
Nick Ferrone on Why Barber’s “Adagio” Gets a Bad Rap
About this episode
By day, Nick Ferrone is a Brooklyn real estate agent, but on most Saturday nights, he can be found playing the harmonica at Sunny’s Bar in Red Hook. As the seventh of eight kids, Ferrone reaped the benefits of being exposed to records that most kids his age weren’t listening to, including the one that inspired him to start playing the harmonica: “Giant Step” by Taj Mahal. He also serves as a board member for the Hillside Dog Park and is a passionate fine pencil artist.
In this episode, Ferrone shares his love for Samuel Barber’s “Adagio for Strings” and explains why he thinks it gets a bad rap for being too funereal. He describes the beauty he hears in the music and reflects on how it accompanied him through his child’s heart surgery.
Get every episode summarized
Each time The Open Ears Project publishes, we email you a written briefing from the transcript — the topics, who appeared, and any specific claims, with the ad reads skipped.
Email me new episodesFree for 3 shows. No card needed.
Hosts & guests
No transcript yet
This episode has not been transcribed. Request it and it moves to the front of the queue.
More episodes
More from The Open Ears Project

Introducing Classical Music Happy Hour with Emanuel Ax
The Open Ears Project

Introducing Our Common Nature with Yo-Yo Ma
The Open Ears Project

Janna Levin on Mozart’s Unfinished Ambitions
The Open Ears Project

Hanna Arie-Gaifman on Bach and Survival
The Open Ears Project