no half way choice

0:00Welcome, welcome, welcome, welcome, welcome to 3-7-1, back with another episode in this one, it's called, there's no halfway choice, there's no halfway choice, and we are going to go into this this, you know, awesome, it is boring, you know, there's time to make a decision with like a investment, they got to make a decision, so are they going to make this decision, and are they going to do it together, hopefully they do it together, hopefully they get out of this lawsuit, you know what I'm saying, it's about to get good, like I told you all it is, it is getting to a suspense, okay, I'm really glad to do this story, I'm not only talking about the story, it has a good, good, good, good, good, intense, you know, the story lies, you know, there's some parts where it's cool down, then there's some that's in the middle, it gets there a little bit and it's like, oh yeah,

1:05yeah, especially one part, do you remember that one part what I had this system like coming and he said, he told me, you know, on the phone, you see, you remember that, um, it is so high, I did that because I feel like it made sense, instead of, you know, the character being on the phone with it, so I say, okay, let's have her walk in and I believe that will make a better scene to me, but yeah, there are our scenes in here that I pretty much did myself and I wanted it, you know, a certain way because you know, the machine that do a great job with doing it, so yes, um, with this, right, yeah, you know what I'm saying, like I said, for the pieces of episodes, for the mafia, I came up, came up to the idea, it was okay, let's have a mafia make a man, and um, let's do from that point of view, you know what I'm saying, because I just didn't want, like, um, some random interns, someone at our office come out or know where, and be like, oh, uh, do, do, do, do, do, do, do, you know, I wanted to make a,

2:13not really a case of the style store, I wanted to make an interesting, impossible, you know, store that, so anyway, I could go ahead and get into this hotel. There's no halfway choice here. No, there never is one, it's the truth. Then we do this together. You sure? I liked everything. You see how it keeps shutting out to 1, 2.6, 1, 1, 2.6 WA in 2.6. I am telling you, this right hand does a good job with these, you can make a whole lot of content with wine, 2.6, I'm telling you, people just don't know, how good these are, 1, 2.6, 1 in general, I'm telling you, this right here definitely understands what you're trying to write, and it goes by exactly what's on screen, it goes by what's on screen,

3:20as well. I love that. The other one ahead here is good, but if you just style, so we're in the part, so they've got to make a choice. They've got to do it together. You know, they've got to do it together, right? Because there's no use of one doing it by themselves. You're like, you should, you want to do this together, you should, that we want to get caught up into this type of stuff. Now, there will be a twist, but I don't do now one, so put it in there right there. But I do want to put it in there, but I feel like I don't want to put it in there right now because I feel like it would not make sense right now. I need it to be in the right scene, right place type thing. You don't want to say because it got to be like a perfect timing. I am going to do it all, but it's just like, okay, I am going to do it, and it's going to be awesome. Now, here's

4:20the last part right here. So we're going to see what happens. Oh, you know, pretty much on these other scenes or whatever, and then I'm going to throw it in there. I'm going to find a part where we can make it dope or just maybe put it in to a cut scene or whatever. You know what I'm saying? I love this type of stuff. All right, and we're going to go ahead into this right here. All right. Oh, no, it should go back with that right there. I think I should go back with this. Of course, she has the paper already in her hand or whatever, and basically saying she's done or whatever, like, you know, because it will give that motion of a fourth motion, but if I do where she's sitting down already and still have the paper in her hands, it's not going to do a good job with that. But, yeah, I do have a choice. We're going to see what the cut scenes are trying to

5:21put cut scenes in between trying to give you like fancy cut scenes or whatever, not trying to overthink it, but you definitely need, you know, interesting cut scenes that make you be like, okay, this cut scene is actually interesting. Now, you see this part right here, you know, with the traumatic music, of course, in the background, but we're trying to give you something that's just like, okay, this is great. Love this story here. This is great. This is beautiful. I still have not put all the parts together yet. I got to get back on that. Once I do get back on that, I'll put these parts together. So we can see the story. The story still continues. You know what I'm saying? It continues, it's going to keep continuing because we do need something that will have y'all on your toes. Like at the edge of the seat, you know, not something that's just like, okay, okay, this is great. Let's take a look. Okay, we get, we get, boom, boom, boom, boom. My love, you know, putting markets in there. I wanted to put a spin, put it on the character and then put a spin in there. You also a little

6:24bit really scenes with markets. That's kind of how so, box work. Sometimes you see a character, sometimes they have full-time character and sometimes they have part-time character. You don't see them as much. Like, you know, you can say, okay, you're part-time character because you come in on certain days and certain scenes. You know, we don't need you as much, you know, and then you have a full-time character. You'll be like, okay, this is your full-time job. We'll need you for the whole thing. You know, we're on the same toe. Y'all are getting the seat from a two-person point of view. You know what I'm saying? You can see Isaiah's, you know, putting a view at you. Well, we always Isaiah, Desmond, Isaiah, that should be his name. We should put it together. Desmond, Isaiah, two first nine zeroes. I think Desmond Isaiah actually goes on or like, you know, which one? Does that sound hard? That sounds hard to me. Then we can have a little, you know, put it together. Let it literally. Desmond Isaiah, just thinking about it,

7:36we could, you know, since I'm already just part of Isaiah and separately, you know, I'm saying they two first last names. I actually think that would be actually good to actually just give him that, you know what I'm saying? And we just have markets to just market see, you know what I'm saying? Um, still don't know what I'm gonna do with them yet, but you know, anyway, come in part time the time that we have markets, we have the mafia, you know what I'm saying? Maybe add some, you know, elements into it, like add some things into it that you don't see in a normal so far. Because you know what I'm saying? Like things that you don't see. So, you know, like spinning with ideas, y'all have ideas of what I should add, you know what I'm saying? To the story or what y'all want to see, okay? Y'all can comment down below, you know, say comment on the post, you know what I'm saying? If you, the story starts like comment down on the post or if you go to the website, subscribe, there's a comment box down below and you comment

8:36down there. Um, so let me know what since do you want to see? And we will, I will, I say we will, but I know this is a community, but um, I will put your scene and your idea into the machine and see how good it does, okay? Yeah, you never know. You'll be featured in podcasts. I'm done letting them decide who I am. Then tomorrow, we change the story. I don't know, I may put a weird sign at the end. I'm done letting them decide who I am. Then tomorrow, we change the story. I'm about to go with the first one, the first I had more because I had, but don't mind that. T-O-D. I don't know what that was. I'm supposed to cut the

9:42black part. I'm done letting them decide who I am. Then tomorrow, we change the story. Yeah, that was kind of, yeah, I was just kind of weird. I don't know, but I'm just going to have to go with sign A. Let's see, which one did that? Okay, Google V-O-D. Okay. V-O-D, 0.1, the, you know, click 2.6. Okay, so I don't know on which machine did better, but I gotta give it a V-O-D3. It really killed it. It really killed it. It had more like filling into it. You know, I'm saying do not know why it's a T-O-D on the, you know, at the end of the scene, but yeah, but I feel like there are some things. I know I have been telling out there are some things that I feel like I do need to go back and redo, but I need to check them to make sure I do not have to go back and redo them because I know some I did have to end up going back and redoing because it's just

10:43didn't feel sense and I don't like the mouth movement or whatever, but some are pretty good. He just like, okay, a little bit of mouth is moving when she's talking, but it says the same, but, you know, sometimes you have to keep going to get that one scene that you want. Yeah, definitely. Do not stare and believe, okay, I'm just going to go this end. I'm going, going, going, to go on, but if it messes up, keep going to get the scene that you want and it is to perfection, you know what I'm saying? And just keep it going. Just keep it going to get it right. But anyway, but like I always say, I don't see your next time. I can be able to see this right there. The 711 podcast, that's which I've got done listening to TAT 711 podcast. We also have a second track called 711 W828. The podcast that I do with a little bit of sales and obviously podcast, the American RC podcast. I actually go check that out on Spotify. All right, man,

11:45I read, I see on the screen, and I'm, I'm out here. Am I there? Am I there? Am I there?