
Mott the Hoople's Glam Rock Breakthrough
About this episode
On December 14, 1973, Mott the Hoople ignited the Hammersmith Odeon with electrifying performances, marking their rock star ascent. Their single Roll Away the Stone was climbing the charts, and the crowd went wild during the second show. Mick Jagger and David Bowie even crashed the dressing room beforehand. The band, led by Ian Hunter, delivered a chaotic yet captivating performance, with Queen opening but being overshadowed. The afterparty was a star-studded wedding bash. However, recording The Hoople album in 1974 was tumultuous, with studio switches, tape issues, and creative clashes. Despite the challenges, the album was released, charting better in the US. But the bands wild ride was short-lived, as tensions and exhaustion led to splits. Mott the Hoople had ruled the moment, leaving a lasting legacy in the glam rock scene.
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Music News Today | 2 Min News | The Daily News Now! — Mott the Hoople's Glam Rock Breakthrough. Machine-transcribed; use the interactive transcript above to jump the player to any line.
It's April 19th, I'm Cory with The Story, and this is Music News Today, Music News powered by AI. Back on December 14th, 1973, Mott the Hoopal lit up the Hammer Smith Odeon with two killer sets that marked their rock star. Breakthrough, their single Roll Away The Stone had climbed to number 8, selling 200,000 copies, and the crowd lost it during the second show. Mick Jagger and David Bowie crashed the dressing room beforehand, trading banter with frontman Ian Hunter, then washed from the wings as the band, delivered pure glam fire. The gig cap years of grind, boosted by Bowie's all the young dudes hit that revived them. Guitarist Mick Rouse had just split to form bad company, replaced by Ariel Bender, while Morgan Fisher joined on keys. Queen opened Begot Schooled, staring in awe as Mott's chaos unfolded, with Holst's Jupiter blasting intro and fans invading the stage past midnight. Defying curfew, fans and stars alike hailed it as historic, Mott's coming of age riot, with Jagger yelling at the band to keep going and bouncers failing to hold back.
The surge, the after party doubled as drummer Buffen Griffin's wedding bash, pack with Rouse, Paul Rogers, Roxy Music folks and even Andy Williams. It screened peak glam rock, everyone in platforms and satin. Fast forward to early 1974, and recording, the Hoopel album, Turn Messy. Studio switches from claustrophobic envision to George Martin's AIR fix some vibes. But tape issues, writer blocks, and Bender's wild style clashed. Hunter experimented with cellos, saxes, and odd instruments like marimba's, self-producing amid pranks like smashing trays on heads for sounds. That album dropped March 29, charting better stateside with golden age of rock and roll as opener, but tension simmered. Heo, Hunter I'd. Leaving, single spizzled, and by year's end, the band's wild ride started unraveling into exhaustion and splits. Mod had ruled the moment though, etching their legend in glitter and grit.
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