Nvidia sous le feu des critiques

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There are 48 hours Nvidia at the Veloil on the DLS C5

What is it? It's a technology which is a major rupture, we can say, in the evolution of the graphic

Why a rupture? Well, because the previous versions focus on the optimization of performance and fluidity

especially via the scaling and the generation of images, while this new iteration re-invents this aesthetic

Thanks to LIA, thanks to the artificial intelligence generated

And so this DLS C5 does not contain more simply moving the holes between the pixels

In it uses a neural rendering model which was trained to understand the semantic scenes

Very concretely, LIA analyzes the textures, the skin, the hair and the lighting to reinterpret them in real life

The objective is to reach a photorealism until reserved in the films

LIA simulates with an unprecedented precision the diffusion of the light on the materials

All of that is pretty, but the spectacular aspect of the demo that we were presented, especially on Resident Evil or Starfield, has not received an anime

That's what we can say

The first images even have a polemic life

So why is the main grieff here concerns the nature of the artistic direction of the game?

Well, there is a lot of improvement at this point, the faces, LIA of Nvidia, while it is smoothed to modify the traits

And to add the macchiage between gimmicks, there, there, there, there was no

There is also a certain effect of FITRA Instagram, which is judged by many artificial

Even if paradoxically, it is close to reality

And for many observers and artists, this technology, it creates the original intention of creators to offer an aesthetic uniformity

The characters, they lose their soul

So this Levet de Bouquillier, Nvidia, it is rather reassuring, the firm, has linked that the DSC-5 is an entirely parametrable tool

For example, the studio of development will keep the control on the intensity of the effects

And they will be able to choose not to apply to some elements

So if the DSC-5 proves the technological domination of Nvidia, there is a ethical and artistic question

The following, the video game, must it be absolutely a realism dictated by LIA?

Or, against it, stay a kind of sanctuary, in which the human vision, which is, in itself, a perfect, staying singular

The answer will come to some of the first things that are concrete in the games, planned for the end of the year