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About this Episode
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Nicole & Rhonda talk about the unknown, Miss Piggy, neurodivergence, angelic language, passion exploitation, and much, much more. Please take a moment to share Past the Blue Mailbox with your friends, and be sure to follow on your favorite streaming service to be notified of new episodes!
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Nicole Beerman is a theatre artist, choreographer, and teacher from Seattle,
Washington. Nicole is currently teaching Musical Theatre Dance at Cornish
College of the Arts and is a certified Simonson Technique Teacher. Nicole is
married to Josh Beerman and a mother to Max and Huxley Beerman. As a
performer, Nicole has worked at Seattle Rep, 5th Avenue, Village Theatre,
Sam French Festival in NYC, Seattle Children’s Theatre, Ordway Center,
Oregon Cabaret, and Empty Space. Nicole was a nominee for Outstanding
Supporting Actress in a Musical for her work in Cabaret at Village Theatre
for the 2015 Gregory Awards. As a Choreographer, Nicole’s work includes
the Seattle Children’s Theatre, Village Theater/KIDSTAGE, Cornish
College of the Arts, The Art Institute of Seattle, The Triple Door, Hunter
College High School, and The Lakeside School. Nicole has taught for
Cornish College of the Arts, University of Washington, Hunter College High
School, West Lake Dance Center, VAM studios, and more.
Nicole lived in NYC for nearly a decade and performed in and
choreographed multiple shows from Off Broadway to the Fringe for
Clubbed Thumb, Astoria Performing Arts, New Dramatist/HERE Center and
more. Nicole performed with Reggie Watts and ran the dance call for the
World Premier of Head Over Heels at Oregon Shakespeare Festival for
Sonya Tayeh. She was a soloist at New Voices Cabaret Series with music by
Ryan Scott Oliver at the Duplex Cabaret in Greenwich Village. Nicole
holds a BFA in Acting from Cornish College of the Arts, attended the
Cabaret Conference at Yale University, and is a member of Actors’ Equity
Association.
https://www.instagram.com/nbeerman
https://www.tiktok.com/@nbeerman
No transcript available for this episode.
