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About this Episode
Es un “Variety Show” emitido en prime-time por las tardes en directo desde nuestros estudios en Madrid, de lunes a viernes a partir de las 18:30 GMT+1.
El programa es interactivo, dinámico y didáctico, donde figuran tanto traducciones, expresiones, pronunciación, errores comunes, noticias y negocios, como el ya popular “By Request”, sección en el que el contenido es dirigido por ti, el oyente.
El programa también incluye entrevistas telefónicas e invitados al estudio.
Se les anima a los oyentes a participar en directo en varias secciones del programa, acompañando a Kyle en Twitter a @imkylemillar o enviando preguntas o puntos de discusión a: [email protected].
Hosts & Guests
Transcript
Nueva sede en Pofuelo. Te esperamos, Baugan, Lippin.
Escúchanos en cualquier momento y en cualquier lugar. Descargará, de Baugan radio.
Hola a todos, bienvenidos a The Drive Time Show.
Es ese momento, sí. Tienes vuestros amigos.
Están estampentando, empiezo ahora. Lo de en inglés.
Taro, venga, vamos a empezar.
Eso es correcto, tenemos una buena historia hoy, tenemos expresiones.
Tenemos un grama.
Sí, tenemos una historia, tenemos cuestiones y answers.
También tenemos la return de nuestra interesante.
¿Qué es esto? ¿Qué es esto? ¿Qué es esto?
¿Qué es esto?
¿Qué es esto? Bueno, vamos a ver.
Tenemos una buena historia hoy, es Tuesday, es el segundo día de hoy.
¿Yesterday will be Wednesday?
Sorry, tomorrow will be Wednesday, pardon me. Tomorrow will be Wednesday,
today is Tuesday. Y estere de
dice que es un momento de la primera vez.
Bueno, bueno, vamos a ver.
¡Vamos a ver.
¡Vamos a ver.
¡Vamos a ver.
¡Vamos a ver.
¡Vamos a ver.
¡Vamos a ver.
¡Vamos a ver.
y
todos, bienvenidos a la
hora de la tiempo,
gracias por tuerte,
y ha hecho un buen
decisión.
Buen edificio,
Sintonizando,
el programa de hoy,
porque tenemos un poco de
talked about,
tenemos un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
hoy, un buen
el agua puede haber eso afectado.
En realidad, estamos en la vida y vamos a tener
algunas actividades interactivas.
Hoy, por favor, me voy a enseñar el fund en Instagram.
Estoy Kyle Miller.
No estoy extremando ahora mismo, pero,
pero casi el tomorrow, que es manllano así.
tomorrow, vamos a hacer otro stream, porque eso fue un gran fun.
Y nosotros hemos tenido muchos de los que nos enseñamos a la vida.
Eso fue un buen.
Tenemos que hacer eso, por lo tanto.
again soon and lots of people saying oh please do it again we enjoyed it right
yeah yeah exactly exactly anyway let's get things started how about how
about a challenge un reto okay let's begin the show with today's Twitter
translation hmm that's right Twitter translation so you know how this works
this is that part what I'm going to give a sentence in Spanish and you can say
it in English ballet yo en español y tu en inglés ballet so if you want to
participate David how can they find me online
o lo que es lo mismo that's right I'm Kyle Miller on Instagram on Twitter
and the sentence today and this is a very interesting sentence really
now this this opens the door to an interesting discussion and I think maybe
today we will give the answer to this one a little earlier than usual
maybe at the start of the final half hour just to give people a chance to to interact
but I want to talk about this because it leads to some interesting um it leads to an interesting
discussion and kind of some confusion among students that hopefully we can clear up
podemos aclarar all right anyway let's begin our show though as usual okay calentar motores
right so let's dive into the warm-up gym
all right everybody it's the warm-up gym yo voy a decir una frase en ingles en
castellano y tu en inglés ballet okay so we're going to translate them en voz alta
right out loud we'll translate these sentences okay here we go now you got to do them out loud
people in voz alta here we go la habitación de mi hermana esta allí la habitación de mi hermana esta
tu familia esta oliva sobre que está con su savory
y tiene una muy bien centa y esta interesante porque tiene daquicipe y ada ahí
que está ahí ahí donde allí está esto que ha hecho hoy esta
porque siempre hay que empezar éste con él mazaeral y como dice de finally
está, está, está, está, está más allá mesa, así no general aquí
Esta es la habitación de mis hermanos.
Esta es la habitación de mis hermanos.
Esta es la habitación de mis hermanos.
Esta es la habitación de mis hermanos.
B-R-O-T-H-E-R-S apostrophe.
La habitación de mis hermanos.
La habitación de mis hermanos.
La habitación de mis hermanos.
La habitación de mis hermanos.
La habitación de mis hermanos.
La habitación de mis hermanos.
de un brother apostrophe S.
Entonces, si el apostrophe
llega después de la S,
es con un noun plural.
Curioso, ¿no?
Interesting.
¿Y si hay un hombre y un brother?
¿Puedes decir,
seblings?
Sí, seblings.
Eso es correcto.
¿My siblings, L-I-N-G-S?
A apostrophe, ¿no?
Sí.
Es correcto.
Hermanos, bajumín,
femenino, en masculino.
That's right.
That's right.
So Hermanos, claro,
en sentido de Hermanos,
que son dos chicos,
dos brothers,
pero otros,
otherwise siblings.
Pero, sometimes,
we say brothers and sisters,
like, if we had a big group of,
if we had a big group of like 40 people,
and we said everybody,
everybody in the class is invited,
and they can bring their brothers and sisters.
Now, they can bring their siblings perfect.
Perfect, in fact, more concise.
But in casual English,
even though it's longer,
we would probably say brothers and sisters.
Everyone came to the party
and some of them even brought their brothers and sisters.
Sus hermanos,
que puede ser hermanas también, ¿verdad?
Sí.
Bueno.
Sí.
No, that's right.
Now, this next one is true.
El café y el tesón bebidas populares.
David, how do you say it without thinking too much?
El café y el tesón bebidas populares.
Well, I would say coffee and tea are popular drinks.
Yeah. Coffee and tea are popular drinks.
So, we're not going to say drinks popular.
No, popular drinks. Coffee and tea.
And we're not going to say the coffee or the tea, right?
I like coffee.
But the coffee in this office is terrible, David.
Yeah.
Estaba punto, es decir, the coffee.
So, when we speak in general, think of that sentence.
I like coffee.
I like coffee, but the coffee in the office is bad.
I use the article because I'm making it specific somehow, right?
You're talking in my language.
Yes.
Yes.
Yeah, that's right.
I am.
I'm talking in your language.
So, the coffee in the office is bad.
Elephants are big,
but the elephants on Mars are small.
Did you know that, David?
The elephants on Mars are very small.
They're miniature.
I didn't know it.
About 30 centimeters tall.
Are there elephants on Mars?
Micro-micro-elephants, we call them.
Oh, yeah.
And they're only 30 centimeters tall.
They're a life.
Are they a life?
Well, in the drive time world, they exist, you know?
Ah, okay.
Now I get it.
Ele...
Or I could say elephants are big.
The elephants in Africa are brown.
And the elephant...
You know, yeah.
The elephants in Africa are gray.
And the elephants in Asia are brown, right?
People love the beetles.
People love the beetles.
My mother listens to the beetles a lot.
Make it specific.
Or the people in my hometown, I should say.
The people in my hometown listen to the beetles a lot.
People love the beetles.
En general, right?
La espacinas están rotas.
Now obviously I'm talking about specific pages here.
Because not every page in the world is brought, you know, pages are important.
La espacinas están rotas.
The pages are torn.
Not broken, torn.
The computer's broken and the pages are torn.
Yeah.
It is astray.
Or the computer screen is broken.
As you can, I'll put it over there.
And the pages are torn.
So I can't read it either.
Okay.
De él.
¿Vale?
Su camisa está rota.
David, what would it be?
His dessert is broken, no, or is...
Ah.
Camisa?
What?
Te or shirt?
Te or shirt.
Yeah, look, the shirt is camisa, no?
Yeah.
But his shirt is what?
Yeah, it's not broken.
No.
It's...
The other verb we used, right?
I said, I said, the pages are torn, right?
So it's torn.
Torn.
Yeah.
So it's a tear, romper papel, romper tela.
Ah, okay.
También.
His shirt is torn.
Mm-hmm.
So it's a verb to tear.
And then the adjective torn.
Your shirt is torn.
Yeah, I tore it yesterday.
When I was getting off the bus and it got caught on a nail.
I don't know.
Right?
Exactly.
Yes.
La lavadora está rota.
The washing machine is broken.
La lavadora.
La washing machine is broken.
Está rota.
No, no, no, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no.
The washing machine is broken.
Está rota.
The washing machine is broken.
El asa está rota.
El asa, ¿cómo sí de eso?
The handle.
Está rota.
The handle is broken.
The handle is broken.
El asa está rota.
Su ropa es bastante elegante.
Her clothes.
Her clothes.
Her clothes.
Her clothes.
Her clothes are quite elegant.
Her clothes are quite elegant.
Now, this has been a very interesting translation list.
Isn't it David?
Yes.
And you know what book this is from, David?
From the translation booklet.
Yeah, but yeah.
And now the booklet is divided.
It used to be eight different books.
I will, yeah.
And now it's compiled into
they're all together in one wonderful booklet.
But it's still, it says, you know, book one, two, three, four, five, six, seven, eight.
Progressingly more difficult.
So which book would you say we are in here?
If I say, um,
like the sentences that we've been practicing out of the eight, which one do you think we're in?
I would say it's two or three, maybe I don't know.
This was, these sentences have been from book one.
No, no, it's impossible.
Yeah.
Book one, less 27, my friends.
Mm-hmm.
Yeah.
So it goes to show, right?
It goes to, and this is from the translation booklet, which is, it says right on it.
And it's a very good tool.
And sometimes people say,
people sometimes people say to me, ah,
but I don't want to phrase the verbs, eh?
What I need is my signature pendiente.
Dame el, tengo que,
another thing that I don't like is when people say, tengo que perfectionar.
I think, I think you use that in Spanish differently than we use it in English,
yo también tengo que perfectionar.
Bueno, ojalá,
yo sigo haciendo un esfuerzo para perfectionar mi inglés.
Yo soy profe en inglés, de más de 20 años.
Perfectionarlo, nadie es perfecto en este mundo.
To perfect in English is truly approaching perfection, which would be a very,
to say that in English would be very,
quiero perfectionarlo.
It sounds very egoista for me.
Very posh or very, or very like your presumido.
Es presumido decir eso.
Quiero un curso porque quiero perfectionarlo.
Quiero mejorarme inglés.
Nadie es perfecto, ni Barack Obama, ni William Shakespeare, ni al Rey.
No, buddy, ni Richard, ni yo, ni Fitz, ni Nadie.
No, buddy es perfecto.
So, don't say you're going to perfect your English, you're going to improve it.
Right?
I think in Spanish, boy, perfectionarlo.
It's okay, but in English, no.
You'd be very bragging to say that.
That's one point.
The other point is,
never underestimate the importance of the basics.
De lo básico.
Right?
Because you can use this book in a different way,
on this same show, on this same program.
A veces,
a veces estoy en el libro ocho.
And I'm saying something like,
como piensas me dir el éxito de la campaña,
had you planned to measure the success of the campaign,
or I'm in list one,
saying su camisa está rota,
his shirt is torn.
Bueno,
hay un gran diferencia, pero también,
cada parte tiene su truco,
pero la idea,
con la basicidad,
es llegar a dominarlo.
No se ve nada saberlo,
entre comillas,
sino hay que llegar a dominarlo.
Hay que poder
sacarró con soltura,
sin pensar.
I don't want you to think.
I don't like thinking.
It's overrated.
Thinking is overrated.
It's like when you go to the...
I want this to be like,
when you go to the doctor,
you know,
and he hits your knee,
and your knee jumps up,
es así.
You're not thinking,
okay, the doctor's going to hit my knee.
I'm going to shoot my knee up,
my leg.
Ready, one, two...
No, one, two, three, go.
No, no, no,
es así.
It comes from the subconscious.
Right?
We literally have the expression
a knee jerk reaction.
And that's what it has to be.
This process needs to be a knee jerk reaction.
And you are coming out
with the correct structure
because you've said it 500 times
and it's difficult for you to say it wrong now
because you're so ingrained
in your brain
that the easy thing is to say it right.
That's where we want to be.
Con lobásico
with the basics, with the essentials.
No perfecto, pero...
No perfecto, pero bien.
Exactly.
Well,
or perfect,
even better if it's perfect,
it doesn't have to be perfect,
but good to have a good base.
Un abase.
It's important, right?
It's important to have a base
with the essentials.
So don't...
don't race forward.
Don't race forward
and get into advanced structures
that just for the sake of doing them,
hacerlo por hacerlo.
No sé si se puede decir eso,
pero...
por hacerlo por hacerlo
o por hacer algo
o por hacer algo
o por hacer algo
que tienes que aprender algo nuevo.
Focos en la base,
mas de la base.
Ok?
We're going to translate
2 more sentences.
We're going to translate
2 more sentences.
And I'm going to...
we're going to...
David has to get both of these right
or we don't stop,
o no paramos.
Ok?
But they're not hard,
but David has to get them perfect, ok?
This next one.
El oro y la plata son metales.
I would say,
golden silver are metals.
Perfect.
Yes.
Golden silver are metals.
Very good?
Ok?
La gente joven está loca.
Don't disappoint me, David.
Be careful, cuidado.
No, young people are crazy.
Thank you.
For example, you can say,
crazy or...
or mad.
Yeah, many ways.
Yes.
But yeah, young people are.
The most important thing is
are in that sentence.
Claro, claro.
Because when people say,
people is,
me dole la cabeza.
Me dole la cabeza.
I have to take a parasitomo
y tumbarme durante media hora.
¡Fadés, hombre!
Ya sabes.
I try not to get my angry,
but when people say,
people is,
it bothers me.
It bothers me, I should say.
Yeah.
People are,
people are,
people are crazy.
Ok.
Anyway, guys,
let's move on
and have a look
at our expression of the day.
Expression of the day.
Ah, the expression of the day.
Very good.
Our expression of the day today
is
riding
shotgun.
Shotgun, que es escopeta.
Now, to ride,
conduce,
but to ride in a car,
eating coche,
to ride,
can ride with someone.
Ride with someone else.
He rides alone.
He rides with someone else.
Sometimes,
some,
Debbie, do you always ride alone
when you come to work
or do you travel with someone else?
No, I bring on my friends.
Bring a few friends.
Come on.
Hop in the back.
We're going to va,
we're going to ride you.
Right?
Of course.
Ride alone.
Yeah.
Okay.
He rides alone.
So, to ride,
now, to ride,
shotgun.
Do you know what that means?
No, I know what it's a shotgun,
but I don't know the expression.
So, to ride shotgun refers
to sitting in the front passenger seat
of a vehicle,
kind of accompanying the driver.
So, if I,
if David is driving somewhere
and I say,
oh, can I go with you?
And I get in the front seat,
then we say,
I am riding shotgun.
Shotgun.
Shotgun.
So, this is like,
if you have three or four friends,
you know, usually,
and you go to get in a car,
usually,
someone wants to be in the front seat.
Pokémonamas.
Right?
It's better to be in the front seat.
So, someone says,
oh, go shot.
So, we used to do this.
We called it,
riding shotgun
or calling shotgun.
I used to do this
when I was,
when I was 17, 18, 19,
with friends,
you'd say,
shotgun.
We said,
shotgun first got to sit
in the front seat.
It's a very known thing.
But it comes from,
the Wild West.
The Wild West.
Where they,
stage coaches, right?
Going across the west
with horses and a wagon.
And you'd have valuables.
Maybe you had gold
or maybe you had money
or you had,
things, you know,
valuable things.
So, robbers would come,
sometimes bandits,
and steal,
stop, stop a stage coach,
red a coach,
and lacaravana.
And it says,
okay, stop.
Give us your money.
Oh, my God.
And they'd rob them.
So, they had a guy
who would sit in the front seat
with a shotgun,
con una escopeta.
All right.
I'm riding shotgun
to protect the stage coach.
And from there,
we had the term
to ride shotgun,
which became a popular,
a popular and known term.
Right?
To ride shotgun.
Mm-hmm.
And I've used that
with my friends a lot.
A lot when I was young.
I used to use that all the time
with my friends.
Shotgun.
And it has been the
front seat.
Anyway, we're going to take
a short break.
Okay?
We're going to talk
about the verb
to lack after the break.
Mm-hmm.
To miss.
And lack.
We're going to talk about
those two verbs.
We're also going to hear some
music after the break.
We have plenty to come,
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All right, folks, it's hall and oats, and we're going back to 1976 with the song Rich Girl
from the album Bigger than both of us.
And this is the first hall and notes single to hit number one in the U.S., and it kind
of pushed them to Super Stardom.
The character in this song is based on a real person, a spoiled heir to a fortune who had
dated Daryl Hall's longtime girlfriend, and her stories of him inspired Hall to write
this song, but he had to change the character to a girl.
Originally the rich guy was a guy, since he was the only one who'd be singing it.
So the original lyric was, he can rely on the old man's money, he's a rich guy, but they
change it to she's a rich girl.
So it's about a rich child or rich, you know, adult child, relying, fiendos en el dinero
de la fathería.
And it went on to become a big hit for this one, hall and oats.
And these guys, these guys came out of Philadelphia in 1970, Daryl Hall, generally they lead vocalist
and John Oats mostly played the guitar and provided the backing vocals and the two wrote
most of the songs they performed, either separately or in collaboration.
And they had their greatest fame in the mid 70s and into the late, all through the 80s,
really, commonly referred to only by their surnames, their official and preferred title
included the members first names, Daryl Hall and John Oats.
And some of their albums, the albums actually have that on the title, on the cover, but
everybody seems to call them hall and oats instead of Daryl Hall and John Oats anyway.
Hall and Oats folks, they got, they had a bunch of hits in the 80s and you know, it's
good playing stuff, it's good songwriting, worth checking out, but that's all I have to
say about that.
But I do want to go, I do want to move ahead a little bit and talk a little bit of grammar.
In fact, I want to take a look at two commonly confused words, let's look at today's, what's
the difference?
Like, make, do, go, come, take, bring, what's the difference?
All right, it is time for today's, what's the difference?
And yeah, that's right, it's time, Nostoka, the time has come.
I want to talk about the verb to miss.
Now to miss and also to lack.
Now this is tricky.
First of all, I guess we should talk for a moment about miss and lose.
Yesterday I missed the bus and I lost my keys, fatal.
I lost, I lost the, we lost the game and I missed the goal.
So to miss can be no aprovechar, to miss a chance, to miss an opportunity, to miss
the bus.
Now miss also in a different sort of less confusing use, it also means achar de menos.
Echo de menos la cocina de mi madre.
I miss my mother's cooking.
I miss my friends from my hometown.
I miss being able to watch baseball games at 8 p.m.
I miss being able to go ice skating outside in the winter.
Yeah, I miss it, do I show the menos?
Now to to lose is the opposite of when we lost the match, we lost the game.
You lose also, so the opposite of when and also knowing gone throughout, I'll go.
I lost my keys.
I lost the, whatever, I lost my dignity, my dignity, oh my gosh, how did you lose your
dignity, David?
What happened?
I was joking, oh, okay, it's just an example, yes, but yeah, you can lose a lot of things.
He lost his respect, yeah, for example, okay, but we also have to miss versus to lack,
and this, this one actually came in from our friend Laura, who, well, friend, it's a part
of the Facebook group, guys, it's completely free.
Make sure you join the group, no questioner, English with Kyle on Facebook.
She says, I'm not sure when you use miss or lack on certain occasions.
For example, would it be the same if I say, I'm missing a tooth or I lack a tooth, okay?
Falto en diente, I lack a tooth, or I am, yeah, in that case you could say it either way.
Uh-huh.
Now to lack is like, do you say, uh, well, falto, caracerce de, do you say, David,
caracerce de algo, sin el sé, caracer de algo, yeah, okay, all right.
So to lack, like, falto a sal, eso falto a sal, hace falta un poco de sal, eh, it's missing
salt, it lacks salt, so in that case they're very,
uh, yeah, it's missing salt, like it is, salt is absent.
So you can say, yes, you can say to miss in this sense, it's missing salt, or it is missing salt,
it misses salt, or it lacks salt, correct.
So there are certainly cases where they are the same.
Now to lack something means to not have something, usually something, uh, you know,
something desirable, of course, right?
I would take the computer apart to fix it, but I lack a screwdriver.
Falto en diastornillador, I lack a screwdriver, uh-huh.
Okay, to miss is to regret the absence of something,
to miss, to, to be sad about the absence, I, I, I miss my mother's cooking, it's out of the
menos, right? Or also, um, I lost my screwdriver and I miss it, it was a good one,
it was a good screwdriver, David, but I miss it.
Echo de menos a mi destornillador, porque era muy bueno, right?
It was very good.
So to miss someone, you know, you could miss someone and you could lack
them in your life, that's true.
Mm-hmm.
I lack, I lack the books, and now I miss the particular book that I used to have here
Echo de menos al libro, y ahora falta al libro, Saki.
Echo echo de menos el libro que, que antes teníamos aquí,
I miss the books that we used to have here, for example.
Okay.
So there you have mis and lack, there are certainly some similarities, there are certainly,
um, some overlap, but it's good to just see how these
can be used.
Hopefully, that's sort of clear.
Miss and lack.
Okay.
All right.
Anyway, what I want to do, everybody, is a fun.
This is a lot of fun.
This part of the show, we're going to play an audio file, everybody.
We're going to play a track.
I want to just go chat, I'll go, and then we're going to talk about it,
and we're going to analyze it.
We're going to analyze it.
So we call this part of the show.
Today is what's going on.
Oh my god, what's going on?
That's right, everybody.
What's going on?
What's going on?
Uh, so what is, what's going on?
That's what I'm wanting.
What's going on?
All right, so Debbie is going to play a track,
and we're going to try to figure out what's happening.
I'm not going to say anything about it first.
We may have to listen to this a few times.
It's only, it's only 20 seconds, 22 seconds, something like that.
All right, let's hear the track.
You know, my, my thing was when you compete,
you're really not friends, you want to keep an edge.
And I was like that through high school and through college,
but urban is an outgoing guy.
He loves everybody.
He wants to high five and, you know,
he got that big, big smile.
My goal was to try to take through them teeth home with you.
Okay.
Okay.
That was a bit tricky.
I'm writing it down.
I'm writing, I'm taking notes here.
Was that easy, David, or was it tough?
I would say the accent is very pronounced, very serralo.
There is an interesting accent.
I like that accent myself, but it's tough.
He's from Indiana.
The guy speaking is from the state of Indiana.
Yeah, and it's a very, it's a Southern, it's kind of a Southern accent, but it's not,
um, yeah, it's a Southern accent, but it's not, um, Indiana is not really that far south.
In fact, Indiana is where Annie, who came to the show a few weeks ago,
she's from Indiana, but she doesn't have that accent, that drawl that this gentleman has.
Let's hear it.
Let's just before we even talk about it again.
It's very short.
Let's hear it again.
You know, my thing was when you compete,
you're really not friends.
You want to keep an edge.
And I just like that through high school and through college,
but urban is an outgoing guy.
He loves everybody.
He wants to high five and, you know, he got that big, big smile.
My goal was to try to take three of them teeth home with me.
So first of all, there's an interesting structure here.
He says, you know, you know, which is like,
you know, it's a filler.
No sirve para nada, but we say these things a lot,
just like you do in Spanish.
So say, uh,
es que bueno,
pues,
eh,
these are all verbal fillers that we use.
So he uses this at the start.
He says, the thing is lo que pasa es que
the thing is when you compete,
you're really not friends.
La verdad es que no son, no soy amigos.
When you compete, cuando estás en la competición,
you're really no puede ser amigos.
So this is a guy he's talking about
his competitiveness with another
classic famous athlete from his era.
And he says, you're really not friends
because he says, you have to keep the edge,
the edge.
So the edge is like, um,
on a knife,
on a knife, you have the edge,
you have the, it was el borde,
del guchino, el borde, no.
What do you, what do you say for the edge?
Eh, la parte que,
maybe he,
he corta el filo,
el filo,
ah, he que mantener el filo.
No?
Wow.
I don't know if we would say that,
but yeah.
But we say in English,
to keep the edge,
like, keep your,
to be ready, to be aggressive,
to be on,
you can't, you can't relax.
You can't let,
but no, no,
no,
no puedes bajar la guardia.
You have to keep your edge,
she says.
And he says,
Irving,
Irving was smiling all the tea.
Talks about Irving.
Irving was smiling all the time.
He was happy.
He was smiling all the time.
But when I saw that,
he said,
my goal,
mi objetivo
was to take two or three of those teeth.
Y a sacarros dientes,
this is onriza.
So to take someone's teeth
is like,
eh, like a fight, right?
Nox someone's teeth out,
implies you're in a dispute,
you're in a fight.
Uh-huh.
He says,
the thing is,
when you compete,
you're really not friends.
You need to keep an edge.
My goal was to take
two or three.
Yeah.
My goal,
but now,
when, when he smiled,
my goal was to take
my goal.
He smiled.
And so he's saying,
this guy,
this competitor was,
um,
well, egate,
right?
He was very, uh,
very happy,
cheerful,
but my goal was to be aggressive
and knock a few of those teeth out.
And the guy's name was Irving.
He talks about Irving.
So,
who could be
who is Irving?
Who could he be?
And so who is the guy
who is speaking about Irving?
Let's hear it one more time.
Let's hear it again, Debbie.
You know,
my, my thing was,
when you compete,
you're really not friends.
You, you want to keep an edge.
And I was like that
through high school and through college,
but Irving is an outgoing guy.
He loves everybody.
He wants to
high five.
And, you know,
he got that big,
big smile.
My goal was to try to take
three of them teeth home with me.
My goal was to take two or three of them
a them teeth home with me.
My goal was to take two or three of those teeth home with me.
So Irving had that big smile.
He was always joking.
He had that big smile.
And he has his own Risa.
He was friendly.
But my goal was to take two or three of those teeth.
So Irving is Irving Johnson,
also known as Magic Johnson.
Star of the Los Angeles Lakers of the 1980s and 90s.
The great,
kind of the great star of the NBA before Michael Jordan.
Magic Johnson.
But the man speaking is Larry Bird.
The great Larry Bird,
one of the greatest players ever.
One of the greatest shooters ever.
Very competitive as well.
And he was a great trash talker.
Right? He would say things,
aggressive things on the basketball court
to get the other team,
you know,
riled up.
Anima Lo.
Riled up is like anima like excited,
but in a way that they're distracted
and maybe lose focus on their ability to,
you know, their focus on the game, maybe.
Lose their concentration.
So yeah.
So we've got, we've got that.
We've got,
we've got,
Larry Bird talking about Magic Johnson,
talking about his intensity and saying,
look, we couldn't be friends.
So the interviewer said,
look, can you be friends?
Is it possible to be friends?
He says, well, the thing is when you compete,
you're, you're really not friends, he says,
you've got to keep your edge.
Irving was happy.
He was smiling.
He was, I forget exactly what he said.
But he said, Irving was always
smiling and laughing on the court, joking.
But my goal was to take those teeth home with me.
Let's hear it one more time, David.
You know, my, my thing was when you compete,
you're really not friends.
You want to keep an edge.
And I was like that through high school
and through college.
But Irving is an outgoing guy.
He loves everybody.
He wants to high five.
And, you know, he got that big, big smile.
My goal was to try to take three of them teeth home with me.
Yeah, so he also says, yeah, I kept that
through high school and college, right?
I traversed it in, in a square eye,
in a, in a collegio and through college.
And, um, and he says Irving like to high five.
So high five is like, jocca.
I don't know, how do you say high five in Spanish?
Do you know, David?
Yeah, we, we would say, jocarros, thinko.
Jocarros, thinko.
Yeah, jocaisos, thinko, we say.
Jocaisos, thinko.
Give me five.
High five.
Yeah, okay.
So Irving was always, hey, man,
and giving his friends high fives.
Yeah, smile and woo, all right.
But Larry Bird was more of an intense competitor.
Well, in, I mean, magic was, it was, of course, very intense as well.
But Larry Bird, I think, stayed in that intense character.
Very, and very interesting story.
You know, he was from Indiana,
white guy from Indiana, tall guy.
And he had an injury when he was playing high school.
He was good, but he had some sort of an injury.
And he had to take some time off where he couldn't play on the team.
So he just stayed basically in his yard like at his house
and just shot basketballs, just shooting, shooting, shooting, shooting, shooting, shooting.
It's like learning English, right?
Practice makes perfect.
And he just shot, and he became,
yeah, one of, one, I don't, I don't think you'd say,
well, I don't know if you'd say the greatest shooter of all time,
but maybe, maybe you do.
Maybe he's the greatest shooter ever.
And basketball, maybe, Larry Bird.
I mean, if you look at highlights of Larry Bird, it's insane.
Have you ever seen this, do you like basketball, David?
Well, not really, I would say, but yeah, it's entertaining.
Have you ever heard of, have you ever heard of Larry Bird?
You got to check him out.
You got to check him out.
He is a big, and you know, also at a time, you know, he was, he was a big white guy from,
from Indiana, not that it matters, but he was, you know, a bit, a bit of a different profile
from the stars that were coming in at the time, but he became a dominant shooter and a dominant
passer, like the looking one way, passing the ball the other, just incredible, and then going,
and then given the ball, and he would just shoot and, and sink it, like there's these stories
of him, even when he was older, driving, driving on the highway and seeing kids playing basketball,
stopping his car, getting out, saying, I want to shoot some balls.
They given the ball, shooting like 20 shots in a row,
hitting all the shots, and then just getting in his car and leaving.
Exactly. Larry Bird came out of the bottle.
Marrero.
Yes, but Larry Bird was one of the greats, and I do recommend
checking out his, his highlights, some of his highlights there.
Anyway, let's move on, everybody. Why don't we have a quick look at,
why don't we look at today's awesome adjective?
Awesome adjectives.
Awesome adjectives, yes.
What could it be? Today's awesome adjectives. Now they're all good.
I always say this that they're all good, but today we have another yet another
interesting and awesome adjective. So today,
today, let's see, how about
nosy.
Nosy case,
kotilla, no?
Fiscón.
Don't be so nosy, because imagine, you're putting your nose,
ok, ok.
Imagine me sticking my nose in things that aren't my business,
being a little bit nosy, nosy, N-O-S-Y.
No, no, it's important to not be nosy people.
You have to respect other people's privacy.
Don't be nosy.
So we say no, we don't say noisy.
Noisy es otra cosa, ruidoso.
But this is nosy, nosy, and that's a good one.
So that is today's awesome adjective, ok.
How about another one?
Beneficioso.
How do you say that, David?
In English, you know, beneficioso.
Knowing English is very
beneficioso. It's very, I don't know how to say benefit, but
been beneficial.
And knowing English is beneficial.
Oye en día, no?
Casi, casi.
Yeah, yeah.
These days, knowing English is beneficial these days.
Are typing skills beneficial in your job, David?
Well, yeah, sometimes yes.
Being able to type is beneficial.
Yeah, and it type very, very fast.
Do you?
Yes.
Well, I don't say as far as I know, as far as I...
Did you, yeah, did you do a typing course or did you learn by yourself?
Both of them will be through the years, no?
During the years.
And...
Well, if you grew up with a keyboard, right?
I don't.
Yeah, yeah.
And also at school, we did some
consejos.
That's a good idea.
I did not do...
I never took a typing course.
And for me, it was one of the great regrets.
Because I don't know how to...
I mean, I type like everyone else, but I do it.
I type in my own way.
So it's not optimized.
I don't type fast.
I wish I had taken a typing course.
It's one of my greatest regrets from high school.
Not taking a typing course.
Is that all I'll do if advanced physics?
I don't know.
It didn't need it.
But typing, I use it every single day.
Would have been good to have.
Would have been helpful.
But oh well, it...
So a typing course, I do recommend taking a typing course.
It is beneficial.
Beneficial.
Ladies and gentlemen, we have to take a short break.
Un descanso.
Yeah, even the best of us have to take a break sometimes.
I get his concern of ethys, no?
But we're going to be back.
We're going to come back in a few minutes.
We're going to hear an interesting...
Well, we're going to have lots to talk about.
And a very interesting final half-hour.
We'll get into some questions from listeners.
We've got history.
It's going to be a wonderful half-hour.
So stay with me.
Don't touch that dial.
Buenas noches SR4,
La thriftas escuchando...
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