than anything

you ever get at the world.

A good home-cooked meal tastes better than anything

you ever get at the world.

Our past story.

Where do you go there?

Oh, not for...

That's a week.

A week.

There's this guy from out of town.

He always takes me there.

But...

I see such a jerk on you.

He died.

I don't know that one of Martha's home-cooked meals and anything.

You eat out much?

Yeah, all the time.

Let's get tired of it.

I don't mind it.

Don't you ever get real anxious for a good old-fashioned home-cooked meal?

Oh, I go to my sisters and jerseys on weekends.

Say, Bob, I got a swell idea.

Why don't you come in and have supper with us?

Why don't you?

What tonight?

Sure, why not?

If you leave in the plan, I won't ever get a chance to ask you again.

Oh, gee, Martha.

That's nice of you, but I still have a previous engagement now.

I was thinking...

Well, I'm busy later myself.

What?

Not anything I couldn't break, but I did promise a guy that I'd go to a show with him.

Yeah, but...

So you could come in and eat and leave just as soon as you want to.

What do you think?

Well...

Well, I guess it'd be alright.

I can't stay though.

Well, fine.

I mean, not fine that you can't stay, but I've really got to go to the show with this guy anyhow.

So it'll be fine, won't it?

Come on.

Okay, Martha.

Bob, be careful to death.

You never get tired of me bringing the guy's home for meals.

Mother!

Me!

Come on in.

Martha!

Don't sit in the living room!

I've washed the dress covers and they're still wet.

Honestly, I never saw such a wash in my life as we had today.

I thought I'd never...

Oh.

Yeah, this is Bob Lawson.

Ah, this is my mother.

What?

Well, Mr. Lawson.

This is...

This is also coming for dinner, Ma.

Hope he got something wonderful.

Oh!

Well, isn't that silly?

I washed the slip covers on that chest of heels too, didn't I?

Well, we'll just sit on them anyway.

Well, look, don't go on any trouble, Mrs. Hillman.

We can sit anywhere.

Well...

They're really pretty wet.

Couldn't we bring in the kitchen chairs, Ma?

Well, why can't we sit in the kitchen?

Oh, no.

That's awesome.

Uh, suppose we bring in the kitchen chairs, Ma?

Well, I'll get them.

You children go on living room and I'll bring the chairs.

Why didn't it see the day Ma would wash everything?

Yeah.

Honestly, she's the most particular housekeeper ever,

so honestly, you could eat off the floor.

Well...

This is...

Home sweet home.

Oh, it's real nice.

She does.

Let's cover this.

It's still pretty damp.

Guess we'll just have to sit on the kitchen chair.

Yeah, here we are.

Here we are.

But don't...

Let's cover this.

It's so dusty.

Well, I'm afraid you'll just have to have us like that chair.

Oh, well, if that's all right, Mrs. Hillman, Ma,

do you sit on the floor?

No, no, no, you sit down.

I'll get the other chair.

Ma, do you keep Bob company for a while?

All right.

Sit down, Mr. Lawson.

Well, what about you, Mrs. Hillman?

Oh, no, no, sit down.

Sit down.

I have to see about dinner anyway.

Sit down.

Okay.

Uh, uh, uh, uh, uh,

Mother said you...

Let's just have to see a bit.

Oh?

Yeah.

Oh.

Oh, yeah, yeah, that's...

That's right.

Well, I'm real glad you came.

Yeah, me too.

Uh, well, if you'll excuse me just a moment.

But you're on, Mrs. Hillman.

I'll just see if I'll dinner.

There's America's things right there next to you.

You're right there.

Well, hey, Mrs. Hillman, take your time.

I'm okay.

Well, I like you, Pithmother.

Wash the cup again.

We've got nothing good night, Mother.

Good, you let me know.

Oh, Madam, it's a subway.

And those slip-cups have a soaking wet.

And I look such a mess.

I washed the whole afternoon.

Any beer?

No, I'll go down and get some.

And we've got no meat either.

No, I thought we'd just have eggs tonight.

Oh, we can't give them eggs.

Uh, can't the subway?

I'll go right down to the supermarket.

Oh, this nearly six days ago.

What about Bernstein?

Did you wish Harley and their clothes too?

I found this morning, Mrs. Leipzig told me.

Can't you stand here?

You wonder what we're doing.

Well, you go on in our marriage.

You go and put on your black pumpkin.

Yeah.

And use the goods.

Yeah, yeah, yeah.

No, you may get in there.

You may get in there.

What are we doing?

Go on.

I'll get dinner.

I'll get something.

Some red berries, Mr. Lawson.

I put them up to myself.

Oh, well, no.

Thanks, Mrs. Hillman.

They make my eyes swell up.

They what?

Yeah, but silly.

I'm allergic to raspberry.

Oh.

I've got a friend, the allergic to dog here.

Yeah.

Yeah, I want to say every time she comes within a mile of a dog,

she gets her eyes and sneezes.

It's awful.

What about coffee, Mr. Lawson?

Well, no, but I tell you, I sure like a glass of milk at the house.

Sure, but mother, would you get a glass of milk?

Where?

Where?

Where?

I'm afraid I-

Are you with the glass of the milk in this cramble today?

Well, look, that's okay.

I'll get some water.

Oh, my gosh, you're glad.

Okay.

That's very cold, I'll get some ice.

Oh, no, this is fine.

Honest, I'm fine.

Maybe the slip covers will be dry.

No.

We can take each air back to the living room.

It's cooler in there.

Well, look, honest, folks, I gotta be going.

I got another previous engagement, man.

I should go then, you might as well.

You've got a day to go today?

I know, but you shouldn't make him hurry.

I do have to go.

And...

Well, it's been swell.

Thanks very much, Martha and Mrs. Hillman.

Really, I'm sorry about the wine.

I don't know what happened to it.

It was wonderful when we had it last Christmas.

I guess it wasn't meant to do much, huh?

Yeah, well, look, I guess I better run along now.

Get your head.

I...

I certainly enjoyed those cramble legs.

That's good.

And...

And I certainly was pleased to meet you, Mrs. Hillman.

Thank you, Mrs. Lewis.

You're gonna go, go.

How far?

I just need golf, he's going.

Well, what's the long everybody?

Don't bother, Mrs. Hillman.

I can find the dog.

Oh, that's all right.

I'll try it a bit more.

It's been real nice having you with Lewis.

I'll come again.

Goodbye, Martha.

Goodbye, Mr. Lawson.

Goodbye.

Dude, he's a real nice dude with that dog.

Oh, Martha, baby.

I'm real sorry about the wine.

I never thought to get beer today with Bernstein's clothes.

Doesn't matter.

I'm sorry if everything wasn't just right,

but honestly, honey, I washed the whole afternoon.

You don't need to let me know.

I got...

Oh, I know slip covers.

If I'd known, I could have washed them any day.

Honestly, I nearly died when you both came in,

because I thought right away about the slip covers,

and it'll be awful all sitting on straight chairs and everything.

When it happens, now will you stop this?

But eggs, honestly, tomatoes, super eggs, some dinner,

and no milk and no beer,

and wet slip covers on the fan, so she doesn't matter.

I had to understand this.

If we'd had turkey and...

I'm putting...

She can't do it.

That doesn't matter.

When the lunch whistle blows, Martha doesn't hear it.

The constant noise about her has trained her to shut her ears.

She goes on working for a few minutes,

then turns off her soldering iron,

puts down her work gloves,

and finds herself at the end of a line of girls

sucking out their work sheets before going to lunch.

Martha waits patiently,

for her turn at the supervisor's window.

Mary Bishop 3-11, 20 defective.

In Mary Bishop 3-11, 20 defective.

One of the good things you get married, Mary,

you sure not let use around here?

Yes, thinking.

After the end of the week,

I'll never, ever have to start a nine as long as I live.

Oh, brother, am I?

Part the Hillman 702, not effective.

Hi, Martha.

702, not effective.

Hi, Martha.

At the rate you work,

it's a wonder to me,

you're not present in this joy.

Yeah.

Yeah, sure.

Yeah.

You have just heard,

machine,

has written and directed by Harry W. Duncan.

The part of Martha was played by Elspeth Eric.

Ma was Adelaide Klein.

Other players included Grace Ketti,

Phil Sterling,

and Anne Potoniak.

The music was composed and conducted by Dr. Roy Shield.

Radio City Playhouse is supervised

for the National Broadcasting Company by Richard P. McDonnell.

This is Harry Duncan again.

Next week on Radio City Playhouse,

Steven Vincent Bernays,

great starry elementals.

It is the starry of a young man

who made a bet of $10,000

that loved was stronger than hunger.

Be with us next week for Elementals,

attraction 26 on Radio City Playhouse.

Good night, everybody.

Bob Warren speaking,

this is NBC,

the National Broadcasting Company.

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