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About this Episode
Continue to advance the spoken word and the genre of intricate artistic composition in jazz music, with its rich history and evolution, in a similar style and form throughout human history.
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Transcript
Hello and welcome to jazz as it is.
Oh man, she looks like a ready boop, ready boop, ready boop.
I put it up in the open, ready boop and I need it.
We jumping up and down, sitting ready boop, down.
Don't even need my boop.
It's all the blood of the night, yeah.
And I see a check, man.
I'm just waiting to go check, man.
I'm going to check, man.
Your man is re-biting and telling all the nonsense.
I'm stuck in spin door, I'm stuck in the dark.
I'm stuck out when you jumped up and down, I need to be out.
Oh.
I'm going to check, man.
I'm going to check, man, I'm stuck in the dark.
Hey, man.
I'm going to check, man.
I've got to stay, I've got to stay.
It's definitely something, man.
I'm going to check, man.
Yeah.
Yeah.
Yeah.
Boom.
Boom.
Boom.
Boom.
Boom.
Amen.
Big dog Brown.
Yeah.
Amen.
He is a one-man guy.
Yeah.
He always says, one point.
One point.
One point.
I don't know.
All these talks about who's.
Who's?
Who's.
Who.
Who.
Who.
Oh.
Oh, my eyes stop, oh, that's what it is
Let it go, oh, wait
I'm gonna go jump, baby girl
I'm gonna go, yeah
I'm gonna go, I'm gonna go
Jump, baby girl, oh, not all of it
I'm gonna go, yeah
Yeah, yeah, yeah oh, wait
I'm gonna go, I'm gonna go
Jumping up, huh?
I'm gonna score a deal, baby girl
I'm gonna fall in, baby
I'm gonna go jump, baby girl
Yeah, yeah, yeah
Yeah, no more again, baby
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It's the best in jazz 432 GML all day long.
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I don't wanna bore you with it
Oh but I love you, I love you, I love you
Oh, I don't wanna bore you with it
Oh but I love you, I love you, I love you
Yeah, we're gonna bore, you with it
And from the music soundtrack of the motion picture, a thin line between Love and Hate,
Tevin Campbell, I haven't heard from him in quite a while, but I brought you some information
on one of these days and see what I can find out and pass it on to you.
CD is from Chocolate City and knocks me off my feet. Top of that set, Mark Antonio and Midrid,
that was the CD and the composition that you heard. Pieces of a dream and makes you want to
his name of the CD and holding back the tears, all that right here at your favorite podcast
station. Listen, the weather here in Western Salem, now this is about a half an hour ago, is
clear, 45, it's cloudy. I said clear, but it's cloudy and it was clear at the time.
It's going to be 90% chance of rain today. The high will be 57 and low, 45. And key view
crane, the current temperature is 31. The high again today is going to be that 31 degrees,
the low tonight is 22. Salt Lake City, Utah, coming in at 33 degrees, the snow there,
the lows is going to be 22 the night, New York, New York. Currently, it's 38 degrees, it's raining
there. The highs today, 41, the lows going to be 34. Remember, Warren doesn't take away tomorrow's
trouble. It takes away today's peace.
I'm here, Dia Dato. He does a nice thing on there. This
is Dia Dato too. I'm here, Dia Dato, Dia the keyboard work. Just listen to some of the names.
I'm not going to go through them all because there's so many of them that was in this group.
The Stanley Clark, Billy Cobham, Ruben Bessine. We also had John Fatus, Wayne Andrews, Tony Studd,
Billy, I'm sorry, Jim Buffington. We had a Hubert Laws, a list of violinists that was just so
many to mention right now. He had violas, cellos, bass cellos. It was just so many of them.
That composition was from Dia Dato's CD, Dia Dato 2. It was superstruite. This is the name of the
name of the song. I enjoy that. I know that was a special request from a man by the name of
Benny Studd. You wanted to hear some Dia Dato and I had to reach way in there and to find that one,
but that was good. I enjoyed that. All that good music is right here at your favorite podcast
station, which I always recognize individuals who have requests. Always do that and how I'll find
it some kind of way and get it on for you. Good music right here.
Easy when you got another mouth and feet. Let the roll up a man got to take the lead.
Got stressed on the job. Not only that. You would have a man if they knew how to act.
Now go on with your bass cell, put it down, make the world go round. You can show us how to have a
just sit at the park, read in the book. I love you, my friend. That's all it took.
Friday day.
Now to the omens in the hood, this is how I see it. Just because I live there ain't got to be it.
I made it on my own by grabbing the mic, lifting my own struggles got through the hike.
Got a new struggle made in lunch and friends can't see how the eye in the bin stands.
Got a love for y'all, but I got a move to take the life down. So it's like changing the groove for
Friday day.
If we hit the stage, nobody can beat us.
What's going on here? Nobody will see us.
So I had to change. You know, look at what that Friday day.
You know, you love, you love, you love, you love, you love, you love, you love, you love, you love, you love.
You're just like the last day.
It's Friday night.
There was someone that I left along the way, just wanted you to know there's a Friday day.
It may not be with me, but you're loving this. You high told you over and over why.
I had to step away and change my life. You were perfect. Could have been more like this.
One more thing to the pot of gold, there's a Friday day. Now I'm sold on the Friday.
No more roads stop calling me
If I thought it would come to this, but let me be
Get this walk away, turn them around
Leave me alone
Leave me alone
Even when you're still in this world
Because we've got a place to go
It's not over yet
It's not over yet
It's not over yet
It's not over yet
It's not over yet
It's not over yet
It's not
Over yet
It's not over yet
It's not over yet
It's not over yet
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question to or tell me what you'd like to do. I want to thank all of you who have
contributed to the music and to also the information coming in, positive
information and some of the folks that have been saying that they want to go on
and put some monetary value. I've got it getting it set up where you can go
and do that and tell me where you would like to place that money. In other
words if you want a particular CD or you want some particular music that's fine
and any contributions coming in I'll do that on my next tutorial or my next I
should say episode and give you the information where you need to go if you
like to do that and I would appreciate it because all the monetary value that
comes in here is going to go of course to music and as I've always saying I
don't play any kind of music unless it's got the writer and that's a requirement
from BMI and I'm going to follow that strictly 100% so you make sure that
whatever you send in if you decide once I get a you know this set up as far as
the music is and I have a post office box if you want to send in a CD that's
fine but I have to have all the information on that CD I can't just have a
record CD that's generated from your home I have to have either the whole CD but
I have to have who wrote the song who composed the song those are the things
that's very important that I believe in it I believe that the writers have to
receive their monetary value it's all about good music is right here listen
darkness cannot drive out darkness only like can do that hate cannot drive out hate
only love can do that
feel so good to do just a day here I don't want this moment to end
but and if I could I make time stand still so you can work it on me
what your magic on me again
don't ask me to set you free now that you're a part of me you're mine
security you're mine
it's too late to let you out that's why I keep all the
nothing else seems to matter
you're a part of me you're mine
security you're mine
it's too late to let you out that's why I keep all the
nothing else too late to let you out that's why I keep all the
nothing else too late to let you out that's why I keep all the
nothing else too late to let you out that's why I keep all the
nothing else too late to let you out that's why I keep all the
nothing else too late to let you out that's why I keep all the
nothing else too late to let you out
that's why I keep all the
you
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