
Phaser Zing: Star Trek's Sound Legacy
About this episode
Ben Burtt, sound wizard behind the Star Trek reboot, reveals the iconic phaser zing was borrowed from War of the Worlds. The original sound, a blend of electric guitar and harp, was simplified for the reboot with a Moog synthesizer, pink noise, and a sharp Doppler shift. This evolution showcases sci-fis self-referential nature, with old-school sounds shaping the stars.
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Entertainment & Celebrity News Today | 2 Min News | The Daily News Now! — Phaser Zing: Star Trek's Sound Legacy. Machine-transcribed; use the interactive transcript above to jump the player to any line.
0:00On April 7th, that iconic phasers-ing from Star Trek's original series didn't start on the Enterprise. It got borrowed from the 1953 flick War of the Worlds, where those Martian War machines blasted it out first. Sound Wizard Ben Bert, who worked on the 2009 Star Trek reboot, spilled the beans. The original noise came from tape feedback, looping an electric guitar, and a harpway, simpler than you'd think for such a killer effect. Fans and creators alike geek out over this crossover because it ties sci-fi roots together. In War of the Worlds, that sound meant total doom for humans, but Star Trek flipped it into a hero's tool, making futuristic firepower feel empowering. Instead of terrifying, Bert kept the knot alive in the reboot by tweaking it with a moog synthesizer, pink noise, and a sharp doppler shift like a tracer bullet zipping by. Shorter and punchier to match the film's high-stakes drama without sounding dated. Next time you hear a phaser fire, tip your hat to those old school sounds shaping the star's proof sci-fi, builds on its own legends.
1:05That's the story for today. Entertainment and celebrity news today, driven by AI.
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