protect what's mine

0:00Walk, walk, walk, walk, walk, walk, walk, to deep. Some more forecast, one of the forecast men and I am here and back with the episode, okay? Back when I had the episode eight and out of that scene, I did not get to play, okay? The edges kept loading and loading with pretty much a lot of time to fit it in, you know? So high, pretty much. Yeah, that's the scene from the look. At this time, it is actually great. When I'd say, you know, we call it Desmond, I'd say it whatever, so here's in a hallway with Arches and I'll know that first scene was messed up. Okay, it was messed up and it just didn't sound right. It sounded right, but it just didn't look right. That's what I mean to say. And I'm just sitting here. And like, okay, while he's talking, he's smiling at the end, it just doesn't feel right.

1:02The second one with way better than both got at each other, he gave me more drama. That's a yeah, because I was talking about, you know, in the last episode that it wasn't drama, it wasn't something exciting to do. So I'm sitting, I like this right here. I like this because it is not only drama, it will put you glued down to the scene, it'll put you in your butts and seats on edge. Obviously, hit a movie again. Because it is like, oh my God, this is good. This is what I want. This is what I'm talking about. But anyway, welcome back to the Civil War Buddhism. You know, when you haven't checked out the Civil War Buddhism, you should check it out. You have not checked out the second channel. Seven, one, one, W, E, two, eight, check out that book as well. Now, you know, we got this down already, and this is actually beautiful for a kid tonight.

2:04This is the best thing. You're the nightclub owner, right? That's right. You should have stayed in your lane. My lane is protecting what's mine. You should check on your car. You see what I was saying? You see how old that tone, you know, see how that tone is a lot better. You see what I'm saying? That's a lot better than that. I was saying, and that is something that I love right there is this beautiful. This is a bit more of it. Even though it's kind of spent about just a little bit, but it's not as much, which you can hear basically what they're saying. You need them arguing each other, not slowly saying anything to each other. Just arguing with each other, and this is how it's now. You know what I'm saying? So when Leela comes back into the picture, whenever she comes back into the picture, she can actually hear that. Well, calm down, that's going on. What's going on? It sounds very human-like. I love that. And not only that, this right here is definitely a 10 out of 10 scene. Let's go back and play it again. I want to go a bit too. You're the nightclub owner, right? That's right.

3:04You should have stayed in your lane. My lane is protecting what's mine. You should check on your car. You see what I'm saying? You see what I'm saying? I love how he's helping me. Take it, what's mine? You know what I'm saying? I love me, but then crush it. He said, you're the nightclub owner today. He said, yeah, that's great. Yeah, that's right. He called the boy. Yeah. Like you know what I'm saying? It's a very hostile, very masculine energy. That is something that we need. That type of masculine energy. And I want it to deliver it like that all the time. You know what I'm saying? So we're skipping over a little bit, like I told you, or it's skipping over a bit of the script, because it's hard to do it in a third person. The first point of view. I'm, I gotta start putting, I gotta start putting these things together. Again, y'all, I'm trying, y'all, but I'm trying. But anyway, well, like I said, we definitely got to, you know, put it in more effort into it, you know.

4:06I mean, well, it is putting the effort into it, but we definitely gotta, you know, move around the script, because during a person, it just doesn't get right. You have this character talking, that character talking, this one talking. And then he gets it mixed up. So that's why I'm trying to, you know, okay, there's the separate anyway. Okay. So this works all, it works all the better. So she's not in here. So, okay. Okay, just to see what sort of deals like that. Maybe you should be proud of it. And you see it's your nightclub on the right. You should stay to your lane. I'd say it doesn't blend. I'd say it's the same, same point. My lane is protected. My lane is protected with mine on the surface. Oh, I was able to say it, but it's better for, it's better for Marcus to say, one of that better, better project that you should check on. And you should check on your club. That's really supposed to say it, but we're just gonna see

5:09that on what does, but it should be supposed to, what does that mean? Straight in Marcus, check it. I wonder that we can put her back in this thing. It wouldn't be something. I don't dare, I don't know y'all. I wanna put that right there, but that's like a two second. Maybe two second, I'm gonna put it there too much on. The thing that I'm gonna just go where that is, it's really not the same. Marcus, it means you should start awarding to get destroyed. Walks down the hall, they do, you know what I'm saying? We're okay, we can't do the third part of you. So we're gonna let that out. Oh, she said, what is it? I said, she'll show us the screen. Use the left popcorn, down the town, close them. Okay, okay.

6:10Okay, yeah. So I'm just gonna skip over, this is very hard to put this. Together, so we're gonna meet this scene right here. This is pretty much the end of probably going to part six. So we'll be getting into this right here. And I hope this scene does good. I hope it's not crampy. Because I don't want something crampy. I want something very good, lip syncing, everything done. Right, you know what I'm saying? Like everything down, like, yeah, I'm back y'all. Sorry for the interruption, but the thing is, I really hope this is a good scene. Okay, not gonna make sure that they put it together. I might as well use the golden rope. We're just trying to find a picture of the music in front of the tree. Um, let's see. Oh, I don't have a picture of just them walking down the hall. Oh no, I do, but they're at the same time. Okay, it's a screen shot. Okay, that's all.

7:10Yeah, it's the... Okay, that's all. But it won't work, it won't work, it won't work, it won't work. I don't know. Okay, let's see. Let me see which one is a better angle though. Okay, this is a good angle. Maybe I'll go for it, but it is what it is. All right. So here we go. But yeah, putting two, three characters. We put in two characters, those good. Putting three characters is very important. But I'm just putting these two right here. I'm gonna end it all for this. Now, a thing is I have not put any of these scenes together. I kind of, I don't really end up forgetting that I'm supposed to be putting these scenes together. And I'm just like, oh, and I didn't got these. So I'm supposed to have, how many clips I have. So the story is five minutes and 37 seconds.

8:11Okay. Oh, we left the Mafia scene. We don't want the Mafia scene. I'm not gonna plant one here, but. But I will put these together. I think I can put it together. I might not put it in order because I'm gonna get kept in the order, but I'm supposed to put them in order. But you know, sometimes I don't even put them in order. It's like, yeah, no, no. I think this would go good with this. But you know how it is. Sometimes you do get to put things in order for people. Well, for y'all to understand it a little bit more, if I put it in order, I think it makes sense. But it's still can, but it's. Do you really need that? All right. Ever we got time to be. What is it? We have to go.

9:15That was horrible. Why did they make this? Why is he only a phone in his hand? Like it's a pancake. That looked so horrible. Look at every place it's again. What is it? We have to go. How like the, I like to be, but I don't like how he's holding a phone. Look at the way he's like. What is it? We have to go. I like how they're running down the hallway though. I don't know what is it. Look at go, go, go. We have to go. That's really supposed to say, but it's okay to go. It's like the job here at a time just me. It just does sound like I don't like how he's holding a phone. Hopefully it changes how he's holding the phone and actually holding the phone. Like he, you know, he's holding it here. I can't pancake. He says, we have to go.

10:17And it just doesn't sound like we had to go. It sounds like we got to go. I like how they're running down the hallway, but it's kind of, it's kind of crazy how they're running down the hallway, but they're running in an opposite direction. What is it? We have to go. Yeah. Very good, very good, but still a little more to it.